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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Nicolas Krassik
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Nicolas Krassik
  • City/Place: Rio de Janeiro
  • Country: Brazil
  • Hometown: Paris, France

Life & Work

  • Bio: Nascido em 1969 na periferia de Paris, o violinista Nicolas Krassik é um dos herdeiros da famosa tradição francesa de violinistas de jazz.

    Após 15 anos estudando música erudita e jazz e oito anos atuando na Europa ao lado de músicos como Michel Pettrucciani, Didier Lockwood, Vincent Courtois e Pierrick Hardy, Nicolas resolveu embarcar para o Rio de Janeiro, em 2001, e se dedicar à música popular brasileira.

    Virtuoso e criativo, o violinista rapidamente chamou a atenção da mídia, ganhou a confiança dos músicos e a admiração do público e se tornou uma referência em matéria de violino na MPB.

    Sem dúvida, conquistou o seu lugar no cenário musical brasileiro, firmando sua carreira solo ou se destacando junto a grandes artistas, entre eles, Yamandú Costa, Hamilton de Holanda, Carlos Malta, Marisa Monte, Beth Carvalho, João Bosco e Gilberto Gil…

    Reunindo jazz, choro, samba, forró (e até influências do rock), Nicolas Krassik apresenta um show vibrante, com técnica e emoção, feito para ouvir e também para dançar.

Contact Information

  • Email: [email protected]
  • Management/Booking: Contato para shows:​

    Ricardo Dantas
    +55 11 2339.8695
    +55 11 941.550.090
    [email protected]
    talentoseeventos.com.br

Media | Markets

  • ▶ Twitter: nicolaskrassik
  • ▶ Instagram: nicolaskrassik
  • ▶ Website: http://www.nicolaskrassik.com
  • ▶ YouTube Channel: http://www.youtube.com/user/nicolaskrassik
  • ▶ YouTube Music: http://music.youtube.com/channel/UCThTkol1r26dz74rp7J4_Tg
  • ▶ Spotify: http://open.spotify.com/album/4sjRMGGjgGGchIgU7I8tyv
  • ▶ Spotify 2: http://open.spotify.com/album/0OHgJ8cQNaduiH515Jc0Rk
  • ▶ Spotify 3: http://open.spotify.com/album/0GESo87bH8IcdAiHQJrezL
  • ▶ Spotify 4: http://open.spotify.com/album/7mvX5pkQ1JfjewTqcYYfAX
  • ▶ Spotify 5: http://open.spotify.com/album/092kIA42RHcSlPEnWajUJq
  • ▶ Spotify 6: http://open.spotify.com/album/1v3BPURyqXExtB1GrKft8C

My Instruction

  • Instruction: http://www.nicolaskrassik.com/aulas

Clips (more may be added)

  • Feira de Mangaio
    By Nicolas Krassik
    490 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Nicolas Krassik:

