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  • Shabaka Hutchings

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Shabaka Hutchings
  • City/Place: London
  • Country: United Kingdom

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Over the last half decade, Shabaka Hutchings has established himself as a central figure in the London jazz scene, which is enjoying its greatest creative renaissance since the breakthroughs of Joe Harriott and Evan Parker in the 1960s. Hutchings has a restlessly creative and refreshingly open-minded spirit, playing in a variety of groups—most notably, Sons of Kemet, The Comet Is Coming, and Shabaka & the Ancestors—and embracing influences from the sounds of London’s diverse club culture, including house, grime, jungle, and dub. “The common theme in my career as a jazz musician has been wondering if what I’m doing is the thing that I should be doing,” says Hutchings, who studied classical clarinet at college at London’s prestigious Guildhall School of Music & Drama. “Me learning about jazz, how to play and interpret, was always a case of just trial and error. I think where I’ve come to recently is I’ve stopped trying to think ‘Is what I’m doing valid? or ‘Is what I’m doing part of the jazz tradition?’ and just see myself as a musician.”

    Now 33, Hutchings first began garnering attention as a member of Melt Yourself Down, the “Nubian party punk” band led by fellow saxophonist Pete Wareham. Sons of Kemet (“Kemet” being the pronunciation of the ancient name of Egypt) marked his first group as a bandleader, and 2013’s Burn and 2015’s Lest We Forget What We Came Here To Do, both released by the UK label Naim Jazz, received significant acclaim, including a nod from influential DJ Gillles Peterson. Sons of Kemet’s new album, Your Queen Is a Reptile, their first record for Impulse!, is the band’s most fully realized creation yet, powered by Hutchings’ blazing, incendiary saxophone, Theon Cross’ tuba blasts, which sound like funky bass lines, and the high-octane interplay between multiple drummers (a revolving cast that includes Tom Skinner, Seb Rochford, and Eddie Hick).

    Born in London, Hutchings moved to Birmingham at age two, then relocated to Barbados at six, remaining there til he was 16 (after which he returned to England). He began to play clarinet in the school band, and the calypso and soca music of Barbados’ Carnival not only provided Hutching’s first musical memories but informs Sons of Kemet’s kinetic intensity. “Everyone comes out on the street and it’s a massive party,” says Hutchings of Carnival, “and in some ways that’s the core feeling that we’re trying to get in Sons of Kemet. As someone from the Caribbean diaspora imagining that feeling, how I remember that feeling as a youngster, I want everyone in the room being so connected to that jubilant feeling of really just enjoying the celebration of music. That’s what I’m trying to get with the performances, the situation where every single person in that room can feel this energy that brings us all together. And once we are together, for me that’s when the transcendence can happen.”

    In his teens he was obsessed with reggae and hip-hop, especially Tupac, Bone Thugs-n-Harmony, and E-40 (“he’s the Eric Dolphy of hip-hop,” Hutchings says of the West Coast rapper, “where he’s going is just completely out there”), and still practices by playing his saxophone along to rap albums like the Notorious B.I.G.’s Ready To Die. “What I’m trying to do a lot of times on the saxophone is provide that role of the MC, not from a narrative perspective but from the perspective of someone trying to provide this rhythmic relentlessness,” says Hutchings. “When I step on the stage in Sons of Kemet I’m not trying to be Sonny Rollins or John Coltrane, I’m trying to be someone like Capleton or Anthony B or Sizzla, in terms of just the energy that I’m coming up with: That’s who I want to be. My core vocabulary is jazz, but I’m not trying to have the energy of someone in a suit standing stationary in front of a microphone giving a nice round sound, I’m trying to just spit out fire.”

    Hutchings distinguishes one group from another less by the music they make than by the different combination of personalities. While he describes The Comet Is Coming as having an “anarchist approach” to music (“In that we don’t talk about what anyone else is supposed to do,” he says, “we all just play what we think it should be”), with Sons of Kemet he’s the composer of all the tunes. “In some ways, it is my group,” he says of Sons of Kemet. “I can say, ‘No, stop here, this should be a break.’ But even within that, I trust the musicians. If they’ve got a better idea about what should happen then, we’ll try it out and see how it goes.”

