Makaya McCraven via Matrix

Makaya McCraven

VIA THE INTEGRATED GLOBAL
CREATIVE ECONOMY

inspired by
THE GRAPEVINE TELEGRAPH
of Pre-Civil War African-Americans

promulgated by
The Brazilian Ministry of Culture

fomented by
The Bahian Secretary of Culture

fomented by
The Palmares Foundation
for the promotion of Afro-Brazilian Culture

fomented by
The National Foundation of Indigenous Peoples

I CURATE

Network Node

Name: Makaya McCraven
City/Place: Chicago, Illinois
Country: United States
Hometown: Paris, France

CURATION

from this node by: Matrix+

Life & Work

Bio: Makaya McCraven is a beat scientist. The cutting edge drummer, producer, and sonic collagist is a multi-talented force whose inventive process & intuitive style of performance defy categorization.

Called “a sound visionary” (jazzinchicago.org) who is “not your everyday jazz drummer” (thewordisbond.com), McCraven brilliantly moves between genres and pushes the boundaries of jazz and rhythm to create forms of his own.

“You are listening to one incredible musician. His style and sound is unique, a heady, skillful, sophisticated and boldly uncompromising mix of jazz and hip hop…” (UK Vibe)

His breakthrough album In the Moment was released with International Anthem Recording Co. (IARC) in January of 2015 and quickly named “Album of the Week” on BBC 6 Radio by influential DJ Gilles Peterson. By the end of the year it was a “Best of 2015” selection for Los Angeles Times, Pop Matters, NPR Music’s Jazz Critics Poll, and Apple Music. In 2016, In The Moment was hailed by Turntable Lab as “one of the most important recordings to date in the modern Jazz world.” In The Moment was a dramatic statement by McCraven, where he debuted a unique brand of “organic beat music” that quickly launched him into the vanguard of not only Internationally-known jazz artists, but also a niche genre of next-wave composer-producers blurring the boundaries of jazz & electronic music.

“While Teo Macero’s work with Miles [Davis] might seem the obvious reference point, In The Moment is closer in spirit to Madlib and J Dilla.” (WIRE Magazine)

French-born but raised in the Pioneer Valley of Massachusetts by expatriate musician parents, McCraven went on to develop his chops in Chicago and now represents a rising generation of globally-minded, genre-bending music makers as an artist as well as band leader. Through his unique, rarified performances and collaborations he unapologetically affirms our right to re-think and re-write the rules, any rules, and affirms other artists in their own exploratory evolutions.

“No longer are we seeing jazz musicians experimenting with a new genre (hip hop) that they find interesting (or vice versa). Now what we’re seeing are jazz musicians who were heavily influenced by hip hop in their most formative years, just as much as they were influenced by jazz or any other genre. This creates a different kind of music. These cats aren’t ‘blending’ jazz and hip hop; for them, these genres are inseparable. They can’t play one without playing the other.” (thewordisbond.com)

Born in Paris, France in 1983 to jazz drummer Stephen McCraven (Sam Rivers, Archie Shepp) and Hungarian singer Agnes Zsigmondi, McCraven was exposed to broad ranges of influences from a young age. At age 3, in 1986 his family moved to the Pioneer Valley of Western Massachussetts, a time and place that afforded him the mentorship of his parents’ community of friends and collaborators, which included jazz luminaries Marion Brown, Archie Shepp and Yusef Lateef.

His earliest gig memories include playing alongside students in his father’s drum ensemble, the CMSS Bashers, at age five and in middle school forming a band with friends to backup his mother’s Jewish folk songs. In high school, McCraven cofounded Cold Duck Complex, a jazz hip hop band that developed a strong following in the American Northeast, opening for acts like Wu-Tang Clan, Rhazel, Digable Planets, The Pharcyde, Mixmaster Mike, and The Wailers.

“I grew up studying jazz as a way to be masterful at my craft as a drummer. But as a young person, I was listening to A Tribe Called Quest, Busta Rhymes, Nas, and Biggie just like everybody else. That was just our generation.” (Chicago Magazine)

McCraven stayed close to home (and his working band) to study music at the University of Massachusetts Amherst, but prioritized the development of his professional music career, and never completed his degree (although he was part of the University Jazz Orchestra and earned various Downbeat student awards). In 2007 he made a move to Chicago, where he immersed himself in the city’s gigging and creative music scenes. He took on as many gigs as he could, whether small, big, or bizarre, and gave music workshops to students from elementary to university level. While music has been in his blood from a young age, he’s been steadily humble & hungry, sure to always be distilling his various learnings and influences into an identity and groove of his own.

