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  • Utar Artun

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Utar Artun
  • City/Place: Boston, Massachussetts
  • Country: United States
  • Hometown: Ankara, Turkey

CURATION

  • from this node by: Criador acima/Creator above

Life & Work

  • Bio: Utar Artun was born in Ankara, Turkey. In 2006, he arranged musical pieces for the theater play “The 7 Women”. Artun arranged numerous movie soundtracks and oldies/jazz music for symphonic orchestras, and the Bursa Regional Symphony Orchestra, Antalya State Symphony, Cukurova State Symphony, Presidential Symphony Orchestra and Izmir State Symphony Orchestra performed his arrangements and compositions in live concerts.

    In Turkey, Artun performed at the 19th Istanbul Jazz Festival, 12th Side Culture Art Festival, the 7th Eskisehir Jazz Festival, 12th International Ankara Jazz Festival, 6th International Mersin Music Festival, and 25th International Ankara Music Festival. In 2008, Artun graduated from Percussion Department of Hacettepe Conservatory with 2nd Rank (runner-up) Degree of School Placement Award (Turkey).

    After his graduation, he participated to European Scholarship Tours of Berklee College of Music and graduated in 2.5 years with summa cum laude degree. He was awarded for highly “Honorable Mention” from Berklee Contemporary Symphony Orchestra Composition Competition, Barnes&Noble award, 5 Dean’s List awards, Outstanding Pianist award, Arif Mardin Scholarship Award and Brian Oliver Memorial Award. He was among the finalist of ASCAP’s Morton Gould Young Composers Competition (2010) and Young Jazz Composers Competition (2011). In January 2010 and 2012, one of his compositions was selected to Jazz Revelation Records CDs.

    He was a JRR artist of Berklee and Artun was a part of ‘Birds of Feather’, ‘Octave’ and ‘Ripple Effect’ albums. In 2011, he performed with Kevin Eubanks in the studio recording session of WGBH Studios - Boston, MA. In the US, He’s been in workshops, clinics, concert performances and album recordings with world renowned artists such as Bobby McFerrin, Dave Weckl, Jojo Mayer, Arto Tuncboyaciyan, Dave Liebman, Antonio Sanchez, Mark Guiliana, Rudresh Mahanthappa, Simon Shaheen, Dave Holland, Larry Finn, Eddie Gomez, Jason Moran, Fred Hersch, Kati Agocs, Hankus Netsky, Ken Schaphorst, Mehmet Ali Sanlikol, Erkan Ogur, Anat Cohen, Yazhi Guo, Luis Conte, Kenwood Dennard, Jason Linder, Ledisi, Omar Hakim, Chuck Rainey, Jack DeJonnethe and David Fiuczynski.

    He involved into the Rhythm of the Universe and Berklee Yo-Team Projects as an Arranger, Performer, Conductor and Orchestrator, and Planet MicroJam Institute at Berklee College of Music.

    Artun won the 18th HALICI MIDI Composition Contest and 2nd place in the Berklee Film Scoring Contest 7 in 2011. In February 2013, He won a runner-up award of the TRT 2013 Children Choir Contest. In 2013, Artun won the Highest Award of SCAMV 1st National Symphonic Composition Contest.

    In Turkey, he is one the highly awarded scholars of Foundation of Modern Education (CEV) and Ankara Jazz Society (ACD). In 2016, won the 3rd place award of 9th Eczacibasi National Composition Contest with his symphonic lied "Hiclik".

    Artun has done numerous international studio recordings, albums, festivals, concerts and performances such as Undead Jazz Festival, Burlington Jazz Festival, Europalia Arts festival in Belgium, Musicacoustica Festival in China, Abu Dhabi Festival, Boston Jazz Fest, Barcelona Guitar Festival, Vilnius Jazz Festival in Lithuania, Huayi Arts Festival in Singapore and Detroit Jazz Festival.

    Artun had performances, touring and clinics in Switzerland (HKB-Bern & AMR Geneva), France (Paris, Sunset and Nancy, Music Academy International), Austria (Innsbruck - Treibhaus), Germany (Berlin-Aufsturz), Netherlands (Amsterdam- Panama), China (Beijing Central Conservatory) and Italy (Gezmataz Jazz Festival, Genova). He did a tour with Jussi Reijonen in Finland along with 8 performances and 5 workshops.

    Also, he had interviews, TV broadcasts and newspaper-press cuttings in USA, Europe and Turkey. With Nazan Nihal, he released their band’s “neotolia” EP album – Rose Lace in 2014 and they won a Bronze Medal from Global Music Awards 2014.

    In 2017, they released their 2nd album “Neotolian Song” and finished their USA CD Release tour. In 2015, he won the Boston Microtonal Society Award and released his solo music video “Cajonversations”.

