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  • Kenny Barron

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Kenny Barron
  • City/Place: New York City
  • Country: United States
  • Hometown: Philadelphia, Pennsylvania

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Philadelphia is the birthplace of many great musicians, including one of the undisputed masters of the jazz piano: Kenny Barron. Kenny was born in 1943 and while a teenager, started playing professionally with Mel Melvin’s orchestra. This local band also featured Barron’s brother Bill, the late tenor saxophonist.

    While still in high school. Kenny worked with drummer Philly Joe Jones and at age 19, he moved to New York City and freelanced with Roy Haynes, Lee Morgan and James Moody, after the tenor saxophonist heard him play at the Five Spot. Upon Moody’s recommendation Dizzy Gillespie hired Barron in 1962 without even hearing him play a note. It was in Dizzy’s band where Kenny developed an appreciation for Latin and Caribbean rhythms. After five years with Dizzy, Barron played with Freddie Hubbard, Stanley Turrentine, Milt Jackson, and Buddy Rich. The early seventies found Kenny working with Yusef Lateef who Kenny credits as a key influence in his art for improvisation. Encouraged by Lateef, to pursue a college education, Barron balanced touring with studies and earned his B.A. in Music from Empire State College, By 1973, Kenny joined the faculty at Rutgers University as professor of music. He held this tenure until 2000, mentoring many of today’s young talents including David Sanchez, Terence Blanchard and Regina Bell. In 1974 Kenny recorded his first album as a leader for the Muse label, entitled “Sunset To Dawn.” This was to be the first in over 40 recordings (and still counting!) as a leader.

    Following stints with Ron Carter in the late seventies Kenny formed a trio with Buster Williams and Ben Riley which also worked alongside of Eddie Lockjaw” Davis, Eddie Harris, Sonny Stitt and Harry “Sweets” Edison. Throughout the 80’s Barron collaborated with the great tenor saxophonist Stan Getz, touring with his quartet and recording several legendary albums including “Anniversary”, “Serenity” and the Grammy nominated “People Time” Also during the 80’s, he co-founded the quartet “Sphere,” along with Buster Williams, Ben Riley and Charlie Rouse. This band focused on the music of Thelonious Monk and original compositions inspired by him. Sphere recorded several outstanding projects for the Polygram label, among them “Four For All” and “Bird Songs.” After the death of Charlie Rouse, the band took a 15-year hiatus and reunited, replacing Rouse with alto saxophonist Gary Bartz. This reunion made its debut recording for Verve Records in 1998.

    Kenny Barron’s own recordings for Verve have earned him nine Grammy nominations beginning in 1992 with “People Time” an outstanding duet with Stan Getz followed by the Brazilian influenced “Sambao and most recently for “Freefall” in 2002. Other Grammy nominations went to “Spirit Song”, “Night and the City” (a duet recording with Charlie Haden) and “Wanton Spirit” a trio recording with Roy Haynes and Haden. It is important to note that these three recordings each received double-Grammy nominations (for album and solo performance.) His CD, “Canta Brasil” (Universal France) linked Barron with Trio de Paz in a fest of original Brazilian jazz, and was named Critics Choice Top Ten CDs of 2003 by JazzIz Magazine. His 2004 release, Images (Universal France) was inspired by a suite originally commissioned by The Wharton Center at Michigan State University and features multi-Grammy nominated vibraphonist Stefon Harris. The long awaited trio sequel featuring Ray Drummond and Ben Riley, The Perfect Set, Live At Bradley’s, Part Two (Universal France/Sunnyside) was released October 2005.

