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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Thundercat
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Thundercat
  • City/Place: Los Angeles, California
  • Country: United States

Life & Work

  • Bio: Thundercat is Stephen Bruner. He's worked with Kendrick Lamar, Pharrell, N.E.R.D., Erykah Badu, Herbie Hancock, Childish Gambino, Mac Miller, Anderson Paak, Janelle Monáe, BADBADNOTGOOD, Moses Sumney, Michael McDonald, Kenny Loggins, Wiz Khalifa, Robert Glasper, Kamasi Washington, Travis Scott, Little Simz, Louis Cole and Shabazz Palaces.

    His longtime writing partner is Flying Lotus.

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://thundercat.ochre.store/
  • ▶ Buy My Vinyl: http://thundercat.ochre.store/
  • ▶ Buy My Merch: http://thundercat.ochre.store/
  • ▶ Twitter: Thundercat
  • ▶ Instagram: thundercatmusic
  • ▶ Website: http://theamazingthundercat.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCQB4-ZjPDfiG1-k0KZlbPug
  • ▶ YouTube Music: http://music.youtube.com/channel/UCUl7CLMqbyYVb62zJ7nbLfA
  • ▶ Spotify: http://open.spotify.com/album/59GRmAvlGs7KjLizFnV7Y9
  • ▶ Spotify 2: http://open.spotify.com/album/7vHBQDqwzB7uDvoE5bncMM
  • ▶ Spotify 3: http://open.spotify.com/album/2qqVy8a4qk9FCt00hal9vl
  • ▶ Spotify 4: http://open.spotify.com/album/77f24Q9GaFt5QfPxo9UxD6
  • ▶ Spotify 5: http://open.spotify.com/album/6pCLvgEb0INbO0WaN2Byyw
  • ▶ Spotify 6: http://open.spotify.com/album/2DW7xZRqOhta0mMUKAWs3V

Clips (more may be added)

  • 3:02
    Thundercat - 'Dragonball Durag' (Official Video)
    By Thundercat
    201 views
  • 0:10:37
    Thundercat: NPR Music Tiny Desk Concert
    By Thundercat
    198 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Thundercat:

