CURATION
-
from this page:
by Title Holder
Network Node
-
Name:
Utar Artun
-
City/Place:
Boston, Massachussetts
-
Country:
United States
-
Hometown:
Ankara, Turkey
Life
-
Bio:
Utar Artun was born in Ankara, Turkey. In 2006, he arranged musical pieces for the theater play “The 7 Women”. Artun arranged numerous movie soundtracks and oldies/jazz music for symphonic orchestras, and the Bursa Regional Symphony Orchestra, Antalya State Symphony, Cukurova State Symphony, Presidential Symphony Orchestra and Izmir State Symphony Orchestra performed his arrangements and compositions in live concerts.
In Turkey, Artun performed at the 19th Istanbul Jazz Festival, 12th Side Culture Art Festival, the 7th Eskisehir Jazz Festival, 12th International Ankara Jazz Festival, 6th International Mersin Music Festival, and 25th International Ankara Music Festival. In 2008, Artun graduated from Percussion Department of Hacettepe Conservatory with 2nd Rank (runner-up) Degree of School Placement Award (Turkey).
After his graduation, he participated to European Scholarship Tours of Berklee College of Music and graduated in 2.5 years with summa cum laude degree. He was awarded for highly “Honorable Mention” from Berklee Contemporary Symphony Orchestra Composition Competition, Barnes&Noble award, 5 Dean’s List awards, Outstanding Pianist award, Arif Mardin Scholarship Award and Brian Oliver Memorial Award. He was among the finalist of ASCAP’s Morton Gould Young Composers Competition (2010) and Young Jazz Composers Competition (2011). In January 2010 and 2012, one of his compositions was selected to Jazz Revelation Records CDs.
He was a JRR artist of Berklee and Artun was a part of ‘Birds of Feather’, ‘Octave’ and ‘Ripple Effect’ albums. In 2011, he performed with Kevin Eubanks in the studio recording session of WGBH Studios - Boston, MA. In the US, He’s been in workshops, clinics, concert performances and album recordings with world renowned artists such as Bobby McFerrin, Dave Weckl, Jojo Mayer, Arto Tuncboyaciyan, Dave Liebman, Antonio Sanchez, Mark Guiliana, Rudresh Mahanthappa, Simon Shaheen, Dave Holland, Larry Finn, Eddie Gomez, Jason Moran, Fred Hersch, Kati Agocs, Hankus Netsky, Ken Schaphorst, Mehmet Ali Sanlikol, Erkan Ogur, Anat Cohen, Yazhi Guo, Luis Conte, Kenwood Dennard, Jason Linder, Ledisi, Omar Hakim, Chuck Rainey, Jack DeJonnethe and David Fiuczynski.
He involved into the Rhythm of the Universe and Berklee Yo-Team Projects as an Arranger, Performer, Conductor and Orchestrator, and Planet MicroJam Institute at Berklee College of Music.
Artun won the 18th HALICI MIDI Composition Contest and 2nd place in the Berklee Film Scoring Contest 7 in 2011. In February 2013, He won a runner-up award of the TRT 2013 Children Choir Contest. In 2013, Artun won the Highest Award of SCAMV 1st National Symphonic Composition Contest.
In Turkey, he is one the highly awarded scholars of Foundation of Modern Education (CEV) and Ankara Jazz Society (ACD). In 2016, won the 3rd place award of 9th Eczacibasi National Composition Contest with his symphonic lied "Hiclik".
Artun has done numerous international studio recordings, albums, festivals, concerts and performances such as Undead Jazz Festival, Burlington Jazz Festival, Europalia Arts festival in Belgium, Musicacoustica Festival in China, Abu Dhabi Festival, Boston Jazz Fest, Barcelona Guitar Festival, Vilnius Jazz Festival in Lithuania, Huayi Arts Festival in Singapore and Detroit Jazz Festival.
Artun had performances, touring and clinics in Switzerland (HKB-Bern & AMR Geneva), France (Paris, Sunset and Nancy, Music Academy International), Austria (Innsbruck - Treibhaus), Germany (Berlin-Aufsturz), Netherlands (Amsterdam- Panama), China (Beijing Central Conservatory) and Italy (Gezmataz Jazz Festival, Genova). He did a tour with Jussi Reijonen in Finland along with 8 performances and 5 workshops.
Also, he had interviews, TV broadcasts and newspaper-press cuttings in USA, Europe and Turkey. With Nazan Nihal, he released their band’s “neotolia” EP album – Rose Lace in 2014 and they won a Bronze Medal from Global Music Awards 2014.
In 2017, they released their 2nd album “Neotolian Song” and finished their USA CD Release tour. In 2015, he won the Boston Microtonal Society Award and released his solo music video “Cajonversations”.
Currently, he's writing new ballet music for the Ankara State Opera & Ballet's Modern Dance projects. In 2017, he composed the first Piano & Cajon Concertant in the world and he premiered it at Zorlu PSM in Istanbul with Istanbul Symphony Orchestra. He was the Honorary Chairman/Judge of Global Outstanding Chinese Artists Association's 6th International Piano Competition.
In 2018, he won ‘JCI - TOYP “10 Outstanding Young Persons of the World” Culture Award - in Istanbul, Turkey.
In 2015, Artun got his M.M. degree from the historic New England Conservatory with ‘Academic Honors’. He has also composed and arranged over 120 pieces for symphony orchestra, as well as more than 160 pieces for brass bands and big bands. Featured on various studio albums as a piano player, arranger, and drummer. His compositions and arrangements are performed in USA, Switzerland, Turkey, Holland, China, Canada, Taiwan, Singapore, Czech Republic and Russia.
Artun is working as an Arranger for Ankara Kent Big Band and Musical Director for Classical Oasis Ensemble. Furthermore, He's a voting member at The Recording Academy for upcoming Grammy Awards. In addition to that, Utar Artun is a member of SCI, NACUSA, Cagdas Turk Bestecileri and BMI. Currently, Artun is a faculty member at Berklee College of Music and New England Conservatory Prep School.
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet is able to do so because it is small-world (see Wolfram above). Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a sociocultural matrix comprised of these three peoples and more, is small-world. Human society, the billions of us, is small-world. Neural structures for human memory are small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX