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  • No princípio...
  • In the beginning...
  • Carpe diem

The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online).

 

 

Esse Matrix baiano foi fundado numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and across the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network).

 

 

This Bahian Matrix was founded on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Kotringo
    A video was posted re Kotringo:
    BVLGARI AVRORA AWARDS 2018 - Kotringo X Ryūichi Sakamoto
    Inspiring Women – Creating Connections, Spreading the Dream
    • September 20, 2020
  • Kotringo
    A video was posted re Kotringo:
    En concierto. Música en el CCK: kotringo - Canal Encuentro
    Apadrinada por el legendario músico Ryūichi Sakamoto, la cantante, pianista y compositora japonesa kotringo dio su primer concierto en Argentina. En la Sala Sinfónica del CCK, suenan temas de su disco “Ame no Hakoniwa”.
    • September 20, 2020
  • Kotringo
    A category was added to Kotringo:
    Japan
    • September 20, 2020
  • Kotringo
    A category was added to Kotringo:
    Tokyo
    • September 20, 2020
  • Kotringo
    A category was added to Kotringo:
    Piano
    • September 20, 2020
  • Kotringo
    A category was added to Kotringo:
    Singer-Songwriter
    • September 20, 2020
  • Kotringo
    Kotringo is matrixed!
    • September 20, 2020
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  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Kotringo)
    I RECOMMEND
    You can recommend Kotringo from below when logged in ←

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Kotringo
  • City/Place: Tokyo
  • Country: Japan
  • Hometown: Osaka

Life & Work

  • Bio: Kotringo started playing piano when she was 5 years old.

    After graduating from KOYO SCHOOL OF MUSIC (current・KOYO SCHOOL OF MUSIC & DANCE) she went to study abroad in Boston, then graduated from Berklee College of Music with a Bachelor of Music in Jazz composition and a Bachelor of Music in Performance.

    In 2006, "Nichiyomachi (Waiting for Sunday)" which would become her 2nd single, was on air at the J-WAVE radio audition program "RADIO SAKAMOTO" navigated by Ryuichi Sakamoto, then she performed in "LOHAS CLASSIC Concert" also produced by Ryuichi Sakamoto.

    In the same year, she released "Konnichiwa mata ashita (Hello & See you)” produced by Ryuichi Sakamoto as her debut single in Japan.

    Since then, she has released 11 solo albums and 7 soundtrack albums.

    The latest solo album is “Ame no hakoniwa (My garden in the rain)” released in 2017.

    She composed the whole score in a long-running hit animated movie “Konosekai no Katasumi ni (In This Corner of the World)” released in November 2016, which led to her winning the 40th Japan Academy Film Prize for Outstanding Achievement in Music, the 71st Mainichi Film Awards for Best Music, and Best Music Award in the Osaka Cinema Festival 2017.

    Music of “In This Corner of the World” Concert, which represented the movie in a music concert, was well-received all over the country.

    At present, she has earned a high reputation as a singer-songwriter, composer and pianist with works on soundtracks for movies, dramas, animations, and commercials, and has a deeper expression of orchestra arrangements as well as performances.

    In recent years, the range of her voice expressions has expanded, including narration.

    In 2018, she visited Argentina on her first overseas tour, making all six performances a huge success and gained worldwide acclaim.

    She is now active as an artist who draws a pop world full of floating feelings with outstanding piano performance and soft singing voice.

    バークリー音楽大学に留学し、ジャズ作曲科、パフォーマンス科を専攻。

    2006年、坂本龍一がナビゲーターを務めるJ-WAVE「RADIO SAKAMOTO」のオーディションコーナーにて、のちに2ndシングルとなる『にちよ待ち』がオンエアされ、 坂本龍一プロデュース「ロハスクラシックコンサート」に出演。

    同年、坂本龍一プロデュースのシングル『こんにちは またあした』で日本デビューを飾る。以降、現在までに11枚のソロアルバムと7枚のサウンドトラックアルバムを発表。

    最新オリジナルアルバムは、2017年発売の「雨の箱庭」。

    2016年11月に公開し、ロングヒットのアニメーション映画「この世界の片隅に」のテーマ、劇中歌、BGMの全ての音楽を担当し、第40回日本アカデミー賞優秀音楽賞、第71回毎日映画コンクール音楽賞、おおさかシネマフェスティバル2017音楽賞を受賞。