  • 1 Brazil
  • 1 Choro
  • 1 Composer
  • 1 Forró
  • 1 Jazz
  • 1 MPB
  • 1 Rio de Janeiro
  • 1 Samba
  • 1 Violin
  • Margaret Renkl Nashville, Tennessee
  • Mokhtar Samba Drums
  • Glória Bomfim Chula
  • João Rabello Guitar
  • Utar Artun Film Scores
  • Oleg Fateev Composer
  • Ricardo Bacelar Fortaleza
  • Rachel Aroesti Writer
  • John Patitucci Bass
  • Reena Esmail Hindustani Classical Music
  • Ivan Bastos Violão, Guitar
  • John Archibald Journalist
  • Fatoumata Diawara Wassoulou
  • Dee Spencer Sound Designer
  • Anoushka Shankar Tanpura
  • David Byrne Singer-Songwriter
  • Gilson Peranzzetta Brazil
  • Flying Lotus Songwriter
  • Willie Jones III Jazz
  • Henrique Araújo Choro
  • Terell Stafford New York City
  • Chubby Carrier Singer-Songwriter
  • Del McCoury Banjo
  • Avner Dorman Contemporary Classical Music
  • McCoy Mrubata Saxophone
  • Seu Jorge Singer-Songwriter
  • Rosa Passos Bossa Nova
  • Simon Shaheen Arabic Music
  • Nicolas Krassik Violin
  • Darryl Hall Composer
  • Tyler Gordon Writer
  • Mauro Senise MPB
  • Linda Sikhakhane Ropeadope
  • Marcus Printup Composer
  • Casey Benjamin Jazz
  • Bhi Bhiman Americana
  • Antonio García Virginia Commonwealth University Faculty
  • Bill Hinchberger Writer
  • Jean Rondeau Harpsichord
  • Luíz Paixão Cavalo Marinho
  • Antônio Pereira Manaus
  • Stephen Guerra Author
  • Darol Anger Americana
  • Stephen Guerra Composer
  • Ronaldo Bastos Lyricist
  • Taj Mahal Folk & Traditional
  • Nelson Latif Viola Caipira
  • Andrew Gilbert International Music
  • Art Rosenbaum Muralist
  • Luiz Santos Rio de Janeiro
  • Andrés Prado Universidad Católica del Perú Faculty
  • Ron Miles Cornet
  • Benoit Fader Keita Electro Music
  • Moreno Veloso Pandeiro
  • Juliana Ribeiro Musicologist
  • Matt Ulery Composer
  • Plinio Oyò Bahia
  • Lula Galvão Choro
  • Márcio Bahia Drums
  • Omar Sosa Piano
  • Guga Stroeter Samba
  • Sérgio Pererê Actor
  • Deesha Philyaw Writer
  • João Parahyba Percussion
  • Kenny Barron Jazz
  • Deborah Colker Brazil
  • Makaya McCraven Jazz
  • Bebê Kramer Rio Grande do Sul
  • Brian Q. Torff Composer
  • Ariel Reich New York City
  • Tiganá Santana Cantor-Compositor, Singer-Songwriter
  • Marilda Santanna Faculdade da UFBA, Federal University of Bahia Faculty
  • Scotty Barnhart Trumpet
  • Horácio Reis MPB
  • Roy Ayers New York City
  • Tyshawn Sorey Wesleyan University Faculty
  • David Byrne Multi-Instrumentalist
  • Mark Turner Saxophone
  • Jay Blakesberg Filmmaker
  • Swami Jr. Violão de Sete
  • Munyungo Jackson Los Angeles
  • Garvia Bailey Arts Journalist
  • Marcos Sacramento Samba
  • Danilo Caymmi Record Producer
  • Marcus Printup Trumpet
  • Forrest Hylton Salvador
  • Fred Hersch New York Jazz Academy Faculty
  • Nublu Multi-Cultural
  • Maria Nunes Photographer
  • Bertram Writer
  • Joshua White Composer
  • Cassie Kinoshi Saxophone
  • Celso Fonseca Record Producer
  • Margaret Renkl Nashville, Tennessee
  • Olga Mieleszczuk Jewish Music
  • Edivaldo Bolagi Bahia
  • Weedie Braimah Drums
  • Ben Harper Rock
  • Michael Garnice Mento
  • Victor Gama Composer
  • Nana Nkweti University of Alabama Faculty
  • Kurt Andersen Playwright
  • James Andrews Funk
  • Julian Lage Guitar
  • Dave Eggers Writer
  • Bob Bernotas Rutgers Faculty
  • Sebastian Notini Brasil, Brazil
  • Patrice Quinn Los Angeles
  • Andra Day Los Angeles
  • Sean Jones Johns Hopkins Peabody Institute Faculty
  • João Teoria Trompete, Trumpet
  • Jill Scott Poet
