• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Paulinho Fagundes

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Paulinho Fagundes
  • City/Place: Porto Alegre, Rio Grando do Sul
  • Country: Brazil
  • Hometown: Alegrete, Rio Grande do Sul

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Paulinho Fagundes, of the famous musical Fagundes family, was born on Brazil's border with Argentina...his music (violão gaúcho) is infused with the styles unique to that area.

Media | Markets

  • ▶ Instagram: paulinhofagundes
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC4jBbosRzQbVNeBDPvS6YSw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCfHqfkyL0Eq54hl4_3w80sQ
  • ▶ Spotify: http://open.spotify.com/album/6iBydQwanA93yH2GhZErr5
  • ▶ Spotify 2: http://open.spotify.com/album/4l6454tKNfVivitrd3j7T7
  • ▶ Spotify 3: http://open.spotify.com/album/0HVYx2oPJKq92wg6POb9hu
  • ▶ Spotify 4: http://open.spotify.com/album/7sopfv3wloONbwAhhqiBCk
  • ▶ Spotify 5: http://open.spotify.com/album/2HSR2daN6iFFqzaYg1OWug

Clips (more may be added)

  • 0:26:09
    YbY: Terra sem Fronteiras | Vagner Cunha, Bebê Kramer, Paulinho Fagundes e Ernesto Fagundes
    By Paulinho Fagundes
    133 views
  • 4:05
    Capricórnio - Ernesto y Paulinho
    By Paulinho Fagundes
    172 views
  • 0:06:30
    A Alma do Artista | Paulinho Fagundes
    By Paulinho Fagundes
    200 views
  • 4:36
    De Mano | Bebê Kramer e Paulinho Fagundes (Harmonik Sessions)
    By Paulinho Fagundes
    205 views
  • 0:10:56
    Bebê Kramer e Paulinho Fagundes (Harmonik Sessions)
    By Paulinho Fagundes
    240 views
  • 4:54
    Paulinho Fagundes | Cais do Porto
    By Paulinho Fagundes
    311 views
Previous
Next

Paulinho Fagundes Curated
pathways in

  • 2 Brazil
  • 2 Composer
  • 2 Guitar
  • 2 Porto Alegre
  • 2 Rio Grande do Sul
  • 2 Violão Gaúcho

