This is a matrix in the original sense of "source". It is a "small-world" network, meaning that the nodes (people) inside it are — mirroring human society — within a few steps of everybody else inside it. The matrix was built to allow regional Brazilian musicians to be discoverable steps away from everybody else in the arts world, and by logical necessity this m.o. requires not only that the great Brazilians be matrixed, but so far as possible, all working artists in our time. Ergo:
THIS MATRIX, THOUGH BRAZIL-BORN, IS UNIVERSAL
This Miles Okazaki matrix node is steps away from the entire planet by the well-known small-world ("6 degrees") phenomenon dictating that in human society you yourself are within several degrees of Miles Okazaki.
1 DEGREE FORWARD: Miles Okazaki (node) ROUTES TO THESE ARTIST NODES
Are these Miles Okazaki's personal recommendations?
CURATION STATUS
- → Routes by The Matrix
Who & Where
- Name: Miles Okazaki
- City/Place: Brooklyn, NY
- Country: United States
Life & Work
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Bio:
Miles Okazaki is an American musician based in New York City. His main focus is on rhythmic concepts for improvisation, composition, and music theory. His approach to the guitar is described by the New York Times as “utterly contemporary, free from the expectations of what it means to play a guitar in a group setting — not just in jazz, but any kind.”
Okazaki grew up in Port Townsend, Washington, a small town near the Olympic Mountains in the Pacific Northwest. He began music on classical guitar at age 6, and was playing regular gigs on electric guitar by age 14, after studying for several years at the Centrum Jazz Workshop. He received many awards as a guitarist throughout his early years, and eventually placed 2nd in the Thelonious Monk International Guitar Competition.
Okazaki moved to New York City in 1997 to pursue a career in music and begin writing his own material. His teacher on guitar at this time was Rodney Jones, who recommended him for his first gig, with Stanley Turrentine. Okazaki spent four years on the road with vocalist Jane Monheit, while also writing and rehearsing the music for his first album Mirror which was released independently. The album received a “Critics Pick” in the New York Times, calling it “a work of sustained collectivity as well as deep intricacy.” He expanded to a septet for his second album Generations described by pianist Vijay Iyer “the sonic equivalent of Escher or Borges, but with real emotional heft” in Artforum’s “Best Music of 2009.” His third album Figurations was recorded live with a quartet, and was selected as one of the New York Times top ten albums of 2012, described by Ben Ratliff as “slowly evolving puzzles of brilliant jazz logic.” His most recent album of compositions Trickster was released in 2017 on Pi Recordings to wide acclaim, receiving editor’s picks in Downbeat and Jazztimes, landing on Best of 2017 lists in the Los Angeles Times and Pop Matters, and called “a true concept album” by the Wall Street Journal and “a mature work for the ages” by Pop Matters. Okazaki wrote, produced, and illustrated these albums. In 2018, Okazaki released Work, his first album of standard repertoire, a five hour performance of the complete compositions of Thelonious Monk for solo guitar, praised by critic Nate Chinen as “an act of immersive scholarship and exhaustive scope. . . a singular achievement,” and selected by the New York Times as one of the best albums of 2018, a “monumental statement of devotion.”
As a sideman, Okazaki works in many areas, ranging from Standard repertoire to experimental music. In recent years, he has worked with a variety of artists including Kenny Barron, Steve Coleman, John Zorn, Jonathan Finlayson, Amir El Saffar, Adam Rudolph, Dan Weiss, Nasheet Waits, Aka Moon, Linda Oh, Darcy James Argue, Jane Monheit, Vijay Iyer, Francois Moutin, Carl Allen, Ohad Talmor, Mary Halvorson, Jen Shyu, Mark Giuliana, Patrick Cornelius, Rajna Swaminathan, Matt Mitchell, Craig Taborn, Tony Moreno, Ben Wendel, Donny McCaslin, and many others.
Okazaki’s first book, Fundamentals of Guitar, was released on Mel Bay Publications in 2015. He has taught guitar and rhythmic studies at the University of Michigan since 2013. He has also taught at the Banff Institute, The New School, the School for Improvisational Music, Queens College, The Juilliard School, Amsterdam Conservatory, and many other institutions. Outside of guitar, his past teachers include Anthony Davis (composition), Ganesh Kumar (Carnatic percussion), and Kendall Briggs (counterpoint). His awards and grants include Chamber Music America’s “New Works” (2007), Chamber Music America’s “French-American Jazz Exchange” (2009), the Jazz Gallery and Jerome Foundations Residency Commission (2010), the American Music Center’s Composer Assistance Program (2011), the Mid-Atlantic Arts Foundation’s US Artists International grant (2012), the Rockefeller Brother’s Fund Artist Residency (2012), and the Jazz Gallery Mentorship program (2015). He holds degrees from Harvard University (B.A.), Manhattan School of Music (M.M.), and The Juilliard School (A.D.), and lives in Brooklyn, NY with his wife and three children.