    Currently, he's writing new ballet music for the Ankara State Opera & Ballet's Modern Dance projects. In 2017, he composed the first Piano & Cajon Concertant in the world and he premiered it at Zorlu PSM in Istanbul with Istanbul Symphony Orchestra. He was the Honorary Chairman/Judge of Global Outstanding Chinese Artists Association's 6th International Piano Competition.

    In 2018, he won ‘JCI - TOYP “10 Outstanding Young Persons of the World” Culture Award - in Istanbul, Turkey.

    In 2015, Artun got his M.M. degree from the historic New England Conservatory with ‘Academic Honors’. He has also composed and arranged over 120 pieces for symphony orchestra, as well as more than 160 pieces for brass bands and big bands. Featured on various studio albums as a piano player, arranger, and drummer. His compositions and arrangements are performed in USA, Switzerland, Turkey, Holland, China, Canada, Taiwan, Singapore, Czech Republic and Russia.

    Artun is working as an Arranger for Ankara Kent Big Band and Musical Director for Classical Oasis Ensemble. Furthermore, He's a voting member at The Recording Academy for upcoming Grammy Awards. In addition to that, Utar Artun is a member of SCI, NACUSA, Cagdas Turk Bestecileri and BMI. Currently, Artun is a faculty member at Berklee College of Music and New England Conservatory Prep School.

Contact Information

  • Contact by Webpage: http://www.utarartun.com/contactlinks.html

Media | Markets

  • ▶ Twitter: Utar_Artun
  • ▶ Instagram: utarartun
  • ▶ Website: http://www.utarartun.com
  • ▶ YouTube Channel: http://www.youtube.com/user/utarartun
  • ▶ Articles: http://www.utarartun.com/contactlinks.html

Clips (more may be added)

  • 0:12:51
    David Fiuczynski & Utar Artun : Mid-Eastern MicroJamz "Cumin" by David Fiuczynski LIVE!
    By Utar Artun
    252 views
  • 5:05
    Cajon & Piano Concertant, 1st Movement (Special World Premiere) Composed by Utar Artun
    By Utar Artun
    296 views
  • 4:18
    Blue Dot
    By Utar Artun
    341 views
  • 0:10:04
    Yazhi's Turkish Delight (By Utar Artun)
    By Utar Artun
    338 views
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Utar Artun Curated (bridges in)

  • 0 Berklee College of Music Faculty
  • 0 Composer
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  • 0 Microtonal
  • 0 Percussion
  • 0 Piano
  • 0 Turkey

What's Been Happening?