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Paulinho Fagundes
    Hermeto Pascoal → Multi-Instrumentalist has been recommended via Paulinho Fagundes.
    • September 25, 2021
  • Paulinho Fagundes
    Hermeto Pascoal → Composer has been recommended via Paulinho Fagundes.
    • September 25, 2021
    • Paulinho Fagundes
      Sparrow Roberts O Mago!
      • March 11, 2022
  • Paulinho Fagundes
    Hermeto Pascoal → Brasil, Brazil has been recommended via Paulinho Fagundes.
    • September 25, 2021
    • Paulinho Fagundes
      Sparrow Roberts In Brazil he's known as "O Bruxo", "The Sorcerer".
      • October 23, 2019
  • Paulinho Fagundes
    Hermeto Pascoal → Alagoas has been recommended via Paulinho Fagundes.
    • September 25, 2021
  • Paulinho Fagundes
    A category was added to Paulinho Fagundes:
    Violão Gaúcho
    • September 25, 2021
  • Paulinho Fagundes
    A video was posted re Paulinho Fagundes:
    YbY: Terra sem Fronteiras | Vagner Cunha, Bebê Kramer, Paulinho Fagundes e Ernesto Fagundes
    O trio formado pelo violinista Vagner Cunha, o acordeonista Bebê Kramer e o violonista Paulinho Fagundes apresenta o resultado de sua primeira gravação em estúdio: o disco YbY, volume inicial de um projeto que busca na ancestralidade a força da músi...
    • September 25, 2021
  • Paulinho Fagundes
    A video was posted re Paulinho Fagundes:
    Capricórnio - Ernesto y Paulinho
    • September 25, 2021
  • Paulinho Fagundes
    A video was posted re Paulinho Fagundes:
    A Alma do Artista | Paulinho Fagundes
    • September 25, 2021
  • Paulinho Fagundes
    A video was posted re Paulinho Fagundes:
    De Mano | Bebê Kramer e Paulinho Fagundes (Harmonik Sessions)
    Gravado em Porto Alegre, os primeiros convidados da série da Harmonik "Duo Sessions" foram Bebê Kramer e Paulinho Fagundes. A sonoridade é dos captadores para violão (GT02-PZ) e para acordeon (AC5001-Plus) da Harmonik Microphones.
    • September 25, 2021
  • Paulinho Fagundes
    A video was posted re Paulinho Fagundes:
    Bebê Kramer e Paulinho Fagundes (Harmonik Sessions)
    1º vídeo da série Duo Sessions da Harmonik Microphones. Artistas: Bebê Kramer (acordeon) Paulinho Fagundes (violão) A sonoridade é dos captadores para violão (GT02-PZ) e para acordeon (AC5001-PLUS) da Harmonik Microphones.
    • September 25, 2021
  • Paulinho Fagundes
    A video was posted re Paulinho Fagundes:
    Paulinho Fagundes | Cais do Porto
    • September 25, 2021
  • Paulinho Fagundes
    A category was added to Paulinho Fagundes:
    Brazil
    • September 25, 2021
  • Paulinho Fagundes
    A category was added to Paulinho Fagundes:
    Porto Alegre
    • September 25, 2021
  • Paulinho Fagundes
    A category was added to Paulinho Fagundes:
    Rio Grande do Sul
    • September 25, 2021
  • Paulinho Fagundes
    A category was added to Paulinho Fagundes:
    Composer
    • September 25, 2021
  • Paulinho Fagundes
    A category was added to Paulinho Fagundes:
    Guitar
    • September 25, 2021
  • Paulinho Fagundes
    Paulinho Fagundes is matrixed!
    • September 25, 2021
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 


João do Boi, first into the Matrix. João had something priceless to offer the world.
✅—João do Boi
✅—Pardal/Sparrow

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers

Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per the bottom of this section) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington



Bahia is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 

PORTUGUÊS (to English →)

 


João do Boi, primeiro no Matrix. João tinha algo inestimável a oferecer ao mundo.
✅—João do Boi
✅—Pardal

 

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers

Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: Soa assim: O que a música que você ama diz sobre você

CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme o final desta seção) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