    映画の世界を表現した「すずさんとハナウタライブ」が好評を得て、全国各地で開催。

    現在は映画、ドラマ、アニメのサウンドトラックや、CMなどを手がけ、演奏のみならずオーケストラアレンジの表現も深め、音楽家として高い評価を受けている。

    また、近年はナレーションなど、声での表現の幅も広げている。

    2018年には初の海外ツアーでアルゼンチンを訪れ、全6公演を大成功させ、海外での評価も高まっている。

    卓越したピアノ演奏と柔らかな歌声で浮遊感に満ちたポップ・ワールドを描くアーティストとして活躍中。

Contact Information

  • Email: [email protected]
  • Management/Booking: Press Contact
    [email protected]
  • Record Company: Commmons

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://kotringo.net/ktrng/discography/
  • ▶ Twitter: kotringo
  • ▶ Instagram: kotringo717
  • ▶ Website: http://kotringo.net
  • ▶ YouTube Music: http://music.youtube.com/channel/UCNDgCamuk57f7S4rlIYKbOA
  • ▶ Spotify: http://open.spotify.com/album/62ggBxN36q1BKWnzKFGDO7
  • ▶ Spotify 2: http://open.spotify.com/album/7rR7vNsW17Bj0dFxDojYQY
  • ▶ Spotify 3: http://open.spotify.com/album/5XYvv1m02lUoADpzzNZfeG
  • ▶ Spotify 4: http://open.spotify.com/album/08hyVggMJcArnAEcTLgt90
  • ▶ Spotify 5: http://open.spotify.com/album/4uO9u7uUlIP3Kw2ej7gtVp
  • ▶ Spotify 6: http://open.spotify.com/album/1a4DUxiwjPBMvVd02Ax73U

Clips (more may be added)

  • 4:09
    BVLGARI AVRORA AWARDS 2018 - Kotringo X Ryūichi Sakamoto
    By Kotringo
    299 views
  • 0:53:48
    En concierto. Música en el CCK: kotringo - Canal Encuentro
    By Kotringo
    187 views
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Do you  recommend Kotringo?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 1 Japan
  • 1 Piano
  • 1 Singer-Songwriter
  • 1 Tokyo

