Salvador Bahia Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Zeca Pagodinho
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Zeca Pagodinho
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Zeca Pagodinho is from the Rio suburb of Irajá, where he hung out and sang at weekend sambas. He became enormously popular and was dragged by Beth Carvalho to the record company she was signed to, getting him a deal.

    Zeca is one of those rare artists who is appreciated, in Brazil anyway, by all levels of imbibers of art. Although now long famous in Brazil he can still occasionally be seen doing exactly as he did when he started: hanging out at neighborhood sambas in an old t-shirt, shorts and sandals, drinking cerveja (beer), and singing.

Media | Markets

  • ▶ Twitter: zecapagodinho
  • ▶ Instagram: zecapagodinho
  • ▶ YouTube Channel: http://www.youtube.com/user/ZecaPagodinhoficial
  • ▶ YouTube Music: http://music.youtube.com/channel/UCLltkJWs2ZMKzPmWgvZRSog
  • ▶ Spotify: http://open.spotify.com/album/43mePrflKSORIMCwaDAlhi
  • ▶ Spotify 2: http://open.spotify.com/album/4CGL4rqypX9EGhPcXcDqlp
  • ▶ Spotify 3: http://open.spotify.com/album/5tQPQGa137XeVTd3vYn1No
  • ▶ Spotify 4: http://open.spotify.com/album/4E6cailITFDigd7SESLDkL
  • ▶ Spotify 5: http://open.spotify.com/album/64cqEa7Qq2mKcJPcIxreXC
  • ▶ Spotify 6: http://open.spotify.com/album/0BmkpyshtTOXkXiAe8Y70s

Clips (more may be added)

  • 1:14
    Zeca Pagodinho e Arlindo Cruz (A amizade).
    By Zeca Pagodinho
    160 views
  • 4:06
    Zeca Pagodinho - Vai Vadiar
    By Zeca Pagodinho
    154 views
  • 1:41
    ZECA PAGODINHO E MOACYR LUZ | Enquanto Deus Me Proteja
    By Zeca Pagodinho
    188 views
  • 1:01
    ZECA PAGODINHO E MONARCO | PEREGRINAÇÃO
    By Zeca Pagodinho
    144 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Zeca Pagodinho:

  • 2 Brazil
  • 2 Rio de Janeiro
  • 2 Samba
  • 2 Singer-Songwriter
  • Ibrahim Maalouf Multi-Cultural
  • Laura Beaubrun Haitian Dance Instruction
  • Leo Genovese Argentina
  • Doug Adair Singer-Songwriter
  • Shuya Okino Radio Presenter
  • Psoy Korolenko Псой Короленко Russia
  • Ênio Bernardes Produtor de Discos, Record Producer
  • Myron Walden Recorder
  • Msaki Singer-Songwriter
  • Tom Bergeron Choro
  • Nardis Jazz Club Turkey
  • Cristovão Bastos Rio de Janeiro
  • John Schaefer Radio Presenter
  • Ronell Johnson Trombone
  • Yo La Tengo Hoboken, New Jersey
  • Jacob Collier Multi-Instrumentalist
  • Helen Shaw New York City
  • Kiya Tabassian كيا طبسيان Composer
  • Nate Smith Television Scores
  • Colm Tóibín Short Stories
  • David Greely University of Louisiana at Lafayette Faculty
  • Gino Banks Drums
  • Rez Abbasi Guitar
  • Leigh Alexander Writer
  • Jonathan Scales Jazz
  • Mokhtar Samba Morocco
  • Michel Camilo Dominican Republic
  • Warren Wolf Composer
  • Ron Mader Writer
  • Mingo Araújo Brazil
  • Lalah Hathaway R&B
  • Joel Guzmán University of Texas in Austin Faculty
  • Horácio Reis Violão Clássico Brasileiro, Brazilian Classical Guitar
  • Sierra Hull Nashville, Tennessee
  • Rosa Cedrón Galego Folk Music
  • Cale Glendening Film Director
