Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Quatuor Ebène
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Quatuor Ebène
  • City/Place: Boulogne-Billancourt
  • Country: France

Life & Work

  • Bio: "A string quartet that can easily morph into a jazz band,”

    ...wrote the New York Times after a 2009 performance by the Quatuor Ebène. The ensemble opened with Debussy and Haydn and then improvised on a film music theme—with exactly the same enthusiasm and passion.

    What began in 1999 as a distraction in the university’s practice rooms for the four young French musicians has become a trademark of the Quatuor Ebène, and has generated lasting reverberations in the music scene. The four breathe new life into chamber music through their consistently direct, open-minded perspective on the works. Regardless of the genre, they approach the music with humility and respect. They change styles with gusto, and yet remain themselves: with all the passion that they experience for each piece, and which they bring to the stage and to their audiences directly and authentically.

    There is no single word that describes their style: they’ve created their own. Their traditional repertoire does not suffer from their engagement with other genres; rather, their free association with diverse styles brings a productive excitement to their music. From the beginning, the complexity of their oeuvre has been greeted enthusiastically by audiences and critics.

    After studies with the Quatuor Ysaÿe in Paris and with Gábor Takács, Eberhard Feltz and György Kurtág, the quartet had an unprecedented victory at the ARD Music Competition 2004. This marked the beginning of their rise, which has culminated in numerous prizes and awards. The Quatuor Ebène’s concerts are marked by a special elan. With their charismatic playing, their fresh approach to tradition and their open engagement with new forms, the musicians have been successful in reaching a wide audience of young listeners; they communicate their knowledge in regular master classes at the Conservatoire Supérieur Paris.

    The quartet was one of the award winners of the Borletti-Buitoni Trust in 2007 and received support from the BBT between 2007 and 2017. In 2005, the ensemble won the Belmont Prize of the Forberg-Schneider Foundation. Since then, the Foundation has worked closely with the musicians, who are performing on instruments chosen with and loaned by Gabriele Forberg-Schneider since 2009.

    Pierre Colombet Violin by Francesco Rugeri, Cremona (ca.1680)

    Bow by Charles Tourte (Paris, 19th century)

    Gabriel Le Magadure Violin with a Guarneri label (mid 18th century)

    Bow by Dominique Pecatte (ca.1845)

    Marie Chilemme Viola by Marcellus Hollmayr, Füssen (1625)

    prior possession of Mathieu Herzog

    Raphaël Merlin Violoncello by Andrea Guarneri, Cremona (1666/1680)

    The Quatuor Ebène’s CDs, featuring recordings of music by Haydn, Bartók, Debussy, Fauré, Mozart and the Mendelssohn siblings have won numerous awards, including the Gramophone Award, the ECHO Klassik, the BBC Music Magazine Award and the Midern Classic Award. Their 2010 album “Fiction” with jazz arrangements, has only solidified their unique position in the chamber music scene, as well as their 2014 crossover CD “Brazil,” a collaboration with Stacey Kent, and their recent recording with Michel Portal, „Eternal Stories“ (Mai 2017). In fall 2014, Erato released „A 90th Birthday Celebration“, a live recording (on CD and DVD) of Menahem Presslers birthday celebration concert with the Quatour Ebène in Paris. In 2015/2016 the musicians focussed on the genre of the „Lied“. They collaborated with Philippe Jaroussky for the CD „ Green (Mélodies françaises)“ which won the BBC Music Magazine Award 2016 and published a Schubert CD. On the one hand, it includes Lieder, recorded with Mathias Goerne (arranged for string quartett, baritone and bass by Raphël Merlin) and on the other hand, the string quintet, recorded with Gautier Capuçon.

