Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Shannon Alvis
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Shannon Alvis
  • City/Place: Chicago, Illinois
  • Country: United States
  • Hometown: Greenwood, Indiana

Life & Work

  • Bio: Originally from Greenwood, Indiana, Shannon received her training at Butler University and the University of Utah.

    She began her career with the second company of Hubbard Street Dance Chicago, going on to dance and perform professionally with HSDC for nine years.

    In 2009, Shannon went on to further her growth as a dancer at Nederlands Dans Theater under the direction of Jim Vincent and Paul Lightfoot. During her time in Chicago and Europe, Shannon toured internationally dancing works by many world renowned choreographers such as: Jiri Kylian, Nacho Duato, William Forsythe, Ohad Naharin, Jorma Elo, and Crystal Pite.

    Having since returned to Chicago, and having given birth to a baby girl, Shannon is once again sharing her artistry with the community. She has appeared in six productions at the Lyric Opera including Rob Ashford's Carousel, Susan Stroman's The Merry Widow, and Les Troyens with Helen Pickett. She has been on faculty at the Joffrey Academy, Interlochen School for the Arts summer faculty, and Visceral Dance Center.

    Shannon is very happy to now be exploring her creativity through works of her own. She has choreographed for Visceral Dance Chicago, Thodos Dance Chicago, DanceWorks Chicago, Chicago Repertory Ballet, and was a recipient of the Joffrey Ballet’s Winning Work’s Choreographic Competition.

    Beginning to share her work outside of Chicago, a project with the University of Iowa premiered in their 2018 Dance Gala, and her most recent creation for Charlottesville Ballet will premiere in 2019.

    She feels very fortunate for every one of these opportunities. Being able to find inspiration for her work in all of the things that she loves is a true gift.

Contact Information

  • Contact by Webpage: http://www.shannonalvis.com/about

Media | Markets

  • ▶ Website: http://www.shannonalvis.com
  • ▶ Vimeo Channel: http://vimeo.com/shannonalvis

Clips (more may be added)

  • Choreographer Shannon Alvis | Winning Works 2017
    By Shannon Alvis
    212 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Shannon Alvis:

  • 1 Chicago
  • 1 Choreographer

Nodes below are randomly generated. Reload for a different stack.