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
  • Stacy Dillard Composer
  • Guga Stroeter Samba
  • Carwyn Ellis Brazil
  • Laércio de Freitas Brazilian Jazz
  • Martín Sued Accordion
  • Cara Stacey South Africa
  • Larissa Fulana de Tal Brasil, Brazil
  • Tommaso Zillio Metal
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  • Chief Xian aTunde Adjuah Jazz
  • Luques Curtis Afro-Latin Dance Music
  • Dudu Reis Salvador
  • William Skeen USC Thornton School of Music Faculty
  • Fapy Lafertin Manouche
  • Jericho Brown Emory University Faculty
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  • Tony Kofi Jazz
  • Chris Potter Multi-Instrumentalist
  • Michael Formanek Double Bass
  • Joanna Majoko Jazz
  • Ned Sublette Record Producer
  • Ned Sublette Singer-Songwriter
  • Peter Evans Composer
  • Jonathon Grasse Brazilian Music
  • Paddy Groenland Soul
  • Forrest Hylton Poet
  • Geovanna Costa Pandeiro
  • Larry McCray Keeping the Blues Alive Records
  • Luiz Antônio Simas Poeta, Poet
  • Leci Brandão Pandeiro
  • Nilze Carvalho Choro
  • China Moses Jazz
  • James Martins Jornalista, Journalist
  • Rudy Royston Percussion
  • Maria Drell Chicago, Illinois
  • Irmandade da Boa Morte Samba de Roda
  • David Hoffman Documentary Filmmaker
  • Adonis Rose Composer
  • Ned Sublette Musicologist
  • Karsh Kale कर्ष काळे Multi-Instrumentalist
  • John McEuen Writer
  • Jerry Douglas Dobro
  • Aubrey Johnson Composer
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  • Raymundo Sodré Samba
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  • Kalani Pe'a Singer-Songwriter
  • Jeff Preiss Producer
  • Conrad Herwig Rutgers University Faculty
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  • Marcos Sacramento Rio de Janeiro
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  • Avishai Cohen Jazz
  • RAM Port-au-Prince
  • Varijashree Venugopal Jazz
  • Patricia Janečková Czech Republic
  • Will Vinson New York City
  • Carlinhos Pandeiro de Ouro Pandeiro
  • Quatuor Ebène Classicalized Crossover
  • Romero Lubambo Samba
  • Saul Williams Singer-Songwriter
  • Laura Marling Singer-Songwriter
  • John Medeski Piano
  • Aurino de Jesus Viola Machete
  • Dudu Reis Brasil, Brazil
  • Tommaso Zillio Guitar Instruction
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  • Sam Reider Piano
  • Béla Fleck Multi-Cultural
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  • David Braid Composer
  • Arto Tunçboyacıyan Multi-Cultural
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  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • Anthony Coleman Jewish Music
  • Tommy Orange Native American Literature
  • Zebrinha Coreógrafo, Choreographer
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  • Nubya Garcia London
  • Corey Harris Singer-Songwriter
  • Charles Munka Painter
  • Wouter Kellerman African Music
  • Jim Hoke Record Producer
  • Yasushi Nakamura Bass
  • Roberta Sá Singer
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  • Anders Osborne Blues
  • Itamar Vieira Júnior Journalist
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  • Kiko Loureiro Finland
  • Ana Moura Fado
  • Rolando Herts Mississippi
  • Devin Naar Sephardic Studies
  • Jimmy Duck Holmes Singer-Songwriter
  • João Camarero Guitar
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  • Manu Chao Multi-Instrumentalist
  • Safy-Hallan Farah Writer
  • Teresa Cristina Singer
  • John Morrison Hip-Hop
  • Capitão Corisco Flute
  • Doug Wamble Singer-Songwriter
  • Julian Lloyd Webber Cello
  • Bright Red Dog Improvising Collective
  • Kenny Garrett Flute
  • G. Thomas Allen Opera
  • Pedro Aznar Poet
  • Vincent Herring Manhattan School of Music Faculty
  • Badi Assad Guitar
  • Stormzy Singer-Songwriter
  • Sharay Reed Chicago
  • Nelson Cerqueira Poeta, Poet
  • Eddie Kadi London
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  • Bisa Butler Textile Artist
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  • Liz Pelly Writer
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  • Larry Grenadier Composer
  • Benoit Fader Keita Afrohouse
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  • Jahi Sundance Hip-Hop
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Nicholas Daniel Music Director
  • Les Thompson Multi-Instrumentalist
  • Nonesuch Records Broadway
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  • Gabrielzinho do Irajá Brazil
  • Samba de Nicinha Samba de Roda
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  • Judith Hill Singer-Songwriter
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  • Kenny Barron Jazz
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  • Shoshana Zuboff Social Psychology
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  • Brian Cross aka B+ Brazilian Music
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  • Miguel Atwood-Ferguson Multi-Instrumentalist
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  • Les Thompson Cinema Engineer
  • Brandee Younger Jazz
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  • Sabine Hossenfelder Physicist
  • Dave Douglas Record Label Owner
  • Lalah Hathaway Jazz
  • Bob Telson Piano
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  • Isaias Rabelo Composer
  • James Strauss Flute
  • Kamasi Washington Composer
  • Sam Dagher Journalist
  • Jamel Brinkley Writer
  • Larnell Lewis Composer
  • Elza Soares Samba
  • Tom Oren Tel Aviv
  • Restaurante Axego Pelourinho
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  • Aindrias de Staic Television Presenter
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  • Vik Sohonie Ostinato Records
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  • María Grand Singer
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  • Endea Owens Bass
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  • Karla Vasquez Chef
  • George Garzone Berklee College of Music Faculty
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  • Igor Osypov Ukraine
  • Bonerama Jazz
  • Andrew Finn Magill Ropeadope
  • Damion Reid Jazz
  • Kris Davis Jazz
  • Chris McQueen Songwriter
  • Dorian Concept Record Producer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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