  • 4 Bass
  • 4 Composer
  • 4 Los Angeles
  • 4 Multi-Instrumentalist
  • 4 Record Producer
  • 4 Singer
  • Ayrson Heráclito Visual Artist
  • Loli Molina Guitar
  • Wayne Escoffery Saxophone
  • Dona Dalva Samba de Roda
  • Archie Shepp Saxophone
  • Airto Moreira Singer
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • César Camargo Mariano Arranger
  • Maciel Salú Rabeca
  • Carol Soares Samba de Roda
  • Tom Piazza Writer
  • Ricky (Dirty Red) Gordon Second Line
  • Joe Lovano Jazz
  • Jane Ira Bloom Contemporary Classical Music
  • Marcelo Caldi Composer
  • Teodor Currentzis Conducter
  • A-KILL Street Artist
  • Eric Galm Trinity College Faculty
  • Igor Levit Classical Music
  • Weedie Braimah Ropeadope
  • Hamilton de Holanda Mandolin
  • Mark Bingham Record Producer
  • Phakama Mbonambi South Africa
  • Kurt Andersen Journalist
  • John Santos California Jazz Conservatory Faculty
  • David Mattingly Matte Painter
  • Chris Cheek Saxophone
  • Gian Correa Violão de Sete
  • Toninho Nascimento Singer-Songwriter
  • Philip Sherburne Essayist
  • Yunior Terry Jazz
  • Matt Ulery Loyola University Faculty
  • Trombone Shorty Trombone
  • Guilherme Kastrup São Paulo
  • Hermeto Pascoal Composer
  • Stefon Harris Composer
  • Marilda Santanna Faculdade da UFBA, Federal University of Bahia Faculty
  • Jon Faddis Manhattan School of Music Faculty
  • Gregory Tardy University of Tennessee Knoxville School of Music Faculty
  • Theon Cross London
  • Cássio Nobre Guitarra Baiana
  • Sergio Krakowski MPB
  • Mingus Big Band New York City
  • Conrad Herwig Trombone
  • Henry Cole Puerto Rico
  • Kiko Souza Saxophone
  • Zeca Pagodinho Rio de Janeiro
  • Kris Davis Jazz
  • Elie Afif Beirut
  • Allen Morrison Music Journalist
  • Jimmy Greene Composer
  • Nelson Latif São Paulo
  • Marília Sodré Violão, Guitar
  • Nguyên Lê Film Scores
  • Aneesa Strings R&B
  • Lucinda Williams Singer-Songwriter
  • Mary Halvorson Avant-Garde Jazz
  • Jau Singer-Songwriter
  • Mahsa Vahdat Persian Classical Music
  • Saul Williams Multi-Instrumentalist
  • Celino dos Santos Terra Nova
  • Lauranne Bourrachot Television Producer
  • Joel Guzmán Tejano
  • Marcel Powell Samba
  • Welson Tremura University of Florida Faculty
  • David Bragger UCLA Herb Alpert School of Music Faculty
  • Benoit Fader Keita Senegal
  • Melissa Aldana Jazz
  • Avishai Cohen New York City
  • Miguel Atwood-Ferguson Arranger
  • Terence Blanchard New Orleans
  • Lakecia Benjamin Funk
  • Gerson Silva Guitar
  • Otmaro Ruiz Piano Instruction
  • David Chesky Composer
  • Sarz Record Producer
  • David Binney New York City
  • Rodrigo Amarante Brazil
  • Barney McAll Piano
  • João Callado Music Producer
  • Chris Thile Americana
  • Luciano Salvador Bahia Brazil
  • MonoNeon Experimental Music
  • Roque Ferreira Samba de Roda
  • Issa Malluf Riq
  • Cédric Villani Author
  • Ruven Afanador Colombia
  • Irma Thomas Gospel
  • Nate Smith Music Producer
  • Andrew Finn Magill Forró
  • Abel Selaocoe Composer
  • Catherine Russell Singer
  • Alan Bishop Record Label Owner
  • Anouar Brahem Multi-Cultural
  • Sam Eastmond Record Producer
  • Tam-Ky Asian-African Foods
  • Amaro Freitas Pernambuco
  • Mike Moreno New York City
  • Neo Muyanga Writer
  • The Brain Cloud Americana
  • Sunna Gunnlaugs Jazz
  • Joe Chambers Composer
  • Adam Cruz Composer
  • Carla Visi Brazil
  • John Edward Hasse Curator
  • Béco Dranoff Brazilian Music
  • Lucian Ban Transylvania
  • Stefano Bollani Classical Music
  • Sharita Towne Multidisciplinary Artist
  • Marcus Teixeira Guitar
  • Maria Drell Chicago, Illinois
