Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Cristovão Bastos
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Cristovão Bastos
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Cristovão Bastos, nascido no bairro de Marechal Hermes, na cidade do Rio de Janeiro, em 3 de dezembro de 1946.

    Respeitado e admirado por grande parte da música brasileira, estudou teoria musical e acordeom desde cedo, formando-se aos 13 anos, quando iniciou sua carreira, tocando em bailes com a banda de “Creso Augusto”. Sua estréia como pianista foi aos 17 anos, numa boate em Cascadura, subúrbio do Rio de Janeiro.

    Foi um dos fundadores da Banda Black Rio, participando de sua primeira formação e do primeiro disco “Maria Fumaça” em 1976. No mesmo ano participou como solista, juntamente com flautista Copinha, do disco Memórias Chorando de Paulinho da Viola.

    Parceiro de grandes nomes como Chico Buarque — com quem compôs “Todo o sentimento” e "Tua cantiga" —, Paulo César Pinheiro, Aldir Blanc, Paulinho da Viola, Elton Medeiros, Luciana Rabello e Abel Silva. Cristovão criou e assinou arranjos para discos e shows de Nana Caymmi, Edu Lobo, Elza Soares, Emílio Santiago, Fafá de Belém, Gal Costa, Nelson Gonçalves, Paulinho da Viola, Ângela Maria, Chico Buarque, entre outros.

    Algumas de suas composições estão registradas nas vozes e instrumentos de nossos maiores intérpretes, como Zezé Gonzaga, Simone, Ney Matogrosso, Maria Bethânia, Verônica Sabino, os grupos Época de Ouro e Nó em Pingo D’água, Maria Creuza, Paulinho da Viola, Elizeth Cardoso, Emílio Santiago, Zé Nogueira, Mauro Senise, Marco Pereira, entre outros. Em 1998, a cantora Clarisse Grova gravou Novos Traços, disco de músicas inéditas de Cristovão e Aldir Blanc. Barbra Streisand gravou Let´s Start Right Now, versão da música Raios de Luz parceria dele com Abel Silva, no álbum A Love Like Ours (1999).

    Com Aldir Blanc, Cristovão compôs Resposta ao Tempo, tema de abertura da minissérie Hilda Furacão, da Rede Globo (1998) e Suave Veneno, da novela Suave Veneno, Rede Globo (1999), ambas gravadas por Nana Caymmi.

    Em seus 50 anos de carreira, Cristovão recebeu 11 prêmios, entre eles o Prêmio Sharp como compositor, arranjador, instrumentista e melhor disco instrumental, com “Bons Encontros”, em parceria com Marco Pereira; Em 2008 recebeu o 'Prêmio Tim', como melhor arranjador com o disco “Paulinho da Viola – Acústico MTV”. Em 2011 o 'Prêmio da Música Brasileira' como melhor arranjador, com o disco “Tantas Marés” de Edu Lobo. E em 2018, recebe o 'Prêmio da Música Popular Brasileira' juntamente com Chico Buarque pela canção "Tua Cantiga", na categoria 'Melhor canção'.

    Lançou dois discos solo, o primeiro "Avenida Brasil", em 1997 e o segundo “Gafieira Suburbana”, em 2008, contendo composições suas.

Media | Markets

  • ▶ Instagram: cristovaobastos
  • ▶ Website: http://cristovaobastos.blogspot.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCGHhEtWXtHgnYS6tIaTBqdQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCtAPr3F-zCgco04JEAgDbMg
  • ▶ Spotify: http://open.spotify.com/album/2ObH28EG5xZfeNLSZTb6Cx
  • ▶ Spotify 2: http://open.spotify.com/album/67ON3BEy77mgfHcp5U9pCB
  • ▶ Spotify 3: http://open.spotify.com/album/2dycxNgvz5J78VLtgOTs6r
  • ▶ Spotify 4: http://open.spotify.com/album/5IoMEXHBYOZwoGIrdohnOp

Clips (more may be added)

  • Cristovão Bastos e Lula Galvão | Sem palavras (Cristovão Bastos) | 36ª Oficina de Música de Curitiba
    By Cristovão Bastos
    286 views
  • Cristovão Bastos | Todo sentimento (Cristovão Bastos / Chico Buarque) | Instrumental Sesc Brasil
    By Cristovão Bastos
    314 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Cristovão Bastos:

  • 5 Brazil
  • 5 Choro
  • 5 Composer
  • 5 MPB
  • 5 Piano
  • 5 Rio de Janeiro
  • 5 Samba

Nodes below are randomly generated. Reload for a different stack.