  • Gonzalo Rubalcaba Cuba
  • Andrew Huang Record Producer
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Dezron Douglas Jazz
  • Eddie Kadi London
  • Joana Choumali Multimedia Artist
  • Brenda Navarrete Havana
  • Shirazee Singer-Songwriter
  • Colm Tóibín Journalist
  • Rick Beato Atlanta, Georgia
  • John Waters Songwriter
  • Kirk Whalum Jazz
  • Walter Smith III Saxophone
  • Aderbal Duarte Salvador
  • Louis Marks Ropeadope
  • Maria Drell Salvador
  • Kiko Freitas Samba
  • Mingus Big Band New York City
  • Ricardo Herz São Paulo
  • Tommaso Zillio Canada
  • Jericho Brown Poet
  • Woody Mann Americana
  • Mauro Diniz Rio de Janeiro
  • Júlio Caldas Bahia
  • Leyla McCalla New Orleans
  • Hot Dougie's Local de Música ao Vivo
  • Sebastian Notini Bateria, Drums
  • Gal Costa Singer
  • Ryuichi Sakamoto Electronic Music
  • Carl Allen Music Director
  • Fernando Brandão Composer
  • Awadagin Pratt Piano
  • Adam Rogers Guitar
  • Bebê Kramer Composer
  • Liz Dany Barranquilla
  • Steve Cropper Record Producer
  • Abel Selaocoe Multi-Cultural
  • Walter Smith III Composer
  • Brian Jackson Keyboards
  • Yilian Cañizares Havana
  • Jonathan Scales New York City
  • Brady Haran Video Journalist
  • Curtis Hasselbring Guitar
  • Charles Munka Collage
  • Béco Dranoff Cultural Producer
  • Seu Jorge MPB
  • John Archibald Writer
  • Manuel Alejandro Rangel Venezuela
  • Tank and the Bangas R&B
  • Plinio Oyò Samba de Roda
  • Kiya Tabassian كيا طبسيان Film Scores
  • Caetano Veloso Bahia
  • James Martins Bahia
  • Jay Mazza Writer
  • Trilok Gurtu Multi-Cultural
  • Camille Thurman Saxophone
  • Kaveh Rastegar Music Director
  • Peter Erskine Author
  • Wayne Escoffery Jazz
  • Andrew Finn Magill Choro
  • Oswaldinho do Acordeon Composer
  • Marc Ribot Free Jazz
  • Aneesa Strings Composer
  • Sam Reider Brooklyn, NY
  • Congahead Latin Jazz
  • Djuena Tikuna São Luís, Maranhão
  • Ray Angry Record Producer
  • Ned Sublette Musicologist
  • Carlos Malta Pífano
  • Fatoumata Diawara Paris
  • MonoNeon Memphis, Tennessee
  • Luques Curtis Latin Jazz
  • Orlando 'Maraca' Valle Cuba
  • Barney McAll Composer
  • Stephanie Foden Toronto
  • John Luther Adams Composer
  • Moses Boyd Record Label Owner
  • Carlos Malta Flute
  • Allen Morrison Jazz
  • Buck Jones Cantor, Singer
  • Kenny Barron Jazz
  • Larissa Luz MPB
  • Mika Mutti Los Angeles
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • Guinha Ramires Multi-Instrumentalist
  • Priscila Castro Cantora-Compositora, Singer-Songwriter
  • Dee Spencer Sound Designer
  • Shemekia Copeland R&B
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Domingos Preto Bahia
  • Ariane Astrid Atodji Director
  • Harold López-Nussa Cuba
  • Gabriel Policarpo Ritmista
  • Osvaldo Golijov Composer
  • Renee Rosnes Jazz
  • Chubby Carrier Louisiana
  • Leyla McCalla Cello
  • Tia Fuller Jazz
  • Jacám Manricks Composer
  • Bill Pearis Editor
  • Lokua Kanza Paris
  • Antônio Pereira Brazil
  • Garvia Bailey Toronto
  • MARO Multi-Instrumentalist
  • Simon Shaheen Arabic Music
  • Renato Braz Singer
  • Marc Cary Keyboards
