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Bill Banfield
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Network Node

  • Name: Bill Banfield
  • City/Place: Boston, Massachusetts
  • Country: United States
  • Hometown: Detroit, Michigan

Connections Out

  • from this node by: Matrix

Current News

  • What's Up? Dr. Cornel West called him," one of the last grand Renaissance men in our time..a towering artist, exemplary educator, rigorous scholar, courageous freedom fighter",

    Henry Louis Gates wrote “...Bill Banfield is one of the most original voices on the scene today.. he tunes us in to the conversation happening worldwide between the notes of contemporary musical culture."

Life & Work

  • Bio: Having served three times as a Pulitzer Prize judge in American music (2010, 2016, 2020), Banfield is an award winning composer whose symphonies, operas, chamber works have been performed and recorded by major symphonies across the country. Few have a wider, performed professional composing output, that has had public concert performances, reviews, radio, recordings of some 12 symphonies, 7 opera, 9 concerti, chamber, jazz and popular forms. This alone making Banfield one of the most performed, recorded composers of his generation. Banfield has been a national public radio show host having served as arts and culture correspondent for The Tavis Smiley Show. In 2010, he was hired by Quincy Jones to write a national music curriculum and book for schools learning about American popular music culture.

    Banfield’s works have been commissioned, performed and recorded by orchestras including; the National, Atlanta, Minneapolis, Dallas, Akron, Detroit, New York Virtuoso, Grand Rapids, Akron, Richmond, Toledo, Savannah, Chicago Symphonia, Indianapolis, Sphinx, Sacramento, San Diego symphonies and the Havana Camerata of Cuba. In 2012, his symphony 10 was commissioned, premiered by the National Symphony at the Kennedy Center with Sweet Honey in the Rock, and his symphony 11 was performed, recorded in Switzerland with the Evoca/ECJ symphony and chorus.

    His works as a composer and performing- recording jazz artist are carried on Atlantic, TelArc, CollinsClassics (London), Centaur, Albany/Visionary recordings and Innova records. His music has been performed and/or recorded by; George Duke, Patrice Rushen, Don Byron, Leon Bates, Christian Scott, Najee, Ron Carter, Delfeayo Marsalis, Greg Osby, Teri Lynn Carrington, Oliver Lake, Regina Carter, Rachel Z, Jon Faddis, Marcus Belgrave, Billy Childs, Nnenna Freelon, Alphonso Johnson, Ndugu Chancelor, and Nelson Rangel.

    Dr. Bill Banfield has served as Professor of Africana Studies/Music and Society, founding director of the Center for Africana Studies/Liberal Arts and teaching in the dept. of composition and the graduate program Berklee College of Music, now retired (2005-2020). The college named him, Professor Emeritus founding director of Africana Studies/Center.

    He served as the Endowed Chair Humanities, Fine Arts, professor of Music, director of American Cultural Studies/Jazz, Popular, World Music Studies, University of St. Thomas, MN (1997-2005). Banfield served as assistant professor, African American Studies/Music, Indiana University (1992-1997) where he developed the Undine Smith Moore Collection of Scores and Manuscripts of Black Composers.

    In 2002, he was as a W.E.B. Dubois fellow at Harvard University and was appointed by Toni Morrison to serve as the visiting Atelier Professor, Princeton University, 2003. In 2005, he was visiting professor of Composition, University of Minnesota. In addition he has lectured and been in residence at; Duke, Fisk, Morehouse, Spellman, Carnegie Mellon, University of Virginia Tech, Augsberg, U of Texas, Michigan, Maryland, Atlanta U, Bowling Green State, St. Augustine, North Central State, Augusta Gustavia, U North Carolina, U Penn, Butler, Hunter, U of Richmond, U of Connecticut,Massachusetts (Amherst), U of Southern Alabama, Louisiana College, Louisiana State University at Alexandria, Bishop State College.

    He has authored 6 books on music, arts and cultural criticism, history and biographies, covering everything from contemporary Black composers, to Ornette Coleman, Nikki Manaj and Kendrick Lamar; Landscapes in Color: Conversations With Black American Composers(2002), Black Notes: Essays Of A Musician Writing In A Post Album Age(2004), Cultural Codes: Makings Of A Black Music Philosophy( 2010, Scarecrow Press), Representing Black Music Culture( 2011), Ethnomusicologizing: Essays On Music In a The New Paradigms and Pat Patrick: American Musician and Cultural Visionary. ( Scarecrow Press)

    Bill Banfield is founder/ director of JazzUrbane, a contemporary jazz art recording label, dedicated to producing creative new artists. The seminal project released in 2014, was produced by legendary icon George Duke, and included such leading artists as; Christian Scott, Terri Lyn Carrington, Najee, Greg Osby, and Grace Kelly. The label has already produced and released, 8 albums now heard internationally.