  • Jonga Cunha Percussion
  • Itiberê Zwarg Brazil
  • Gabriel Grossi Brazilian Jazz
  • David Fiuczynski Multi-Cultural
  • Demond Melancon Big Chief
  • Brandon Coleman Singer-Songwriter
  • Derrick Adams Multidisciplinary Artist
  • Bill Frisell Guitar
  • Martyn House
  • Rissi Palmer Durham, North Carolina
  • The Weeknd Hip-Hop
  • Keola Beamer Composer
  • Iroko Trio Brazil
  • Emily Elbert Folk Funk Jazz Blues
  • Jack Talty Musicologist
  • Justin Kauflin New York City
  • Itamar Borochov Israel
  • Juliana Ribeiro Salvador
  • Roque Ferreira Bahia
  • Rogério Caetano Guitar
  • Casa da Mãe Choro
  • Zigaboo Modeliste Second Line
  • Cara Stacey Johannesburg
  • Aneesa Strings Composer
  • John Donohue Artist
  • Ben Okri Writer
  • Quatuor Ebène Classicalized Crossover
  • Oscar Bolão Rio de Janeiro
  • Mavis Staples Singer-Songwriter
  • Endea Owens Jazz
  • Don Byron New York City
  • Cale Glendening Film Director
  • Danilo Caymmi Samba
  • Bodek Janke Multi-Cultural
  • Itamar Borochov Composer
  • China Moses Jazz
  • Tim Hittle Animator
  • Alexandre Leão Cantor-Compositor, Singer-Songwriter
  • Custódio Castelo Compositor, Composer
  • Rowney Scott Faculdade da UFBA, Federal University of Bahia Faculty
  • Thiago Espírito Santo Brasil, Brazil
  • Chick Corea Piano
  • Derron Ellies Steel Pans
  • Luques Curtis Bass
  • Mingo Araújo Percussion
  • Zebrinha Brasil, Brazil
  • Ana Luisa Barral Mandolin
  • Omar Hakim Drums
  • Fred P Composer
  • Samba de Nicinha Bahia
  • Damon Albarn Theater Composer
  • Lucía Fumero Composer
  • Nubya Garcia DJ
  • Rissi Palmer Durham, North Carolina
  • Tab Benoit Baton Rouge
  • Vijay Iyer Jazz
  • Alana Gabriela Cantora, Singer
  • Martyn Drum and Bass
  • Doug Adair Country
  • Cassie Kinoshi London
  • Stormzy Rapper
  • Plínio Fernandes Brazilian Classical Guitar
  • Carwyn Ellis Wales
  • Seth Rogovoy Journalist
  • Wynton Marsalis Bandleader
  • Mart'nália Brazil
  • Barry Harris Jazz
  • Fatoumata Diawara Singer-Songwriter
  • Ben Williams Jazz
  • Bill Hinchberger Paris
  • Alegre Corrêa Brazil
  • Guto Wirtti Brazil
  • Dan Trueman Violin
  • Jakub Knera Musical Event Producer
  • Rayendra Sunito Indonesia
  • Paulo Aragão Violão
  • Nora Fischer Contemporary Classical Music
  • Ronaldo Bastos Lyricist
  • Ênio Bernardes Produtor de Discos, Record Producer
  • Karim Ziad Paris, France
  • Casa da Mãe Espaço Cultural/Cultural Space
  • Saul Williams Rapper
  • Luiz Santos New York City
  • Marco Pereira Samba
  • María Grand New York City
  • Ricardo Herz Choro
  • Yacouba Sissoko Mali
  • Michel Camilo Dominican Republic
  • Gilberto Gil MPB
  • David Ritz Lyricist
  • Antonio Sánchez Film Scores
  • Sérgio Pererê Composer
  • Angelique Kidjo Benin
  • Andrew Finn Magill Fiddle
  • Alain Mabanckou UCLA Faculty
  • Henrique Cazes Cavaquinho
  • Mariene de Castro Samba de Roda
  • Orrin Evans Philadelphia, Pennsylvania
  • Jane Ira Bloom Multi-Cultural
  • Masao Fukuda Japan
  • Karsh Kale कर्ष काळे Singer
  • Timothy Duffy New Orleans
  • Moses Boyd Record Label Owner
  • Walter Ribeiro, Jr. Brazil
  • Marquis Hill Hip-Hop
  • The Rheingans Sisters England
  • Ben Wolfe Juilliard Faculty
  • Ron Carter Educator
  • Jess Gillam Classical Music
  • Sam Dagher Syria
  • Jill Scott Singer-Songwriter
  • Charles Munka Collage
  • Joey Baron New York City
  • Orrin Evans Jazz
  • Jubu Smith Blues
  • Luiz Brasil Samba
  • Urânia Munzanzu Cineasta, Filmmaker
  • Weedie Braimah Jazz
  • Iroko Trio Brazil
  • Mike Marshall Choro
  • Nego Álvaro Brazil