  • Ashley Pezzotti Singer-Songwriter
  • Luciana Souza São Paulo
  • Clarice Assad Brazil
  • Issac Delgado Singer
  • Varijashree Venugopal Brazilian Music
  • Tomoko Omura Violin
  • Jason Moran Theater Composer
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Lenna Bahule Mozambique
  • Serwah Attafuah Punk
  • VJ Gabiru Mapeamento de Projeção, Projection Mapping
  • Joanna Majoko Zimbabwe
  • Jared Jackson New York City
  • Jimmy Dludlu AfroJazz
  • Lucio Yanel Composer
  • Larry McCray Guitar
  • Devin Naar Sephardic Studies
  • Otmaro Ruiz Piano Instruction
  • Eric Harland Composer
  • Pedro Aznar Film Scores
  • Juçara Marçal São Paulo
  • Yola Bristol
  • Etienne Charles Michigan State University Faculty
  • Ivan Huol Brazil
  • Tyler Hayes Tech Writer
  • Monk Boudreaux Funk
  • Zara McFarlane Soul
  • Di Freitas Cello
  • Varijashree Venugopal Film Scores
  • D.D. Jackson Opera
  • Turíbio Santos Rio de Janeiro
  • Andrew Gilbert Jazz
  • Moses Boyd Jazz
  • Marc Ribot Free Jazz
  • Hercules Gomes Composer
  • Lionel Loueke Jazz
  • Mauro Refosco Compositor de Teatro, Theater Scores
  • Nate Smith Ropeadope
  • Wayne Krantz Composer
  • Custódio Castelo Fado
  • Dee Spencer Musical Director
  • Simon Shaheen Violin
  • Papa Mali Record Producer
  • Nahre Sol Toronto
  • Juliana Ribeiro MPB
  • Nancy Viégas Bahia
  • Ivan Lins Brazil
  • Ravi Coltrane Record Label Owner
  • Adanya Dunn Soprano
  • André Becker Jazz Brasileiro, Brazilian Jazz
  • Silas Farley Choreographer
  • Luiz Santos Rio de Janeiro
  • Frank Negrão Music Director
  • Terrace Martin Record Label Owner
  • Lenny Kravitz Designer
  • Zakir Hussain Percussion
  • Bodek Janke Jazz
  • Raymundo Sodré Ropeadope
  • Chris Potter Composer
  • Antonio García Arranger
  • Rita Batista Salvador
  • Stephanie Jones Classical Guitar
  • Ibram X. Kendi Essayist
  • Owen Williams Developer
  • Nate Chinen Journalist
  • Jessie Reyez Hip-Hop
  • Brady Haran Filmmaker
  • Jazzmeia Horn Singer-Songwriter
  • Kalani Pe'a Singer-Songwriter
  • Bukassa Kabengele Singer-Songwriter
  • Christopher Nupen Filmmaker
  • McClenney Multi-Instrumentalist
  • Dónal Lunny Songwriter
  • Brian Q. Torff Piano
  • Amilton Godoy MPB
  • Kim André Arnesen Norway
  • Barry Harris Jazz
  • Endea Owens Jazz
  • PATRICKTOR4 Tropical Hardcore
  • Milton Nascimento Minas Gerais
  • Ian Hubert VFX Artist
  • Gregory Tardy University of Tennessee Knoxville School of Music Faculty
  • Ellie Kurttz Photographer
  • Alita Moses New York City
  • Michael Doucet Cajun Fiddle
  • Mark Turner Saxophone
  • Sam Wasson Author
  • Chief Xian aTunde Adjuah Ropeadope
  • Sebastian Notini Bateria, Drums
  • David Simon Writer
  • Darrell Green Jazz
  • Luciano Salvador Bahia Record Producer
  • Will Holshouser Musette
  • Kimmo Pohjonen Accordion
  • Errollyn Wallen Contemporary Classical Music
  • Case Watkins Cultural-Environmental Geographer
  • Fernando César Violão de Sete
  • Pasquale Grasso Guitar
  • June Yamagishi Jazz
  • Karla Vasquez Recipe Developer
  • Myles Weinstein Agent
  • Ray Angry Piano
  • Kalani Pe'a Hawaii
  • Issac Delgado Cuba
  • J. Cunha Designer Gráfico, Graphic Designer
  • Lianne La Havas Singer-Songwriter
  • Antônio Pereira Singer-Songwriter
  • Tab Benoit Guitar
  • Gustavo Caribé Santo Amaro
  • Brandon J. Acker Chicago
  • Maciel Salú Maracatu
  • Fred Dantas Samba
  • Matt Glaser Bluegrass
  • Karim Ziad Composer
  • Brian Blade Drums
  • Nelson Ayres Music Producer