    In Spring 2008 Mr. Barron released The Traveler (Universal France), an intoxicating mix of favorite Barron tunes set to lyrics and newly penned compositions. For his first vocal based recording, Barron invited Grady Tate (who sheds his drumsticks for this special appearance), Tony award winner Ann Hampton Calloway and the young phenom Gretchen Parlato, winner of the Thelonious Monk International Competition for Jazz. On “Um Beijo”, Mr. Tate’s warm, leathery voice balanced by Mr. Barron’s poignant touch make for a beautifully textured conversation, underscoring their longtime on stage collaboration. Another Barron original, “Clouds” is a lush vehicle for Ann Hampton Calloway’s romantic pitch-perfect yearnings matched with Barron’s trademark mastery of subtlety. The dramatic “Phantoms” intertwines Parlato’s ephemeral intimacy and syncopatic rhythms in an emotional escapade between Barron’s haunting notes, the West African stylings of guitarist Lionel Loueké, drummer Francisco Mela (who also adds a Cuban flavor to the vocals) and the driving bass of Kiyoshi Kitagawa. The journey continues with the aptly named “Duet” an improvisation with Benin-born Loueké who also joins the trio for a rousing version of Barron’s “Calypso”. A composer who relishes in the moment, Barron’s modern approach is highlighted by alto saxophonist Steve Wilson’s open musings on “Illusion” and “The Traveler” who also brings an urgency to the fun-paced “Speed Trap”.

    After a successful musical meeting of the minds with bassist Dave Holland, the two masters decided to collaborate on a duet project to be released on Impulse/Universal records in 2014 followed by a tour.

    Barron consistently wins the jazz critics and readers polls, including Downbeat, Jazz Times and Jazziz magazines. The famed Spanish ceramist Lladro honored Mr. Barron with a Lifetime Achievement Award in 2012 and he was awarded an Honorary Doctorate from his alma mater SUNY Empire State in 2013 and from Berklee College of Music in 2011. In 2009 he received the Living Legacy Award from Mid-Atlantic Arts Foundation and was inducted into the American Jazz Hall of Fame and won a MAC Lifetime Achievement Award in 2005. He is a six-time recipient of Best Pianist by the Jazz Journalists Association.

Contact Information

  • Management/Booking: Personal Management
    24/Seven Artist Development
    Karen Kennedy
    6 Richmond Street
    Newark, NJ 07103
    Telephone: +1 (973) 230-3160
    Fax: +1 (973) 353-9477
    [email protected]

Media | Markets

  • ▶ Twitter: kennybarron88
  • ▶ Instagram: kennybarron
  • ▶ Website: http://kennybarron.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCMdE_DDAPlW6UPJ3NFU68Pg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCMdE_DDAPlW6UPJ3NFU68Pg
  • ▶ Spotify: http://open.spotify.com/album/43nT40JwoVcgzRCSkU033E
  • ▶ Spotify 2: http://open.spotify.com/album/3LGUMqua9xLShUrzfvn5id
  • ▶ Spotify 3: http://open.spotify.com/album/04Kasnk9qEvvXbMepyFlVc
  • ▶ Spotify 4: http://open.spotify.com/album/3EQMSS631UQnZymirdy3qY
  • ▶ Spotify 5: http://open.spotify.com/album/4Bd8Cuk3T1UhXQKZ3YBboH
  • ▶ Spotify 6: http://open.spotify.com/album/0jztBgH95iV4w2SALPW4aa

Clips (more may be added)

  • Kenny Barron Trio
    By Kenny Barron
    308 views
  • Kenny Barron & Dave Holland - Festival de Jazz de Vitoria-Gasteiz 2016
    By Kenny Barron
    342 views
  • Kenny Barron "Canta Brasil" - Jazzfestival Bern 2003
    By Kenny Barron
    285 views
  • Kenny Barron - Triste
    By Kenny Barron
    339 views
Previous
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Kenny Barron Curated