  • Ari Rosenschein Seattle
  • Yosvany Terry Saxophone
  • Robby Krieger R&B
  • Maria Bethânia Salvador
  • Jorge Pita Candomblé
  • Raymundo Sodré Forró
  • Mestrinho Brazil
  • Cécile Fromont Writer
  • Ron Miles Jazz
  • Capinam Bahia
  • Louis Marks Podcaster
  • Glória Bomfim Bahia
  • Casey Benjamin Songwriter
  • Benjamin Grosvenor London
  • Saul Williams Singer-Songwriter
  • Nicolas Krassik Choro
  • Shuya Okino Composer
  • Shez Raja Tabla
  • Tarus Mateen Jazz
  • Merima Ključo Composer
  • David Simon Television Producer
  • Sombrinha Guitar
  • Aneesa Strings R&B
  • Dhafer Youssef ظافر يوسف Tunis
  • Susana Baca Folklorist
  • Weedie Braimah Ghana
  • Cinho Damatta Salvador
  • Lenny Kravitz Designer
  • Dafnis Prieto Afro-Cuban Jazz
  • Doug Adair Producer
  • Deborah Colker Rio de Janeiro
  • Gilad Hekselman Brooklyn, NY
  • Julian Lage Jazz
  • Pierre Onassis Música AFRO
  • Jeff 'Tain' Watts Jazz
  • Jas Kayser Afrobeat
  • Neymar Dias Brazil
  • Paulo César Pinheiro Samba
  • Seth Rogovoy Writer
  • Nelson Latif Choro
  • Gregory Hutchinson Soul
  • Bule Bule Repente
  • Gerald Cleaver Drums
  • Lucinda Williams Nashville, Tennessee
  • Justin Brown Jazz
  • Fidelis Melo Bahia
  • Marc Ribot Punk
  • Camille Thurman Composer
  • Ben Wolfe Composer
  • David Sacks MPB
  • Dan Nimmer New York City
  • Amy K. Bormet Jazz
  • Safy-Hallan Farah Journalist
  • Ned Sublette New Orleans
  • Ethan Iverson Music Critic
  • Ivan Bastos MPB
  • 9Bach Welsh Traditional Music
  • Paquito D'Rivera Classical Music
  • Jeremy Danneman Multi-Cultural
  • Rosângela Silvestre Candomblé
  • Tom Green Glasgow
  • Hilton Schilder Multi-Instrumentalist
  • Brian Jackson Record Producer
  • Oscar Bolão Brazil
  • Nguyên Lê Composer
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Jon Batiste R&B
  • Roy Ayers Film Scores
  • Dadá do Trombone Salvador
  • Joe Lovano Composer
  • Psoy Korolenko Псой Короленко Russia
  • Manassés de Souza Composer
  • Henrique Cazes Choro
  • Julie Fowlis Singer
  • Rotem Sivan Jazz
  • Antonio García University of KwaZulu-Natal Faculty
  • Tiganá Santana Salvador
  • Mona Lisa Saloy Folklorist
  • Sammy Britt Artist
  • Lakecia Benjamin R&B
  • Philip Glass New York City
  • Custódio Castelo Fado
  • Melvin Gibbs Bass
  • Andrew Gilbert Writer
  • Isaiah Sharkey Chicago
  • Toumani Diabaté Malian Traditional Music
  • Hot Dougie's Brasil
  • Roy Ayers Jazz, Funk, R&B, Soul, Hip-Hop
  • Ferenc Nemeth App Developer
  • João Camarero Samba
  • John Medeski Piano
  • Anouar Brahem Tunisia
  • Tom Piazza Screenwriter
  • Laércio de Freitas Actor
  • Eliane Elias Bossa Nova
  • Aindrias de Staic Galway
  • Deborah Colker Dancer
  • Howard Levy Latin Jazz
  • Asali Solomon Writer
  • Lô Borges Cantor-Compositor, Singer-Songwriter
  • Ronell Johnson Funk
  • Alan Brain Writer
  • Darol Anger Folk & Traditional
  • Gord Sheard Jazz
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • Márcio Valverde MPB
  • Laura Cole Canada
  • Luke Daniels Glasgow
  • Fidelis Melo Brasil, Brazil
  • Mickalene Thomas Photographer
  • Mou Brasil Bahia
  • Miles Mosley Film Scores
  • Sara Gazarek Singer
  • Nicholas Barber Arts Journalist
  • Luke Daniels Melodeon
  • Sunna Gunnlaugs Reykjavik
  • Calypso Rose Calypso
  • Papa Mali Louisiana
  • Warren Wolf Marimba
  • Jared Sims Composer
  • Matt Ulery Jazz
  • Gaby Moreno Singer-Songwriter
  • Alegre Corrêa Violin
  • John Waters Writer
  • Ajurinã Zwarg Drums