  • Myron Walden Saxophone
  • Rob Garland Guitar
  • Ellie Kurttz England
  • Chucho Valdés Havana
  • Zigaboo Modeliste New Orleans
  • Augustin Hadelich Classical Music
  • Gearóid Ó hAllmhuráin Concertina
  • Sara Gazarek Singer
  • Ivan Bastos Bahia
  • João Camarero Rio de Janeiro
  • Giorgi Mikadze გიორგი მიქაძე Composer
  • Kevin Hays Piano
  • Romero Lubambo Jazz
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Raelis Vasquez Sculptor
  • Arthur Jafa Sculptor
  • Dermot Hussey Jamaica
  • Andrew Finn Magill Choro
  • Hua Hsu Vassar College Faculty
  • Corey Harris Guitar
  • Omar Sosa Vibraphone
  • Alex Mesquita Composer
  • Garvia Bailey Radio Producer
  • Negra Jhô African Hairstyles
  • David Byrne Multi-Instrumentalist
  • Eric Galm Caribbean Studies
  • Badi Assad Singer-Songwriter
  • Asanda Mqiki South Africa
  • ANNA DJ
  • The Umoza Music Project Rap
  • Arto Lindsay MPB
  • Nettrice R. Gaskins Cultural Critic
  • Robb Royer Songwriter
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Liron Meyuhas Singer
  • Ênio Bernardes Diretor Musical, Music Director
  • Gilad Hekselman Composer
  • John Boutté Singer
  • Gerônimo Santana Salvador
  • Natan Drubi São Paulo
  • Johnny Vidacovich Funk
  • Oscar Bolão Brazil
  • Eric Galm Hartford, Connecticut
  • Maia Sharp Nashville, Tennessee
  • Dan Tyminski Singer-Songwriter
  • Marcus Gilmore Composer
  • Fábio Luna Bateria, Drums
  • Clint Mansell Multi-Instrumentalist
  • Luciano Calazans Brazilian Jazz
  • Elisa Goritzki Salvador
  • Kiko Freitas Educator
  • Dani Deahl Writer
  • Derrick Adams Performance Artist
  • Nathan Amaral Rio de Janeiro
  • Dafnis Prieto Percussion
  • Sam Yahel Piano Instruction
  • Zé Luíz Nascimento Brazil
  • Zé Luíz Nascimento Drums
  • Ravi Coltrane Jazz
  • Joey Alexander Piano
  • Rudresh Mahanthappa Composer
  • Carlos Aguirre Singer
  • Nego Álvaro Percussion
  • Lazzo Matumbi Brazil
  • Nara Couto Bahia
  • Fabian Almazan Cuba
  • Plinio Oyò Brasil, Brazil
  • Samuel Organ Composer
  • Diosmar Filho Salvador
  • Rosa Passos Brazil
  • Caoimhín Ó Raghallaigh Ireland
  • Linda May Han Oh Bass
  • Brian Q. Torff Bass
  • Rez Abbasi New York City
  • Andrés Beeuwsaert Buenos Aires
  • Ben Hazleton Double Bass
  • Dadá do Trombone Trombone
  • Gabi Guedes Salvador
  • Jon Batiste R&B
  • David Wax Museum Folk Roots Rock
  • John Harle Author
  • Célestin Monga Africa
  • Theon Cross London
  • Johnathan Blake New York City
  • Marco Pereira Guitar
  • Mohini Dey India
  • Igor Osypov Jazz Fusion
  • Melanie Charles Flute
  • Maria Rita MPB
  • Trombone Shorty New Orleans
  • Miho Hazama New York City
  • Morgan Page DJ
  • Mestrinho Sergipe
  • Carlos Aguirre Argentina
  • Fabiana Cozza Writer
  • Mauro Senise Rio de Janeiro
  • Beth Bahia Cohen Tanbur
  • Stephanie Soileau Louisiana
  • Jonathon Grasse Writer
  • Natalia Contesse Guitar
  • Cláudio Jorge Rio de Janeiro
  • Tonynho dos Santos Flugelhorn
  • Lakecia Benjamin Saxophone
  • Carwyn Ellis Multi-Instrumentalist
  • Tommaso Zillio YouTuber
  • Zé Luíz Nascimento Percussion
  • Luíz Paixão Côco
  • Allen Morrison Writer
  • Aindrias de Staic Galway
  • Teresa Cristina Samba
  • Nublu Multi-Cultural
  • Ênio Bernardes Samba
  • Seckou Keita Senegal
  • Cimafunk Havana
  • Arto Lindsay Brazil
  • Otto Manguebeat
  • Bobby Vega Bass Instruction
  • James Martin Funk
  • John Luther Adams Writer
  • Nara Couto Coreógrafa, Choreographer
  • Nação Zumbi Rock
  • Jacám Manricks Saxophone