  • 9 Composer
  • 9 Jazz
  • 9 New York City
  • 9 Piano

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  • Kenny Barron
    Lula Galvão → Samba has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → MPB has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → Guitar has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → Classical Guitar has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → Choro has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → Brazilian Jazz has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → Brazil has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → Brasília has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → Bossa Nova has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    Lula Galvão → Arranger has been recommended via Kenny Barron.
    • September 23, 2020
  • Kenny Barron
    A video was posted re Kenny Barron:
    Kenny Barron Trio
    Getxo Jazz 2019
    • June 15, 2020
  • Kenny Barron
    A video was posted re Kenny Barron:
    Kenny Barron & Dave Holland - Festival de Jazz de Vitoria-Gasteiz 2016
    http://www.jazzvitoria.com/ ● © For any questions regarding copyright issues related to video materials, please contact us via email at [email protected]
    • June 15, 2020
  • Kenny Barron
    A video was posted re Kenny Barron:
    Kenny Barron "Canta Brasil" - Jazzfestival Bern 2003
    http://kennybarron.com/, http://www.jazzfestivalbern.ch/ ● © For any questions regarding copyright issues related to video materials, please contact us via e...
    • June 15, 2020
  • Kenny Barron
    A video was posted re Kenny Barron:
    Kenny Barron - Triste
    Kenny Barron - Piano Chuck Bergeron - Bass Evan Hyde - Drums Mixed by Rafael P. De Lima
    • June 15, 2020
  • Kenny Barron
    Romero Lubambo → Samba has been recommended via Kenny Barron.
    • June 12, 2020
  • Kenny Barron
    Romero Lubambo → New York City has been recommended via Kenny Barron.
    • June 12, 2020
  • Kenny Barron
    Romero Lubambo → MPB has been recommended via Kenny Barron.
    • June 12, 2020
  • Kenny Barron
    Romero Lubambo → Jazz has been recommended via Kenny Barron.
    • June 12, 2020
  • Kenny Barron
    Romero Lubambo → Guitar has been recommended via Kenny Barron.
    • June 12, 2020
  • Kenny Barron
    Romero Lubambo → Choro has been recommended via Kenny Barron.
    • June 12, 2020
View More
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX

Quincy Jones pode indicar Gilberto Gil. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone abaixo. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

