Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Kris Davis
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Kris Davis
  • City/Place: New York City
  • Country: United States
  • Hometown: Vancouver, Canada

Life & Work

  • Bio: Pianist-composer Kris Davis was named 2017 Rising Star Pianist/2018 Rising Star Artist in Downbeat magazine and dubbed one of the music’s top up-and-comers in a 2012 New York Times article titled “New Pilots at the Keyboard,” with the newspaper saying: “One method for deciding where to hear jazz on a given night has been to track down the pianist Kris Davis.”

    To date, Davis has released twelve recordings as leader. Her 2016 release, Duopoly, made The New York Times, Pop Matters, NPR, LA Times, and Jazz Times best albums of 2016.

    Davis works as a collaborator and side person with artists such as John Zorn, Terri Lyne Carrington, Craig Taborn, Tyshawn Sorey, Eric Revis, Michael Formanek, Tony Malaby, Ingrid Laubrock, Julian Lage, Mary Halvorson and Tom Rainey.

    Davis received a Doris Duke Impact award in 2015 and multiple commissions to compose new works from The Shifting Foundation, The Jazz Gallery/Jerome Foundation and the Canada Council for the Arts.

    She is the Associate Program Director of Creative Development for the Insitute Jazz and Gender Justice at Berklee College of Music.

Contact Information

  • Email: kris [at] krisdavis.net
  • Management/Booking: For booking, contact Company Of Heaven
    Andreas Scherrer
    info [at] companyofheaven.com

Media | Markets

  • ▶ Twitter: krisdavismusic
  • ▶ Instagram: krisdavismusic
  • ▶ Website: http://krisdavis.net
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCHssNkaO23jsZCAbBYc-1mw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCyDwsO5DP02SllIe5GjIDmA
  • ▶ Spotify: http://open.spotify.com/album/772wCKZcIcadCl5FLWOFjp
  • ▶ Spotify 2: http://open.spotify.com/album/0iUC4DRrYWNZfxs93ynYzZ

More

  • Quotes, Notes & Etc. “It’s an intellectual exercise, true; it’s also, simply, beautiful music.”
    - The Village Voice

    “Words are not necessary, this music will invade you and that is far more satisfying as is a sweet surrendering to its siren call”
    - Marlbank

    La pianista y compositora canadiense Kris Davis se ha constituido en una pieza clave de la música creativa contemporánea.
    - El Intruso

Clips (more may be added)

  • Kris Davis Diatom Ribbons
    By Kris Davis
    211 views
  • Terri Lyne Carrington, Kris Davis, Val Jeanty with guests Jazzmeia Horn and Akua Naru
    By Kris Davis
    268 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Kris Davis:

  • 1 Composer
  • 1 Jazz
  • 1 New York City
  • 1 Piano

Nodes below are randomly generated. Reload for a different stack.