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  • Utar Artun
    A video was posted re Utar Artun:
    David Fiuczynski & Utar Artun : Mid-Eastern MicroJamz "Cumin" by David Fiuczynski LIVE!
    David Fiuczynski & Utar Artun : Mid-Eastern MicroJamz Cumin by David Fiuczynski LIVE! at Berklee Performance Center 2008 Fiuczynski Music SESAC © 2008 Fuzelicious Morsels Records (released on "KiF Express”) Thank you to the Berklee Guitar Dept & th...
    • June 26, 2020
  • Utar Artun
    A video was posted re Utar Artun:
    Cajon & Piano Concertant, 1st Movement (Special World Premiere) Composed by Utar Artun
    Istanbul Symphony Orchestra Conductor: Ibrahim YAZICI Pianist & Cajonist: Utar ARTUN At Zorlu Performance Center, Istanbul in 2018
    • June 26, 2020
  • Utar Artun
    A video was posted re Utar Artun:
    Blue Dot
    Utar Artun - Blue Dot Şef/Conductor: Burak Tüzün CSO Cello Quartet (Onur Şenler, İbrahim Aydoğdu, Yiğit Tan, Yaz Irmak) Hacettepe Symphony Orchestra
    • June 26, 2020
  • Utar Artun
    A video was posted re Utar Artun:
    Yazhi's Turkish Delight (By Utar Artun)
    This video is about my movie.
    • June 26, 2020
  • Utar Artun
    A category was added to Utar Artun:
    Film Scores
    • June 23, 2020
  • Utar Artun
    A category was added to Utar Artun:
    Percussion
    • June 23, 2020
  • Utar Artun
    A category was added to Utar Artun:
    Composer
    • June 23, 2020
  • Utar Artun
    A category was added to Utar Artun:
    Jazz
    • June 23, 2020
  • Utar Artun
    A category was added to Utar Artun:
    Microtonal
    • June 23, 2020
  • Utar Artun
    A category was added to Utar Artun:
    Turkey
    • June 23, 2020
  • Utar Artun
    A category was added to Utar Artun:
    Berklee College of Music Faculty
    • June 23, 2020
  • Utar Artun
    A category was added to Utar Artun:
    Piano
    • June 23, 2020
  • Utar Artun
    Utar Artun is matrixed!
    • June 23, 2020
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Mateus Asato Songwriter
  • Carwyn Ellis Brazil
  • Mick Goodrick Guitar
  • Léo Rodrigues Frevo
  • Egberto Gismonti Composer
  • Dee Spencer San Francisco State University Faculty
  • Dumpstaphunk Funk
  • Gilson Peranzzetta Piano
  • Oded Lev-Ari Arranger
  • Joe Lovano Jazz
  • Marcelinho Oliveira Keyboards
  • Abderrahmane Sissako Film Director
  • Flor Jorge Brazil
  • Ênio Bernardes Pandeiro
  • Aubrey Johnson Jazz
  • Simon Singh YouTuber
  • Nêgah Santos New York City
  • Joel Best London
  • Iuri Passos Bahia
  • Philip Glass Piano
  • Bule Bule Salvador
  • Ivan Huol Percussion
  • Michael Doucet Accordion
  • Antibalas Pan-Africana
  • Andrew Gilbert Journalist
  • Curly Strings Folk & Traditional
  • Laura Marling London
  • Thiago Espírito Santo MPB
  • Michael Janisch Record Label Owner
  • Ayrson Heráclito Bahia
  • Mike Marshall Bluegrass
  • James Brandon Lewis Saxophone
  • Ayrson Heráclito Cachoeira
  • Bill T. Jones New York City
  • Toninho Horta Minas Gerais
  • Bule Bule Chula
  • Renee Rosnes Jazz
  • Luciana Souza São Paulo
  • Janine Jansen Netherlands
  • Jessie Montgomery Educator
  • Sameer Gupta Jazz
  • Béla Fleck Multi-Cultural
  • Adriano Souza Choro
  • Byron Thomas Keyboards
  • Chief Xian aTunde Adjuah Ropeadope
  • Inaicyra Falcão Cantora, Singer
  • Aloísio Menezes Samba
  • Alicia Svigals Violin
  • Nelson Latif Choro
  • Daymé Arocena Jazz
  • William Parker Jazz
  • Fred Dantas Euphonium
  • Caetano Veloso Brazil
  • Airto Moreira Brasil, Brazil
  • Bodek Janke Drums
  • Nicolas Krassik Rio de Janeiro
  • Marcus J. Moore Editor
  • Rachael Price Brooklyn, NY
  • Zeca Baleiro Escritor, Writer
  • Caoimhín Ó Raghallaigh Uilleann Pipes
  • Hua Hsu Writer
  • Sophia Deboick Writer
  • Raphael Saadiq Multi-Instrumentalist
  • Ênio Bernardes Produtor de Discos, Record Producer
  • Michael Cuscuna Writer
  • Mateus Aleluia Filho Cachoeira
  • H.L. Thompson Artist Development
  • Miles Okazaki Guitar
  • Anoushka Shankar Indian Classical Music
  • Luíz Paixão Côco
  • Ibram X. Kendi Writer
  • Hamilton de Holanda Choro
  • Duncan Chisholm Composer
  • Ayrson Heráclito Brazil
  • Shoshana Zuboff Social Psychology
  • John McLaughlin Guitar
  • Mino Cinélu Drums
  • Fred Hersch New York Jazz Academy Faculty
  • Beth Bahia Cohen Tanbur
  • Nublu Record Label
  • Robby Krieger Painter
  • Elodie Bouny Composer
  • Richie Barshay Percussion
  • Muri Assunção Latinx
  • Áurea Martins Brasil, Brazil
  • Parker Ighile Africa
