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An I RECOMMEND artist matrix built as a  small world ("6 degrees") network → ALL within degrees of ALL → unprecedentedly open access to artists from anywhere on planet earth! Viva!!!

I RECOMMEND

David Bruce
  • 1 Composer
  • 1 Contemporary Classical
  • 1 Multi-Ethnic
  • 1 Opera
  • 1 YouTuber
  • RECOMMENDS 3 people/categories
  • ↳ outgoing recommendations by the matrix

Who I Am & Where I Live:

  • Name: David Bruce
  • City: London
  • Country: United Kingdom

My Life

  • Biographical: Born in Stamford, Connecticut in 1970, David Bruce grew up in England and now enjoys a growing reputation on both sides of the Atlantic. Bruce's music draws on the wild dances and heart-felt laments of gypsy music, flamenco, klezmer and other folk traditions, as well as having a direct connection to composers like Stravinsky, Janacek, Berio and Bartok who shared similar passions. Often witty and always colourful, pulsing with earthy rhythms, Bruce's music has a directness rarely heard in contemporary music, but also contains an emotional core of striking intimacy and sensitivity.

    Since the premiere of Piosenki (2006) in Carnegie Hall, Bruce's career in the US has flourished. Carnegie Hall itself has been a huge supporter of Bruce's music, going on to commission Gumboots (2008), Steampunk (2011) and most recently That Time with You for mezzo-soprano Kelley O'Connor which premiered at the hall in October 2013. In 2009, Dawn Upshaw premiered the song-cycle The North Wind was a Woman commissioned for the gala opening of the Chamber Music Society of the Lincoln Center's 2009 season. For 2013-14 Bruce was Associate Composer with the San Diego Symphony Orchestra, for whom he wrote three pieces : Night Parade for the orchestra's Carnegie Hall debut in October 2013; the Violin Concerto Fragile Light for Gil Shaham; and Cymbeline featuring mandolinist Avi Avital. Future US commissions include from Camerata Pacifica for a new work for oboe, harp, cello and percussion.

    In the UK, recent commissions include Prince Zal and the Simorgh (2012) for the London Philharmonic Orchestra for their BrightSparks series; Fire (2012), one of 20 '20x12' commissions celebrating the Cultural Olympiad; Saudades for long-time collaborators Chroma; the chamber opera The Firework Maker's Daughter (2012) co-commissioned by The Opera Group and ROH2 ; and Nothing, a full length opera co-commissioned by Glyndebourne and ROH.

    Other notable recent commissions include a 35 minute chamber work The Given Note (2011) for violinist Daniel Hope together with the David Orlowsky Trio and cellist Vincent Segal, co-commissioned by the Mecklenburg-Vorpommern Festival, Germany and the Savannah Festival USA; and in 2012, Cut the Rug for Yo-Yo Ma & the Silk Road Ensemble. The piece received it's official premiere at Carnegie Hall in October 2013 as part of the ensemble's 15th anniversary celebrations and was toured to numerous high-profile venues around the world, including the Concertgebouw, Amsterdam.

    Cut the Rug was recorded for the Sony Classical label and released in December 2013. Other recordings include The Eye of Night, commissioned by Art of Elan in San Diego and recorded by the Myriad Trio; and Gumboots, recorded by Julian Bliss and the Carducci Quartet, released on Signum Records in April 2016

    Bruce's work in opera has attracted particular attention. A series of short operas for Tete a Tete in London culminated in the Genesis Foundation commission Push! (2006) which was Critic's Choice for 2006 in both The Telegraph and Classical Music Magazine and received universal critical acclaim. In 2008, Dawn Upshaw instigated the commission for his one-act opera A Bird in Your Ear (2008) for Bard College, NY. 2013 brought Bruce's chamber opera The Firework Maker's Daughter which toured the UK and New York in Spring 2013. The piece was also shortlisted for both the British Composer Awards, and the 2014 Olivier Awards for Best New Opera Production. The Firework Maker's Daughter returned to the ROH Lindbury Studios only two years later, for a 27-performance run in December 2015. The premiere of Bruce's largest operatic work to date - Nothing, based on the award-winning novel by Janne Teller, and co-commissioned by Glyndebourne and the Royal Opera House premiered at Glyndebourne in Feb 2016. It brought the most intense response yet, with the Independent calling it "a pretty well flawless piece" and The Stage saying " It's as moving, authentic and thought-provoking an opera you're likely to see for some time." The original prodution of Nothing is scheduled for repeat performances in Denmark in Feb 2017 as part of the Aarhus European Capital of Culture celebrations.

    Bruce's music has attracted numerous awards and prizes, including the Lili Boulanger Memorial Prize (2008) and the Royal Philharmonic Society Composition Competition (1994). He studied at Nottingham University, the Royal College of Music, London, (with Tim Salter and George Benjamin); and completed a PhD in Composition at King's College, London (1995-9), under the supervision of Sir Harrison Birtwistle.

    Complementing his work as a composer, Bruce runs the music and technology company Red Balloon Technology Ltd whose sites include the popular sheet music site 8notes.com and the composers' site CompositionToday.