  • Renell Medrano Dominican Republic
  • Dadá do Trombone Jazz Brasileiro, Brazilian Jazz
  • Keyon Harrold Record Producer
  • Echezonachukwu Nduka Classical Music
  • Stephanie Jones Classical Guitar
  • Trilok Gurtu Tabla
  • Kiko Loureiro Guitar
  • Vincent Herring Composer
  • David Ritz Novelist
  • THE ROOM Shibuya Hip-Hop
  • Brooklyn Rider String Quartet
  • Shuya Okino Tokyo
  • Casa da Mãe Choro
  • Christopher Wilkinson Movie Producer
  • Don Byron Dance Performance Scores
  • Rumaan Alam Essayist
  • Irma Thomas Soul
  • Alegre Corrêa Brazil
  • Lina Lapelytė Vilnius
  • Mingo Araújo Composer
  • Nação Zumbi Manguebeat
  • Zebrinha Coreógrafo, Choreographer
  • Jonathan Scales Ropeadope
  • Jill Scott Model
  • Donny McCaslin Saxophone
  • Hamilton de Holanda Rio de Janeiro
  • Lula Moreira Arcoverde
  • Peter Erskine Author
  • Rudy Royston Educator
  • Bobby Sanabria Bandleader
  • Otis Brown III Jazz
  • Adriene Cruz Portland, Oregon
  • Orrin Evans Jazz
  • Serginho Meriti Singer
  • Seth Rogovoy Klezmer
  • Ubiratan Marques Brasil, Brazil
  • Aurino de Jesus Brazil
  • Gilberto Gil Bahia
  • Siobhán Peoples Irish Traditional Music
  • Stuart Duncan Nashville, Tennessee
  • Mateus Aleluia Bahia
  • Curtis Hasselbring Trombone
  • Scott Devine Bass Instruction
  • Jorge Pita Brazil
  • Paulo Costa Lima Academía Brasileira de Música, Brazilian Academy of Music
  • Donnchadh Gough Waterford
  • Omar Sosa Cuba
  • Hanif Abdurraqib Essayist
  • Armandinho Macêdo Brazil
  • Stomu Takeishi New York City
  • Aderbal Duarte Bahia
  • Stephan Crump Bass
  • Restaurante Axego Restaurant
  • Jason Treuting Composer
  • Branford Marsalis Jazz
  • Liz Pelly Journalist
  • Eli Degibri אלי דג'יברי Israel
  • Arto Lindsay Record Producer
  • Neo Muyanga Piano
  • The Rheingans Sisters Folk & Traditional
  • Clint Mansell Television Scores
  • Teodor Currentzis Conducter
  • Louis Michot Fiddle
  • Beeple VJ Loops
  • Luciano Salvador Bahia Guitar
  • Christopher Nupen Filmmaker
  • Carlos Lyra Singer-Songwriter
  • Milton Primo Bahia
  • Rita Batista Apresentadora de Televisão, Television Presenter
  • 9Bach Folk-Based
  • Johnathan Blake Jazz
  • Kotringo Japan
  • Bernardo Aguiar Percussion
  • Muri Assunção Journalist
  • Eric Galm Ethnomusicologist
  • Daniel Jobim Singer-Songwriter
  • Varijashree Venugopal Multi-Cultural
  • Sebastian Notini Salvador
  • Theo Bleckmann Composer
  • Jeff Ballard Jazz
  • Júlio Caldas Violão, Guitar
  • Alan Williams Furniture
  • Bill Hinchberger Journalist
  • Ron McCurdy Composer
  • Paulo Dáfilin Composer
  • Stanton Moore New Orleans
  • Luciano Salvador Bahia Record Producer
  • Pedro Abib Bahia
  • Isaiah J. Thompson New York City
  • LaTasha Lee Texas
  • Ceumar Coelho Brazil
  • Woody Mann Folk & Traditional
  • Badi Assad Guitar
  • Robertinho Silva Samba
  • The Weeknd Toronto
  • Chico César Poet
  • Nelson Latif São Paulo
  • Keith Jarrett Composer
  • Kevin Hays Piano
  • Milford Graves Vocals
  • Dorian Concept Record Producer
  • Tony Trischka Composer
  • Patricia Janečková Czech Republic
  • Fabian Almazan Composer
  • Sombrinha Brazil
  • Carlos Malta Flute
  • Los Muñequitos de Matanzas Rumba
  • Stephan Crump Bass Instruction
  • McCoy Mrubata South Africa
  • Jonathan Scales New York City
  • Les Filles de Illighadad Niger
  • Don Byron New York City
  • Vânia Oliveira Candomblé

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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