A Bahia é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

Por que Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 

  • Elif Şafak Essayist
  • Capinam Diretor de Museu, Museum Director
  • Jon Madof Jewish Music/Avant-Garde Jazz
  • Jovino Santos Neto Seattle
  • Marco Pereira Brazil
  • Ariane Astrid Atodji Screenwriter
  • Gunter Axt Secretário de Cultura, Secretary of Culture
  • Tommaso Zillio Author
  • Jim Lauderdale Country
  • Natan Drubi Violão, Guitar
  • George Cables Jazz
  • Keshav Batish Multi-Cultural
  • Nicole Mitchell Flute
  • Joe Newberry Folk & Traditional
  • Mavis Staples Chicago
  • Ivan Huol Percussion
  • Léo Rodrigues Côco
  • Trilok Gurtu Drums
  • G. Thomas Allen Opera
  • Flora Gil Bahia
  • Questlove Drums
  • Nubya Garcia Jazz
  • Alegre Corrêa Violin
  • Stephan Crump Composer
  • Jeff Coffin Record Label Owner
  • Luíz Paixão Pernambuco
  • Eddie Kadi Voiceover Artist
  • Júlio Lemos Samba
  • Alexandre Gismonti Brazil
  • Nigel Hall Keyboards
  • Sara Gazarek Vocal Instruction
  • Jake Webster Painter
  • Jason Marsalis New Orleans
  • Asanda Mqiki Afro-Soul
  • Gino Sorcinelli Music Production, Rapping, Sampling, Beatmaking
  • Jeremy Danneman New York City
  • Alessandro Penezzi Composer
  • Richard Galliano Paris, France
  • Rose Aféfé Artista de Instalação, Installation Artist
  • Alex Hargreaves Bluegrass
  • Larry Grenadier Composer
  • Omari Jazz Portland, Oregon
  • Robert Randolph Steel Guitar
  • Katuka Africanidades Brasil, Brazil
  • Dezron Douglas Record Producer
  • Justin Kauflin Jazz
  • Onisajé Dramaturga, Playwright
  • PATRICKTOR4 Bahia
  • Scotty Apex Hip-Hop
  • Damon Krukowski Dream Pop
  • Julie Fowlis Scotland
  • Byron Thomas Keyboards
  • Tab Benoit Singer-Songwriter
  • Paulo Dáfilin Guitar
  • Jamberê Cerqueira Compositor, Composer
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Jamberê Cerqueira Bahia
  • Alexandre Vieira Baixo, Bass
  • David Bruce YouTuber
  • Bob Bernotas Rutgers Faculty
  • Manolo Badrena Composer
  • Benoit Fader Keita Bedik
  • Hopkinson Smith Vihuela
  • Fatoumata Diawara Wassoulou
  • James Brandon Lewis Essayist
  • Diana Fuentes Singer-Songwriter
  • Lakecia Benjamin New York City
  • Gail Ann Dorsey Singer-Songwriter
  • Lucía Fumero Singer
  • Chris Boardman Arranger
  • Jazzmeia Horn Writer
  • Donald Harrison Composer
  • Doug Wamble Singer-Songwriter
  • Roberto Fonseca Composer
  • Ambrose Akinmusire New York City
  • Kimmo Pohjonen Finland
  • Jared Sims Jazz
  • Trilok Gurtu Percussion
  • Collins Omondi Okello Pencil Artist
  • Margaret Renkl Journalist
  • Samuel Organ Electronic Music
  • Tray Chaney Record Producer
  • Eddie Kadi Radio Presenter
  • Arismar do Espírito Santo Choro
  • Bruno Monteiro Produtor Musical, Music Producer
  • Benny Benack III Jazz
  • Shaun Martin Hip-Hop
  • Joe Chambers Composer
  • Jimmy Dludlu Jazz
  • Carlos Lyra Rio de Janeiro
  • Arturo O'Farrill Piano
  • Paulo Costa Lima Academía Brasileira de Música, Brazilian Academy of Music
  • Bongo Joe Records Record Label
  • Larnell Lewis Jazz, Funk, R&B, Soul
