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Mahsa Vahdat via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Mahsa Vahdat:
    I'LL TAKE YOU THERE! ▶
Steps to Mahsa Vahdat:
  • 1 Composer
  • 1 Iran
  • 1 Multi-Cultural
  • 1 Persian Classical Music
  • 1 Singer
  • 1 Tehran

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Matrix

Who I Am & Where I Live

  • Name: Mahsa Vahdat
  • City: Tehran
  • Country: Iran

My Life & Work

  • Bio: Mahsa Vahdat is a prominent performer of Persian vocal music and strong advocate of freedom of expression in music ,a dedicated singer and musician in her musical path and artistic cause . Her career has given a deeper knowledge about Iranian poetry and music to large audiences in Europe, America, Asia, Oceania and Africa.

    Mahsa has developed her personal style based on the Persian vocal tradition of classical and regional folk music, but with a contemporary expression. She has always searched for ways to make her music relevant to the present world. Even if the origin of her styles is Iranian, she believes in her music’s ability to express a universal message of humanism and freedom. Her collaboration with musicians from Iran and many other parts of the world has contributed to the development of her personal expression.

    Mahsa was born October 29, 1973 in Tehran. She entered Tehran Arts University in 1993 and graduated with a B.A. in Music in 1995.

    Since 1995 she has performed as an independent singer and musician in many concerts and festivals in Asia, Europe, America and Africa together with musicians from Iran, Europe and the US. She has also appeared on stage with her sister Marjan Vahdat in many concerts. In several of her recordings Marjan also has been involved.

    Mahsa composes most of her songs herself, often with poems by classical Persian poets like Hafez and Rumi or contemporary ones like Fourogh Farokhzad and Mohammad Ibrahim Jafari. Her husband Atabak Elyasi who is a composer and also plays the Persian string instrument setar often takes part in the arranging of her music.

    Without being visible in her own society because of restrictions of female solo voice after Islamic Revolution in 1979 in Iran, she and her sister Marjan Vahdat have continuous contact with a large audience who appreciates their art, both in Iran and abroad.

    Following her participation in the album Lullabies from the Axis of Evil (2004), Mahsa started a long lasting collaboration with the Norwegian record label Kirkelig Kulturverksted (KKV) and its leader Erik Hillestad who has produced most of her albums. This collaboration led to a worldwide release of a series of award wining and critically acclaimed records and a number of tours and concerts in many countries.

    Since 2007 Mahsa is one of the ambassadors of Freemuse Organization, an independent international organization that advocates freedom of expression for musicians and composers worldwide. In 2010, she was granted the Freemuse Award.

    She has developed a long and intense pedagogical experience in teaching classical Persian singing for years for Iranian and non Iranian Students and led many projects with her students as mentor.

Contact Information

  • Email: mahsavahdat@mahsavahdat.net

My Media & Markets

  • ▶ Buy My Music (downloads/CDs/DVDs): http://mahsavahdat.net/discography/
  • ▶ Twitter: mahsa_vahdat
  • ▶ Instagram: mahsa_vahdat
  • ▶ Website: http://mahsavahdat.net
  • ▶ YouTube Music: http://music.youtube.com/channel/UCPTQtNYigy4bR8DBC_u_WrQ
  • ▶ Spotify: http://open.spotify.com/album/3YRYKlPyO0pBhwEobGQT4N
  • ▶ Spotify 2: http://open.spotify.com/album/3K0ldTExSqdfV882P7I4v5
  • ▶ Spotify 3: http://open.spotify.com/album/3ksVzPpOGVPI8Kd72EUQ58
  • ▶ Spotify 4: http://open.spotify.com/album/32DcrD75sPkVSl151tYyeH
  • ▶ Spotify 5: http://open.spotify.com/album/2gk4X3UDxw4N1WXFSYQ9wo
  • ▶ Spotify 6: http://open.spotify.com/album/5oFpSLvcm67XA0mTZomUCN

Clips (more may be added)

  • Kronos Quartet, Mahsa and Marjan Vahdat, My Ruthless Companion
    By Mahsa Vahdat
    92 views
  • The Secret Ensemble (feat. Mahsa Vahdat) - Arzulanan Yakut
    By Mahsa Vahdat
    72 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

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  • David Castillo Trumpet
  • Sameer Gupta Jazz
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  • Diedrich Diederichsen Music Journalist
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  • Arturo O'Farrill Bandleader
  • Jack Talty Ireland
  • David Bragger UCLA Herb Alpert School of Music Faculty
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  • James Carter Composer
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  • Marcus Teixeira Guitar
  • Casey Benjamin Record Producer
  • Carla Visi Salvador
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  • Corey Ledet Zydeco
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  • John Patitucci Berklee College of Music Faculty
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  • Vijay Iyer Jazz
  • Doug Adair Music & Cultural Education
  • Lenna Bahule Mozambique
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  • David Sacks Washington, D.C.
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  • Nelson Latif Violão de Sete
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