Contact Information

  • Email: [email protected]
  • Management/Booking: Impresariat Simmenauer - notre General management
    IMPRESARIAT SIMMENAUER GMBH
    Linda Uschinski
    Kurfürstendamm 211
    D-10719 Berlin
    t: +49 - (0)30 - 414 781 717 (direct)
    t: +49 - (0)30 - 414 781 710 (main)
    f: +49 - (0)30 - 414 781 713
    E-mail: [email protected]
    Website: www.impresariat-simmenauer.de

    Arts Management Group - notre management aux USA
    Alisa Harrington
    E-mail: [email protected] 917.442.1593
    130 West 57th Street Suite 6A New York NY 10019
    Tel: 212.337.0838 Fax: 212.924.0382

    Melos Arts Management - notre management au Japon
    会社名
    株式会社メロス・アーツ・マネジメント
    MELOS ARTS MANAGEMENT INC.
    設立年月日2003年4月1日
    住 所〒160-0022 東京都新宿区新宿1-30-16 ルネ新宿御苑タワー504号
    TEL03-3358-9005

    Weinstadt Artists Management - notre management au Benelux
    Populierenlaan 3, bus 26 - 2020 Antwerp – Belgium
    Tel : +32/3-216 70 60
    e-mail: [email protected]
    www.concerts-weinstadt.be
    FAX03-3358-9025

Media | Markets

  • ▶ Twitter: QuatuorEbene
  • ▶ Instagram: quatuor_ebene
  • ▶ Website: http://www.quatuorebene.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC8-4aaETuFjpMvEsnRfVPcg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCSF4r8W9zyHvJ49ofY7m7Ww
  • ▶ Spotify: http://open.spotify.com/album/4ZfijPsvkBtwZWiGScdvOs
  • ▶ Spotify 2: http://open.spotify.com/album/2ZzP0NJ3dB7SNYT7zhO5pn
  • ▶ Spotify 3: http://open.spotify.com/album/4gPpWZjXUvbrIacogrTKrl
  • ▶ Spotify 4: http://open.spotify.com/album/04M4qoKHAK4ANEnuvx83N9
  • ▶ Spotify 5: http://open.spotify.com/album/78P5C03DGThbbsLna4oUTI
  • ▶ Spotify 6: http://open.spotify.com/album/2PB0JHbqLKPlTvtbQssB8G

More

  • Quotes, Notes & Etc. Listening to the Finale: Presto, I remembered that ébène means ebony in English. The qualities of this hardwood, its toughness under a very smooth finish, were clearly transferred into the foursome’s interpretation. What makes the Ébène Quartet truly special, besides the unbridled enthusiasm and the intensity with which they approach the classical repertoire, is their openness to other types of music that informs their interpretation of the canon.

    - Bachtrack - mars 2018

Clips (more may be added)

  • Ebene Quartet's Top Five String Quartet Pieces
    By Quatuor Ebène
    379 views
  • Quatuor Ebene: Artist Profile
    By Quatuor Ebène
    392 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Quatuor Ebène:

  • 1 Classical Music
  • 1 Classicalized Crossover
  • 1 Contemporary Classical Music
  • 1 France
  • 1 String Quartet

Nodes below are randomly generated. Reload for a different stack.

