Bio:
Miles Okazaki is an American musician based in New York City. His main focus is on rhythmic concepts for improvisation, composition, and music theory. His approach to the guitar is described by the New York Times as “utterly contemporary, free from the expectations of what it means to play a guitar in a group setting — not just in jazz, but any kind.”
Okazaki grew up in Port Townsend, Washington, a small town near the Olympic Mountains in the Pacific Northwest. He began music on classical guitar at age 6, and was playing regular gigs on electric guitar by age 14, after studying for several years at the Centrum Jazz Workshop. He received many awards as a guitarist throughout his early years, and eventually placed 2nd in the Thelonious Monk International Guitar Competition.
Okazaki moved to New York City in 1997 to pursue a career in music and begin writing his own material. His teacher on guitar at this time was Rodney Jones, who recommended him for his first gig, with Stanley Turrentine. Okazaki spent four years on the road with vocalist Jane Monheit, while also writing and rehearsing the music for his first album Mirror which was released independently. The album received a “Critics Pick” in the New York Times, calling it “a work of sustained collectivity as well as deep intricacy.” He expanded to a septet for his second album Generations described by pianist Vijay Iyer “the sonic equivalent of Escher or Borges, but with real emotional heft” in Artforum’s “Best Music of 2009.” His third album Figurations was recorded live with a quartet, and was selected as one of the New York Times top ten albums of 2012, described by Ben Ratliff as “slowly evolving puzzles of brilliant jazz logic.” His most recent album of compositions Trickster was released in 2017 on Pi Recordings to wide acclaim, receiving editor’s picks in Downbeat and Jazztimes, landing on Best of 2017 lists in the Los Angeles Times and Pop Matters, and called “a true concept album” by the Wall Street Journal and “a mature work for the ages” by Pop Matters. Okazaki wrote, produced, and illustrated these albums. In 2018, Okazaki released Work, his first album of standard repertoire, a five hour performance of the complete compositions of Thelonious Monk for solo guitar, praised by critic Nate Chinen as “an act of immersive scholarship and exhaustive scope. . . a singular achievement,” and selected by the New York Times as one of the best albums of 2018, a “monumental statement of devotion.”
As a sideman, Okazaki works in many areas, ranging from Standard repertoire to experimental music. In recent years, he has worked with a variety of artists including Kenny Barron, Steve Coleman, John Zorn, Jonathan Finlayson, Amir El Saffar, Adam Rudolph, Dan Weiss, Nasheet Waits, Aka Moon, Linda Oh, Darcy James Argue, Jane Monheit, Vijay Iyer, Francois Moutin, Carl Allen, Ohad Talmor, Mary Halvorson, Jen Shyu, Mark Giuliana, Patrick Cornelius, Rajna Swaminathan, Matt Mitchell, Craig Taborn, Tony Moreno, Ben Wendel, Donny McCaslin, and many others.
Okazaki’s first book, Fundamentals of Guitar, was released on Mel Bay Publications in 2015. He has taught guitar and rhythmic studies at the University of Michigan since 2013. He has also taught at the Banff Institute, The New School, the School for Improvisational Music, Queens College, The Juilliard School, Amsterdam Conservatory, and many other institutions. Outside of guitar, his past teachers include Anthony Davis (composition), Ganesh Kumar (Carnatic percussion), and Kendall Briggs (counterpoint). His awards and grants include Chamber Music America’s “New Works” (2007), Chamber Music America’s “French-American Jazz Exchange” (2009), the Jazz Gallery and Jerome Foundations Residency Commission (2010), the American Music Center’s Composer Assistance Program (2011), the Mid-Atlantic Arts Foundation’s US Artists International grant (2012), the Rockefeller Brother’s Fund Artist Residency (2012), and the Jazz Gallery Mentorship program (2015). He holds degrees from Harvard University (B.A.), Manhattan School of Music (M.M.), and The Juilliard School (A.D.), and lives in Brooklyn, NY with his wife and three children.
Discography:
Miles Okazaki: Work: The Complete Compositions of Thelonious Monk (2018)
Miles Okazaki: Trickster (2017)
Miles Okazaki: Figurations (2012)
Miles Okazaki: Generations (2009)
Miles Okazaki: Mirror (2006)
Matt Mitchell: Phalanx Ambassadors (2019)
Steve Coleman: Live at the Village Vanguard (2018)
Steve Coleman: Synovial Joints (2015)
Steve Coleman: Functional Arrhythmias (2013)
Rajna Swaminathan: Of Agency and Abstraction (2018)
Mary Halvorson: Paimon, Book of Angels Vol. 32 (2017)
Jonathan Finlayson: Moving Still (2016)
Jonathan Finlayson: Moment and the Message (2013)
Amir El Saffar Not Two (2016)
Dan Weiss: Sixteen (2016)
Dan Weiss: Fourteen (2014)
Dan Weiss: Jhaptal Drumset Solo (2011)
Dan Weiss: Tintal Drumset Solo (2005)
Alexis Cuadrado: Poetica (2016)
Adam Rudolph: Turning Towards the Light (2016)
Jen Shyu: Jade Tongue (2009)
Patrick Cornelius: While We’re Still Young (2016)
Patrick Cornelius: Maybe Steps (2011)
Ganesh Kumar: Endless Beats (2015)
Jane Monheit: Surrender (2007)
Jane Monheit: The Season (2005)
Jane Monheit: Taking a Chance on Love (2004)
My Writing
Publications:
Fundamentals of Guitar presents the results of 30 years of study. It is a reference book for any style of music. The preface is below, as well as informal instructional videos made to accompany the book. For samples, reviews, more information, and purchase, visit fundamentalsofguitar.com.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).