    A native Detroiter, he received his Bachelor of Music from the New England Conservatory of Music in Boston, a Master of Theological Studies from Boston University and a Doctor of Musical Arts in composition from the University of Michigan. His formal composition studies were under, T.J Anderson, George Russell, Theodore Antoniou, Bill Bolcolm, and Bill Albright.

Contact Information

  • Contact by Webpage: http://www.billbanfieldmusic.com/contact-1

Media | Markets

  • ▶ Book Purchases: http://www.barnesandnoble.com/s/%22Bill%20Banfield%22
  • ▶ Website: http://www.billbanfieldmusic.com
  • ▶ YouTube Channel: http://www.youtube.com/@JazzUrbaneRecords1
  • ▶ Spotify: http://open.spotify.com/album/1fmsndu2uircDcXvehPrfg
  • ▶ Spotify 2: http://open.spotify.com/album/6Pourl37mwC4qA97A4hFDI
  • ▶ Spotify 3: http://open.spotify.com/album/2iWzmUJJ47yFYbE0lMeDMZ
  • ▶ Spotify 4: http://open.spotify.com/album/354uHbWOyE7jamMGerjtHi
  • ▶ Spotify 5: http://open.spotify.com/album/4V5Go7ZzZvOoNJf3TPBs9Y
  • ▶ Spotify 6: http://open.spotify.com/album/1wlLXJ7g9iR9rEbrjhgPsN
  • ▶ Apple Music: http://music.apple.com/us/artist/bill-banfields-jazz-urbane/807095784
  • ▶ Amazon: http://www.amazon.com/s?i=popular&rh=p_32%3ABill+Banfield

Clips (more may be added)

  • 0:16:04
    Dr. Bill Banfield Keynote
    By Bill Banfield
    10 views
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Connect to Bill Banfield to appear here:
  • 2 Composer
  • 2 Educator
  • 2 Ethnomusicologist
  • 2 Guitar
  • 2 Writer

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    Dr. Bill Banfield Keynote
    Dr. Bill Banfield – Composer, Author, Smithsonian Research Scholar, Owner/ CEO, JazzUrbane Recordings
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Bill Banfield
Connections Out

 

 

 

Human creativity is everywhere. From Brazil it's all being connected in a manner allowing one to move from any creator to any other creator in just a few steps. Artificial Intelligence & algorithms not necessary. Real intelligence, yes.

 

Raymundo Sodré
Raymundo Sodré Global

A Massa (do povo carente) / The Masses (of people in need)

A Massa (do povo carente) / The Masses (of people in need)
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THE MATRIX IS THE MOTHER SHIP (it carries people to culture; per above, it carries culture too)

 

THE MATRIX IS CULTURAL DIFFUSION ON A PLANETARY SCALE (Bahia is Ground Zero)

 

 

THE MATRIX IS THE INTEGRATED GLOBAL CREATIVE ECONOMY (matrixed economist, Dr. Darius Mans, presents the Africare Award to Luiz Inácio Lula da Silva — Brazil's current president — in 2012)

SPARROW/PARDAL ROBERTS

 

Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix. — Susan Rogers (personal recording engineer for Prince; recorded "Purple Rain", "Around the World in a Day", "Parade", and "Sign o' the Times"; now director of the Berklee Music Perception and Cognition Laboratory)

SUSAN ROGERS

 

Dear Sparrow, Many thanks for this – I am touched! — Julian Lloyd Webber (most highly renowned cellist in the United Kingdom; brother of composer Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats...)

JULIAN LLOYD WEBBER

 

This is super impressive work ! Congratulations ! Thanks for including me :))) — Clarice Assad (pianist, composer with works performed by Yo Yo Ma and orchestras around the world)

CLARICE ASSAD

 

Thanks, this is a brilliant idea!! — Alicia Svigals (world's premier klezmer violinist; founding member of The Klezmatics)

ALICIA SVIGALS

 

Thank you for your note below and we appreciate you including Kamasi in the matrix, Sparrow. — Banch Abegaze (manager, Kamasi Washington)

KAMASI WASHINGTON

 

This Matrix was built by an ex-royalty "rescuer" (Aretha Franklin, Barbra Streisand, Gilberto Gil, Astrud Gilberto, Mongo Santamaria, Jim Hall, Led Zeppelin, Bob Marley and many others) so that deep Brazilian culture, much of it otherwise impossible to find if one is not right there where it is made, might also (via an alternative to major media) be discoverable from all around the world. To do this it integrates this immensity into a system whereby ALL CULTURE EVERYWHERE — from small villages in Africa to Grammy-winning artists in Los Angeles — writers, filmmakers, painters... — can be found from anywhere on the planet.

