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The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and on the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Morten Lauridsen
    A video was posted re Morten Lauridsen:
    Morten Lauridsen: “O Magnum Mysterium”
    This Spring, we celebrate composer Morten Lauridsen, National Medal of Arts recipient and distinguished professor of Composition at USC Thornton, in a weekly video series.
    • August 5, 2020
  • Morten Lauridsen
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    USC Thornton School of Music Faculty
    • August 5, 2020
  • Morten Lauridsen
    A category was added to Morten Lauridsen:
    Contemporary Classical Music
    • August 5, 2020
  • Morten Lauridsen
    A category was added to Morten Lauridsen:
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    • August 5, 2020
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    • August 5, 2020
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  • ALL IS CLOSER THAN WE IMAGINE
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CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Morten Lauridsen
  • City/Place: Los Angeles, California
  • Country: United States
  • Hometown: Portland, Oregon

Life & Work

  • Bio: Morten Johannes Lauridsen (born February 27, 1943) is an American composer. A National Medal of Arts recipient (2007), he was composer-in-residence of the Los Angeles Master Chorale (1994–2001) and has been a professor of composition at the University of Southern California Thornton School of Music for more than 40 years.

    A native of the Pacific Northwest, Lauridsen worked as a Forest Service firefighter and lookout (on an isolated tower near Mt. St. Helens) and attended Whitman College before traveling south to study composition at the University of Southern California with Ingolf Dahl, Halsey Stevens, Robert Linn, and Harold Owen. He began teaching at USC in 1967 and has been on their faculty ever since.

    In 2006, Lauridsen was named an 'American Choral Master' by the National Endowment for the Arts. In 2007 he received the National Medal of Arts from the President in a White House ceremony, "for his composition of radiant choral works combining musical beauty, power and spiritual depth that have thrilled audiences worldwide."

    His works have been recorded on more than 200 CDs, five of which have received Grammy Award nominations, including O Magnum Mysterium by the Tiffany Consort, A Company of Voices by Conspirare, Sound The Bells by The Bay Brass and two all-Lauridsen discs entitled Lux Aeterna by the Los Angeles Master Chorale led by Paul Salamunovich and Polyphony with the Britten Sinfonia conducted by Stephen Layton. His principal publishers are Peermusic (New York/Hamburg) and Faber Music (London).

    A recipient of numerous grants, prizes, and commissions, Lauridsen chaired the Composition department at the USC Thornton School of Music from 1990–2002 and founded the School’s Advanced Studies program in Film Scoring. He has held residencies as guest composer/lecturer at over seventy universities and has received honorary doctorates from Whitman College, Oklahoma State University, Westminster Choir College and King’s College, University of Aberdeen, Scotland. Lauridsen now divides his time between Los Angeles and his summer residence on a remote island off the northern coast of Washington State.

    His eight vocal cycles and two collections—Les Chansons des Roses (Rilke), Mid-Winter Songs (Graves), A Winter Come (Moss), A Backyard Universe, Madrigali: Six "FireSongs" on Italian Renaissance Poems, Nocturnes (Rilke, Neruda and Agee), Cuatro Canciones (Lorca), Four Madrigals on Renaissance Texts, Five Songs on American Poems (Moss, Witt, Gioia and Agee) and Lux Aeterna—his series of sacred a cappella motets (O Magnum Mysterium, Ave Maria, O Nata Lux, Ubi Caritas et Amor, and Ave Dulcissima Maria) and numerous instrumental works are featured regularly in concert by distinguished artists and ensembles throughout the world. O Magnum Mysterium, Dirait-on (from Les Chansons des Roses), O Nata Lux (from Lux Aeterna) and Sure On This Shining Night (from Nocturnes) have become the all-time best-selling choral octavos distributed by Theodore Presser, in business since 1783.

    His musical approaches are very diverse, ranging from direct to abstract in response to various characteristics (subject matter, language, style, structure, historical era, etc.) of the texts he sets. His Latin sacred settings, such as the Lux Aeterna and motets, often reference Gregorian chant plus Medieval and Renaissance procedures while blending them within a freshly contemporary sound while other works such as the Madrigali and Cuatro Canciones are highly chromatic or atonal. His music has an overall lyricism and is tightly constructed around melodic and harmonic motives.

    Referring to Lauridsen's sacred music, the musicologist and conductor Nick Strimple said he was "the only American composer in history who can be called a mystic, (whose) probing, serene work contains an elusive and indefinable ingredient which leaves the impression that all the questions have been answered. From 1993 Lauridsen's music rapidly increased in international popularity, and by century's end he had eclipsed Randall Thompson as the most frequently performed American choral composer."

    The first film made about Lauridsen won four Best Documentary awards since opening the American Documentary Film Festival on February 7, 2012 in Palm Springs, California. Shining Night: A Portrait of Composer Morten Lauridsen, was named 'a heartening rarity' by Terry Teachout of the Wall Street Journal. Directed by Michael Stillwater and co-produced with Doris Laesser Stillwater for Song Without Borders, Shining Night provides audiences worldwide with a rare glimpse into the inner world of the composer. A companion giftbook to the film, Morten Lauridsen's Waldron Island Reflections, photographed and edited by Michael Stillwater, is published by GIA Publications, Chicago.

Media | Markets

  • ▶ Website: http://www.mortenlauridsen.net
  • ▶ YouTube Music: http://music.youtube.com/channel/UCZXyYboy6aU9coUP3QMwp2g
  • ▶ Spotify: http://open.spotify.com/album/3GwZKo2eA5zOTe93F5QVOa
  • ▶ Spotify 2: http://open.spotify.com/album/2KpDg5XbaWzQWepVfDpefT
  • ▶ Spotify 3: http://open.spotify.com/album/5gdNg3ZQHsP4yo7ZhE240t
  • ▶ Spotify 4: http://open.spotify.com/album/0OUg86JUTsAhCdsivuXrzp
  • ▶ Spotify 5: http://open.spotify.com/album/1sLBJq3wRzvF1xkoMeCnhx
  • ▶ Spotify 6: http://open.spotify.com/album/4IFDI4vb7UZRPou4tPtvmO

Clips (more may be added)

  • 0:08:17
    Morten Lauridsen: “O Magnum Mysterium”
    By Morten Lauridsen
    203 views
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



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We're a real mother for ya!

 

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