Sam Dagher via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Sam Dagher:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Sam Dagher
- City: Beirut
- Country: Lebanon
Current News
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What's Up?
Assad or We Burn the Country
How One Family’s Lust for Power Destroyed Syria
In spring 2011, Syrian President Bashar al-Assad turned to his friend and army commander, Manaf Tlass, for advice about how to respond to Arab Spring-inspired protests. Tlass pushed for conciliation but Assad decided to crush the uprising — an act which would catapult the country into an eight-year long war, killing almost half a million and fueling terrorism and a global refugee crisis.
Assad or We Burn the Country examines Syria’s tragedy through the generational saga of the Assad and Tlass families, once deeply intertwined and now estranged in Bashar’s bloody quest to preserve his father’s inheritance. By drawing on his own reporting experience in Damascus and exclusive interviews with Tlass, Dagher takes readers within palace walls to reveal the family behind the destruction of a country and the chaos of an entire region.
Dagher shows how one of the world’s most vicious police states came to be and explains how a regional conflict extended globally, engulfing the Middle East and pitting the United States and Russia against one another.
Timely, propulsive, and expertly reported, Assad or We Burn the Country is the definitive account of this global crisis, going far beyond the news story that has dominated headlines for years.
My Life & Work
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Bio:
Sam Dagher has reported in the Middle East for more than fifteen years. He was the only Western reporter based in Damascus from 2012 to 2014, until being detained by Assad’s henchmen in an underground prison and expelled for reporting deemed unfavorable to the regime.
He has worked for the Wall Street Journal, the New York Times, the Christian Science Monitor, and Agence France Presse, and has covered the conflict in Iraq, the Arab Spring uprisings, and Libya. The Wall Street Journal nominated Dagher’s work from Syria for the Pulitzer Prize and other journalism awards.
Contact Information
- Email: sam@samdagherjournalist.com
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Management/Booking:
For interviews, speaking engagements, and events, please contact:
Sarah Fuentes
Fletcher & Co.
sarah@fletcherandco.com
My Media & Markets
- ▶ Book Purchases: http://samdagherjournalist.com/the-book/
- ▶ Twitter: samdagher
- ▶ Instagram: dagher.sam
- ▶ Website: http://samdagherjournalist.com
- ▶ Articles: http://samdagherjournalist.com/journalism/
- ▶ Articles 2: http://www.theatlantic.com/author/sam-dagher/
- ▶ Articles 3: http://www.wsj.com/news/author/sam-dagher
More
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Quotes, Notes & Etc.
“As the only Western reporter based in Damascus during the early years of the civil war, Dagher has a rich perspective on the inner machinations of the regime of Bashar al Assad. In this important book, he lays out in grim detail the staggering cynicism and ruthless brutality of the Assad family. In doing so, he provides readers with a timely description of the dynasty that precipitated the destruction of a nation.”
- Clarissa Ward, Chief International Correspondent, CNN International
“The Syrian uprising has been one of the most consequential events in our new century-it has changed the world. Sam Dagher has been reporting from the heart of the crisis. His book, told through the eyes of two important Syrian insiders, a human rights activist and a former Brigadier General of the Syrian Republican Guard, is a vivid description of the crisis as it unfolded over the past 8 years. It is a must read for anyone who seeks to understand the complex world we are living in.”
- Dr. Zaher Sahloul, Syrian American doctor and President of MedGlobal
“A riveting chronicle from a courageous journalist who was there to witness and report the truth. A book that should deservedly garner significant award attention.”
- Kirkus, starred review
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging from New Orleans to Harlem and the South Side of Chicago ... through Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