  • Jamael Dean Los Angeles
  • Jerry Douglas Guitar
  • Yayá Massemba Brasil, Brazil
  • Andrew Gilbert Jazz
  • Seth Rogovoy Klezmer
  • Romero Lubambo MPB
  • Zachary Richard Louisiana
  • Kurt Rosenwinkel Composer
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  • Calypso Rose Trinidad & Tobago
  • Alex Mesquita Composer
  • Carwyn Ellis Experimental Music
  • Darol Anger Bluegrass
  • Nick Douglas Journalist
  • Chelsea Kwakye Writer
  • Mou Brasil Música Afro-Baiana, Afro-Bahian Music
  • Thiago Trad Bahia
  • Willie Jones III Jazz
  • David Castillo Trumpet
  • Bobby Fouther Portland, Oregon
  • Alex Hargreaves Bluegrass
  • André Mehmari Brazil
  • John Patitucci Composer
  • Abel Selaocoe South Africa
  • Helen Shaw Writer
  • Edu Lobo Multi-Instrumentalist
  • Hilton Schilder Cape Jazz
  • Jimmy Dludlu South Africa
  • Tom Oren Tel Aviv
  • Martin Koenig Balkan Music
  • Zé Luíz Nascimento Drums
  • Mingus Big Band Jazz
  • Nigel Hall New Orleans
  • Arthur L.A. Buckner Gospel
  • Corey Ledet University of Louisiana at Lafayette Faculty
  • Steve McKeever Los Angeles
  • Yola Country
  • Etan Thomas Poet
  • María Grand Jazz
  • Rhiannon Giddens Fiddle
  • Alex de Mora Photographer
  • Zé Katimba Singer-Songwriter
  • Barlavento Bahia
  • Gel Barbosa Sanfona
  • Giorgi Mikadze გიორგი მიქაძე New York City
  • Los Muñequitos de Matanzas Santeria
  • Stephen Guerra Brazil
  • Ivo Perelman Multi-Instrumentalist
  • Márcia Short Bahia
  • Ivo Perelman Jazz
  • Antonio Sánchez Drums
  • Bertram Hand Percussion Performance
  • Ivo Perelman Saxophone
  • Virgínia Rodrigues Salvador
  • Barney McAll Jazz
  • Ivo Perelman Composer
  • Mykia Jovan Funk
  • Obed Calvaire New York City
  • Stephen Kurczy Writer
  • Paulão 7 Cordas Brazil
  • Cainã Cavalcante Brazil
  • The Assad Brothers Classical Guitar
  • Karsh Kale कर्ष काळे Composer
  • Alphonso Johnson Funk
  • Nelson Sargento Rio de Janeiro
  • Willy Schwarz Songwriter
  • Gringo Cardia Architect
  • Moses Boyd Record Label Owner
  • Magary Lord AFROBIZ Salvador
  • Conrad Herwig Trombone
  • Alicia Hall Moran Theater
  • Tom Green Contemporary Classical Music
  • David Greely Cajun Fiddle
  • Lionel Loueke Composer
  • Matt Dievendorf Guitar
  • Fabian Almazan Havana
  • Kronos Quartet San Francisco
  • The Umoza Music Project Rap
  • Donald Vega Piano Instruction
  • Elodie Bouny Venezuela
  • Mazz Swift Violin
  • Christopher James New York City
  • Joachim Cooder Percussion
  • Otmaro Ruiz Composer
  • Yasushi Nakamura Tokyo
  • Lokua Kanza Congo
  • J. Pierre Muralist
  • Burkard Polster Monash University Faculty
  • Uli Geissendoerfer Jazz
  • Mark Bingham Record Producer
  • Andra Day Pop
  • Jason Moran Composer
  • Nicholas Payton Record Label Owner
  • Thiago Amud Brazil
  • Michael Olatuja Afrobeat
  • Noam Pikelny Nashville, Tennessee
  • Miles Mosley Composer
  • Marc Johnson Composer
  • Tito Jackson Blues
  • Rita Batista Bahia
  • Benjamin Grosvenor London
  • Pedro Abib Bahia
  • Alan Bishop Egypt
  • Harold López-Nussa Havana
  • João Teoria Bahia
  • David Sánchez Afro-Caribbean Music
  • Yasmin Williams Guitar
  • Ivo Perelman Brazil
  • Geovanna Costa Brasil, Brazil
  • Paul McKenna Singer-Songwriter
  • Vinson Cunningham Writer
  • Frank Beacham New York City
  • Filhos de Nagô Samba
