Bio:
Julie Fowlis is a multi-award winning Gaelic singer who is deeply influenced by her early upbringing in the Outer Hebridean island of North Uist. With a career spanning five studio albums and numerous high profile collaborations, her ‘crystalline’ and ‘intoxicating’ vocals have enchanted audiences around the world.
Nominated as ‘Folk Singer of the Year’ at the 2018 BBC Radio 2 Folk Awards, and ‘Best Artist’ at the Songlines World Music Awards, Julie is a warm and engaging live performer who has graced stages around the world, from village halls in the Highlands to stages in New York, The Philharmonie de Paris and Shakespeare’s Globe in London. Recent invitations to perform have included a return to world-class Festival of Voice in Cardiff, the World Festival of Sacred Music in Fez, Morocco, to collaborate with the BBC Concert Orchestra in the Royal Albert Hall for the Proms and to support Scottish icons ‘Runrig’ to an audience of 50,000 during their farewell concert weekend in August 2018.
She sang live at the closing ceremony of the Ryder Cup in Chicago in 2012 to a TV audience of 500 million, an event that was only eclipsed by singing live at the opening ceremony of the Glasgow XX Commonwealth Games in 2014, to a TV audience of over 1 billion people.
Since of the release of her otherworldy album ‘alterum’ in 2017, she has been in demand – touring with the world-class Transatlantic Sessions, sell-out shows in London and throughout the UK, and is currently working on a major new 14-18 commission with celebrated Highland musician Duncan Chisholm, commemorating 100 years since the ‘Iolaire’ tragedy.
She will forever be recognised for singing the theme songs to ‘Brave’, Disney Pixar’s Oscar, Golden Globe and BAFTA winning animated film, set in the ancient highlands of Scotland. The track was recorded when Julie was eight months pregnant with her second child, and has since been a worldwide smash hit, and the song ‘Touch the Sky’ was indeed long listed for an Oscar nomination in 2013.
Julie’s most recent studio album received glowing reviews, and over the years she has been nominated and won several BBC Radio 2 Folk Awards and Scottish Traditional Music Awards. She also made history as the first Gaelic solo artist to win a Scottish Music Award in December 2014.
An artist with a genuine curiosity to explore other traditions and natural ability to cross genres, Julie has collaborated, recorded and performed with artists such as violin virtuoso Nicola Benedetti, and acclaimed singers Aled Jones, Grammy-Award winning James Taylor and Mary Chapin Carpenter. Her passion for folk culture, song and music is exemplified in her collaborations with the celebrated Québécois band Le Vent du Nord, with whom she regularly performs, Galician singer Rosa Cedrón, Welsh singer Julie Murphy and her continued musical friendship with Irish singer and musician, Muireann Nic Amhlaoibh.
Over the last ten years, Julie has also become a sought-after and successful presenter on radio and television, on BBC ALBA, BBC Radio 2, and 4, BBC Radio Scotland, BBC Scotland TV, SKY ARTS HD and TG4 in Ireland.
A quiet torchbearer for her native tradition, Julie still finds time to deepen her knowledge of Highland and Gaelic culture, tradition and history through continued research and academic projects. In addition to her two degrees (a BA Honours in Applied Music and an MA in Material Culture & The Environment), she was also awarded an Honorary Doctorate of Music by Robert Gordon University in Aberdeen.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).