  • John Francis Flynn Ireland
  • Gerson Silva Brazil
  • Jeff Coffin Saxophone
  • Mario Ulloa Federal University of Bahia Faculty
  • Ibram X. Kendi Writer
  • Sarz Contemporary R&B
  • Jocelyn Ramirez Private Group Cooking Classes
  • Guinha Ramires Rio Grande do Sul
  • VJ Gabiru DJ
  • Rayendra Sunito Jazz
  • Amy K. Bormet Washington, D.C.
  • Lenine Singer-Songwriter
  • Alan Brain Washington, D.C.
  • Jan Ramsey Funk
  • Béla Fleck Multi-Cultural
  • Casuarina Samba
  • Steven Isserlis Writer
  • Delbert Anderson Navajo
  • Shankar Mahadevan Playback Singer
  • Ubiratan Marques Salvador
  • John Archibald Journalist
  • Quatuor Ebène France
  • Ivo Perelman Brazil
  • Afrocidade Dub
  • Juliana Ribeiro Salvador
  • Luis Perdomo New York City
  • Adanya Dunn Soprano
  • Victor Gama Angola
  • Bruce Molsky Berklee College of Music Faculty
  • Andrew Finn Magill Samba
  • Varijashree Venugopal Carnatic Music
  • Don Byron New York City
  • Kimberlé Crenshaw Columbia Law School Faculty
  • Joel Guzmán Tex-Mex
  • Piti Canella Gestor Público, Public Servant
  • Frank Beacham Videographer
  • Jas Kayser London
  • Reggie Ugwu New York City
  • Walmir Lima Salvador
  • João Rabello Rio de Janeiro
  • Leonardo Mendes Santo Amaro
  • Ariel Reich Dance for PD®
  • Owen Williams Software Engineer
  • Etan Thomas Poet
  • Leon Bridges Record Producer
  • Terry Hunter Chicago
  • Elie Afif Dubai
  • Mahsa Vahdat Multi-Cultural
  • Marcus J. Moore Pundit
  • Maria Struduth Brasil, Brazil
  • Frank Negrão Bass
  • Paolo Fresu Television Scores
  • Obed Calvaire Drums
  • Vijay Gupta Los Angeles Philharmonic
  • Fantastic Negrito Guitar
  • Edivaldo Bolagi Brasil, Brazil
  • Raelis Vasquez Afro-Latinx Art
  • Nancy Ruth Piano
  • Scott Kettner Jazz
  • Bill Hinchberger Journalist
  • Cara Stacey Radio Presenter
  • Karla Vasquez Cooking Classes
  • Ryan Keberle MPB
  • Nguyên Lê Film Scores
  • Mike Compton Mandolin
  • Weedie Braimah Hip-Hop
  • Michael Garnice Mento
  • Paulinho do Reco Samba
  • Pallett Tehran
  • Adonis Rose Record Producer
  • Questlove DJ
  • Gilson Peranzzetta Clarinet
  • Bruno Monteiro Jornalista, Journalist
  • Zisl Slepovitch Composer
  • Goran Krivokapić Serbia
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Reena Esmail Los Angeles
  • Greg Spero Recording Studio Owner
  • Jerry Douglas Nashville, Tennessee
  • John Patitucci Bass
  • Howard Levy Composer
  • The Weeknd R&B
  • Júlio Caldas Guitarra Baiana
  • Issac Delgado Cuba
  • Fabiana Cozza Phonoaudiologist
  • The Umoza Music Project Rap
  • Keita Ogawa Brooklyn, NY
  • Towa Tei テイ・トウワ Keyboards
  • BaianaSystem Música Alternativa, Alternative Music
  • Ana Moura Fado
  • Terri Lyne Carrington Drums
  • Marcus Rediker Playwright
  • Jean Rondeau Film Scores
  • Tank and the Bangas Soul
  • Monk Boudreaux Funk
  • Orrin Evans Neo Soul, Acid Jazz
  • Marcelinho Oliveira Songwriter
  • Abel Selaocoe Cello
  • Jeff Parker Experimental Music
  • Thomas Àdes Contemporary Classical Music
  • Hercules Gomes Composer
  • Nicolas Krassik Samba
  • Afel Bocoum Guitar
  • Negrizu Salvador