“People think music is just a gift and it’s born out of nothing — that it’s in your genes. No: Musicians work hard. You practice for hours and hours and hours. For me, with my parents being musicians, it wasn’t that they genetically bestowed on me the gift of music, but that they were willing to let me put many, many hours of my life into it.” (In These Times)

Through years of hard work and deepening kinships with artists from both ends (straight ahead & avant garde) of Chicago’s jazz scene, by 2012 he had “established himself as one of the city’s most versatile and in-demand drummers” (Chicago Reader) doing regular sideman gigs for Bobby Broom, Corey Wilkes, Willie Pickens, Occidental Brothers, Marquis Hill, Jeff Parker, and others. All the while he’d been developing a new kind of statement with the announcement and release of his leader debut Split Decision (Chicago Sessions, 2012), about which Dan Bilawsky wrote:

“This is no take on standards with sparkling cocktail party élan or loose, amorphous three-way conversation. This is music made by a 21st century man who sees no need to suppress his hip hop chops or rock spirit in an effort to fit in and be dubbed a jazz drummer. McCraven marries his love for music other than jazz with a more jazz-oriented spirit built around in-the-moment, improvisational cunning and driving grooves throughout this program of original music.” (All About Jazz)

Imbued with a new confidence, McCraven began work with IARC, performing alongside Marquis Hill & Matt Ulery twice as part of their “Trio in Curio” series. The shows’ success prompted a new IARC collaboration at The Bedford with McCraven at the helm as artist-in-residence. The new series, called “Spontaneous Composition”, was an incubator for McCraven to improvise with new collaborators weekly and develop concepts for an unnamed future album. From January 2013 to early 2014, every session of the series was recorded for reference, but rather than merely reviewing the improvisations for compositional inspiration, McCraven began tinkering with the stereo mixes in Ableton, doing what he referred to as “fixing” the music – editing, looping, pitching, layering, and ultimately producing the tracks that were released on his 2015 breakthrough album In The Moment (IARC).

The critical and communal reception of In The Moment led to greater breakthroughs in the live setting for McCraven, including a historic co-headlining Chicago performance with Kamasi Washington in Fall of 2015 and a major showing at the New York City Winter Jazz Festival in January of 2016, where he was named a “Top 5 Artist to Watch” by both NPR and Billboard, and garnered glowing reviews from the Wall Street Journal, New York Times, and Downbeat Magazine. Afterwards he signed with European booking agency Good Music Company and spent most of 2016 touring the European circuit, capped off by a London Jazz Festival set broadcast live on Boiler Room TV in November of 2016.

Right upon returning from that London show, McCraven did a special Chicago performance at Danny’s Tavern in support of touring Belgian DJ LeFtO. Joined by fellow Chicago-based IARC artists Junius Paul, Nick Mazzarella, and Ben LaMar Gay, McCraven captured an inspired set of high-energy improvisation to 4-track tape, and used those recordings to post-produce and create his first DJ-style mixtape Highly Rare (IARC). Originally released cassette only, the lo-fi free-jazz-meets-hip-hop mixtape eventually made it onto vinyl & digital formats, and at the end of the year was lauded as one of the “Best Albums of 2017” by The New York Times, UK’s EZH Mag, and Gilles Peterson, in addition to highly favorable reviews by PASTE Magazine, Stereogum, and Pitchfork.

The latter end of McCraven’s 2017 was also highlighted by an October stint in London, where he headlined IARC’s ‘CHICAGOxLONDON’ showcase, and over the course of two nights improvised, performed & recorded with a handful of leading-edge UK-based musicians (including Joe Armon-Jones, Theon Cross, Nubya Garcia, Soweto Kinch, and Kamaal Williams). The recordings from those shows made source material for another mixtape that McCraven would produce and release on IARC in June of 2018, called Where We Come From (CHICAGOxLONDON Mixtape). In the words of Will Schube, for his feature in Passion of the Weiss:

“While Where We Come From follows in the footsteps of McCraven’s previous releases, he moves far outside his Chicago circle on the release, taking a performance from London in October 2017 and using it as the structure from which he builds the tape… The result is unlike anything else coming out of the Chicago jazz or rap scene, an exploration of the different iterations jazz has introduced globally, and how these sounds are more similar than we often realize. Makaya McCraven is a Chicago staple, owing some of his rise to the city’s fervent jazz community, but with Where We Come From, McCraven and his band have transcended locale. Jazz belongs to the world, it exists wherever we come from.”

McCraven has toured nationally and internationally, and produced 4 critically acclaimed releases as a lead artist in the last 4 years. Yet despite the performances and accolades, McCraven’s focus remains on both creating music and moving the culture forward.

“As a person of mixed race, nationality, and ethnicity I want my identity and contributions to paint a world not bound by genre, race or national boundaries but unified through a love of music culture and community. Tethered by legacies of the past but looking towards a new, more universal future.”