  • Jess Gillam Concert Promoter
  • Logan Richardson Classical Music
  • Joe Newberry Bluegrass
  • Kamasi Washington Jazz, Funk, R&B, Soul, Hip-Hop
  • Will Holshouser Jazz
  • Martín Sued Argentina
  • Justin Brown Jazz
  • Igor Osypov Jazz Fusion
  • Joel Guzmán Conjunto
  • Cedric Watson Singer-Songwriter
  • Richard Galliano Accordion
  • Negra Jhô AFROBIZ Salvador
  • Baiba Skride Classical Music
  • Ryuichi Sakamoto Multi-Cultural
  • Robb Royer Screenwriter
  • Seu Regi de Itapuã Samba de Roda
  • Kimmo Pohjonen Film Scores
  • Donnchadh Gough Uilleann Pipes
  • Gevorg Dabaghyan Yerevan
  • Tonho Matéria Salvador
  • Casa da Mãe Salvador
  • Sheryl Bailey New York City
  • Christopher Nupen Classical Music
  • VJ Gabiru Videógrafo, Videographer
  • Sérgio Pererê Brazil
  • Yamandu Costa Brazil
  • Rodrigo Caçapa Guitar
  • H.L. Thompson Brazil
  • Márcio Valverde Samba de Roda
  • Herlin Riley Northwestern University Bienen School of Music Faculty
  • Melanie Charles Experimental Music
  • Shankar Mahadevan Film Scores
  • Hilton Schilder Piano
  • Atlantic Brass Quintet Baroque
  • Samuel Organ Guitar
  • Nancy Viégas Country
  • Kiko Freitas Jazz
  • Kermit Ruffins Composer
  • Dafnis Prieto Percussion
  • Paulo César Pinheiro MPB
  • Nicolas Krassik Composer
  • Paulo Paulelli São Paulo
  • Duane Benjamin Arranger
  • Gonzalo Rubalcaba University of Miami Frost School of Music Faculty
  • Cláudia Leitão Ceará
  • Otmaro Ruiz Piano
  • Questlove Multi-Instrumentalist
  • Tele Novella Austin, Texas
  • Miguel Atwood-Ferguson Composer
  • Jurandir Santana Viola Caipira
  • Rahim AlHaj Baghdad
  • Devin Naar Writer
  • João Teoria Brasil, Brazil
  • Martin Koenig Balkan Music
  • The Weeknd Singer-Songwriter
  • Donald Harrison Saxophone
  • Orlando Costa Salvador
  • Brad Ogbonna Brooklyn, NY
  • Gregory Hutchinson Drums
  • Nancy Ruth Multi-Cultural
  • Tedy Santana Brazil
  • César Orozco Cuba
  • Lenny Kravitz Record Producer
  • Donny McCaslin Saxophone
  • Edsel Gomez New York City
  • Chico Buarque Author
  • Jennifer Koh Classical Music
  • Augustin Hadelich Violin
  • Joel Guzmán Tejano
  • Beeple VR / AR
  • Obed Calvaire Drums
  • Márcio Valverde Santo Amaro
  • Tiganá Santana Produtor Musical, Music Producer
  • Oriente Lopez La Habana, Havana
  • John Donohue Artist
  • Cashmere Cat Songwriter
  • Kehinde Wiley New York City
  • Michael Janisch Double Bass
  • Alex Conde Piano
  • Corey Ledet University of Louisiana at Lafayette Faculty
  • Pedro Martins Brazil
  • Vivien Schweitzer Music Critic
  • Nei Lopes Brazil
  • João Rabello Guitar
  • Jaques Morelenbaum Classical Music
  • Donald Harrison Mardi Gras Indian
  • Gearóid Ó hAllmhuráin Ethnomusicologist
  • Ken Coleman Essayist
  • Carlos Henriquez Bass
  • Nilze Carvalho Samba
  • Terri Lyne Carrington Drums
  • Alex Conde Composer
  • Gerald Cleaver Brooklyn, NY
  • Buck Jones Brasil, Brazil
  • Gêge Nagô Candomblé
  • Christopher Wilkinson Screenwriter
  • Ashley Pezzotti New York City
  • Caoimhín Ó Raghallaigh Tin Whistle
  • Michael Kiwanuka London
  • Cimafunk Havana
  • Edmar Colón Berklee College of Music Faculty
  • Marcus Rediker Documentary Filmmaker
  • Caterina Lichtenberg Mandolin
  • Orquestra Afrosinfônica Bahia
  • Gevorg Dabaghyan Duduk
  • Arthur L.A. Buckner Drums
  • João Rabello Choro
  • Bill Callahan Americana
  • Andrés Prado Lima
  • Loli Molina Guitar
  • Bob Lanzetti Composer
  • Joatan Nascimento Federal University of Bahia Faculty
  • Giveton Gelin Trumpet
  • Shane Parish Athens, Georgia
  • Alex Cuadros Journalist
  • Daphne A. Brooks Journalist
  • André Becker Flauta, Flute
  • Anthony Hervey Jazz
  • Yasmin Williams Harp-Guitar
  • Jau Salvador
  • Alana Gabriela Brasil, Brazil
  • Marco Pereira Brazil
  • Helado Negro Multi-Instrumentalist
  • Pat Metheny Jazz
  • Gilmar Gomes Guitar
  • Wolfgang Muthspiel Contemporary Classical Music
  • Gabriel Policarpo Repique
  • Bejun Mehta Countertenor
  • Calida Rawles Writer
  • Dorian Concept Keyboards
  • Turíbio Santos Guitar
  • Ryan Keberle Jazz
  • Terri Hinte Travel Writer
  • Conrad Herwig Afro-Caribbean Jazz
  • Alessandro Penezzi Multi-Instrumentalist
  • David Mattingly Matte Painter
  • Paul Mahern Singer-Songwriter
  • Arthur L.A. Buckner Minneapolis, MN
  • Jim Lauderdale Singer-Songwriter
  • Milton Primo Chula
  • Carlos Lyra Guitar
  • Leo Genovese Argentina
  • Adam Neely Bass
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