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  • Marcel Powell Choro
  • Seu Regi de Itapuã Forró
  • Gilson Peranzzetta Clarinet
  • Keith Jarrett Classical Music
  • Nonesuch Records Movie Soundtracks
  • Jim Lauderdale Americana
  • Jerry Douglas Guitar
  • Restaurante Axego Salvador
  • Aaron Goldberg Jazz
  • Armen Donelian Record Producer
  • Kathy Chiavola Bluegrass
  • Chief Xian aTunde Adjuah Trumpet
  • David Sacks Washington, D.C.
  • Dee Spencer Jazz
  • Célestin Monga Author
  • Matt Ulery Composer
  • Nettrice R. Gaskins Ford Global Fellow
  • Tyshawn Sorey Wesleyan University Faculty
  • Susana Baca Afro-Peruvian Music
  • Michael League Brooklyn, NY
  • Irmandade da Boa Morte Bahia
  • Luiz Santos New York City
  • Seckou Keita Multi-Cultural
  • Mauro Refosco Marimba
  • Yola R&B
  • Sunn m'Cheaux Singer-Songwriter
  • Sarah Jarosz Guitar
  • Vânia Oliveira Dança Afro
  • Nathan Amaral Brazil
  • Júlio Lemos Guitar
  • Nicholas Daniel England
  • Alex de Mora Photographer
  • Tommaso Zillio Edmonton
  • Super Chikan Mississippi
  • Robin Eubanks Jazz
  • Chris Cheek Brooklyn, NY
  • Cara Stacey Mbabane
  • Nicholas Daniel Music Director
  • Giorgi Mikadze გიორგი მიქაძე Contemporary Classical Music
  • Daniel Bennett Woodwinds
  • Irmandade da Boa Morte Candomblé
  • John Santos California Jazz Conservatory Faculty
  • Andrew Gilbert Journalist
  • Seu Regi de Itapuã Salvador
  • Askia Davis Sr. Educational Consultant
  • Jonathon Grasse Writer
  • Matthew Guerrieri Composer
  • Marvin Dunn Documentary Filmmaker
  • Ryuichi Sakamoto Record Producer
  • Aaron Parks Composer
  • Concha Buika Singer-Songwriter
  • Kermit Ruffins Composer
  • Capitão Corisco Bahia
  • Juliana Ribeiro Brazil
  • Dudu Reis Bahia
  • Ayrson Heráclito Federal University of the Recôncavo of Bahia Faculty
  • Los Muñequitos de Matanzas Cuba
  • Gamelan Sekar Jaya Bali
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  • Miguel Zenón Puerto Rico
  • Scotty Barnhart Big Band Leader
  • Abel Selaocoe Classical Music
  • Jimmy Dludlu Composer
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  • Robertinho Silva Drums
  • Avishai Cohen אבישי כה Singer
  • João Jorge Rodrigues Brasil, Brazil
  • Iroko Trio Brazil
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  • Anthony Coleman Piano
  • Chico César Paraíba
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  • Brian Stoltz Singer
  • Eric Roberson Keyboards
  • Linda May Han Oh Film Scores
  • Laércio de Freitas Actor
  • Frank Beacham Storyteller
  • Paulão 7 Cordas Brazil
  • Virgínia Rodrigues MPB
  • Arismar do Espírito Santo São Paulo
  • Cécile Fromont Yale Faculty
  • Isaias Rabelo Composer
  • François Zalacain New York City
  • Aneesa Strings Composer
  • Nailor Proveta Jazz
  • Sharita Towne Printmaker
  • Joanna Majoko Jazz
  • Courtney Pine Podcaster
  • Terrace Martin Jazz
  • Zigaboo Modeliste Drums
  • Ron Miles Jazz
  • Bukassa Kabengele Actor
  • João Teoria Trompete, Trumpet
  • Echezonachukwu Nduka Piano
  • Amy K. Bormet Composer
  • Jon Madof Bandleader
  • Jane Ira Bloom Saxophone
  • Nate Smith Music Producer
  • Brian Lynch Trumpet
  • Ivo Perelman Composer
  • Patricia Janečková Czech Republic
  • Aubrey Johnson Berklee Faculty
  • Nara Couto MPB
  • David Ritz Liner Notes
  • Adonis Rose Record Producer
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  • Immanuel Wilkins NYU Faculty
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  • Mestrinho Singer-Songwriter
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  • Ryuichi Sakamoto Film Scores
  • Anthony Wilson Composer
  • Joe Fiedler Arranger
  • Bruno Monteiro Salvador
  • Francisco Mela Cuba
  • Ariel Reich Singer
  • Nelson Latif Samba
  • Fernando César Brasília
  • Jakub Józef Orliński Warsaw
  • Mateus Aleluia Filho Candomblé
  • Della Mae Nashville, Tennessee
  • Craig Ross Guitar
  • Emily Elbert Folk Funk Jazz Blues
  • Nabih Bulos Beirut, Lebanon
  • Fidelis Melo Jornalista, Journalist
  • David Ritz Los Angeles
  • Tarus Mateen Record Producer
  • Peter Dasent Author
  • Lula Galvão MPB
  • Chelsea Kwakye Writer
  • Lívia Mattos Brazil
  • Ronald Angelo Jackson Historian
  • Stan Douglas Filmmaker
  • Ben Harper Rock
  • Pierre Onassis Singer-Songwriter
  • Ethan Iverson Piano
  • Lucinda Williams Country
  • Asma Khalid Washington, D.C.
  • Calypso Rose Calypso
  • Cara Stacey Johannesburg
  • Tom Wilcox Music & Arts Consultant
  • Joachim Cooder Percussion
  • Alan Brain Filmmaker
  • Angel Bat Dawid Chicago
  • François Zalacain Record Label Owner
  • Dan Trueman New Instrument Creator
  • Joan Chamorro Barcelona
  • Philip Watson Journalist
  • Muireann Nic Amhlaoibh Fiddle
  • Jimmy Dludlu Jazz
  • Lazzo Matumbi Samba
  • Lalah Hathaway R&B
  • Marcus Gilmore Composer
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  • Fernando César Composer
  • Tonynho dos Santos Brasil, Brazil
  • Brian Jackson Flute
  • Yazhi Guo 郭雅志 Suona
  • James Poyser Multi-Instrumentalist
  • Paulo Aragão Samba
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  • Miho Hazama Composer
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  • Brandon Coleman Composer

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