Makaya McCraven continues the development of his “organic beat music” as well as the work of (what Schube described as) “transcending locale” on his most recent release Universal Beings. A 2xLP album that was recorded at 4 sessions in New York, Chicago, London & Los Angeles, Universal Beings features an A-list of “new” jazz players from those hotbed cities: Brandee Younger, Tomeka Reid, Dezron Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson.

Contact Information

Email: [email protected]
Contact by Webpage: http://www.makayamccraven.com/contact/
Management/Booking: Management
David Passick
David Passick Entertainment
[email protected]

North America Booking
Chris Weller
Big Fish Booking Company
[email protected]

Europe Booking
Mike Bindraban
The Good Music Company
[email protected]

Media | Markets

▶ Buy My Music: (downloads/CDs/DVDs) http://intlanthem.bandcamp.com/album/universal-beings-e-f-sides
▶ Twitter: makayamccraven
▶ Instagram: makayamccraven
▶ Website: http://www.makayamccraven.com
▶ YouTube Music: http://music.youtube.com/channel/UChRhO68u51ffO4eCqOZXMRA
▶ Spotify: http://open.spotify.com/album/7AiWJCZ2HArLkWG8HdPgIQ
▶ Spotify 2: http://open.spotify.com/album/71oxAwxQlRh190yYHunzN1
▶ Spotify 3: http://open.spotify.com/album/7vzwsG0jWHoxmEHILQflmi
▶ Spotify 4: http://open.spotify.com/album/3CvBq2Q7CDKbnmXxuhmDd2
▶ Spotify 5: http://open.spotify.com/album/6YoJBRhEFbqbLsQCm3LK2k
▶ Spotify 6: http://open.spotify.com/album/0KCESo1z5AtLgXNQYdOVc0
▶ Article: http://www.rollingstone.com/music/music-features/makaya-mccraven-universal-beings-interview-746144/

Clips (more may be added)

0:26:16
UNIVERSAL BEINGS
By Makaya McCraven

267 views
0:36:56
Makaya McCraven | LIVE SET| Red Bull Studio Sessions
By Makaya McCraven

234 views
1:14:26
Makaya McCraven Boiler Room London Live Set
By Makaya McCraven

257 views

Makaya McCraven Curated

What's Been Happening?

Eric Alper → Toronto has been recommended via Makaya McCraven.
- December 16, 2022
Eric Alper → Radio Presenter has been recommended via Makaya McCraven.
- December 16, 2022
Eric Alper → Public Relations has been recommended via Makaya McCraven.
- December 16, 2022
Eric Alper → Music Publicist has been recommended via Makaya McCraven.
- December 16, 2022
Eric Alper → Commentator has been recommended via Makaya McCraven.
- December 16, 2022
Shane Parish → Multi-Cultural has been recommended via Makaya McCraven.
- November 19, 2022
Shane Parish → Guitar Instruction has been recommended via Makaya McCraven.
- November 19, 2022
Shane Parish → Guitar has been recommended via Makaya McCraven.
- November 19, 2022
Shane Parish → Composer has been recommended via Makaya McCraven.
- November 19, 2022
Shane Parish → Athens, Georgia has been recommended via Makaya McCraven.
- November 19, 2022
Greg Spero → Television Scores has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → Recording Studio Owner has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → Record Label Owner has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → Piano has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → Los Angeles, California has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → Keyboards has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → Jazz has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → Film Scores has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → Composer has been recommended via Makaya McCraven.
- September 1, 2022
Greg Spero → App Developer has been recommended via Makaya McCraven.
- September 1, 2022

English (Portuguese →)

Pathways from Brazil

THROUGH THE INTEGRATED GLOBAL CREATIVE ECONOMY

(all is closer than we imagine)

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among magisterial colleagues for whom this matrix was originally built, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Created because in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. And Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers...Luê Soares of Belém do Pará behind the mic above. You get to Quincy, you can get to Luê. Direct line.

And by the mathematics of the small world phenomenon, everybody in the matrix will tend to proximity to everybody else, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties for Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer), and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

"Many thanks for this - I am touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

Caminhos do Brasil

ATRAVÉS DA ECONOMIA CRIATIVA GLOBAL INTEGRADA

(tudo está mais perto do que imaginamos)

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Criado porque em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar de fora de regiões circunscritas, incluido o próprio Brasil...

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos...Luê Soares de Belém do Pará atrás do microfone acima. Você chega em Quincy, pode chegar em Luê. Linha direta.

E pela matemática do fenômeno de mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley), e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente abertom pois há mais no Céu e na Terra...

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.