  • Olga Mieleszczuk Poland
  • Patty Kiss Compositora, Songwriter
  • Craig Ross Record Producer
  • Iara Rennó Produtora Musical, Music Producer
  • Michael Sarian Trumpet
  • Amaro Freitas Recife
  • Tito Jackson Pop
  • Oscar Peñas Multi-Cultural
  • Neo Muyanga African Music
  • Antonio García Composer
  • Marcelinho Oliveira Bahia
  • Sebastian Notini Percussão, Percussion
  • Sérgio Pererê Multi-Instrumentalist
  • Thiago Trad Bahia
  • Ben Williams Composer
  • Kamasi Washington Jazz, Funk, R&B, Soul, Hip-Hop
  • Paquito D'Rivera Afro-Cuban Jazz
  • Léo Rugero Multi-Instrumentalist
  • Tim Hittle Animator
  • Lakecia Benjamin Composer
  • Anat Cohen Israel
  • Milton Primo Brazil
  • Inaicyra Falcão Opera
  • Jonny Geller Literary Agent
  • Shankar Mahadevan Singer
  • Glenn Patscha Singer
  • Christone 'Kingfish' Ingram Blues
  • Mike Marshall Violin
  • Renato Braz Percussion
  • Bernardo Aguiar Percussion Instruction
  • 小野リサ Lisa Ono Bossa Nova
  • Nduduzo Makhathini Johannesburg
  • Samba de Nicinha Brazil
  • Doug Wamble Composer
  • Leonard Pitts, Jr Writer
  • William Skeen Cello
  • Dhafer Youssef ظافر يوسف Singer
  • Spider Stacy New Orleans
  • Itamar Vieira Júnior Short Stories
  • Otis Brown III Drums
  • Abhijith P. S. Nair Composer
  • Maria Bethânia Bahia
  • Estrela Brilhante do Recife Recife
  • Carlos Lyra Bossa Nova
  • Atlantic Brass Quintet Balkan Music
  • Luíz Paixão Fiddle
  • Craig Ross Recording Engineer
  • Saileog Ní Cheannabháin Theater Composer
  • Taylor McFerrin Record Producer
  • Zé Katimba Cavaquinho
  • Lydia R. Diamond Playwright
  • Saul Williams Rapper
  • Manolo Badrena Puerto Rico
  • Alita Moses Neo Soul
  • Itiberê Zwarg Rio de Janeiro
  • Philip Sherburne Music & Culture Writer
  • Carlos Prazeres Diretor Artístico, Artistic Director
  • Neymar Dias Multi-Instrumentalist
  • Jorge Aragão Rio de Janeiro
  • Djamila Ribeiro YouTuber
  • Angel Bat Dawid Clarinet
  • Marcel Camargo Choro
  • Germán Garmendia YouTuber
  • Menelaw Sete Pintor/Painter
  • David Mattingly School of Visual Arts Faculty
  • Jason Reynolds Lesley University Faculty
  • Chad Taylor Jazz
  • James Sullivan Music Critic
  • Fred P Techno
  • Gabriel Geszti Multi-Cultural
  • Mario Ulloa Bahia
  • Yoron Israel R&B
  • Roberto Martins Brasil, Brazil
  • Dale Farmer Appalachian Music
  • Hélio Delmiro Rio de Janeiro
  • Gui Duvignau Brooklyn, NY
  • Dona Dalva Bahia
  • Zoran Orlić Chicago
  • Luciano Salvador Bahia Record Producer
  • Jimmy Cliff Reggae
  • Daniel Owoseni Ajala Dance Instructor
  • Ricky (Dirty Red) Gordon Composer
  • Issa Malluf Daf
  • Kurt Rosenwinkel Jazz
  • Vivien Schweitzer New York City
  • Gringo Cardia Brazil
  • Bob Mintzer Big Band Leader
  • Mateus Aleluia Filho Salvador
  • Ben Monder Composer
  • Horácio Reis Violão Clássico Brasileiro, Brazilian Classical Guitar
  • Awadagin Pratt Classical Music
  • Tonho Matéria Samba
  • Stephan Crump Bass Instruction
  • Daru Jones Hip-Hop
  • Orquestra Afrosinfônica Bahia
  • Romulo Fróes Cantor-Compositor, Singer-Songwriter
  • Monk Boudreaux Louisiana
  • Jane Cornwell Music Critic