My Media

  • Website: http://www.davidbruce.net
  • Website 2: http://www.red-balloon.com
  • Website 3: http://www.8notes.com
  • Website 4: http://www.compositiontoday.com
  • Patreon: http://www.patreon.com/davidbruce
  • Instagram: davidbrucecomposer
  • YouTube Channel: http://www.youtube.com/user/davidbrucedotnet

Listen on Spotify

  • Spotify: http://open.spotify.com/album/0TN41uDNpJL8Iqe20sgPcy
  • Spotify 2: http://open.spotify.com/album/1ad0lQ9sNsIUavEtj4s9CY

Contact Information

  • Email: davidbrucecomposer@gmail.com

Clips

  • The Mystery at the Heart of Flamenco
    By David Bruce
    71 views
  • The Cutting Edge of JAZZ SWING Theory
    By David Bruce
    77 views
  • A VERY BRIEF history of Classical Music (from 1000 A.D. to the present day)
    By David Bruce
    78 views
  • What Classical Musicians Can Learn from Klezmer, Jazz and Other Traditions
    By David Bruce
    67 views
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THE MATRIX IS MUSICIAN / ARTIST RECOMMENDATIONS BY THE MOST POWERFUL, SOPHISTICATED & SUBTLE SOFTWARE YET DEVISED:

⇒ the minds of other artists

 

IT'S BASED IN BAHIA, GROUND ZERO FOR BRAZIL'S SUN-CARONA VIBRANT AFRO-BRAZILIAN CULTURE

⇒ ...rooted in a region called the Recôncavo, analogous in Brazil to the Mississippi Delta in the United States.

 

THE MATRIX REACHES FROM BRAZIL TO CUBA TO BROOKLYN TO BERLIN TO TOKYO TO TIMBUKTU

⇒ To wherever people want to take it...

 

IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP

⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing.

 

Matrix Headquarters

 

PRE-BRAZIL — IN NEW YORK CITY — WE "RESCUED" UNPAID ROYALTIES FOR PERFORMERS & COMPOSERS INCLUDING:

⇒ Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Taj Mahal, Robb Royer of Bread, Speedo & the Cadillacs, and many more! With Speedo's (Earl Carroll) amazing story (kid singing on the streetcorners of Harlem to doo-wop fame to working as a beloved school janitor) I learned (as Quincy Jones had figured out decades before) that greatness and fame are completely independent. The wave repeated here in Brazil with Raimundo Sodré, who went from zero to national fame and back to zero.

 

HENCE A (and so far the world's only) SMALL WORLD CURATION NETWORK...

⇒ A wave of Exu's cyberwand opening pathways allowing ANY ARTIST — FAMOUS OR NOT — in ANY FIELD — in ANY PLACE in the world — to potentially  be reached by ANYBODY from ANYWHERE. (Exu -- eh-SHOO -- is the Afro-Brazilian deity responsible for opening pathways.)

 

BY WHAT WIZARDRY?

⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.

 

SIMPLY CHANGE "KNOW" TO "RECOMMEND"

⇒ In exactly the same way, step by step we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet.

 

LIKE THIS...

⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...

 

  • Raimundo Sodré Now
  • Raimundo Sodré 1980

Raimundo Sodré Now

Dengo

Dengo
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Raimundo Sodré 1980

The Festivals of Brazilian Music (Os Festivais de Música Brasileira) were a series of televised festivals featuring original songs over the period from 1965 to 1985. Many of Brazil's most popular artists of the period (including Elis Regina, Chico Buarque, Caetano Veloso, Gilberto Gil, Gal Costa, Geraldo Vandré, Nara Leão, Edu Lobo, Jair Rodrigues, Tom Jobim) participated or began their careers in these festivals.

 

Sodré was launched in 1980. He only placed third but was so much the popular favorite that the festival winner, Oswaldo Montenegro, was booed when awarded first place.

 

The sound and video quality of this recorded are pretty terrible, but nevertheless it gives some idea of that day...

 

The song itself, "A Massa", was a protest song. Sodré sings "a massa da mandioca mãe" (manioc dough, mother)...but this is a metaphor for the mass of common people being squeezed by the powerful in the government. The style is called "chula"; it's the primordial Afro-Brazilian samba born on the sugarcane plantations of Bahia, precursor to Brazil's national music.

 


 

DICTATED SILENCE

⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.

 

MUSIC FALLS LIKE RAIN

⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.

 

 

FROM SODRÉ, A WORLDLINE TO SPLENDID BULE BULE (LEATHER HAT) ABOVE... AND TO OTHERS IN THE CLIP...

⇒ "The time has arrived for these people of color to show their worth ... I want to see Uncle Sam play tambourine so the whole world can samba!"

 

AND FROM BULE ON...

⇒ ...tendrils twining through urban centers and beautiful backwaters... through New York boroughs, Burkina Faso... County Clare... Cape Town...

 

THROUGH ARTISTS ACROSS THE BOARD

⇒ ...writers, journalists, photographers, painters, illustrators, architects, choreographers, filmmakers...

 

IS THE MATRIX AN ALTERNATE REALITY?

⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!

 

DOES THE MATRIX WATCH YOU?

⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.

 

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