  • Nathan Amaral Brazil
  • Cory Henry Singer-Songwriter
  • Raymundo Sodré Samba
  • Berkun Oya Actor
  • Caridad De La Luz Puerto Rico
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • Lucía Fumero Piano
  • H.L. Thompson Music Consultant
  • Alana Gabriela Educadora, Educator
  • Missy Mazolli New York City
  • Donna Leon Crime Novels
  • Pierre Onassis Música AFRO
  • Reena Esmail Hindustani Classical Music
  • Celino dos Santos Viola Machete
  • Tia Fuller Composer
  • Rob Garland Los Angeles
  • Walter Pinheiro Choro
  • OVANA Angola
  • Shoshana Zuboff Social Psychology
  • MARO Singer-Songwriter
  • John Santos Record Label Owner
  • Giovanni Russonello Magazine Founder, Editor
  • Kermit Ruffins Jazz
  • Kiko Freitas Drums
  • Dhafer Youssef ظافر يوسف Tunisia
  • MonoNeon Bass
  • Abel Selaocoe Manchester
  • Michel Camilo Classical Music
  • Ajurinã Zwarg Percussion
  • Gerald Clayton Blue Note Records
  • Matt Glaser Bluegrass
  • Gringo Cardia Graphic Design
  • Kevin Hays Composer
  • Raymundo Sodré Brazil
  • François Zalacain Record Label Owner
  • Arismar do Espírito Santo Samba
  • Christopher Seneca Drums
  • Maia Sharp Americana
  • Siphiwe Mhlambi Photographer
  • Azadeh Moussavi Film Director
  • Alyn Shipton Music Critic
  • Towa Tei テイ・トウワ Keyboards
  • Juliana Ribeiro Brazil
  • Roosevelt Collier Lap Steel Guitar
  • Olga Mieleszczuk Jewish Music
  • Shalom Adonai Brazil
  • Tyshawn Sorey Composer
  • Jake Oleson Brooklyn, NY
  • Jacob Collier Composer
  • Pierre Onassis Samba Reggae
  • Paulo César Figueiredo Jornalista, Journalist
  • Gregory Hutchinson Drumming Instruction
  • Luciana Souza Singer
  • Daphne A. Brooks Writer
  • Nilze Carvalho Brazil
  • Dave Jordan Americana
  • Meklit Hadero San Francisco
  • Damion Reid R&B
  • Ramita Navai London
  • Shuya Okino Kyoto
  • Carlos Blanco Flamenco
  • Hélio Delmiro Brazilian Jazz
  • Raphael Saadiq Singer-Songwriter
  • Tito Jackson Guitar
  • Lucinda Williams Country
  • Uli Geissendoerfer Composer
  • Frank London Trumpet
  • Gino Banks India
  • Yacouba Sissoko Mali
  • Kirk Whalum Memphis, Tennessee
  • Morten Lauridsen USC Thornton School of Music Faculty
  • Cara Stacey North-West University Faculty
  • Masao Fukuda Guitar
  • João Callado Painter
  • James Martins Bahia
  • Tessa Hadley Writer
  • Paulo Dáfilin Arranger
  • Fernando César Composer
  • Uli Geissendoerfer Jazz
  • Quincy Jones Trumpet
  • Munir Hossn Salvador
  • Aurino de Jesus Viola Machete
  • Roberto Mendes Brazil
  • Capitão Corisco Salvador
  • Mark Bingham Record Producer
  • Rodrigo Caçapa Pernambuco
  • Mark Bingham Guitar
  • Ali Jackson Jazz
  • Daru Jones Drums
  • Lakecia Benjamin Saxophone
  • Chico César São Paulo
  • Ferenc Nemeth App Developer
  • Meddy Gerville Jazz
  • Hanif Abdurraqib Essayist
  • Yamandu Costa Guitar
  • Spok Frevo Orquestra Frevo
  • Jason Treuting Composer
  • Colson Whitehead Short Stories
  • Joachim Cooder Percussion
  • Luciano Calazans Brazil
  • Yosvany Terry Cuba
  • The Umoza Music Project African Music
  • Toninho Nascimento Rio de Janeiro
  • Deesha Philyaw Literary Critic
  • Ed O'Brien Singer-Songwriter
  • Woz Kaly Singer-Songwriter
  • Lazzo Matumbi Singer-Songwriter
  • Cut Worms Brooklyn, NY
  • Mauro Diniz Violão de Sete
  • McCoy Mrubata Flute
  • Sierra Hull Americana
  • Glória Bomfim Candomblé
  • Mulatu Astatke Addis Ababa
  • Philip Sherburne Photographer
  • Gregory Hutchinson New York City
  • Joe Newberry Banjo
  • Monk Boudreaux R&B
  • Vivien Schweitzer Photographer
  • VJ Gabiru DJ
  • Dave Holland Bass
  • King Britt Record Label Owner
  • Lula Moreira Arcoverde
  • João Bosco Guitar
  • Laércio de Freitas Brazilian Jazz
  • Shanequa Gay Multimedia Artist
  • Ênio Bernardes Choro
  • Nabih Bulos Los Angeles
  • Courtney Pine Flute
  • Oscar Peñas Guitar
  • Adonis Rose Record Producer
  • Trilok Gurtu Percussion
  • Endea Owens Double Bass
  • Aruán Ortiz Film Scores
  • Merima Ključo Theater Scores
  • The Umoza Music Project Malawi
  • Lina Lapelytė Vilnius
  • Mestrinho Accordion
  • Michael League Composer
  • Inaicyra Falcão Cantora, Singer
  • Edsel Gomez New York City
  • Stanton Moore Funk
  • César Camargo Mariano Record Producer
  • Tommy Orange Writer
  • Curtis Hasselbring Composer
  • Dr. Lonnie Smith Jazz
  • Barlavento Brazil
  • Flying Lotus Electronic Music
  • Safy-Hallan Farah Music Critic
  • Igor Levit Classical Music
  • J. Cunha Bahia
  • Wouter Kellerman African Music
  • Mart'nália Brazil
  • Melissa Aldana Chile
  • Ben Okri Poet
  • Tam-Ky France
  • Fernando César Choro
  • Fred Dantas Big Band Leader
  • Inon Barnatan Classical Music
  • Mingo Araújo Composer
  • Marco Pereira Guitar
  • César Orozco Composer
  • César Camargo Mariano São Paulo
  • Miles Okazaki Jazz
  • Rodrigo Amarante Rock
  • Wouter Kellerman Flute
  • Hercules Gomes Choro
  • Mona Lisa Saloy Dillard University Faculty
  • Hilary Hahn Contemporary Classical Music
  • Roots Manuva Singer-Songwriter
  • Jared Sims Jazz
  • H.L. Thompson Artist Development
  • Ron Carter Author
  • Orrin Evans Neo Soul, Acid Jazz
  • António Zambujo Cante Alentejano
  • Sarah Hanahan New York City
  • Bill Hinchberger Educator
  • Gord Sheard Ethnomusicologist
  • Carwyn Ellis Wales
  • Carlos Henriquez Latin Jazz
  • Samba de Lata Samba de Roda
  • Hermeto Pascoal Alagoas
  • Ken Coleman Detroit, Michigan
  • Michael Olatuja Bass
  • Cyro Baptista New York City
  • Aubrey Johnson Composer
  • Alfredo Rodriguez Jazz
  • Bernardo Aguiar Percussion
  • Martyn Record Producer
  • Paul Mahern Singer-Songwriter
  • Jeremy Pelt Composer
  • Jason Parham Writer
  • Atlantic Brass Quintet Classical Music
  • Yunior Terry Violin
  • André Becker MPB
  • Ivan Sacerdote Classical Music
  • Yo La Tengo Hoboken, New Jersey
  • Bianca Gismonti Singer
  • Andrew Gilbert Journalist
  • Magary Lord Brazil
  • MicroTrio de Ivan Huol MicroTrio
  • Chubby Carrier Singer-Songwriter
  • Horácio Reis Brasil, Brazil
  • André Becker Salvador
  • Philip Ó Ceallaigh Bucharest
  • Otmaro Ruiz Venezuela
  • Carlos Lyra Brazil
  • Marc Johnson Double Bass
  • Giba Conceição Brazil
  • Ivan Bastos Música Afro-Baiana, Afro-Bahian Music
  • Tatiana Eva-Marie Singer
  • Marcelo Caldi Brazil
  • 9Bach Folk-Based
  • David Binney Saxophone Lessons
  • Terri Hinte Travel Writer
  • Mateus Alves Film Scores
  • Sam Harris Jazz
  • Donald Harrison Berklee College of Music Faculty
  • Simon Brook Writer
  • Eric Bogle Folk & Traditional
  • Geraldo Azevedo Pernambuco
  • Bertram Hand Percussion Performance
  • Jonga Cunha Bahia
  • Onisajé Diretora Teatral, Theater Director
  • 小野リサ Lisa Ono Singer
  • Jeff Tweedy Multi-Instrumentalist
  • Zakir Hussain Multi-Cultural
  • Dave Jordan Roots Rock
  • John Patrick Murphy Ethnomusicologist
  • Mike Marshall Mandocello
  • Oscar Bolão Percussion
  • Bai Kamara Jr. Guitar
  • Joanna Majoko Zimbabwe
  • Menelaw Sete Artista Plástico, Artist
  • Julie Fowlis Multi-Instrumentalist
  • Garth Cartwright Writer
  • Cécile McLorin Salvant Composer
  • Gustavo Di Dalva Brazil
  • Tony Allen Africa
  • Casa da Mãe Bahia

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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