Bio:
Jane Cornwell is an author, journalist and critic and raconteur writing mainly about jazz and global music, arts and culture, and also about travel and luxury travel.
Jane writes for major newspapers, magazines and online platforms in the UK and Australia. She is a contributing editor of Songlines magazine and is an interviewer and onstage MC for the likes of Womad, Womadelaide and the EFG London Jazz Festival.
She writes books, press releases and sleeve notes. Sometimes she goes on the radio.
In 2019 she completed a highly regarded Masters degree in Global Creative and Cultural Industries (Distinction) at SOAS, University of London – a course designed to deepen understanding of the Cultural Industries and how they are organised, financed, regulated and have been understood in theory. Her dissertation on the resurgence of jazz music in London – ‘Jazz Refreshed? A Contemporary Jazz Phenomenon’ – involved intensive research, extensive interviews, robust arguments and new ideas.
Contact Information
Email:
jane.cornwell[at]blueyonder.co.uk
Management/Booking:
Literary Agent, UK and worldwide:
Rowan Lawton
Furniss Lawton [email protected]
Literary Agent, Australia and New Zealand
Gaby Naher
The Naher Agency [email protected]
Presenting and hosting:
Steve Denison, Great British Presenters
Publications:
The Whirl: Men, Music & Misadventures
A sexy and witty memoir about men, music and misadventures.
London-based journalist and music critic Jane Cornwell has always thrown herself head and heart first - along with everything else - into relationships. A fascination for other cultures, and the music and men of other cultures, has resulted in adventures as audacious and comic as they are enlightening and erotic. Travelling the world in search of love, great music and good stories, Cornwell collects relationships the way the rest of us pick up souvenir tea towels or snow domes. She writes of the young Greek bartender on Skyros during the island's bacchanalian goat festival; the Jamaican gangster who got her stoned on a beach cliff top in Negril; the Congolese ex-con in Paris who wooed her with perfume and lingerie; the young Afro-Cuban dancer in Santiago de Cuba who persuaded her to buy him jeans, trainers and a mobile phone; her nearly romp with a security guard in a Colombian love hotel, and many, many more...
This is also one woman's journey through music. From acid-house raves in London to salsa in Cuba, from reggae to pan pipes, Sufi trance to Womad, it's a tribute to music's power to heal, inspire and transport. It's a look at rituals and subcultures: Afro-Cuban Santeria. The whirling dervishes of Turkey. Congolese sapeurs in Paris. The New Age scene in Los Angeles. Stand-up comedy. Internet dating.
A fearless and funny quest for love, connection and a faithful man who can dance, THE WHIRL is a truly sexy memoir for the adventurer in all of us.
'Funny, smart, throbbing with music, life, sex and rhythm... gorgeous!' —Natalie Imbruglia
Jane Sits down with Industry Insider to chat all things AWME 2012. We find a fascinating story behind a very accomplished and educated writer, journalist and broadcaster, Jane's rise into the international music business is as interesting as any story in ...
Matrix team-member Darius Mans, Economist (PhD, MIT), president of Africare (largest aid organization in Africa), presents Africare award to Lula (2012). From 2000 to 2004 Darius served as the World Bank’s Country Director for Mozambique and Angola, leading a team which generated $150 million in annual lending, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment. Darius lives between Washington D.C. and Salvador, Bahia.
IV. LET THERE BE PATHWAYS!
"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
— Susan Rogers, Personal recording engineer for Prince at Paisley Park Recording Studio; Director, Music Perception & Cognition Laboratory, Berklee College of Music
"Many thanks for this - I am touched!" — Julian Lloyd Webber
"I'm truly thankful... Sohlangana ngokuzayo :)" — Nduduzo Makhathini, Blue Note Records
"Thanks, this is a brilliant idea!!" — Alicia Svigals, Klezmer violin, Founder of The Klezmatics
"This is super impressive work ! Congratulations ! Thanks for including me :)))" — Clarice Assad
"Thank you" — Banch Abegaze, manager, Kamasi Washington
The Matrix uncoils from the Recôncavo of Bahia, final port-of-call for more enslaved human beings than any other such throughout all of human history and from where some of the most physically and spiritually uplifting music ever made evolved...
...all essentially cut off from the world at large. But after 40,000 years of artistic creation by mankind, it's finally now possible to create bridges closely interconnecting all artists everywhere (having begun with the Saturno brothers above).
By the same mathematics positioning some 8 billion human beings within some 6 or so steps of each other, people in the Matrix tend to within close, accessible steps of everybody else inside the Matrix.
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.
Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.
Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