  • Kurt Andersen Essayist
  • João do Boi Samba de Roda
  • Ricardo Herz Choro
  • Eric Galm Samba
  • Woz Kaly Africa
  • Gregory Tardy Saxophone
  • Luíz Paixão Côco
  • James Carter Flute
  • Eliane Elias Classical Music
  • Arto Tunçboyacıyan New York City
  • Intisar Abioto Photographer
  • Alessandro Penezzi São Paulo
  • John Donohue New York City
  • Paddy Groenland World Music
  • Wadada Leo Smith Multi-Instrumentalist
  • Gearóid Ó hAllmhuráin Uilleann Pipes
  • Teddy Swims Georgia
  • Zachary Richard Poet
  • Djuena Tikuna Singer-Songwriter
  • Tom Schnabel World Music
  • Caoimhín Ó Raghallaigh Tin Whistle
  • Giovanni Russonello Music Critic
  • David Chesky Multi-Cultural
  • Rodrigo Caçapa Viola Brasileira
  • Peter Dasent Composer
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  • Nação Zumbi Olinda
  • Don Moyer Graphic Design
  • Keshav Batish Jazz
  • Lucinda Williams Country
  • Billy O'Shea Writer
  • Steve Bailey Berklee College of Music Faculty
  • Etan Thomas Basketball
  • Dan Tepfer Classical Music
  • Donald Vega Jazz
  • Jon Faddis Manhattan School of Music Faculty
  • Daymé Arocena Cuba
  • Darren Barrett Berklee College of Music Faculty
  • Gêge Nagô Candomblé
  • Luciano Calazans Brazil
  • Conrad Herwig Composer
  • Arthur L.A. Buckner Drum Instruction
  • Susana Baca Multi-Cultural
  • Marcos Sacramento Samba
  • Mehdi Rajabian Composer
  • Masao Fukuda Brazil
  • Darren Barrett R&B
  • Charlie Bolden Trumpet
  • Bobby Vega San Francisco, California
  • Catherine Russell Singer
  • Tab Benoit Guitar
  • Joanna Majoko Zimbabwe
  • Karla Vasquez Cooking Classes
  • Jane Ira Bloom New York City
  • João Luiz Jazz
  • Jam no MAM Bahia
  • Andrew Gilbert Journalist
  • Courtney Pine Radio Presenter
  • Isaias Rabelo Brazilian Jazz
  • Asma Khalid Washington, D.C.
  • Shamarr Allen R&B
  • Tiganá Santana Brasil, Brazil
  • Ray Angry Jazz
  • Vincent Herring Jazz
  • Hopkinson Smith Switzerland
  • Neymar Dias Viola Caipira
  • Amitava Kumar India
  • Nath Rodrigues Singer-Songwriter
  • Ellie Kurttz England
  • Deborah Colker Brazil
  • Kurt Andersen Screenwriter
  • Rayendra Sunito Songwriter
  • Ryuichi Sakamoto Experimental Music
  • Kenyon Dixon Soul
  • Siphiwe Mhlambi Johannesburg
  • Ron Carter Cello
  • Lô Borges Guitarra, Violão, Guitar
  • China Moses R&B
  • Marc Johnson Record Producer
  • Susheela Raman Singer-Songwriter
  • Matt Garrison App Developer
  • Jorge Washington Cultural Producer
  • Nduduzo Makhathini Jazz
  • Capinam Poeta, Poet
  • Congahead African Music
  • Yola R&B
  • Dumpstaphunk Funk
  • James Martin R&B
  • Alegre Corrêa MPB
  • João Camarero Composer
  • Bodek Janke Drums
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  • Sara Gazarek Vocal Instruction
  • John McWhorter Linguist
  • David Ritz Los Angeles
  • Glória Bomfim Brazil
  • Carl Joe Williams Painter
  • David Sacks Latin Jazz
  • Yelaine Rodriguez Bronx, NY
  • Amit Chatterjee Multi-Cultural
  • Zebrinha Salvador
  • Ryuichi Sakamoto Electronic Music
  • Scotty Apex Composer
  • Ben Wolfe New York City
  • Tatiana Campêlo Choreographer
  • Pedro Aznar Bass
  • Bobby Vega R&B
  • Aindrias de Staic Storyteller
  • Stefano Bollani Italy
  • Osvaldo Golijov College of the Holy Cross Faculty
  • VJ Gabiru Salvador
  • Andrew Huang YouTuber