Contact Information
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Management/Booking:
Booking:
USA/Canada
info@bigfishbookingco.com
Europe
flyedofly@yahoo.com
Asia/Other
info@milesokazaki.com
Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://okazakiwork.bandcamp.com
- ▶ Book Purchases: http://fundamentalsofguitar.com
- ▶ Twitter: milesokazaki
- ▶ Instagram: okazakistudio
- ▶ Website: http://www.milesokazaki.com
- ▶ YouTube Channel: http://www.youtube.com/user/milesokazaki
- ▶ YouTube Music: http://music.youtube.com/channel/UCWRTvT9MEovj2UgaB-r9mwg
- ▶ Spotify: http://open.spotify.com/album/2AdIDUshdjHl0svt0AJBiq
- ▶ Spotify 2: http://open.spotify.com/album/2BsVVEeU6X5NBofzojdCVN
- ▶ Spotify 3: http://open.spotify.com/album/2bSS0EQHEpCMNaNKCzu4qc
- ▶ Spotify 4: http://open.spotify.com/album/4ezDGuSuxlLNp5DUAasC2d
- ▶ Spotify 5: http://open.spotify.com/album/08dzt4R8GiaoYLZfY8cCC5
My Recordings
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Discography:
Miles Okazaki: Work: The Complete Compositions of Thelonious Monk (2018)
Miles Okazaki: Trickster (2017)
Miles Okazaki: Figurations (2012)
Miles Okazaki: Generations (2009)
Miles Okazaki: Mirror (2006)
Matt Mitchell: Phalanx Ambassadors (2019)
Steve Coleman: Live at the Village Vanguard (2018)
Steve Coleman: Synovial Joints (2015)
Steve Coleman: Functional Arrhythmias (2013)
Rajna Swaminathan: Of Agency and Abstraction (2018)
Mary Halvorson: Paimon, Book of Angels Vol. 32 (2017)
Jonathan Finlayson: Moving Still (2016)
Jonathan Finlayson: Moment and the Message (2013)
Amir El Saffar Not Two (2016)
Dan Weiss: Sixteen (2016)
Dan Weiss: Fourteen (2014)
Dan Weiss: Jhaptal Drumset Solo (2011)
Dan Weiss: Tintal Drumset Solo (2005)
Alexis Cuadrado: Poetica (2016)
Adam Rudolph: Turning Towards the Light (2016)
Jen Shyu: Jade Tongue (2009)
Patrick Cornelius: While We’re Still Young (2016)
Patrick Cornelius: Maybe Steps (2011)
Ganesh Kumar: Endless Beats (2015)
Jane Monheit: Surrender (2007)
Jane Monheit: The Season (2005)
Jane Monheit: Taking a Chance on Love (2004)
My Writing
- Publications: Fundamentals of Guitar presents the results of 30 years of study. It is a reference book for any style of music. The preface is below, as well as informal instructional videos made to accompany the book. For samples, reviews, more information, and purchase, visit fundamentalsofguitar.com.
Clips (more may be added)
THE MATRIX WAS BUILT HERE, inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone... The Brazilian "aleph" doesn't hum...it sings!
Sprawled across broad equatorial latitudes
Stoked and steamed and sensual in the widest sense of the word
Limned in prosody and cadenced song
brəˈzɪl / from "brasa" / Latin for "ember"
w/ David Dye for U.S. National Public Radio
Given the immense untapped power of the small-world phenomenon, from Brazilians the matrix was expanded to include nodes per jazz artists, given jazz's common roots with Brazilian music (nodes based in publicly available information; some artists we informed — Bob Mintzer, Kamasi Washington, David "Fuse" Fiuczynski, Vijay Iyer, Greg Osby — and got thumbs up, others we'll get to), and moved on from there. Artists/academics/"creative people" are welcome to create their own nodes and curate (connect to other artist nodes, so that others may follow). BTW, our logo is a cortador de cana, cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specializes in.
MUCH MORE on all of this in the window below (which, if you are logged in, will instead contain instructions on recommending), and in the window within that window (which includes a "radio" called by The Guardian one of "10 of the best music radio stations around the world"):
