CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
Julie Fowlis
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City/Place:
Dingwall, Scotland
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Country:
United Kingdom
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Hometown:
North Uist, Outer Hebrides
Life
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Bio:
Julie Fowlis is a multi-award winning Gaelic singer who is deeply influenced by her early upbringing in the Outer Hebridean island of North Uist. With a career spanning five studio albums and numerous high profile collaborations, her ‘crystalline’ and ‘intoxicating’ vocals have enchanted audiences around the world.
Nominated as ‘Folk Singer of the Year’ at the 2018 BBC Radio 2 Folk Awards, and ‘Best Artist’ at the Songlines World Music Awards, Julie is a warm and engaging live performer who has graced stages around the world, from village halls in the Highlands to stages in New York, The Philharmonie de Paris and Shakespeare’s Globe in London. Recent invitations to perform have included a return to world-class Festival of Voice in Cardiff, the World Festival of Sacred Music in Fez, Morocco, to collaborate with the BBC Concert Orchestra in the Royal Albert Hall for the Proms and to support Scottish icons ‘Runrig’ to an audience of 50,000 during their farewell concert weekend in August 2018.
She sang live at the closing ceremony of the Ryder Cup in Chicago in 2012 to a TV audience of 500 million, an event that was only eclipsed by singing live at the opening ceremony of the Glasgow XX Commonwealth Games in 2014, to a TV audience of over 1 billion people.
Since of the release of her otherworldy album ‘alterum’ in 2017, she has been in demand – touring with the world-class Transatlantic Sessions, sell-out shows in London and throughout the UK, and is currently working on a major new 14-18 commission with celebrated Highland musician Duncan Chisholm, commemorating 100 years since the ‘Iolaire’ tragedy.
She will forever be recognised for singing the theme songs to ‘Brave’, Disney Pixar’s Oscar, Golden Globe and BAFTA winning animated film, set in the ancient highlands of Scotland. The track was recorded when Julie was eight months pregnant with her second child, and has since been a worldwide smash hit, and the song ‘Touch the Sky’ was indeed long listed for an Oscar nomination in 2013.
Julie’s most recent studio album received glowing reviews, and over the years she has been nominated and won several BBC Radio 2 Folk Awards and Scottish Traditional Music Awards. She also made history as the first Gaelic solo artist to win a Scottish Music Award in December 2014.
An artist with a genuine curiosity to explore other traditions and natural ability to cross genres, Julie has collaborated, recorded and performed with artists such as violin virtuoso Nicola Benedetti, and acclaimed singers Aled Jones, Grammy-Award winning James Taylor and Mary Chapin Carpenter. Her passion for folk culture, song and music is exemplified in her collaborations with the celebrated Québécois band Le Vent du Nord, with whom she regularly performs, Galician singer Rosa Cedrón, Welsh singer Julie Murphy and her continued musical friendship with Irish singer and musician, Muireann Nic Amhlaoibh.
Over the last ten years, Julie has also become a sought-after and successful presenter on radio and television, on BBC ALBA, BBC Radio 2, and 4, BBC Radio Scotland, BBC Scotland TV, SKY ARTS HD and TG4 in Ireland.
A quiet torchbearer for her native tradition, Julie still finds time to deepen her knowledge of Highland and Gaelic culture, tradition and history through continued research and academic projects. In addition to her two degrees (a BA Honours in Applied Music and an MA in Material Culture & The Environment), she was also awarded an Honorary Doctorate of Music by Robert Gordon University in Aberdeen.
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet is able to do so because it is small-world (see Wolfram).
Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a sociocultural matrix comprised of these three peoples and more, is small-world.
Human society, the billions of us, is small-world. Neural structures for human memory are small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX