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An I RECOMMEND artist matrix built as a  small world ("6 degrees") network → ALL within degrees of ALL → unprecedentedly open access to artists from anywhere on planet earth! Viva!!!

I RECOMMEND

Oscar Peñas...
  • 0 Barcelona
  • 0 Composer
  • 0 Guitar
  • 0 Jazz
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  • 0 New York City
  • RECOMMENDS 0 people/categories
  • ↳ outgoing recommendations by the matrix

Who I Am & Where I Live:

  • Name: Oscar Peñas
  • City: New York City
  • Country: United States

My Life

  • Biographical: A naturalized US citizen, Peñas was born in Barcelona to a family where traditional, folk, and flamenco music was loved and ever-present. His maternal grandfather was a trumpet player who occasionally played with Xavier Cugat’s orchestra when it was in town. Peñas’ first years of study were devoted to classical music, but he later developed a fascination with jazz and decided to dedicate his career to this genre in the US, where he now lives with his wife. This decision led to this moment in his musical career, a road that crosses cultures and creative ideas, the main genre melded by different grooves. His projects speak to this; Peñas has expanded his focus to incorporate diverse rhythms and styles.

My Media

  • Website: http://oscarpenas.com

Listen on Spotify

  • Spotify: http://open.spotify.com/album/4ThnmVIR37BgDeXvcYbTNs
  • Spotify 2: http://open.spotify.com/album/0UiCGvqe643zxhiOCGaBFr
  • Spotify 3: http://open.spotify.com/album/0DSQwNfEzCcPg3kUSM0Xwa
  • Spotify 4: http://open.spotify.com/album/5EBHVQRuM4BB1HQA4lx0ob
  • Spotify 5: http://open.spotify.com/album/1tQpPy9O49nSgyCVXoqnfS

Contact Information

  • Email: zulema@oscarpenas.com

More

  • Quotes, Notes & Etc. As a performer, Peñas has released four jazz albums with Grammy winners Esperanza Spalding, Gil Goldstein, and Paquito D’Rivera, among many others. He regularly performs with musicians such as harmonist Gregory Maret and trumpeter Jason Palmer in venues across the US, including Cabaret Theater at the Jazz Appreciation Month Series by the Pittsburgh Cultural Trust, the Mansion at Strathmore Performing Art Center, Kennedy Center, Atlas Performing Arts Center, the Decatur House, the National Center for White House History, Jazz at Lincoln Center at Dizzy’s Jazz Coca-Cola, Chicago’s Old Town, Barnes Foundation, Philadelphia Museum of Art, BAMcafé, BargeMusic, and Burlington Jazz Festival, VT. In Cuba, he has performed at Teatro Martí and at the International Jazz Plaza Festival. Additionally, he performs in clubs on the east coast, such as The Sidedoor, Blue Note, 55 Bar, Bar Next Door, and while in Europe he performs at the Parisian Duc Des Lombard jazz club and at the Concert Hall Jamboree in Barcelona.

Clips

  • Music of Departures and Returns
    By Oscar Peñas
    76 views
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THE MATRIX IS MUSICIAN / ARTIST RECOMMENDATIONS BY THE MOST POWERFUL, SOPHISTICATED & SUBTLE SOFTWARE YET DEVISED:

⇒ the minds of other artists

 

IT'S BASED IN BAHIA, GROUND ZERO FOR BRAZIL'S SUN-CARONA VIBRANT AFRO-BRAZILIAN CULTURE

⇒ ...rooted in a region called the Recôncavo, analogous in Brazil to the Mississippi Delta in the United States.

 

THE MATRIX REACHES FROM BRAZIL TO CUBA TO BROOKLYN TO BERLIN TO TOKYO TO TIMBUKTU

⇒ To wherever people want to take it...

 

IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP

⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing.

 

Matrix Headquarters

 

PRE-BRAZIL — IN NEW YORK CITY — WE "RESCUED" UNPAID ROYALTIES FOR PERFORMERS & COMPOSERS INCLUDING:

⇒ Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Taj Mahal, Robb Royer of Bread, Speedo & the Cadillacs, and many more! With Speedo's (Earl Carroll) amazing story (kid singing on the streetcorners of Harlem to doo-wop fame to working as a beloved school janitor) I learned (as Quincy Jones had figured out decades before) that greatness and fame are completely independent. The wave repeated here in Brazil with Raimundo Sodré, who went from zero to national fame and back to zero.

 

HENCE A (and so far the world's only) SMALL WORLD CURATION NETWORK...

⇒ A wave of Exu's cyberwand opening pathways allowing ANY ARTIST — FAMOUS OR NOT — in ANY FIELD — in ANY PLACE in the world — to potentially  be reached by ANYBODY from ANYWHERE. (Exu -- eh-SHOO -- is the Afro-Brazilian deity responsible for opening pathways.)

 

BY WHAT WIZARDRY?

⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.

 

SIMPLY CHANGE "KNOW" TO "RECOMMEND"

⇒ In exactly the same way, step by step we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet.

 

LIKE THIS...

⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...

 

  • Raimundo Sodré Now
  • Raimundo Sodré 1980

Raimundo Sodré Now

Dengo

Dengo
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Raimundo Sodré 1980

The Festivals of Brazilian Music (Os Festivais de Música Brasileira) were a series of televised festivals featuring original songs over the period from 1965 to 1985. Many of Brazil's most popular artists of the period (including Elis Regina, Chico Buarque, Caetano Veloso, Gilberto Gil, Gal Costa, Geraldo Vandré, Nara Leão, Edu Lobo, Jair Rodrigues, Tom Jobim) participated or began their careers in these festivals.

 

Sodré was launched in 1980. He only placed third but was so much the popular favorite that the festival winner, Oswaldo Montenegro, was booed when awarded first place.

 

The sound and video quality of this recorded are pretty terrible, but nevertheless it gives some idea of that day...

 

The song itself, "A Massa", was a protest song. Sodré sings "a massa da mandioca mãe" (manioc dough, mother)...but this is a metaphor for the mass of common people being squeezed by the powerful in the government. The style is called "chula"; it's the primordial Afro-Brazilian samba born on the sugarcane plantations of Bahia, precursor to Brazil's national music.

 


 

DICTATED SILENCE

⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.

 

MUSIC FALLS LIKE RAIN

⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.

 

 

FROM SODRÉ, A WORLDLINE TO SPLENDID BULE BULE (LEATHER HAT) ABOVE... AND TO OTHERS IN THE CLIP...

⇒ "The time has arrived for these people of color to show their worth ... I want to see Uncle Sam play tambourine so the whole world can samba!"

 

AND FROM BULE ON...

⇒ ...tendrils twining through urban centers and beautiful backwaters... through New York boroughs, Burkina Faso... County Clare... Cape Town...

 

THROUGH ARTISTS ACROSS THE BOARD

⇒ ...writers, journalists, photographers, painters, illustrators, architects, choreographers, filmmakers...

 

IS THE MATRIX AN ALTERNATE REALITY?

⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!

 

DOES THE MATRIX WATCH YOU?

⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.

 

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