  • Hisham Mayet Filmmaker
  • Alê Siqueira Brazil
  • Kalani Pe'a Hawaiian Music
  • Steve Earle Country
  • Leon Bridges Singer-Songwriter
  • Júlio Caldas Bandolim, Mandolin
  • PATRICKTOR4 Brasil, Brazil
  • Ibrahim Maalouf Jazz
  • Cécile McLorin Salvant Classical, Baroque Voice
  • Tonynho dos Santos Música Afro-Baiana, Afro-Bahian Music
  • Darren Barrett R&B
  • Kiko Souza Saxophone
  • Scotty Barnhart Trumpet Instruction
  • David Ngwerume Zimbabwe
  • Ta-Nehisi Coates Black American Culture & History
  • Jonathan Scales New York City
  • Victor Gama Luanda
  • Eli Degibri אלי דג'יברי Composer
  • Nana Nkweti Africa
  • Joe Lovano Clarinet
  • Ranky Tanky Gullah Geechee
  • Cleber Augusto Brazil
  • Hilton Schilder Piano
  • Tomo Fujita Funk
  • Fabian Almazan Film Scores
  • Joatan Nascimento Choro
  • Menelaw Sete Bahia
  • Denzel Curry Rapper
  • Babau Santana Chula
  • Gino Banks Mumbai
  • Fantastic Negrito Blues
  • Jerry Douglas Music Director
  • Herlin Riley Jazz
  • Ayrson Heráclito Cachoeira
  • Ken Dossar Educator
  • João Parahyba Songwriter
  • Scotty Barnhart Florida State University College of Music Faculty
  • Alicia Keys Piano
  • Berkun Oya Istanbul
  • Chucho Valdés Composer
  • Saileog Ní Cheannabháin Viola
  • Shaun Martin Keyboards
  • Hendrik Meurkens Samba
  • Laércio de Freitas MPB
  • Stefano Bollani Classical Music
  • Issa Malluf Percussion
  • Celso de Almeida Drums
  • Marvin Dunn Documentary Filmmaker
  • Reuben Rogers Caribbean Music
  • Fred P Future Jazz
  • Gabrielzinho do Irajá Versador
  • Mariana Zwarg Rio de Janeiro
  • Africania Brazil
  • Sahba Aminikia Composer
  • Ali Jackson Composer
  • Philip Ó Ceallaigh Short Stories
  • Nublu New York City
  • Darren Barrett Jazz
  • Academia de Música do Sertão Música Clássica Contemporânea, Contemporary Classical Music
  • Burhan Öçal Kös
  • Julie Fowlis Scottish Gaelic
  • Johnny Vidacovich Second Line
  • Neymar Dias Classical Music
  • Barney McAll Composer
  • Alexa Tarantino New York City
  • Avishai Cohen אבישי כה Record Label Owner
  • Adriano Souza Bossa Nova
  • Linda Sikhakhane Jazz
  • Gustavo Di Dalva Composer
  • António Zambujo Cante Alentejano
  • Arturo Sandoval Timbales
  • Samba de Nicinha Bahia
  • Jocelyn Ramirez Plant-Based Mexican Cooking
  • Liron Meyuhas Percussion Instruction
  • Kiko Souza Samba
  • Brett Orrison Record Producer
  • John Edward Hasse Jazz
  • Darren Barrett Reggae
  • Hercules Gomes MPB
  • Lucio Yanel Gaucho Culture
  • Carlos Lyra Brazil
  • Zé Luíz Nascimento Salvador
  • Towa Tei テイ・トウワ Keyboards
  • Alfredo Del-Penho Brazil
  • Marcus Miller R&B
  • Mahsa Vahdat Singer
  • Larry Achiampong Ghana
  • Jonathan Griffin Manchester
  • Marisa Monte Samba
  • Arto Lindsay New York City
  • Melvin Gibbs Record Producer
  • João Luiz MPB
  • Dezron Douglas Double Bass
  • Bill Pearis Journalist
  • Matt Ulery Contemporary Classical Music
  • Scotty Apex Singer
  • Judith Hill Singer-Songwriter
  • Jill Scott Neo Soul
  • Bombino Blues
  • Lenine Singer-Songwriter
  • Gerson Silva Guitar
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Jess Gillam Concert Promoter
  • Chris Boardman Orchestrator
  • Julia Alvarez Novelist
  • Estrela Brilhante do Recife Recife
  • Bill Frisell Americana
  • Jocelyn Ramirez Los Angeles
  • Woz Kaly African Music
  • Academia de Música do Sertão Bahia
  • Olga Mieleszczuk Accordion
  • Jeff Ballard New York City

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share