Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Edmar Colón
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Edmar Colón
  • City/Place: Boston, Massachussetts
  • Country: United States
  • Hometown: Coamo, Puerto Rico

Life & Work

  • Bio: Edmar Colón is a saxophonist, pianist and composer from Coamo, Puerto Rico, currently living in Boston.

    Colón was awarded the prestigious Presidential Scholarship and graduated from the Berklee College of Music with a dual major in Performance and Classical Composition. As part of his undergraduate studies, Edmar was a student at the Berklee Global Jazz Institute directed by Danilo Pérez and Marco Pignataro. He went on to complete his Master’s degree in Global Studies at the Berklee Global Jazz Institute.

    Edmar has toured and played in venues and events such as the Detroit Jazz Festival, Puerto Rico Heineken Jazz Festival, Toronto Jazz Festival, Panama Jazz Festival, Montreal Jazz Festival, and Monterrey Jazz Festival, among others. He recently played in the Kennedy Center for the Arts Mary Lou Williams Jazz Festival, Abbey Lincoln tribute tour with Grammy-award recipients Terri Lyne Carrington, Esperanza Spalding, Dianne Reeves and Dee Dee Bridgewater. Colón has performed with artists such as Joe Lovano, John Patitucci, Danilo Pérez, Danny Rivera, Hal Crook, Kenny Werner, Lionel Louke, John Michel Pilc, Patti Austin, Ledisi, Judith Hill, David Sanchez, Arturo Sandoval, George Garzone, Luis Enrique and Ivan Lins, among other notable artists of various musical genres.

    In 2016, Colón was awarded the Latino 30 Under 30 Award New England from the El Mundo newspaper. He was also awarded first prize at the "Keep An Eye" International Jazz Awards in Amsterdam as a part of the Berklee Global Jazz Institute. In 2017, he was honored in the annual Patron Saint festivities of his hometown of Coamo, Puerto Rico.

    As a writer in the last two years Edmar has worked with some of the biggest names in Jazz. In 2018 Colón was the copyist for Wayne Shorter’s newest orchestral work, an opera. During the same year Edmar was commissioned to write a 30 minute long orchestral piece for the Detroit Jazz Festival Symphony Orchestra. Also in 2018, he wrote the orchestrations for the piece “12 Little Spells” of Esperanza Spalding’s most recent album by the same name. On December of that year, Edmar worked as copyist/arranger for the Kennedy Center Honors award ceremony honoring Wayne Shorter. In addition, the young saxophonist worked as the arranger/orchestrator for Terri Lyne Carrington’s upcoming album.

    Today, Edmar Colón is working on an orchestral commission by the National Symphony Orchestra for a number of concerts celebrating the centenary of Nat King Cole, as well as working on original material with a new working band for his debut album as Saxophonist and Composer.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Instagram: edmarcolon
  • ▶ Website: http://www.edmarcolon.com

Clips (more may be added)

  • 0:06:02
    Edmar Colón Trio - J-Lo (Live at Berklee)
    By Edmar Colón
    204 views
  • 0:49:16
    Lefteris Kordis & Edmar Colón Duo - Live @ Corfu Jazz World Festival 2019
    By Edmar Colón
    230 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Edmar Colón:

  • 3 Berklee College of Music Faculty
  • 3 Composer
  • 3 Flute
  • 3 Jazz
  • 3 Piano
  • 3 Puerto Rico
  • 3 Saxophone

Nodes below are randomly generated. Reload for a different stack.

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  • Anthony Hamilton Los Angeles
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  • Dhafer Youssef ظافر يوسف Multi-Cultural
  • Ana Luisa Barral Salvador
  • Mulatu Astatke Addis Ababa
  • Laura Beaubrun Lausanne, Switzerland
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  • Brian Lynch University of Miami Frost School of Music Faculty
  • Albin Zak Americana
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  • Yola England
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  • Uli Geissendoerfer Composer
  • Horácio Reis Compositor, Composer
  • Musa Okwonga Songwriter
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  • Ben Paris Brazil
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  • Kiko Freitas MPB
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  • Tony Trischka Composer
  • Itiberê Zwarg Brazil
  • David Ngwerume Harare
  • Larissa Luz MPB
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  • Leci Brandão Rio de Janeiro
  • Scotty Apex Singer
  • David Fiuczynski Composer
  • Marcus Miller Los Angeles
  • Raymundo Sodré Chula
  • Orlando 'Maraca' Valle Cuba
  • Isaias Rabelo Jazz
  • Chad Taylor Philadelphia
  • Darius Mans Washington, D.C.
  • Nelson Latif São Paulo
  • Deesha Philyaw Short Stories
  • Tony Kofi Flute
  • Dwandalyn Reece Singer
  • Frank Beacham Playwright
  • Kimmo Pohjonen Composer
  • Hercules Gomes Brazil
  • Ben Cox Cinematographer
  • Dónal Lunny Irish Traditional Music
  • Mohini Dey Indian Fusion
  • David Ngwerume Sculptor
  • Katuka Africanidades Salvador
  • Yazhi Guo 郭雅志 Multi-Instrumentalist
  • Negra Jhô AFROBIZ Salvador
  • Tony Austin Recording Engineer
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  • Mauro Refosco Marimba
  • Tarus Mateen Record Producer
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  • Brady Haran Video Journalist
  • Mohini Dey Mumbai
  • Yoko Miwa Composer
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  • Mike Marshall Choro
  • Julie Fowlis Scotland
  • Fred Dantas Composer
  • Marisa Monte Rio de Janeiro
  • Michael Doucet Louisiana
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  • Hélio Delmiro Samba
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Rachel Aroesti Writer
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  • Tom Schnabel Author
  • Warren Wolf Baltimore, Maryland
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  • James Gadson Jazz
  • Dermot Hussey Author
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  • Bianca Gismonti Rio de Janeiro
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  • Marcos Portinari Compositor, Composer
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  • Dale Farmer Fiddle
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  • Ferenc Nemeth Hungary
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  • Henry Cole Drums
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  • Germán Garmendia YouTuber
  • 小野リサ Lisa Ono Singer
  • Edgar Meyer Curtis Institute of Music Faculty
  • Terri Hinte Liner Notes
  • Eddie Kadi Congo
  • Paddy Groenland Ireland
  • Jim Farber Journalist
  • Michael Cuscuna Record Label Owner
  • VJ Gabiru Artista Multimídia, Multimedia Artist
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  • Max ZT Brooklyn, NY
  • Oleg Fateev Moldavia
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  • Jakub Knera Gdańsk
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  • Cláudio Jorge Rio de Janeiro
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  • Kengo Kuma Architect
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  • Pururu Mão no Couro Chula
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  • Michael Cleveland Fiddle
  • Gringo Cardia Set Designer
  • Siba Veloso Maracatu
  • Dave Douglas Jazz
  • Miguel Zenón Puerto Rico
  • Jon Batiste Jazz
  • Alex de Mora Photographer
  • Zé Luíz Nascimento Bahia
  • Sahba Aminikia Composer
  • Papa Mali Funk
  • Inaicyra Falcão Dançarina, Dancer
  • Mickalene Thomas Brooklyn, NY
  • Serwah Attafuah Australia
  • Joachim Cooder Singer-Songwriter
  • Patty Kiss Bahia
  • Arismar do Espírito Santo São Paulo
  • Tatiana Campêlo Salvador
  • Adriano Souza Piano
  • Zé Luíz Nascimento Paris
  • Mateus Alves Film Scores
  • Itamar Vieira Júnior Salvador

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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