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Danilo Pérez via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Danilo Pérez:
    I'LL TAKE YOU THERE! ▶
Steps to Danilo Pérez:
  • 3 Boston
  • 3 Composer
  • 3 Jazz
  • 3 Multi-Cultural
  • 3 Panama
  • 3 Piano

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Matrix

Who I Am & Where I Live

  • Name: Danilo Pérez
  • City: Boston
  • Country: United States
  • Hometown: Panama

Current News

  • What's Up? “There is nothing small about Danilo Perez’s ambitions. The pianist wants nothing less than to create a Panamanian style of jazz composition.”
    - JazzTimes

    “Danilo Perez is a man with some serious jazz cred. The Panamanian pianist got his start playing with Dizzy Gillespie, and continued with Wayne Shorter. As a composer and bandleader himself, he’s practically peerless.”
    - NPR

    “Effortlessly hip"
    - Guardian (UK)

My Life & Work

  • Bio: As a solo artist and as a collaborator with jazz giants from Dizzy Gillespie to Wayne Shorter, for over three decades Grammy® Award Winning Panamanian Pianist-Composer Danilo Pérez has been lauded as one of the most creative forces in contemporary music. With Jazz as the anchoring foundation, Pérez’s Global Jazz music is a blend of Panamanian roots, Latin American folk music, West African rhythms, European impressionism – promoting music as a borderless and multidimensional bridge between all people.

    Born in Panama in 1965, Pérez started his musical studies when he was three years old with his father, a bandleader and singer. By age 10, he was studying the European classical piano repertoire at the National Conservatory in Panama. After receiving his bachelor’s degree in electronics in Panama, he studied jazz composition at the prestigious Berklee College of Music. While still a student, he performed with Jon Hendricks, Terence Blanchard, Slide Hampton, Claudio Roditi and Paquito D’Rivera. Quickly established as a young master, he soon toured and/or recorded with artists such as Dizzy Gillespie United Nations Orchestra from 1989-1992, Jack DeJohnette, Steve Lacy, Lee Konitz, Charlie Haden, Michael Brecker, Joe Lovano, Tito Puente, Wynton Marsalis, Tom Harrell, Gary Burton, and Roy Haynes.

    In 1993, Pérez turned his focus to his own ensembles and recording projects, releasing several albums as a leader, earning Grammy® and Latin Grammy® nominations for Central Avenue (1998), Motherland (2000), Across The Crystal Sea (2008), and Providencia (2010). In 1996, he was signed by producer Tommy Lipuma to join the Impulse label and recorded Panamonk, a tribute to Thelonious Monk which according to DownBeat magazine is one of the most important piano albums in the history of jazz. Pérez’s album Central Avenue, featured mejoranera music (a style of Panamanian folklore singing) and was chosen as one of the 10 best recordings across genres by TIME Magazine in 1998. A collaboration between Pérez and the prolific composer and arranger Claus Ogerman, 2008’s Across The Crystal Sea was praised by The Guardian as, “So ultra-smooth it achieves something like a state of grace.” Ogerman said, “This is a record I wanted to make before I leave the planet.” Pérez made his Mack Avenue Records debut in 2010 with the release of Providencia. The album was nominated for a 2011 Grammy® Award in the category of Best Instrumental Jazz Album.

    Pérez joined the Wayne Shorter Quartet in 2010 with John Patitucci and Brian Blade. This latest iteration from Shorter has been known as a unique and predominant force in improvisational music both at their historic live performances and on several recordings. In 2018 Blue Note records released the highly anticipated EMANON from the Wayne Shorter Quartet which won a Grammy® in the category of Best Jazz Instrumental album in 2019.

    For several years Pérez has also been touring with his trio – featuring Ben Street and Adam Cruz – and with Children of the Light, a collaboration with fellow Wayne Shorter Quartet members John Patitucci and Brian Blade. Mack Avenue released the Children of the Light album in 2015 to great critical acclaim. Pérez’s current touring project, the Global Messengers, spreads the idea that music can serve as a natural remedy to unfortunate situations, providing an uplifting message, connection, and common ground. The ensemble features musicians from diverse cultural backgrounds, coming together to build community through music.

    As a composer, Pérez has been commissioned by The Lincoln Center, Chicago Jazz Festival, and Imani Winds Quintet, among others. His octet for members of the Simón Bolívar Symphony Orchestra of Venezuela was commissioned by Carnegie Hall. In 2014, the Banff Centre commissioned Pérez to write a piano quintet for the Cecilia String Quartet titled "Camino de Cruces" and he also composed the music for the Museum of Biodiversity in Panama, designed by renowned architect Frank Gehry. In 2015, Pérez premiered another two new compositions: “Expeditions – Panamania 2015” was premiered at the Panamerican games in Toronto and his “Detroit World Suite – La Leyenda de Bayano” was premiered at the Detroit Jazz Festival. Pérez returns to the Detroit Jazz Festival in Fall 2019 for the world premiere of a new piece written for his Global Messengers ensemble and co-commissioned by the Detroit Jazz Festival, London Jazz Festival, National Forum of Music Wroclaw, and Koerner Hall at Royal Academy of Music Toronto.

    Pérez, who served as Goodwill Ambassador to UNICEF, has received a variety of awards for his musical achievements, activism and social work efforts. He is a recipient of the United States Fellowship 2018, and the 2009 Smithsonian Legacy Award. He currently serves as UNESCO Artist for Peace, Cultural Ambassador to the Republic of Panama, Founder and Artistic Director of the Panama Jazz Festival, and the Berklee Global Jazz Institute in Boston’s Berklee College of Music.

Contact Information

  • Management/Booking: info@imnworld.com

My Media & Markets

  • ▶ Twitter: DaniloPerezJAZZ
  • ▶ Instagram: daniloperezjazz
  • ▶ Website: http://www.daniloperez.com
  • ▶ Website 2: http://www.berklee.edu/focused/global-jazz
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCdZQZ4gcFyuO-xS2Mhm3ssA
  • ▶ YouTube Music: http://music.youtube.com/channel/UC8xCM9arc4odGKi2rcqiZgg
  • ▶ Spotify: http://open.spotify.com/album/17k34KBK9RZyuCZvtC5nLj
  • ▶ Spotify 2: http://open.spotify.com/album/20mUME6ngGo4rrbyCNMqnO
  • ▶ Spotify 3: http://open.spotify.com/album/6DTxfwFfwzh12FAeyTCA9P
  • ▶ Spotify 4: http://open.spotify.com/album/4f20VetWFktS0dZJBma1Wy
  • ▶ Spotify 5: http://open.spotify.com/album/0oeRAJp6WMzSO1wuRd7rCw
  • ▶ Spotify 6: http://open.spotify.com/album/1Hs8NpKEKWDT9q4raFaByq

More

  • Quotes, Notes & Etc. "… but there are still amazing musicians like Danilo Perez, who plays piano with Wayne Shorter's quartet. He is not afraid of anything."
    - Herbie Hancock

Clips (more may be added)

  • 0:47:32
    Danilo Pérez: A Man, A Plan, and A Canal
    By Danilo Pérez
    16 views
  • 0:08:23
    "Expedition" - Danilo Pérez's Global Messengers
    By Danilo Pérez
    16 views
  • Children of the Light
    By Danilo Pérez
    166 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

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