  • Vincent Herring Flute
  • Gonzalo Rubalcaba Havana
  • Terell Stafford Classical Music
  • Giveton Gelin Jazz
  • Jon Batiste Piano
  • Peter Slevin Journalist
  • Zara McFarlane Guitar
  • Ballaké Sissoko Bamako
  • Scotty Barnhart Author
  • Etienne Charles Michigan State University Faculty
  • Rodrigo Caçapa Guitar
  • Eric R. Danton Writer
  • Ayrson Heráclito Brazil
  • Márcio Valverde Samba
  • Alexandre Vieira Cantor, Singer
  • Dee Spencer San Francisco State University Faculty
  • Bodek Janke Germany
  • Ajurinã Zwarg Rio de Janeiro
  • Miles Okazaki Author
  • Merima Ključo Sevdalinka
  • Olivia Trummer Singer
  • Walter Ribeiro, Jr. Forró
  • Kaveh Rastegar Songwriter
  • Doug Adair Americana
  • Angel Deradoorian Los Angeles
  • Don Byron Film Scores
  • Fred Dantas Ethnomusicologist
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  • Anthony Coleman Piano
  • Onisajé Bahia
  • Barney McAll Piano
  • Itamar Borochov Israel
  • Sergio Krakowski Pandeiro Instruction
  • Manuel Alejandro Rangel Venezuela
  • Billy Strings Singer
  • Tom Schnabel DJ
  • Armen Donelian Record Producer
  • Gab Ferruz MPB
  • João Teoria Trompete, Trumpet
  • Cashmere Cat Electronic Music
  • Robert Randolph Steel Guitar
  • Raelis Vasquez Afro-Latinx Art
  • Mahsa Vahdat Composer
  • Nancy Viégas MPB
  • Henrique Araújo Composer
  • Raelis Vasquez Painter
  • Robby Krieger Rock 'n' Roll
  • César Orozco Composer
  • Dr. Lonnie Smith Composer
  • Rick Beato Multi-Instrumentalist
  • Maciel Salú Maracatu
  • David Braid Lute
  • Dadi Carvalho Singer-Songwriter
  • Stefon Harris Marimba
  • Munir Hossn Guitar
  • Serwah Attafuah Singer
  • Lívia Mattos Singer-Songwriter
  • Casa Preta Local de Música ao Vivo, Live Music Venue
  • Andrew Dickson London
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  • Walter Pinheiro Flute
  • Nahre Sol Canada
  • Michael League Multi-Cultural
  • John McLaughlin Composer
  • Charlie Bolden Jazz
  • Rosa Passos Bossa Nova
  • Paul Mahern Record Producer
  • Shamarr Allen Trumpet
  • Samba de Lata Bahia
  • Inaicyra Falcão Bahia
  • Guga Stroeter Record Producer
  • Sean Jones Johns Hopkins Peabody Institute Faculty
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  • Vijay Gupta Social Justice Advocate
  • Swami Jr. Samba
  • Sameer Gupta Jazz
  • Tony Austin Recording Engineer
  • Rosângela Silvestre Candomblé
  • Renato Braz Guitar
  • Astrig Akseralian Painter
  • Mateus Aleluia Filho Bahia
  • John Boutté New Orleans
  • Richard Galliano Author
  • Makaya McCraven Jazz
  • Jamie Dupuis Composer
  • André Vasconcellos Baixo, Bass
  • Little Simz Singer-Songwriter
  • Monk Boudreaux New Orleans
  • Léo Rugero Composer
  • Jorge Ben Rio de Janeiro
  • Jubu Smith Singer-Songwriter
  • Damon Albarn Multi-Instrumentalist
  • JD Allen Composer
  • Kirk Whalum Memphis, Tennessee
  • Yola England
  • Melissa Aldana Jazz
  • Serwah Attafuah Australia
  • Trombone Shorty Trumpet
  • Marvin Dunn Writer
  • Martyn Dubstep
  • Gregory Hutchinson Drums
  • Jimmy Cliff Reggae
  • Rodrigo Amarante Rock
  • Frank Beacham Journalist
  • Rodrigo Amarante Brazil
  • Jason Moran Jazz
  • Plínio Fernandes Brazilian Classical Guitar
  • Virgínia Rodrigues Brazil

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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