 

 

(Clip by Jorge Pacoa)

  • Askia Davis Sr. Social Entrepreneur

The Matrix uncoils from the Recôncavo of Bahia, Brazil, final port-of-call for more enslaved human beings than any other such throughout all of human history and from where some of the most physically and spiritually uplifting music ever made (samba and its precursor chula, per the Saturno Brothers above) evolved...

  • Abel Selaocoe Cello

WHAT IS THE RECÔNCAVO? The peninsula upon which Salvador is situated is like the thumb of an open and grasping hand, what is normally thought of as the Recôncavo then being defined by the curved index finger. This way of definition developed when agricultural products were brought to Salvador by boat, sometimes making their way first down the Paraguaçu river after having been carried overland from the sertão (backlands) to Cachoeira, the river debouching into the Bay of Saints at Maragogipe. The city of Bahia (as it was usually called then) was crouched on the bay, comprised of a commercial district much smaller in area than today (landfill has increased it greatly), the area around the upper section of the elevator, and what is now called Pelourinho.

  • Brad Ogbonna Filmmaker

Much of the remainder of the peninsula was given to sugarcane plantations, and dotted within the Atlantic rainforest were countless quilombos (Afro-Brazilian villages founded during the age of slavery); both are attested to today in commonly used city names. The neighborhood of Garcia was once Fazenda Garcia (fazenda being a farm or plantation), and this denomination is still used today to distinguish one end of Garcia (fim-de-linha) from the other (the Campo Grande end). Neighborhoods Engenho Velho de Federação and Engenho Velho de Brotas are so called for the old mills (engenhos velhos) which pressed the caldo (juice, so to speak) from the cane so laboriously hacked out of the fields. The neighborhood of Cabula is named for an nkisi (deity) of candomblé angola (the first candomblé -- a West African religious belief system -- to arrive in Bahia)...whose rhythms comprise the basis for samba, meaning that the rhythms to which so many in the world inexpertly swayed as Stan Getz's saxophone soared and João and Astrud Gilberto sensuously intoned -- this paragon of suave Brazilian sophistication -- was born in the rough senzalas (slavequarters) of Bahia. Ironically enough, the barefoot senzala version was/is far more sophisticated than the sophisticated version.

  • Hansen Bahia Brasil, Brazil

But times have changed, and Cabula is now a crowded, non-descript middle-to-working class Salvador city neighborhood (plenty of candomblé around though), and Engenhos Velhos de Federação and Brotas are swarming working class neighborhoods (ditto the candomblé); the senzala samba, the samba chula and samba-de-roda have disappeared. A simplified version -- Bahian pagode -- is heard everywhere in Salvador, but the real-deal stuff has died out here in the big city. It remains, however, a potent force on the remainder of its native ground, the Recôncavo proper, where it is danced to upon pounded earth, under moonlight broken by banana, palm and mango leaves, lifting the souls of its participants almost like something religious, which it was, and gods aside, is.

  • Jonathan Scales Jazz Fusion

Connect to anybody in here. You appear on their page. Anybody in here connects to you, they appear on your page...

  • Christopher James Record Producer

...plugged into a superpower: the small world phenomenon.

  • Dan Weiss Avant-Garde Jazz

By the same mathematics positioning some 8 billion human beings within some 6 or so steps of each other, people in the Matrix tend to within close, accessible steps of everybody else inside the Matrix.

  • Bob Lanzetti Guitar

And by extension, to within discoverable reach of everybody everywhere on the planet.

  • Miroslav Tadić Multi-Cultural

A little bit about how the math works:

EM PORTUGUÊS / IN ENGLISH

 

BUT WHY BRAZIL???

  • Dan Weiss Drums

"The time has come for these bronzed people to show their worth..."

 

 

(Music by Assis Valente. Clip by Betão Aguiar. The Matrix was built in Salvador's Centro Histórico above, incorporating these marvelous people.)