  • Scotty Apex Rapper
  • Karsh Kale कर्ष काळे Tabla
  • Felipe Guedes Brazilian Jazz
  • Dafnis Prieto Cuba
  • Carlos Malta Bass Clarinet
  • Iara Rennó Atriz, Actor
  • Arto Lindsay MPB
  • DJ Sankofa Pimenta Africana, African Peppers
  • Antibalas Pan-Africana
  • Casa Preta Teatro, Theater
  • Marcus J. Moore Brooklyn, NY
  • Pururu Mão no Couro Compositor, Songwriter
  • King Britt Computer Music
  • Cayenna Ponchione-Bailey Composer
  • Richie Stearns Banjo
  • Lynn Nottage Brooklyn, NY
  • Bob Mintzer USC Thornton School of Music Faculty
  • Paddy Groenland Dublin
  • Joshua Abrams Theater Scores
  • Speech Singer-Songwriter
  • Larissa Fulana de Tal Cineasta, Filmmaker
  • Danilo Caymmi Brasil, Brazil
  • Jonga Cunha Radio Presenter
  • Miguel Atwood-Ferguson Arranger
  • Brenda Navarrete Composer
  • Justin Brown Jazz
  • Dale Bernstein Photographer
  • 9th Wonder Record Producer
  • Dale Barlow Australia
  • Nicholas Payton Writer
  • Tom Oren Jazz
  • David Simon Baltimore, Maryland
  • Jubu Smith R&B
  • Seth Rogovoy Writer
  • Sandra de Sá Soul Brasileiro, Brazilian Soul
  • Brian Blade Drums
  • Avishai Cohen New York City
  • 小野リサ Lisa Ono Guitar
  • Alex Mesquita Brazil
  • Rick Beato Record Producer
  • James Martins Crítico Cultural, Cultural Critic
  • Jeff Preiss Producer
  • Julian Lloyd Webber Classical Music
  • Chick Corea Contemporary Classical Music
  • Curly Strings Americana
  • Andrew Gilbert Berkeley, California
  • Jeff Parker Film Scores
  • Stefan Grossman Music Producer
  • Ellie Kurttz England
  • Maladitso Band Africa
  • Tray Chaney Actor
  • Darren Barrett Composer
  • Daniel Bennett Woodwinds
  • Mauro Refosco Forró
  • Steve Lehman CalArts Music Faculty
  • Isaac Butler New School Faculty
  • Oksana Zabuzhko Hryhori Skovoroda Faculty
  • Nate Smith Music Producer
  • Ênio Bernardes Brasil, Brazil
  • Betão Aguiar Bass
  • Isaac Julien Installation Artist
  • Daniel Jobim MPB
  • Anna Mieke Irish Folk Music
  • André Muato 8 String Guitar
  • Abderrahmane Sissako Film Producer
  • Missy Mazolli Opera
  • James Strauss Flute
  • Edgar Meyer Classical Music
  • Yoron Israel Composer
  • Jazzmeia Horn Jazz
  • Brigit Katz Writer
  • Jussara Silveira Salvador
  • Dermot Hussey Jamaica
  • Gilad Hekselman Guitar
  • Arany Santana Salvador
  • Bisa Butler Pan-African Culture
  • Eli Teplin Singer-Songwriter
  • Luis Paez-Pumar Writer
  • Bertram Educator
  • Woody Mann Americana
  • Brandon J. Acker Lute
  • Nêgah Santos Pandeiro
  • Andra Day Jazz
  • Judith Hill Soul
  • Berkun Oya Screenwriter
  • James Poyser Television Scores
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • Jeremy Danneman Jazz
  • Sam Dagher Journalist
  • Albin Zak Musicologist
  • Hugues Mbenda Congo
  • Pedro Aznar Guitar
  • Yilian Cañizares Jazz
  • Clint Mansell Multi-Instrumentalist
  • Luciano Matos DJ
  • Elza Soares Singer
  • Geraldo Azevedo MPB
  • Edu Lobo MPB
  • John Harle Saxophone
  • Scott Devine Bass Instruction
  • Swizz Beatz DJ
  • Kazemde George Beatmaker
  • Liron Meyuhas Percussion Instruction
  • Margaret Renkl Writer