    Sons of Kemet boasts a somewhat unorthodox lineup—saxophone, tuba, and two drummers—but for Hutchings it’s a natural arrangement. “I’ve never seen it as unconventional,” he says of the group’s instrumentation. “It’s just been that I wanted to play with those two drummers. In some ways it was split between a desire to play with the two individuals and also a desire to take away the function of the drums as being the thing that provides the rhythm. When you’ve got two drummers they converse with each other. It takes the onus off any one particular drummer to provide the beat, because there’s going to be a forward momentum just from them expressing together.”

Contact Information

  • Management/Booking: Shabaka Hutchings
    Management: Rachel Millar, [email protected]
    Booking Enquiries: Rachel Millar, [email protected]

    Sons of Kemet
    Management: Rachel Millar, [email protected]
    Booking agent (Europe + ROW): James Wright, United Talent Agency, [email protected]
    Booking agent (US + Canada): Andre Guerette ([email protected]) and Karl Morse ([email protected])

    Shabaka & The Ancestors
    Management: Rachel Millar, [email protected]
    Booking agent (Europe + ROW): James Wright, United Talent Agency, [email protected]
    Booking agent (US + Canada): Andre Guerette ([email protected]) and Karl Morse ([email protected])

    The Comet is Coming
    Management: Kerstan Mackness, [email protected]
    Booking agent (UK + Japan):: Rick Morton, [email protected] +44 7772 710 034
    Booking agent (US + Canada): Andre Guerette ([email protected]) and Karl Morse ([email protected])

Media | Markets

  • ▶ Buy My Vinyl: http://shop.shabakahutchings.com
  • ▶ Buy My Merch: http://shop.shabakahutchings.com
  • ▶ Twitter: shabakah
  • ▶ Instagram: shabakahutchings
  • ▶ Website: http://www.shabakahutchings.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCY8dCYvZnJMw5tyQyy0-B0Q
  • ▶ YouTube Music: http://music.youtube.com/channel/UCQ5HsPFLAP73lCdXgutnIrA
  • ▶ Spotify: http://open.spotify.com/album/6CSenzyruOwRltis2wjmAy
  • ▶ Spotify 2: http://open.spotify.com/album/4pxnDGBdoGu88h8ZInX5f5
  • ▶ Spotify 3: http://open.spotify.com/album/6gtbrHeqtCg7pk213DAF1T
  • ▶ Spotify 4: http://open.spotify.com/album/55Xi3WIyXMIUYPRRVboNQK
  • ▶ Spotify 5: http://open.spotify.com/album/4S5MLu2PKU7uElm2V3JphK
  • ▶ Spotify 6: http://open.spotify.com/album/1dU66qas6j5H0ym9ZGyJvJ
  • ▶ Article: http://www.theguardian.com/music/2020/mar/10/history-needs-to-be-set-alight-shabaka-hutchings-on-the-radical-power-of-jazz
  • ▶ Article 2: http://www.nytimes.com/2020/03/11/arts/music/shabaka-and-the-ancestors.html

Clips (more may be added)

  • 0:12:40
    SummerStage Anywhere Session: Shabaka Hutchings
    By Shabaka Hutchings
    296 views
  • 3:48
    Barbican Sessions: Shabaka Hutchings
    By Shabaka Hutchings
    256 views
  • 0:19:13
    The Comet Is Coming: NPR Music Tiny Desk Concert
    By Shabaka Hutchings
    263 views
  • 1:31:20
    Shabaka Hutchings & The Ancestors NTS Live at Jazz Cafe
    By Shabaka Hutchings
    306 views
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Shabaka Hutchings Curated