  • Cory Wong Songwriter
  • Nigel Hall Keyboards
  • Arthur Verocai Guitar
  • John McLaughlin Jazz
  • Airto Moreira Percussion
  • Airto Moreira Composer
  • Caetano Veloso Brazil
  • Ranky Tanky South Carolina
  • Wayne Krantz New York City
  • Aruán Ortiz Cuba
  • Fabian Almazan New York City
  • Toninho Horta Composer
  • Angel Bat Dawid Jazz
  • Mauro Refosco Brasil, Brazil
  • Miguel Zenón Puerto Rico
  • Sameer Gupta Percussion
  • Giorgi Mikadze გიორგი მიქაძე Classical Music
  • Hopkinson Smith Switzerland
  • Robin Eubanks Composer
  • Stefano Bollani Composer
  • Nora Fischer Singer
  • Jonathan Griffin Manchester
  • Michael Pipoquinha Composer
  • Michael Peha Talent Management
  • João Parahyba Songwriter
  • Ben Street Bass
  • Yamandu Costa Brazil
  • Adriano Souza Rio de Janeiro
  • Shalom Adonai Samba Rural
  • Matt Ulery Bass
  • Jonathon Grasse Capoeira
  • Thundercat Record Producer
  • Nilze Carvalho Samba
  • Vânia Oliveira Dança Afro
  • Keyon Harrold Hip-Hop
  • Mazz Swift Singer
  • Jim Lauderdale Singer-Songwriter
  • Garvia Bailey Toronto
  • Julian Lage San Francisco Conservatory of Music Faculty
  • Alicia Svigals Writer
  • Luis Paez-Pumar Journalist
  • Léo Rodrigues Pandeiro
  • Omari Jazz Music Producer
  • Helen Shaw New York City
  • Johnny Lorenz Literary Critic
  • Corey Ledet University of Louisiana at Lafayette Faculty
  • Deesha Philyaw University of Pittsburgh Faculty
  • Rotem Sivan Guitar
  • Cedric Watson Louisiana Creole Music
  • Júlio Caldas Bandolim, Mandolin
  • Pierre Onassis Samba Reggae
  • Ron McCurdy USC Thornton School of Music Faculty
  • Rodrigo Caçapa Música Nordestina
  • Leela James Singer-Songwriter
  • Hugo Linns Recife
  • Adam Cruz New York City
  • Bertram Recording Artist
  • Christopher Seneca New York City
  • Chris Cheek Brooklyn, NY
  • Ari Hoenig Drum Instruction
  • Warren Wolf Percussion
  • Martyn Record Producer
  • Renato Braz Singer
  • Harish Raghavan Brooklyn, NY
  • J. Velloso Singer
  • Devin Naar Writer
  • Kiko Horta Composer
  • Gustavo Di Dalva Salvador
  • Molly Tuttle Americana
  • Shirazee Africa
  • Michael Formanek Double Bass
  • Abel Selaocoe Singer
  • Cleber Augusto Samba
  • Luke Daniels Singer-Songwriter
  • Lalah Hathaway Record Producer
  • Bill Hinchberger Communications Consultant
  • Billy O'Shea Steampunk
  • César Camargo Mariano Samba
  • Nêgah Santos MPB
  • Papa Mali Singer-Songwriter
  • Sandro Albert New York City
  • Astrig Akseralian Ceramic Artist
  • Pururu Mão no Couro Samba Rock
  • Celso Fonseca Bossa Nova
  • Stephen Guerra New York City
  • Pururu Mão no Couro Sambalanço
  • Manassés de Souza Viola de Doze
  • Betsayda Machado Tambor
  • Ry Cooder Singer-Songwriter
  • Theo Bleckmann New York City
  • Richie Barshay Jazz
  • Marcus Miller Record Producer
  • James Gavin Journalist
  • Etienne Charles Caribbean Music
  • Alessandro Penezzi Brazil
  • Hélio Delmiro Composer
  • Fantastic Negrito Guitar
  • João Rabello Rio de Janeiro
  • Andrew Huang Video Producer
  • Virgínia Rodrigues Salvador
  • Restaurante Axego Afro-Bahian Cuisine
  • Eric Galm Ethnomusicologist
  • Rachael Price Brooklyn, NY
  • Wynton Marsalis Jazz
  • Rodrigo Amarante Multi-Instrumentalist
  • Dafnis Prieto Drums
  • Antônio Queiroz Brazil
  • Phakama Mbonambi Johannesburg
  • Chris Potter Composer
  • Juçara Marçal Singer-Songwriter
  • Steve Cropper Recording Studio Owner
  • Nguyên Lê Paris
  • Bill Pearis Brooklyn, NY
  • Bertram Ethnomusicologist
  • Casa Preta Espaço de Cultura, Cultural Space