  • Otis Brown III Jazz
  • Meshell Ndegeocello Multi-Instrumentalist
  • Marc Johnson Composer
  • Jorge Ben Singer-Songwriter
  • Ken Dossar Philadelphia
  • Elizabeth LaPrelle Actor
  • Bobby Sanabria Afro-Cuban Jazz
  • James Carter Contemporary Classical Music
  • Mário Pam Brazil
  • Lalá Evangelista Pandeiro
  • Les Thompson Folk & Traditional
  • Alexandre Vieira Cantor, Singer
  • Larry Achiampong London
  • Dave Smith Multi-Cultural
  • Guto Wirtti Brazilian Jazz
  • Juçara Marçal Singer-Songwriter
  • Dave Smith Jazz
  • Scotty Barnhart Composer
  • Giorgi Mikadze გიორგი მიქაძე New York City
  • Jonathan Scales New York City
  • Mariene de Castro Singer
  • Paul McKenna Singer-Songwriter
  • Wolfgang Muthspiel Vienna, Austria
  • Philip Glass New York City
  • Kenyon Dixon R&B
  • J. Pierre New Orleans
  • Rob Garland Jazz, Rock
  • Michael Formanek Bass
  • Miroslav Tadić Classical, Baroque Music
  • Chris Dingman New York City
  • Choronas Maxixe
  • Denzel Curry Rapper
  • Cécile Fromont Yale Faculty
  • Donny McCaslin Saxophone
  • John Archibald Pulitzer Prize
  • Jeff Tweedy Americana
  • Marcelinho Oliveira Salvador
  • Irmandade da Boa Morte Candomblé
  • Scott Kettner Drums
  • David Ritz Los Angeles
  • Donald Vega Nicaragua
  • Walter Ribeiro, Jr. Guitar
  • Alexa Tarantino New York City
  • Tam-Ky Supermarket
  • Lalah Hathaway Singer-Songwriter
  • Richie Stearns Ithaca, New York
  • Jaques Morelenbaum Arranger
  • Henrique Cazes Banjo
  • Carl Allen Educator
  • Eric Galm Hartford, Connecticut
  • Rogério Caetano Guitar
  • Jessie Reyez Hip-Hop
  • Ferenc Nemeth Hungary
  • Albin Zak Singer-Songwriter
  • Sameer Gupta Brooklyn, NY
  • Chris Thile Americana
  • Béco Dranoff Brazilian Music
  • Marcus Printup New York City
  • Shannon Sims Brazil
  • Célestin Monga Author
  • Samba de Lata Samba
  • Keita Ogawa Drums
  • Amit Chatterjee Indian Classical Music
  • Keola Beamer Slack Key Guitar
  • Clarice Assad Brazil
  • Rhuvaal Scotland
  • Chucho Valdés Piano
  • Vinson Cunningham Writer
  • Timothy Jones Witchita State University Faculty
  • Phineas Harper Architecture Critic
  • Aneesa Strings Bass
  • Dale Farmer Screenwriter
  • Echezonachukwu Nduka Musicologist
  • Arto Tunçboyacıyan Multi-Cultural
  • Paddy Groenland Composer
  • Ashley Page New Zealand
  • Marcel Powell MPB
  • Ricky (Dirty Red) Gordon Frottoir
  • Mark Markham Classical Music
  • Lauranne Bourrachot Movie Producer
  • Brian Stoltz Guitar
  • Clint Smith Essayist
  • Celsinho Silva Rio de Janeiro
  • Steve Cropper Nashville, Tennessee
  • Siba Veloso Brazil
  • Johnathan Blake Jazz
  • Arifan Junior Samba
  • Will Vinson New York City
  • Paul Cebar Multi-Cultural
  • Ta-Nehisi Coates Journalist
  • Brandon J. Acker Theorbo
  • Roque Ferreira Brasil, Brazil
  • Dan Moretti Berklee College of Music Faculty
  • Yunior Terry Havana
  • Parker Ighile Africa
  • Hamid El Kasri Guembri
  • Matt Garrison Jazz Fusion
  • Yazz Ahmed Composer
  • Monty's Good Burger Vegan Burgers
  • Carlos Paiva Servidor Público, Public Servant

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share