  • Zé Katimba Singer-Songwriter

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

  • Carlos Blanco Brasil, Brazil

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

  • Béla Fleck Americana

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

  • Gino Sorcinelli DJ Culture

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

  • Jeff Tang Composer

Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof.

  • Ibrahim Maalouf Multi-Cultural

Nowhere else but here. Brazil itself is a matrix.

  • Las Cafeteras East Los Angeles
  • Bill Frisell Composer
  • Marilda Santanna Salvador
  • Lia de Itamaracá Dançarina, Dancer
  • Ari Hoenig Drums
  • Harish Raghavan Multi-Cultural
  • Wayne Escoffery New York City
  • Mário Pam Bahia
  • Arany Santana Gestor Público, Public Servant
  • Milad Yousufi Calligrapher
  • Edu Lobo MPB
  • Crystal Worl Haida Design
  • Linda Sikhakhane Johannesburg
  • Roberto Mendes Bahia
  • King Britt University of San Diego Faculty
  • Doug Wamble Singer-Songwriter
  • Msaki South Africa
  • Plamen Karadonev Composer
  • Dave Douglas Trumpet
  • Babau Santana Pandeiro
  • Frank Negrão Funk
  • David Fiuczynski Microtonal
  • Tedy Santana Salvador
  • Sam Harris Composer
  • Samba de Nicinha Brazil
  • Paulo César Pinheiro Brazil
  • Massimo Biolcati Bass
  • Kirk Whalum Memphis, Tennessee
  • Maurício Massunaga Director de Musica, Music Director
  • André Vasconcellos Jazz Brasileiro, Brazilian Jazz
  • Patty Kiss Guitarra Baiana
  • Luedji Luna Singer-Songwriter
  • Amit Chatterjee Composer
  • Yamandu Costa Guitar
  • Dan Moretti Berklee College of Music Faculty
  • Huey Morgan DJ
  • Yayá Massemba Brasil, Brazil
  • John Waters Songwriter
  • Rema Namakula African Music
  • Michael Pipoquinha Composer
  • Gerson Silva Brazil
  • Shaun Martin Songwriter
  • Sunna Gunnlaugs Iceland
  • Carwyn Ellis Rio de Janeiro
  • Léo Rodrigues Côco
  • Dainho Xequerê Capoeira
  • Adelmo Casé Brasil, Brazil
  • Yilian Cañizares Cuba
  • Ron Blake Jazz
  • Jonathon Grasse Guitar
  • James Elkington Folk Rock
  • Teddy Swims R&B
  • Mestra Lainha Atriz, Actor
  • Ben Paris Writer
  • Greg Spero Television Scores
  • David Sánchez Pan-Africana
  • Aneesa Strings Composer
  • Vincent Valdez Printmaker
  • Sara Gazarek Vocal Instruction
  • Edil Pacheco Songwriter
  • Vavá Botelho Diretor de Compania de Dança, Dance Company Director
  • Tom Bergeron Niterói, Rio de Janeiro
  • Isaiah Sharkey Chicago
  • Rayendra Sunito Songwriter
  • Terence Blanchard Educator
  • Patty Kiss Frevo
  • Plínio Fernandes Brazil
  • Dan Trueman Hardanger Fiddle
  • James Andrews Trumpet
  • Júlio Caldas Violão, Guitar
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Mona Lisa Saloy Dillard University Faculty
  • Keita Ogawa Percussion Samples
  • Mauro Senise Rio de Janeiro
  • Yotam Silberstein Guitar
  • Pasquale Grasso Guitar
  • Gui Duvignau Contemporary Classical Music
  • Edivaldo Bolagi Produtor Cultural, Cultural Producer
  • Jason Marsalis Vibraphone
  • Ta-Nehisi Coates Writer
  • Christopher Silver Writer
  • Dermot Hussey Washington, D.C.
  • Eddie Palmieri Afro-Latin Dance Music
  • Phakama Mbonambi Publisher
  • Omer Avital Middle Eastern Music
  • Melvin Gibbs Composer
  • Mika Mutti MPB
  • Fabiana Cozza Phonoaudiologist
  • Daniel Jobim MPB
  • David Wax Museum Mexo-Americana
  • BaianaSystem Salvador
