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  • No princípio...
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The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and across the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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    You can recommend Taylor Ashton from below when logged in ←

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Taylor Ashton
  • City/Place: Brooklyn, NY
  • Country: United States
  • Hometown: Vancouver, Canada

Life & Work

  • Bio: Taylor Ashton was raised by his father in Vancouver, Canada. He now lives in Brooklyn, where he wakes up around 8 a.m. and begins his day by playing Bananagrams with his wife. He doodles constantly, on iPads and napkins. He buys all his clothes second-hand, and he once sewed the top of socks onto the sleeves of a jacket that were too short for him. And now, he’s bringing that creativity and ingenuity to his first ever solo album, The Romantic.

    Taylor’s career began in Vancouver as frontman and songwriter for Fish & Bird. The Vancouver Folk Fest called them “Canada’s most unique folk-rock ensemble”, with reviewers taking note of Taylor’s “off-kilter lyrical excursions” (The Georgia Straight) and his “rich, compelling voice” (Exclaim!). From 2006 to 2014 they recorded 4 albums and exhaustively made the rounds of the festival and touring circuit of Canada, the U.S., and the UK.

    The 12 new songs on Taylor’s solo debut chronicle leaving a relationship, a band, and Canada. He moved from Toronto to New York City, ready to take a break from the heavy touring schedule of Fish & Bird and to find himself in a new setting. He survived by singing and playing clawhammer banjo in the subway, turning heads with covers that leaned more Motown than hoedown. Over the years he also made a living as an illustrator, an audio book narrator, an occasional sideman for British country soul singer Yola, a songwriting teacher, and was even hired by the New York Times to write a song about the debt-ridden subway system. Fueled by $1 pizza slices and the intoxicating creative energy of his new home town, he wrote over 400 songs. “A lot of them were pretty dumb,” he said. “But some that I thought were dumb turned out to be good.” (See track eight on the album, “Everybody Used To Be A Baby”).

    The first session for what would become The Romantic happened while Taylor was living above the old Mason Jar Music studio in Borough Park, Brooklyn, with engineer Jacob Blumberg. Playing clawhammer banjo through a guitar amp, Taylor played a few new songs live off the floor in duo formation with a drummer, and this unlikely combo forms the rhythmic backbone of the album. Over the next two years, recording occurred in stops and starts. Taylor rode between friends’ houses and studios on a yellow bike he built himself, recording instruments and vocals piece by piece. Slowly but surely, with no specific deadline.

    In the meantime Taylor teamed up with fellow songwriter Courtney Hartman to record a spare duo album. 2018’s Been On Your Side was nominated for an Independent Music Award and earned praise in Rolling Stone, who said it “packs a punch in today’s mainstream.”

    Some friends started to wonder when, if ever, the solo album would be finished. Eventually, Brooklyn producer Alec Spiegelman (Cuddle Magic, Ana Egge) helped finish the initial sessions and helmed the recording of 6 new ones at his studio. Jacob Blumberg, who engineered the first sessions, was brought back to do the final mix, and shares co-producer credit. The result is a love letter to this time of Taylor’s life; an ode to the devastating, ecstatic, gritty, sexy decade of his twenties, woven together through his 5- string banjo with the help of 18 different musicians from the Brooklyn music scene and all across the U.S. and Canada.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.taylorashton.com/contact
  • Management/Booking: For booking inquiries contact Abbie Duquette at Loudmouth Pro:
    [email protected]

Media | Markets

  • ▶ Twitter: Taylrashtn
  • ▶ Instagram: taylrashtn
  • ▶ Website: http://www.taylorashton.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UC60nzzEN4aTJk6-SAfaZpqA
  • ▶ Spotify: http://open.spotify.com/album/0RcL6UC5NlnEjd1r9yLYof
  • ▶ Spotify 2: http://open.spotify.com/album/1FxicgYJ76n81WSV52jmiN
  • ▶ Spotify 3: http://open.spotify.com/album/4FhhnCZgy1oGhRlybnyY5M
  • ▶ Spotify 4: http://open.spotify.com/album/4O8W5u5QtMHVc2eq3Xf2AC
  • ▶ Spotify 5: http://open.spotify.com/album/54FwhTptoGEctEZdKjYTc4
  • ▶ Spotify 6: http://open.spotify.com/album/4FwGpAmex8ylZrxcf4qGBk

Clips (more may be added)

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    Taylor Ashton- "Nicole" live performance video
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    171 views
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    171 views
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



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