  • 1 Clarinet
  • 1 Composer
  • 1 Jazz
  • 1 London
  • 1 Saxophone

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  • Shabaka Hutchings
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    A video was posted re Shabaka Hutchings:
    SummerStage Anywhere Session: Shabaka Hutchings
    Live from Total Refreshment Centre in London Saxophone – Shabaka Hutchings Saxophone – Nubya Garcia Drums – Tom Skinner Drums – Eddie Hick Electric Bass – Tom Herbert Double Bass – Neil Charles Guitar – Dave Okumu Guitar — Shabaka Hutchings is ...
    • August 17, 2020
  • Shabaka Hutchings
    A video was posted re Shabaka Hutchings:
    Barbican Sessions: Shabaka Hutchings
    For our latest Barbican Session, Sons of Kemet, The Comet is Coming and Shabaka and the Ancestors musician, curator of We Out Here and one of the central figures of the London jazz scene, Shabaka Hutchings performs an improvised piece on bass clarinet.
    • August 17, 2020
  • Shabaka Hutchings
    A video was posted re Shabaka Hutchings:
    The Comet Is Coming: NPR Music Tiny Desk Concert
    Dec. 13, 2019 | Bob Boilen -- The Comet is Coming is a force of nature. The British trio's approach to the Tiny Desk was ferocious. Shabaka Hutchings, aka King Shabaka, blew his sax hard while his effects pedal added reverb, expanding not only his sound b...
    • August 17, 2020
  • Shabaka Hutchings
    A video was posted re Shabaka Hutchings:
    Shabaka Hutchings & The Ancestors NTS Live at Jazz Cafe
    Saxophonist Shabaka Hutchings performs live from The Jazz Cafe alongside the South African jazz group, The Ancestors.
    • August 17, 2020
  • Shabaka Hutchings
    A category was added to Shabaka Hutchings:
    Clarinet
    • August 17, 2020
  • Shabaka Hutchings
    A category was added to Shabaka Hutchings:
    London
    • August 17, 2020
  • Shabaka Hutchings
    A category was added to Shabaka Hutchings:
    Composer
    • August 17, 2020
  • Shabaka Hutchings
    A category was added to Shabaka Hutchings:
    Jazz
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    A category was added to Shabaka Hutchings:
    Saxophone
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Horacio Hernández Percussion
  • Maria Struduth Ilustradora, Illustrator
  • Pedrão Abib UFBA Faculdade, Federal University of Bahia Faculty
  • Andy Romanoff Photographer
  • Lula Moreira Documentary Filmmaker
  • Della Mae Nashville, Tennessee
  • Eric Coleman Los Angeles
  • Milford Graves Composer
  • Bill Hinchberger Educator
  • Moses Boyd England
  • Hopkinson Smith Baroque Guitar
  • Vivien Schweitzer Writer
  • Ceumar Coelho MPB
  • Marcus Teixeira MPB
  • Susana Baca Folklorist
  • Kamasi Washington Saxophone
  • Elisa Goritzki Salvador
  • Nooriyah نوريّة Filmmaker
  • Myles Weinstein Drums
  • Timothy Duffy Folklorist
  • Toumani Diabaté Africa
  • Calypso Rose Calypso
  • McIntosh County Shouters Gullah Geechee
  • Stephen Guerra Choro
  • Victor Gama Angola
  • Jeff Tweedy Country
  • Román Díaz Cuba
  • Weedie Braimah Ropeadope
  • Hopkinson Smith Switzerland
  • Monty's Good Burger Vegan Burgers
  • Della Mae Bluegrass
  • Gringo Cardia Video Director
  • Welson Tremura Bossa Nova
  • Dezron Douglas Composer
  • Nei Lopes Singer-Songwriter
  • Shana Redmond Black Culture & Politics
  • Jeffrey Boakye Educator
  • Carlos Aguirre Argentina
  • Marc Johnson Record Producer
  • Miles Mosley Double Bass
  • Gregory Porter Songwriter
  • Anderson Lacerda Jazz Brasileiro, Brazilian Jazz
  • Brian Jackson Piano