  • Ajurinã Zwarg Choro
  • Marcus Printup Composer
  • Michel Camilo Jazz
  • Parker Ighile Multi-Cultural
  • Ubiratan Marques Salvador
  • Yasushi Nakamura Japan
  • Chris Potter Saxophone
  • Jeff Tweedy Singer-Songwriter
  • Milford Graves Percussion
  • Teresa Cristina Brazil
  • Wadada Leo Smith Composer
  • Benjamin Grosvenor United Kingdom
  • Wadada Leo Smith Multi-Instrumentalist
  • Avishai Cohen אבישי כה Composer
  • Andrew Gilbert Writer
  • Caterina Lichtenberg Mandolin
  • Eduardo Kobra Brasil, Brazil
  • Walter Blanding New York City
  • Yotam Silberstein New York City
  • Gonzalo Rubalcaba Havana
  • Celso de Almeida Drums
  • Jonathon Grasse Brazilian Music
  • Teddy Swims R&B
  • Nabih Bulos Los Angeles
  • Anoushka Shankar Sitar
  • Doug Adair Americana
  • Filhos da Pitangueira Brazil
  • Matt Ulery Chicago
  • Linda May Han Oh Bass
  • Caterina Lichtenberg Hochschule für Musik und Tanz Köln
  • Aditya Prakash Singer
  • Jon Faddis Purchase College Conservatory of Music Faculty
  • Onisajé Brasil, Brazil
  • Kareem Abdul-Jabbar Writer
  • Billy Strings Songwriter
  • Leo Nocentelli Songwriter
  • Kim Hill Actor
  • Miroslav Tadić Composer
  • Shanequa Gay Multimedia Artist
  • Riley Baugus Fiddle
  • Rez Abbasi Jazz
  • Nancy Ruth Spain
  • Donald Vega Piano Instruction
  • Fábio Peron São Paulo
  • Nahre Sol Contemporary Classical Music
  • Estrela Brilhante do Recife Pernambuco
  • Intisar Abioto Dancer
  • Beth Bahia Cohen Berklee College of Music Faculty
  • Amit Chatterjee Composer
  • Archie Shepp Record Label Owner
  • Welson Tremura Composer
  • Robert Glasper R&B
  • Giba Gonçalves Brazil
  • Mulatu Astatke Ethio-Jazz
  • John Zorn Multi-Instrumentalist
  • Kimmo Pohjonen Film Scores
  • Alegre Corrêa Composer
  • Eli Degibri אלי דג'יברי Jazz
  • Nilze Carvalho Rio de Janeiro
  • Jeremy Pelt Trumpet Instruction
  • Clarice Assad Composer
  • John Morrison Hip-Hop
  • Savoy Family Cajun Band Cajun Music
  • Michael Formanek Double Bass
  • Roy Germano Filmmaker
  • Mokhtar Samba Percussion
  • Robert Glasper Composer
  • Riley Baugus Fiddle
  • Mateus Aleluia Salvador
  • David Mattingly School of Visual Arts Faculty
  • Caoimhín Ó Raghallaigh Composer
  • Doug Wamble Composer
  • Monty's Good Burger Vegan Restaurant
  • Toninho Horta Guitar
  • Benjamin Grosvenor London
  • Flor Jorge MPB
  • David Braid Film Scores
  • César Orozco Violin
  • Carlos Blanco Guitarra, Violão, Guitar
  • Tommy Peoples Fiddle
  • Nels Cline Jazz, Rock, Country, Experimental
  • Tony Allen Afrobeat
  • Sergio Krakowski Experimental Music
  • Chris Thile New York City
  • Bianca Gismonti Brazil
  • Caroline Shaw Record Producer
  • Cassandra Osei Historian of Latin America & African Diaspora
  • Di Freitas Violin
  • David Simon Television Producer
  • João Rabello Classical Guitar
  • Melvin Gibbs Bass
  • Mary Norris Writer
  • Papa Mali Guitar
  • Wynton Marsalis New Orleans
  • Dan Auerbach Singer-Songwriter
  • Hopkinson Smith Baroque Guitar
  • Edil Pacheco Singer
  • Tyler Gordon Painter
  • Tony Trischka Old-Time Music
  • Siba Veloso Pernambuco
  • Casa da Mãe Restaurante-Bar, Restaurant-Bar
  • Virgínia Rodrigues MPB
  • Jorge Washington Cultural Producer
  • Chelsea Kwakye Writer
  • Sebastian Notini Bateria, Drums
  • Sara Gazarek Singer
  • Tobias Meinhart Composer
  • Rosângela Silvestre Salvador
  • Maria Bethânia Samba de Roda
  • Jorge Washington Bahia
  • Issa Malluf Udu
  • Carwyn Ellis Multi-Cultural
  • Mehdi Rajabian Iran