  • Carlos Malta Pife
  • Carla Visi Salvador
  • Courtney Pine Jazz
  • Jeff Preiss Cinematographer
  • Tobias Meinhart Composer
  • Chelsea Kwakye Writer
  • Madhuri Vijay Writer
  • Lenine Pernambuco
  • Kiya Tabassian كيا طبسيان Setar
  • Endea Owens Composer
  • Damion Reid Brooklyn, NY
  • Anoushka Shankar Piano
  • Berta Rojas Paraguay
  • Marco Pereira Guitar
  • Arismar do Espírito Santo Brazilian Jazz
  • Jaques Morelenbaum Classical Music
  • Cristovão Bastos Rio de Janeiro
  • Dafnis Prieto Jazz
  • Donald Vega Piano Instruction
  • Immanuel Wilkins New School Faculty
  • Liron Meyuhas Percussion Instruction
  • Menelaw Sete Brasil, Brazil
  • Jim Hoke Nashville, TN
  • Jon Batiste Funk
  • Avner Dorman Gettysburg College Faculty
  • Grégoire Maret Harmonica
  • Hercules Gomes Piano
  • John Patrick Murphy Brazilian Music
  • Custódio Castelo Fado
  • Errollyn Wallen Composer
  • Willy Schwarz Jewish Music
  • Pedrito Martinez Singer
  • Leela James Jazz
  • Aubrey Johnson Berklee Faculty
  • Melissa Aldana Chile
  • Weedie Braimah Folk & Traditional
  • Dudu Reis Samba
  • Simone Sou Brazil
  • Lula Galvão Arranger
  • Matt Garrison Record Producer
  • Swami Jr. Violão de Sete
  • Kris Davis Composer
  • Pedro Aznar Bass
  • Kiko Souza Brasil, Brazil
  • Orrin Evans Philadelphia, Pennsylvania
  • Benoit Fader Keita Mënik
  • Leyla McCalla Folk & Traditional
  • NIcholas Casey International Correspondent
  • Renell Medrano Dominican Republic
  • Robertinho Silva Rio de Janeiro
  • David Castillo Voiceovers
  • Aloísio Menezes Bahia
  • Oscar Bolão Choro
  • Anouar Brahem Arabic Music
  • Dee Spencer Jazz
  • Rez Abbasi Indian Classical Music
  • Otto Pernambuco
  • Delfeayo Marsalis Record Producer
  • Thundercat Bass
  • Ken Coleman Black American Culture & History
  • Ron Blake Juilliard Faculty
  • McIntosh County Shouters Spirituals
  • Simon Shaheen Violin
  • Jason Parham Writer
  • Stefano Bollani Piano
  • Ben Williams Bass
  • Nathan Amaral Brazil
  • Hélio Delmiro Brazilian Jazz
  • Pedro Martins Choro
  • Astrig Akseralian Mixed Media Art
  • Jorge Ben Brazil
  • The Weeknd Actor
  • Abhijith P. S. Nair Indian Fusion
  • Jurandir Santana Brazil
  • Ellie Kurttz London
  • Matt Ulery Multi-Cultural
  • Bonerama Brass Band
  • Mário Pam Percussion Classes & Workshops
  • Philip Ó Ceallaigh Bucharest
  • Maladitso Band Africa
  • Caoimhín Ó Raghallaigh Dublin
  • Nara Couto Atriz, Actor
  • Nabihah Iqbal Singer-Songwriter
  • Andrés Prado Guitar
  • Siobhán Peoples County Clare
  • Aaron Parks Piano
  • Andrew Dickson Writer
  • Angel Deradoorian Music Producer
  • Chubby Carrier Singer-Songwriter
  • Kendrick Scott Jazz
  • Fapy Lafertin Guitar
  • Luciano Salvador Bahia Piano
  • Arthur L.A. Buckner Drums
  • Robin Eubanks Composer
  • Yacouba Sissoko Kora
  • Sharay Reed Gospel
  • Geraldo Azevedo Pernambuco
  • Eamonn Flynn R&B
  • Yola Bristol
  • Serginho Meriti Brazil
  • Hendrik Meurkens New York City
  • Igor Osypov Germany
  • Aaron Goldberg Piano
  • Ivan Neville Funk
  • Alexia Arthurs Iowa Writers' Workshop Faculty
  • Julia Alvarez Middlebury College Faculty