  • Ben Allison Double Bass
  • J. Velloso Record Producer
  • Tessa Hadley Non-Fiction
  • Chief Xian aTunde Adjuah New Orleans
  • Judith Hill Jazz
  • Ronaldo do Bandolim Rio de Janeiro
  • Mario Caldato Jr. Record Producer
  • Gord Sheard Jazz
  • Scott Kettner New School for Jazz and Contemporary Music Faculty
  • Peter Serkin Contemporary Classical Music
  • Seu Jorge Brazil
  • Aditya Prakash Ropeadope
  • Ron Carter Author
  • Tim Hittle Director
  • Jason Treuting Percussion
  • Samba de Nicinha Bahia
  • Isaiah Sharkey Guitar
  • Alisa Weilerstein Cello
  • Warren Wolf Drums
  • Bodek Janke Germany
  • Oscar Peñas New York City
  • Damion Reid Hip-Hop
  • Billy O'Shea Ireland
  • Ryuichi Sakamoto Japan
  • Horace Bray Guitar
  • Mika Mutti Bahia
  • Danilo Pérez Composer
  • Burkard Polster Monash University Faculty
  • Guinga Rio de Janeiro
  • Darryl Hall Jazz
  • Tank and the Bangas Spoken Word
  • André Becker Música Clássica, Classical Music
  • Cristovão Bastos Piano
  • Bombino Tuareg Music
  • Kotringo Singer-Songwriter
  • Teodor Currentzis Conducter
  • João Rabello Samba
  • Larry McCray Arkansas
  • Peter Mulvey Folk & Traditional
  • Rowney Scott Jazz
  • Onisajé Diretora Teatral, Theater Director
  • Alexandre Leão MPB
  • Larry Achiampong Multidisciplinary Artist
  • David Sánchez Georgia State University School of Music Faculty
  • Abderrahmane Sissako Film Producer
  • Ry Cooder Writer
  • Eddie Kadi Voiceover Artist
  • Meddy Gerville Piano
  • Leon Parker Percussion
  • Yacouba Sissoko New York City
  • Leigh Alexander Writer
  • Alan Williams Furniture
  • Daphne A. Brooks Yale Faculty
  • Ricky (Dirty Red) Gordon Zydeco
  • Mônica Salmaso Singer
  • Jussara Silveira MPB
  • Goran Krivokapić Serbia
  • Safy-Hallan Farah Somalia
  • 9Bach Multi-Cultural
  • Orquestra Afrosinfônica Salvador
  • Linda May Han Oh Jazz
  • Fred P Composer
  • Frank London Multi-Cultural
  • Alan Brain Journalist
  • Joe Newberry Banjo Instruction
  • Mauro Senise Saxophone
  • Mateus Aleluia Brazil
  • Andrew Huang Songwriter
  • Cécile McLorin Salvant Singer
  • Mokhtar Samba Drums
  • Angel Deradoorian Music Producer
  • João Luiz Classical Guitar
  • Kermit Ruffins Jazz
  • Lolis Eric Elie Filmmaker
  • George Cables Piano
  • Siobhán Peoples Ireland
  • Robertinho Silva Choro
  • The Umoza Music Project Rap
  • Antonio Sánchez Composer
  • Liron Meyuhas Percussion Instruction
  • Caroline Keane County Kerry
  • Howard Levy Composer
  • Yazhi Guo 郭雅志 Saxophone
  • Ivan Huol Brazil
  • Robi Botos Jazz
  • Jeremy Danneman New York City
  • Laura Cole R&B
  • Lalah Hathaway Singer-Songwriter
  • Nate Smith Ropeadope
  • James Grime University of Cambridge Faculty
  • 小野リサ Lisa Ono Guitar
  • Alain Pérez Singer
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Otmaro Ruiz Piano Instruction
  • Otto Recife
  • Jack Talty Irish Traditional Music
  • Immanuel Wilkins Composer
  • Oscar Bolão Percussion
  • Jonathon Grasse Guitar
  • Marília Sodré Violão, Guitar
  • Fernando Brandão Brazil
  • Alexandre Leão Violão, Guitar
  • Evgeny Kissin Piano
  • Gilberto Gil Brazil
  • Leela James Jazz
  • Hopkinson Smith Vihuela
  • Diana Fuentes Havana
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Jill Scott Model
  • Donna Leon Crime Novels
  • Karsh Kale कर्ष काळे EDM
  • Alexa Tarantino Jazz at Lincoln Center Faculty
  • Luiz Santos Multi-Cultural
  • James Carter Contemporary Classical Music

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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