  • Itamar Vieira Júnior Brazil
  • Fred P Ambient Music
  • Ashley Page Record Label Owner
  • Elie Afif Dubai
  • John Boutté New Orleans
  • Matt Ulery Multi-Instrumentalist
  • Raymundo Sodré Ropeadope
  • Muireann Nic Amhlaoibh County Kerry
  • Eric Galm Berimbau
  • John Donohue Journalist
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Brian Lynch Jazz
  • Arthur Jafa Cinematographer
  • Anoushka Shankar Composer
  • Ryuichi Sakamoto New York City
  • Jane Ira Bloom Jazz
  • Márcia Short Bahia
  • Célestin Monga Economist
  • Kurt Andersen Screenwriter
  • Clarice Assad Brazil
  • Dale Barlow Saxophone
  • Shannon Ali Jazz
  • Frank Negrão Funk
  • Etienne Charles Jazz
  • Tommy Orange Native American Literature
  • Gord Sheard MPB
  • Hanif Abdurraqib Writer
  • John Francis Flynn Guitar
  • Alan Brain Journalist
  • Tony Trischka Bluegrass
  • Ravi Coltrane Record Producer
  • Ed O'Brien Brazil
  • Omer Avital Jazz
  • Ivo Perelman Composer
  • Alita Moses Jazz
  • Burhan Öçal Tanbur
  • Michael League Brooklyn, NY
  • Archie Shepp Singer
  • Will Holshouser Folk & Traditional
  • Larissa Luz Salvador
  • Márcio Bahia Drums
  • Shankar Mahadevan Composer
  • Paddy Groenland Composer
  • 小野リサ Lisa Ono MPB
  • Rowney Scott Jazz
  • Lucinda Williams Singer-Songwriter
  • Ivan Huol Salvador
  • Lokua Kanza Singer-Songwriter
  • Brandon Seabrook Composer
  • Mayra Andrade Singer
  • Jonathan Scales Ropeadope
  • Las Cafeteras Afro-Mexican Music
  • Giba Conceição Brazil
  • Matt Garrison Jazz
  • Edivaldo Bolagi Salvador
  • Ajeum da Diáspora Afro-Bahian Cuisine
  • Herlin Riley Tambourine
  • Osvaldo Golijov Composer
  • Herlin Riley Second Line
  • Glória Bomfim Candomblé
  • Omer Avital North African Music
  • Michael Formanek Bass
  • Asma Khalid Podcaster
  • Joe Chambers New York City
  • Antônio Queiroz Samba Rural
  • Gustavo Di Dalva Salvador
  • Echezonachukwu Nduka Poet
  • Bob Bernotas Jazz
  • Anouar Brahem Tunisia
  • Derek Sivers Entrepreneur
  • Errollyn Wallen Contemporary Classical Music
  • Hilary Hahn Violin
  • Philip Ó Ceallaigh Ireland
  • Ivan Neville Keyboards
  • Pururu Mão no Couro Bahia
  • Leela James Singer-Songwriter
  • Theo Bleckmann Jazz
  • Roberta Sá Brazil
  • Paul Mahern Mastering Engineer
  • Antônio Pereira Manaus
  • Logan Richardson Saxophone
  • Nicholas Payton Composer
  • Kaveh Rastegar Record Producer
  • Yilian Cañizares Jazz
  • Fabian Almazan Composer
  • Andrés Beeuwsaert Jazz
  • Shaun Martin Jazz
  • Pedro Abib Federal University of Bahia Faculty
  • James Poyser Film Scores
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Fábio Luna Cantor-Compositor, Singer-Songwriter
  • Alicia Keys Piano
  • Kiya Tabassian كيا طبسيان Film Scores
  • Fred Dantas Salvador
  • Khruangbin Multi-Cultural
  • Daru Jones Hip-Hop
  • Nicolas Krassik Brazil
  • Uli Geissendoerfer Jazz
  • John Santos Percussion
  • Barry Harris New York City
  • Gregory Hutchinson Soul
  • Rosa Passos Singer-Songwriter
  • Asa Branca Guitar
  • Fred Hersch Composer
  • Thundercat Multi-Instrumentalist
  • Capitão Corisco Folk & Traditional
  • Giveton Gelin Jazz
  • José Antonio Escobar Spain
  • Raymundo Sodré Chula
  • Gab Ferruz Salvador
  • Noam Pikelny Banjo
  • Pedro Aznar Argentina
  • Jimmy Dludlu Guitar
  • Toninho Ferragutti Brazil
  • Paulo Martelli Brazilian Classical Guitar
  • Rolando Herts Delta State University Faculty
  • Guilherme Kastrup Drums
  • Sharay Reed Jazz
  • Adonis Rose Drums
  • Jimmy Greene Saxophone