  • Leci Brandão Surdo
  • Cacá Diegues Academia Brasileira de Letras, Brazilian Academy of Letters
  • Zé Luíz Nascimento Paris
  • James Shapiro Writer
  • Eliane Elias New York City
  • Luizinho do Jêje Percussion
  • Nonesuch Records Americana
  • Amaro Freitas Maracatu
  • Marcus Gilmore Composer
  • Roque Ferreira Samba
  • Cut Worms Singer-Songwriter
  • Howard Levy Multi-Cultural
  • António Zambujo Lisbon
  • Nigel Hall New Orleans
  • Alicia Hall Moran Mezzo-Soprano
  • Mercado Iaô Bahia
  • John Francis Flynn Singer-Songwriter
  • David Bruce Composer
  • Walter Mariano Brasil, Brazil
  • Celso de Almeida Drums
  • Morgan Freeman - Salvador, Bahia Narrator
  • DJ Sankofa Brasil, Brazil
  • James Brady Jazz
  • Chief Xian aTunde Adjuah New Orleans
  • Chad Taylor Jazz
  • John McEuen Writer
  • As Ganhadeiras de Itapuã Samba de Roda
  • Gunter Axt Rio Grande do Sul
  • Hendrik Meurkens Jazz
  • Alyn Shipton Writer
  • Igor Levit Berlin
  • Richard Bona Composer
  • Daphne A. Brooks Yale Faculty
  • Martin Fondse Piano
  • Nubya Garcia Saxophone
  • Wadada Leo Smith Flugelhorn
  • Kermit Ruffins Singer
  • Andrew Huang Canada
  • Carol Soares Bahia
  • Gilmar Gomes Singer-Songwriter
  • Robertinho Silva Brazil
  • Juçara Marçal Brazil
  • Kathy Chiavola Bluegrass
  • Ilê Aiyê Bloco Afro
  • João Rabello Choro
  • Carlos Blanco Guitarra, Violão, Guitar
  • Jahi Sundance DJ
  • Cristiano Nogueira Brazil Specialist
  • Karsh Kale कर्ष काळे Tabla
  • Yosvany Terry Jazz
  • Darren Barrett R&B
  • Super Chikan Blues
  • Benjamin Grosvenor United Kingdom
  • Paulo Aragão Choro
  • Siphiwe Mhlambi Photographer
  • Emily Elbert Los Angeles, California
  • Matt Garrison Composer
  • Varijashree Venugopal Bengaluru
  • Sandi Bachom Press Photographer
  • Melanie Charles Brooklyn, NY
  • Mauro Refosco Compositor de Televisão, Television Scores
  • Alê Siqueira Bahia
  • Célestin Monga Harvard University Faculty
  • The Rheingans Sisters England
  • Ari Hoenig Composer
  • Aldri Anunciação Apresentador de Televisão, Television Presenter
  • Inaicyra Falcão Dançarina, Dancer
  • Toninho Horta Belo Horizonte
  • Paulinho do Reco Salvador
  • Soweto Kinch Jazz
  • Mou Brasil Bahia
  • Damon Krukowski Cambridge, Massachusetts
  • Michel Camilo Latin Music
  • Inaê Sodré Atriz, Actor
  • Betsayda Machado Tambor
  • Raymundo Sodré Brasil, Brazil
  • David Simon Television Writer
  • Nara Couto Salvador
  • John Schaefer Radio Presenter
  • Norah Jones Jazz
  • Oriente Lopez Piano
  • Iara Rennó Atriz, Actor
  • Agnaldo Nascimento Santo Amaro
  • Michael Janisch Experimental Music
  • Edil Pacheco Singer
  • Reinaldo Boaventura Pandeiro
  • Jorge Washington Salvador
  • Jean-Paul Bourelly Jazz
  • Babau Santana Brasil, Brazil
  • Adonis Rose New Orleans
  • Edsel Gomez Piano
  • Bobby Sanabria New School Faculty
  • Vanessa Moreno Singer-Songwriter
  • Towa Tei テイ・トウワ Record Producer
  • Keb' Mo' Singer-Songwriter
  • Marcel Powell Choro
  • Raul Midón Singer
  • Marcus Machado Panama
  • Glória Bomfim Brazil
  • George Cables Jazz
  • Mandla Buthelezi Trumpet
  • Eamonn Flynn Funk
  • Moreno Veloso Cello
  • Terri Lyne Carrington Jazz
  • Bruce Molsky Berklee College of Music Faculty
  • Paulinho Fagundes Violão Gaúcho
  • John Archibald Writer
  • Pierre Onassis Singer-Songwriter
  • Barney McAll Jazz
  • Kaia Kater Folk & Traditional