  • Tony Allen Africa
  • Kaia Kater Appalachian Music
  • Carwyn Ellis Record Producer
  • Léo Rugero Film Scores
  • Edgar Meyer Bluegrass
  • Jay Mazza New Orleans
  • Yoruba Andabo Cuba
  • Juliana Ribeiro Salvador
  • Kaveh Rastegar Record Producer
  • Ron Wyman Documentary Filmmaker
  • Bill Frisell Americana
  • Alessandro Penezzi Multi-Instrumentalist
  • Manu Chao Singer-Songwriter
  • Yazz Ahmed Bahrain
  • Román Díaz Percussion
  • Sérgio Pererê Singer
  • Beeple NFTs
  • Alana Gabriela Educadora, Educator
  • Adam O'Farrill Brooklyn, NY
  • David Byrne Painter
  • Rudresh Mahanthappa Jazz
  • Brian Stoltz New Orleans
  • Leci Brandão Samba
  • Colm Tóibín Short Stories
  • Gabi Guedes Bahia
  • Jorge Ben Singer-Songwriter
  • Mateus Aleluia Candomblé
  • Little Simz Hip-Hop
  • Donnchadh Gough Waterford
  • Dave Weckl Los Angeles
  • Caridad De La Luz Playwright
  • Darol Anger Americana
  • Yelaine Rodriguez Bronx, NY
  • Pedrito Martinez Composer
  • Guga Stroeter Vibraphone
  • Iroko Trio Brazil
  • Regina Carter Multi-Cultural
  • César Camargo Mariano Composer
  • Hendrik Meurkens Harmonica
  • Fapy Lafertin Gypsy Jazz
  • Missy Mazolli Classical Music
  • Larry McCray Keeping the Blues Alive Records
  • Elisa Goritzki Bahia
  • Nancy Ruth Composer
  • Teddy Swims R&B
  • Jaleel Shaw Manhattan School of Music Faculty
  • Susana Baca Folklorist
  • Los Muñequitos de Matanzas Matanzas
  • Scotty Barnhart Author
  • Justin Kauflin Composer
  • Nguyên Lê Record Producer
  • Raymundo Sodré Samba
  • Robertinho Silva MPB
  • Germán Garmendia Writer
  • Simon Singh Physics
  • Kirk Whalum Songwriter
  • Luíz Paixão Rabeca
  • Psoy Korolenko Псой Короленко Moscow
  • Celsinho Silva Pandeiro
  • Brooklyn Rider Contemporary Classical Music
  • Hercules Gomes Choro
  • Massimo Biolcati Composer
  • Bruce Molsky Berklee College of Music Faculty
  • Burhan Öçal Turkish Music
  • Ajurinã Zwarg Saxophone
  • Amilton Godoy Piano Course Online
  • Adriano Giffoni Composer
  • Goran Krivokapić Classical Guitar
  • Lina Lapelytė Installation Artist
  • John Luther Adams Writer
  • Zeca Pagodinho Rio de Janeiro
  • Ronaldo do Bandolim Mandolin
  • Maria Rita Rio de Janeiro
  • Cara Stacey Piano
  • Bombino Blues
  • Trombone Shorty Trumpet
  • Michael Formanek Jazz
  • Byron Thomas Keyboards
  • Nicholas Payton Writer
  • Anna Mieke Singer-Songwriter
  • Ken Avis Documentary Filmmaker
  • Yazz Ahmed Audio Manipulation
  • Manassés de Souza Composer
  • Bule Bule Samba
  • Cory Henry R&B
  • Hendrik Meurkens Samba
  • Camille Thurman Composer
  • Molly Tuttle Banjo
  • Maria Bethânia Brazil
  • Edivaldo Bolagi Produtor Musical, Music Producer
  • Spok Frevo Orquestra Brazil
  • Edsel Gomez Puerto Rico
  • Kaia Kater Folk & Traditional
  • Yelaine Rodriguez Multimedia Art
  • Will Vinson Jazz
  • Congahead Afro-Cuban Jazz
  • Mika Mutti Multi-Instrumentalist
  • Carlos Malta Rio de Janeiro
  • John Santos San Francisco State University Faculty
  • Rita Batista Apresentadora de Rádio, Radio Presenter
  • Caroline Shaw Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share