  • Justin Kauflin New York City
  • Questlove Multi-Instrumentalist
  • Kenny Barron Jazz
  • Donny McCaslin Composer
  • Tom Piazza Writer
  • Neymar Dias Brazil
  • Ben Monder Composer
  • Mykia Jovan Singer-Songwriter
  • Luke Daniels Scottish Traditional Music
  • Kaia Kater Banjo
  • Dermot Hussey Author
  • Luciano Salvador Bahia Bahia
  • Yasmin Williams Multi-Cultural
  • Simon Singh Mathematics
  • Fernando Brandão Author
  • Marc Johnson Record Producer
  • João Parahyba Drums
  • Jurandir Santana Salvador
  • Adriene Cruz Tapestry Crochet
  • Inaicyra Falcão Candomblé
  • Paulinho do Reco Samba
  • Giba Gonçalves Paris
  • Isaias Rabelo Piano
  • Flora Purim Jazz Fusion
  • Bill Pearis Journalist
  • Gustavo Caribé Baixo, Bass
  • Alan Brain Screenwriter
  • Joachim Cooder Drums
  • Donna Leon Writer
  • Marco Pereira Rio de Janeiro
  • Anouar Brahem Tunis
  • Mário Pam Percussion Classes & Workshops
  • Flora Purim Brazilian Jazz
  • Frank Negrão Music Director
  • Horacio Hernández Drums
  • Cimafunk Cuba
  • Pallett Persian Music
  • Olivia Trummer Piano
  • Etienne Charles Cuatro
  • Eliane Elias São Paulo
  • David Hoffman Documentary Filmmaker
  • Paquito D'Rivera Afro-Cuban Jazz
  • Vinson Cunningham Writer
  • Plínio Fernandes London
  • Albin Zak Singer-Songwriter
  • Ubiratan Marques Brasil, Brazil
  • Nardis Jazz Club Jazz Club
  • Geraldine Inoa Playwright
  • Julien Libeer Belgium
  • James Gavin Journalist
  • Andrew Finn Magill Ropeadope
  • Jamel Brinkley Iowa Writers' Workshop Faculty
  • Andrew Huang Songwriter
  • Capinam Salvador
  • Marko Djordjevic Balkan Music
  • Gilad Hekselman Brooklyn, NY
  • Norah Jones Piano
  • Isaiah J. Thompson Jazz
  • Bob Bernotas Jazz Historian
  • Donald Harrison Jazz
  • Mika Mutti Salvador
  • Nancy Viégas Brasil, Brazil
  • Robertinho Silva Rio de Janeiro
  • Avishai Cohen New York City
  • Jill Scott Neo Soul
  • Masao Fukuda Brazil
  • Armen Donelian Author
  • Giba Conceição Salvador
  • Tal Wilkenfeld Jazz
  • Mário Santana Percussion
  • Chris Boardman Television Scores
  • Manolo Badrena Berimbau
  • Ned Sublette Singer-Songwriter
  • Keyon Harrold R&B
  • Tshepiso Ledwaba Classical Music
  • Gilson Peranzzetta Clarinet
  • Mario Ulloa Federal University of Bahia Faculty
  • Arifan Junior Samba
  • Jas Kayser Panama
  • Rudy Royston Drums
  • Jovino Santos Neto Record Producer
  • Teresa Cristina Rio de Janeiro
  • Thomas Àdes London
  • Jim Lauderdale Bluegrass
  • Negrizu Candomblé
  • Marco Pereira Brazil
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Anat Cohen Clarinet
  • Brandon J. Acker Theorbo
  • Chris Dingman Jazz
  • Nação Zumbi Brazil
  • Nicole Mitchell Flute
  • Igor Osypov Composer
  • Zakir Hussain Percussion
  • Pretinho da Serrinha Rio de Janeiro
  • Jahi Sundance Record Producer
  • Forrest Hylton Salvador
  • Lauranne Bourrachot Movie Producer
  • Walter Ribeiro, Jr. Singer-Songwriter
  • The Bayou Mosquitos Tex-Mex
  • David Sánchez Saxophone
  • Paulo Aragão Brazil
  • Ranky Tanky South Carolina
  • Romero Lubambo New York City
  • Walter Blanding Saxophone
  • Tom Zé Bahia
  • Marcus Strickland Record Producer
  • Tom Moon Writer
  • Marcus J. Moore Writer
  • Susheela Raman London
  • David Castillo Actor
  • Michael League Multi-Cultural
  • Béco Dranoff Record Label Owner
  • Meklit Hadero Multi-Cultural
  • Jeremy Danneman Jazz
  • Bruce Molsky Banjo
  • Luques Curtis Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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