  • Orquestra Afrosinfônica Salvador
  • Ethan Iverson Writer
  • James Elkington Guitar
  • Jared Jackson New York City
  • Waldonys Piloto Acrobático, Acrobatic Pilot
  • Shane Parish Composer
  • Anna Webber Contemporary Classical Music
  • Karim Ziad Composer
  • Alfredo Del-Penho Samba
  • Gearóid Ó hAllmhuráin Irish Traditional Music
  • Aditya Prakash Composer
  • Morgan Page House
  • Ivo Perelman São Paulo
  • Daniel Munduruku Escritor, Writer
  • Marcel Camargo Jazz
  • Ilya Kaminsky Editor
  • Beeple Concert Visuals
  • Towa Tei テイ・トウワ DJ
  • James Gadson Funk
  • Ben Allison Composer
  • Karim Ziad Jazz
  • Brian Stoltz Guitar
  • Martin Shore Filmmaker
  • Gail Ann Dorsey Multi-Instrumentalist
  • Oriente Lopez New York City
  • Del McCoury Guitar
  • Stormzy London
  • Celsinho Silva Rio de Janeiro
  • Yilian Cañizares Classical Music
  • Mokhtar Samba Paris
  • Mika Mutti Los Angeles
  • Jimmy Duck Holmes Blues
  • Arto Tunçboyacıyan Percussion
  • Julie Fowlis Multi-Instrumentalist
  • Liron Meyuhas Multi-Cultural
  • Itiberê Zwarg Rio de Janeiro
  • Celsinho Silva Samba
  • Yosvany Terry Saxophone
  • Mateus Asato Neo Fusion
  • Quatuor Ebène Classical Music
  • Brian Lynch Jazz
  • Dale Barlow Flute
  • Zé Katimba Brazil
  • Larry Grenadier Jazz
  • Hugo Viera Vargas Puerto Rican & Caribbean Societies
  • Hamilton de Holanda Bandolim
  • João Callado Samba
  • Hisham Mayet DJ
  • Joe Chambers Vibraphone
  • Mary Halvorson Brooklyn, NY
  • A-KILL Graffiti Artist
  • Nêgah Santos São Paulo
  • Leandro Afonso Film Producer
  • Léo Rugero Forró
  • Tshepiso Ledwaba Johannesburg
  • Chau do Pife Brazil
  • Eli Teplin Singer-Songwriter
  • Bruce Williams Composer
  • Marcel Camargo Arranger, Orchestrator
  • Celino dos Santos Terra Nova
  • Matt Garrison Jazz
  • Ravi Coltrane Composer
  • Darcy James Argue Bandleader
  • Renee Rosnes Piano
  • Juliana Ribeiro MPB
  • Di Freitas Cello
  • Ron Carter Jazz
  • Luedji Luna Bahia
  • Cláudio Badega Brasil, Brazil
  • Spok Frevo Orquestra Brazil
  • Sergio Krakowski Experimental Music
  • Jaques Morelenbaum Songwriter
  • Towa Tei テイ・トウワ Japan
  • Geovan Bantu Gestor Cultural, Cultural Director
  • Derrick Hodge Bass
  • Érico Brás Ator, Actor
  • Logan Richardson Classical Music
  • Delbert Anderson New Mexico
  • Kazemde George Beatmaker
  • Asa Branca Samba de Roda
  • Adriano Giffoni MPB
  • Mike Compton Folk & Traditional
  • Gustavo Di Dalva Composer
  • Marcos Bezerra Bahia
  • Ronaldo do Bandolim Choro
  • Steve Cropper Songwriter
  • Steve Lehman Jazz
  • Niwel Tsumbu Composer
  • Carlos Malta Pife
  • Wouter Kellerman World Music
  • Casa da Mãe Bahia
  • Ajeum da Diáspora Brazil
  • Kaveh Rastegar Bass
  • Carl Joe Williams Painter
  • Taylor Ashton Brooklyn, NY
  • Roque Ferreira Salvador
  • Nação Zumbi Manguebeat
  • Phineas Harper Mobile Maker
  • Immanuel Wilkins Jazz
  • Alessandro Penezzi São Paulo
  • Johnny Vidacovich Drums
  • Steve Earle Singer-Songwriter
  • Hugo Rivas Buenos Aires
  • Veronica Swift Composer
  • Yvette Holzwarth Film, Television Recording
  • Zachary Richard Guitar
  • Carlinhos Brown Brazil
  • John McEuen Radio Presenter
  • Kermit Ruffins Composer
  • Owen Williams Developer
  • Will Holshouser Jazz
  • Walter Smith III Composer
  • Marko Djordjevic Drums
  • Imanuel Marcus Berlin
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