  • Jimmy Cliff Rocksteady
  • Parker Ighile Africa
  • Maria Rita Rio de Janeiro
  • Tonho Matéria Bahia
  • Igor Osypov Ukraine
  • Arto Lindsay Composer
  • Jon Faddis Jazz
  • Kimberlé Crenshaw Critical Race Theory
  • Robert Everest Choro
  • Veronica Swift Jazz
  • David Braid Lute
  • Michael W. Twitty Food Writer
  • Shez Raja London
  • Chris Boardman Film Scores
  • Hopkinson Smith Lute
  • Tiganá Santana Bahia
  • Oswaldinho do Acordeon Composer
  • THE ROOM Shibuya DJs
  • Laércio de Freitas MPB
  • Sharita Towne Printmaker
  • Jamie Dupuis Harp Guitar
  • Mokhtar Samba Morocco
  • Teresa Cristina Brazil
  • Jimmy Dludlu South Africa
  • Laura Cole Singer-Songwriter
  • Rowney Scott Bahia
  • Victor Wooten Berklee College of Music Faculty
  • Guga Stroeter Vibraphone
  • Dan Weiss Drumming Instruction
  • Mauro Diniz Rio de Janeiro
  • Tiganá Santana Violão, Guitar
  • Mike Marshall Violin
  • Joe Fiedler Arranger
  • Maia Sharp Record Producer
  • John Patitucci Jazz
  • Nic Adler Los Angeles, California
  • Shanequa Gay Installation
  • Steve McKeever Record Label Owner
  • D.D. Jackson Piano
  • Uli Geissendoerfer Jazz
  • Sunn m'Cheaux Binya
  • Chris Acquavella Mandolin Instruction
  • Darren Barrett Flugelhorn
  • Barry Harris Piano
  • Ron Blake Flute
  • Corey Ledet Accordion
  • James Martins Poeta, Poet
  • Sátyra Carvalho MPB
  • Henrique Cazes Choro
  • Benoit Fader Keita Afrohouse
  • Dani Deahl Writer
  • Mateus Aleluia Filho Salvador
  • David Castillo Trumpet
  • Jonga Cunha Author
  • Woz Kaly Africa
  • Inon Barnatan Classical Music
  • Yilian Cañizares Singer-Songwriter
  • Dale Barlow Australia
  • Jim Beard Piano
  • Bruce Molsky Berklee College of Music Faculty
  • Larissa Fulana de Tal Brasil, Brazil
  • Steve Lehman Jazz
  • Ryuichi Sakamoto Multi-Cultural
  • Steve Abbott Festival Promoter
  • Christopher Seneca Diplomat
  • Rhuvaal Argyll
  • Ben Hazleton Bass
  • Custódio Castelo Portugal
  • Gaby Moreno Guitar
  • Giba Conceição Brazil
  • Pedro Martins Jazz
  • Daru Jones Record Producer
  • Dudu Reis Samba
  • The Assad Brothers Brazil
  • Joey Alexander Piano
  • Eric Galm Caribbean Studies
  • Arson Fahim Classical Music
  • Anat Cohen New York City
  • Pallett Iran
  • Lucian Ban Transylvania
  • David Byrne New York City
  • Gui Duvignau Jazz
  • Nicolas Krassik Rio de Janeiro
  • Rhiannon Giddens Artistic Director
  • Matthew F Fisher Collaborative Artist
  • Roberta Sá Brazil
  • Yunior Terry Bass
  • Teddy Swims Soul
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Etienne Charles Trinidad
  • Zigaboo Modeliste Funk
  • Jason Treuting Princeton University Faculty
  • Kiko Souza Flauta, Flute
  • Margaret Renkl Nashville, Tennessee
  • Rissi Palmer Americana
  • Mart'nália Brazil
  • Armandinho Macêdo Frevo
  • Dermot Hussey Washington, D.C.
  • John Francis Flynn Dublin
  • Chris Boardman Television Scores
  • Elizabeth LaPrelle Virginia
  • Anderson Lacerda MPB
  • Pedrito Martinez Congas
  • Walter Ribeiro, Jr. Forró
  • Danilo Brito São Paulo
  • Melvin Gibbs Jazz Fusion
  • Victor Gama Multimedia Opera
  • Speech MC
  • Marcus Rediker Activist
  • Cristovão Bastos Brazil
  • Gabrielzinho do Irajá Versador
  • Mono/Poly Los Angeles
  • Kronos Quartet String Quartet
  • Stephan Crump Bass Instruction
  • Kimberlé Crenshaw Author
  • Cristiano Nogueira Rio de Janeiro
  • Moreno Veloso Pandeiro
  • David Sacks Latin Jazz
  • Aubrey Johnson Composer
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