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Hilary Hahn via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Hilary Hahn:
    I'LL TAKE YOU THERE! ▶
Hilary Hahn
  • 0 Classical Music
  • 0 Contemporary Classical Music
  • 0 Violin

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Matrix

Who I Am & Where I Live

  • Name: Hilary Hahn
  • City: Cambridge, Massachusetts
  • Country: United States

My Life & Work

  • Bio: Three-time Grammy Award-winning violinist Hilary Hahn matches expressive musicality and technical expertise with a diverse repertoire guided by artistic curiosity. Her barrier-breaking attitude towards classical music and her commitment to sharing her experiences with a global community have made her a fan favorite. Hahn is a prolific recording artist and commissioner of new works. She is taking a year-long sabbatical over the 2019-20 concert season; she will return to performing in September 2020.

    Hahn’s 2018-19 season revolved around the music of Bach, a constant in her musical life. Upon her admission to the Curtis Institute of Music at the age of ten, Hahn dedicated part of nearly every lesson to solo Bach; at 17 she made her recording debut with Hilary Hahn Plays Bach, consisting of three of Bach’s pinnacle works for solo violin. In October 2018, she released the remaining three of the same set of pieces after two decades of anticipation from fans and critics alike, bringing her relationship to this music full circle with a worldwide solo Bach recital tour.

    The season was also dedicated to another mainstay of Hahn’s artistic practice: collaboration. In 2019, Hahn premiered two new works written for her: Einojuhani Rautavaara’s Two Serenades for violin and orchestra, completed posthumously by Kalevi Aho, and Lera Auerbach’s Sonata No. 4: Fractured Dreams. The season was bookended by another major release: her most recent solo commission, 6 Partitas by Antón García Abril. García Abril, Auerbach, and Rautavaara had been contributing composers for In 27 Pieces: the Hilary Hahn Encores, Hahn’s Grammy Award-winning multi-year commissioning project to revitalize the duo encore genre. A print edition of the complete sheet music was recently released by Boosey & Hawkes; it contains Hahn’s fingerings, bowings, and performance notes, ensuring that the encores become part of the active violin repertoire.

    Hahn has related to her fans naturally from the very beginning of her career. She has committed to signings after nearly every concert and maintains and shares a collection of the fan-art she has received over the course of 20 years. An avid and early blogger, Hahn hosts on her website a variety of original writing dating back to 2002. Her “Postcards from the Road” feature, a series of personal updates from her travels around the world, evolved from an initial year-long postcard project that she began with a classroom of third-graders. She has also published articles on music in mainstream media and created a mini-video-masterclass series around 6 Partitas.

    Most recently, Hahn has pioneered two new projects aimed at dispelling traditional barriers in classical performance. Through #100daysofpractice, her Instagram-based practice initiative, Hahn aspires to transform the typically grueling and isolating practice process into a community-oriented, social celebration of artistic development. Since creating the hashtag two years ago, Hahn has completed the project three times under her handle, @violincase; fellow performers and students have contributed nearly 300,000 posts under the hashtag. Her Bring Your Own Baby concerts, developed over recent residencies in Vienna, Seattle, Lyon, and Philadelphia, create opportunities for parents of infants to share their enjoyment of live classical music with their children in a nurturing, welcoming environment. Always free and offered on an infant-friendly schedule, they build on Hahn’s history of performances in unconventional venues such as community dance workshops, yoga studios, and knitting circles.

    Hahn is a prolific and celebrated recording artist whose nineteen feature albums on Decca, Deutsche Grammophon, and Sony have all opened in the top ten of the Billboard charts. In addition, she can be found on three DVDs, an award-winning recording for children, and various compilations. Three of Hahn’s albums—her 2003 Brahms and Stravinsky concerto album, a 2008 pairing of the Schoenberg and Sibelius concerti, and her 2013 recording of In 27 Pieces: the Hilary Hahn Encores—have been awarded Grammys. Jennifer Higdon’s Violin Concerto, which was written for Hahn and which she recorded along with the Tchaikovsky concerto, went on to win the Pulitzer Prize. In 2017, she released a fan-oriented retrospective collection that featured new live material recorded with classic direct-to-disc technology and showcased art from her fans.

    Hahn has also participated in a number of non-classical productions. She was featured in the Oscar-nominated soundtrack to The Village and has collaborated on two records by the alt-rock band ….And You Will Know Us By The Trail of Dead, on the album Grand Forks by Tom Brosseau, and on tour with folk-rock singer-songwriter Josh Ritter. In 2012, Hahn launched Silfra, a free-improv project with experimental prepared-pianist Hauschka, following an intensive period of development.

    Hahn is the recipient of numerous awards and recognitions. In 2001, she was named “America’s Best Young Classical Musician” by Time magazine, and in 2010, she appeared on The Tonight Show with Conan O’Brien. In 2014 Hahn was awarded the Glashütte Original Music Festival Prize; she donated the prize money to the Philadelphia music education nonprofit Project 440. She also holds honorary doctorates from Middlebury College—where she spent four summers in the total-immersion German, French, and Japanese language programs—and Ball State University, where there are three scholarships in her name.

Contact Information

  • Management/Booking: NAOMI IVES
    General Manager (Worldwide)
    njives@imgartists.com
    +44 (0)207 957 5800 x5845

    HANNAH COOPER
    Managerial Associate (Worldwide)
    hcooper@imgartists.com
    T: +44 (0) 20 7957 5807 x5807

    CHRISTINA BIANCO
    Managerial Associate (Americas)
    cbianco@imgartists.com
    T: +1 212 994 3545

My Media & Markets

  • ▶ Buy My Music (downloads/CDs/DVDs): http://www.hilaryhahn.com/discography/
  • ▶ Twitter: violincase
  • ▶ Instagram: violincase
  • ▶ Website: http://www.hilaryhahn.com
  • ▶ Blog: http://www.hilaryhahn.com/by-hilary/
  • ▶ YouTube Channel: http://www.youtube.com/user/hilaryhahnvideos
  • ▶ YouTube Music: http://music.youtube.com/channel/UCsy1Yi0dP8gP9Z63T1wsghw
  • ▶ Spotify: http://open.spotify.com/album/2ot197WiXh41pOZaY726OZ
  • ▶ Spotify 2: http://open.spotify.com/album/2GLJLkriVbdfDi5W5e3LJM
  • ▶ Spotify 3: http://open.spotify.com/album/7DZRSmDymLWsJhFf3f1p6q
  • ▶ Spotify 4: http://open.spotify.com/album/312y2VY337Eazy3R3jRNOt
  • ▶ Spotify 5: http://open.spotify.com/album/0l3jP2YMe2QDRLhkldm3ID
  • ▶ Spotify 6: http://open.spotify.com/album/1fxrTKHqSfAZL2jojoDwTj

Clips (more may be added)

  • Hilary Hahn — Heart masterclass: Polyphony
    By Hilary Hahn
    63 views
  • Sibelius : violin concerto (Hilary Hahn)
    By Hilary Hahn
    64 views
  • Hilary Hahn - J.S. Bach: Partita for Violin Solo No. 1 in B Minor, BWV 1002 - 4. Doubl...
    By Hilary Hahn
    84 views
  • Hilary Hahn - J.S. Bach: Partita for Violin Solo No. 1 in B Minor, BWV 1002 - 4. Doubl...
    By Hilary Hahn
    93 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

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