Diana Fuentes via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Diana Fuentes:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Diana Fuentes
- City: Miami, Florida
- Country: United States
- Hometown: Havana, Cuba
My Life & Work
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Bio:
Drawing on a rich musical heritage and a comprehensive artistic education, the critically acclaimed Cuban singer and songwriter Diana Fuentes could be one of Latin music’s best-kept secrets.
But in 2019, Diana is taking her place a top emerging artist, and Latin music lovers will get to enjoy her highly anticipated third solo album, titled Libre. It is her first LP since Planeta Planetario in 2014.
We got a preview of Libre in 2017, with two singles that are included on the album – “La Fortuna,” featuring the Puerto Rican singer-songwriter Tommy Torres, and “La Vida Me Cambió,”featuring the Cuban duo Gente De Zona. These songs became low-key treasures, discovered by enough listeners to chart at #29 on Billboard’s Latin Pop Songs and #10 on Tropical Songs, respectively. Even better, “La Fortuna” was nominated for Song of the Year at the 2017 Latin GRAMMYs®.
During 2018, Diana Fuentes stayed on our radar as a special guest on singles by Cuban talents El Micha and Lenier.
In April 2019, she released Libre along with the title-track third single. “Libre”is a contemplative song that speaks of the need to turn the page on life’s stages even when it means saying goodbye. Filmed in Havana by the talented Cuban director Yeandro Tamayo, the music video features plenty of local color.
Diana Fuentes explains that the album's title is personal: “I'm free in my music, in my life, in my ideas…free to be able to decide what should and should not be part of my life.”
This album furthers her reputation for making satisfying amalgams of traditional Cuban music with up-to-the-minute rhythms and themes, along with lyrics that speak to young listeners.
Produced by the multiple GRAMMY® and Latin GRAMMY® winner Eduardo Cabra, Librealso features creative collaborations with the Brazilian great Seu Jorge, the Dominican singer and songwriter Vicente García, and the Cuban sax legend César López.
Diana Fuentesbegan her artistic career as a girl in the Laura Alonso Ballet Company. From there, she continued on to the prestigious Alejandro García Caturla Conservatory of Music and finally to Cuba’s National School of Art, where she studied choral direction. Upon completing her education, she joined the Afro-Cuban fusion group Síntesis, remaining a member from 2001-07, and participating on the group’s album Habana a Flor de Piel, which was nominated in the 2002 Latin GRAMMYs® for Best Contemporary Tropical Album.
During the same period, she worked with the Cuban singer-songwriter X Alfonso, appearing on his album X Moré, which was also nominated in the 2002 Latin GRAMMYs®, for Best Rap/Hip-Hop Album. In addition, she served as a guest vocalist on tracks by such standout artists as Amaury Pérez (“Algo en Común”), Roberto Carcasés (“Mambo”) and Aldo López Gavilán (“Talking to the Universe”).
She contributed to Cuba Canta a Serrat, a Cuban tribute album to the Barcelona-born singer-songwriter Joan Manuel Serrat. Furthermore, Diana appeared with the iconic Cuban singer Omara Portuondo on producer Roberto Carcasés’ album Women are Beautiful, and with the legendary vocalists and composers Silvio Rodríguez and Pablo Milanés on producer José Luis Barba’s album Cubans.
These collaborations led to a fortuitous meeting with the producer Descemer Bueno, who offered to record her first solo album Amargo Pero Dulce(Bitter But Sweet, 2008), which is influenced by R&B, pop and soul. With her second album, Planeta Planetario (Planet Planetarium), Diana Fuentes began to garner more international recognition. She still remembers her first visit to the United States, in 2010: “The first time I came was on tour with the Cuban singer Carlos Varela. He undertook an intensive tour of the United States.” Now this Havana-born artist resides in Miami where she is poised to make even bigger strides toward widespread acclaim.
Libre is a family affair, with important songwriting contributions from her mother, Mirta Lavastida. Diana Fuentes is convinced that family support has been key to her growth: “I come from an outstanding matriarchal family. My grandmother Aurora, who also appears in the ‘Libre’ music video, has taught all of the women of my family to take the reins of our lives, with great respect but also great determination.”
Diana adds that she is passing this example on to her young son: “My life’s most important work is that of a mother, and it takes all of my time, primarily because I want to be a mother that my son will be proud of. But I notice that my son is so happy when he sees me making music. That helps me, and gives me great fortitude to keep developing my career.”
My Media & Markets
- ▶ Twitter: _dianafuentes_
- ▶ Instagram: dianafuentes
- ▶ Website: http://www.dianafuentes.us
- ▶ YouTube Channel: http://www.youtube.com/channel/UCETULvgVoLjhgvMESBQ43Dw
- ▶ YouTube Music: http://music.youtube.com/channel/UCy67KGk6MVZ6iWDWGhC_3zA
- ▶ Spotify: http://open.spotify.com/album/6j0sCAm0cmrq0sPpcjttjn
- ▶ Spotify 2: http://open.spotify.com/album/41XW9ITDELnBXY7jQ1605f
- ▶ Spotify 3: http://open.spotify.com/album/1AtOgYNaoerOeieFSLgV7k
- ▶ Spotify 4: http://open.spotify.com/album/6QPJ1SjNn2Fd1D0fYaErq0
- ▶ Spotify 5: http://open.spotify.com/album/3IrHy1oTgaESTAlQDz9opD
The world's artists via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius. In order to work for the children of the canecutters though, the mechanism must work for everybody.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging from the quilombos of Bahia to the favelas of Rio to the poorer quarters of New Orleans to the south side of Chicago to Harlem to Appalachia to Irish villages and Russian shtetls and even Mozart...put it like this:
"Where there's misery, there's music!"
So it's not just Brazil. And it's not just music.
