Yoko Miwa via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Yoko Miwa:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Yoko Miwa
- City: Boston, MA
- Country: United States
- Hometown: Kobe, Japan
My Life & Work
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Bio:
Internationally acclaimed pianist/composer Yoko Miwa is one of the most powerful and compelling performers on the scene today. Her trio, with its remarkable telepathy and infectious energy, has brought audiences to their feet worldwide. Their latest CD, 2019’s Keep Talkin’, showcases Miwa’s fine playing and artful compositions and the trio’s uncanny musical camaraderie. DownBeat gave the recording four stars, calling it “a beautifully constructed album” and noting “the drive and lyricism of a pianist and composer at home in bebop, gospel, pop, and classical.” JazzTimes also reviewed the album favorably, praising Miwa’s “jaw-dropping degree of technique.” The album enjoyed seven weeks in the top 10 on Jazz Week’s charts, much like its predecessor, Miwa’s 2017 release Pathways, which also made Jazz Week’s top 10 for several weeks. In a 2017 feature article on Miwa, DownBeat noted her “impressive technique and a tuneful lyricism that combines an Oscar Peterson-ish hard swing with Bill Evans-like introspection.”
For the past decade Miwa’s trio has played regularly at major jazz clubs in their home city of Boston, as well as venues around the world. A favorite of Jazz at Lincoln Center, Miwa was chosen to play on “Marian McPartland & Friends,” part of the Coca-Cola Generations in Jazz Festival. She was also chosen to perform at Lincoln Center’s annual Jazz and Leadership Workshop for The National Urban League’s Youth Summit. Miwa also appears regularly at New York’s famed Blue Note Jazz Club and has performed and/or recorded with a wide range of jazz greats including Sheila Jordan, Slide Hampton, Arturo Sandoval, George Garzone, Jon Faddis, Jerry Bergonzi, Esperanza Spalding, Terri Lyne Carrington, Kevin Mahogany, John Lockwood and Johnathan Blake among others. In 2018 she performed on the main stage at the Atlanta Jazz Festival and the Litchfield Jazz Festival, where her trio drew the largest audience of any act. She is a Yamaha Pianos Artist, JVC Victor Entertainment recording artist, 2019 Boston Music Awards Jazz Artist of the Year, and Boston Phoenix Best Music Poll winner.
Miwa’s story of becoming a jazz musician is full of serendipity and happy twists of fate. In the late 1990s the classically-trained artist auditioned for Berklee College of Music on a lark and ended up winning a full scholarship. She arrived at the school from her homeland of Japan in 1997, intending to stay for a year. In 2019, she’s still in Boston, enriching the city’s musical life and serving as one of the most popular professors in the Berklee piano department.
Act Naturally, the Yoko Miwa Trio’s major label debut in Japan, came out in 2012 on the JVC Victor Entertainment label and the band toured Japan that same year. “She is one of the best jazz pianists in Japan,” said Yozo Iwanami, Jazz Hihyo Magazine.
A native of Kobe, Japan, Miwa didn’t pursue an interest in jazz until she met and studied with Minoru Ozone, a popular television organist and nightclub owner who is the father of pianist Makoto Ozone. Miwa worked at Ozone’s club and as an accompanist and piano instructor at his music school until the great Kobe earthquake of 1995 destroyed both facilities. Then, while continuing to take private lessons from Minoru Ozone, she also pursued musical studies at the Koyo Conservatory in Kobe. From there she won first prize in a scholarship competition to attend Berklee. Miwa quickly began playing with a host of talented students and teachers, and she formed a strong bond with vocal great Kevin Mahogany, who chose the pianist to serve as accompanist in his classes and on his gigs.
Miwa has released eight highly acclaimed CDs: In the Mist of Time (Tokuma, 2000); Fadeless Flower (Polystar, 2002); Canopy of Stars (Polystar, 2004); The Day We Said Goodbye, recorded live at the studios of WGBH-FM (Sunshine Digital, 2006); Live at Scullers (Jazz Cat Amnesty, 2011); Act Naturally (JVC Victor Entertainment, 2012), Pathways (2017), and Keep Talkin’ (2019).
Contact Information
- Email: miwayoko@gmail.com
My Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://store.cdbaby.com/artist/yokomiwa
- ▶ Twitter: yokomiwa
- ▶ Instagram: yokomiwajazz
- ▶ Website: http://www.yokomiwa.com
- ▶ YouTube Channel: http://www.youtube.com/user/YokoMiwaTrio/
- ▶ Spotify: http://open.spotify.com/album/3DT4nt7TYDgRpLRd64vecp
- ▶ Spotify 2: http://open.spotify.com/album/3dhDW1DZZmAXRk5BWllpKY
- ▶ Spotify 3: http://open.spotify.com/album/1e5gDjsQZ7W7gGOTHRpBCr
- ▶ Spotify 4: http://open.spotify.com/album/3hkxfLPObNdkZrcwqMClHt
- ▶ Spotify 5: http://open.spotify.com/album/2K3WFSN0pIC5sOaUSU4Phe
- ▶ Spotify 6: http://https://open.spotify.com/album/43SwifYCgp2FcsVOIH68Gg
More
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Quotes, Notes & Etc.
“Pianist Yoko Miwa displays unpretentious melodies, elegant phrasing, and the lyrical sensibility of a jazz poet.” –Jazziz Magazine
“She has the enviable ability to play in any context with authenticity, clarity, and spontaneity…”
-Wilbert Sostre, JazzTimes
“Simply a first class, straight up, straight ahead player whose sole mission is to step up and deliver the goods.” –Midwest Record Review
“I greatly appreciate and respect the clarity and strength in Yoko’s playing, it is very apparent – the honesty, care and depth of foundation she touches the piano with.”
–Benny Green
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging from New Orleans to Harlem and the South Side of Chicago ... through Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
