Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Magary Lord
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Magary Lord
  • City/Place: Salvador, Bahia
  • Country: Brazil

Life & Work

  • Bio: Magary is a percussionist and beyond that an invincible groovemaster/showman, his shows an invitation/dare to try not to dance...building on Angolan semba, real funk (not funk carioca), and the powerful lilt of the Bahian Recôncavo.

    Universal Music here in Brazil grabbed him and polished him up, but we personally prefer Magary rough and ready, the way he started.

Media | Markets

  • ▶ Instagram: magarylord
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCNLwHmTnOstt9IUYdf19iyg
  • ▶ YouTube Music: http://music.youtube.com/channel/UC16D9bjWPkxofylQ2pp4OEg
  • ▶ Spotify: http://open.spotify.com/album/5Ck06yEamw7uALLx2E2zPx
  • ▶ Spotify 2: http://open.spotify.com/album/6dY52SUoVPN9q3stxJLYFQ
  • ▶ Spotify 3: http://open.spotify.com/album/4tPpTGOdePXhFgCU1w5r7d

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      Shock - Magary Lord-Seu Jorge-Pierre Onassis (1,752 plays)
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      Amor de Canudinho - Magary Lord-Samir (1,462 plays)
    Shock - Magary Lord-Seu Jorge-Pierre Onassis
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Magary Lord:

  • 5 AFROBIZ Salvador
  • 5 Bahia
  • 5 Brazil
  • 5 Percussion
  • 5 Salvador
  • 5 Semba
  • 5 Singer-Songwriter

Nodes below are randomly generated. Reload for a different stack.

  • Roy Ayers Film Scores
  • Nettrice R. Gaskins Cultural Critic
  • Jeff 'Tain' Watts Composer
  • Bill Callahan Austin, Texas
  • Martin Hayes Irish Traditional Music
  • Dave Smith Alternative, Improv
  • Terence Blanchard Composer
  • Stuart Duncan Violin
  • Gary Clark Jr. Blues
  • Antônio Queiroz Brazil
  • John Donohue Journalist
  • Omer Avital North African Music
  • Kiko Freitas Drum Instruction
  • Joey Alexander Indonesia
  • Ferenc Nemeth App Developer
  • Paulinho do Reco Candomblé
  • Avner Dorman Conductor
  • Pururu Mão no Couro Sambalanço
  • John Boutté Singer
  • Wynton Marsalis Trumpet
  • Ajurinã Zwarg Universal Music
  • Emily Elbert Folk Funk Jazz Blues
  • Linda May Han Oh New York City
  • Lazzo Matumbi Brazil
  • João Parahyba Percussion
  • Jonga Cunha Radio Presenter
  • Miguel Atwood-Ferguson Arranger
  • Sebastian Notini Salvador
  • Shalom Adonai Brazil
  • Virgínia Rodrigues MPB
  • Warren Wolf Marimba
  • Andrew Dickson Radio Presenter
  • Bodek Janke Berlin
  • Flor Jorge Singer-Songwriter
  • Caetano Veloso Singer-Songwriter
  • Ryuichi Sakamoto Singer-Songwriter
  • Keita Ogawa Percussion Samples
  • Mateus Aleluia Filho Bahia
  • John Archibald Writer
  • Joshue Ashby Composer
  • Jason Reynolds Washington, D.C.
  • Perumal Murugan Tamil Literature
  • Marco Pereira Choro
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • Lakecia Benjamin New York City
  • Cory Wong Funk
  • Plinio Oyò Bahia
  • Carla Visi Singer
  • Bruce Molsky Berklee College of Music Faculty
  • Dale Barlow Flute
  • Eddie Palmieri Bandleader
  • Galactic New Orleans
  • Quatuor Ebène Classicalized Crossover
  • Nora Fischer Contemporary Classical Music
  • Jon Batiste Jazz
  • Xenia França MPB
  • Pretinho da Serrinha Percussion
  • Huey Morgan BBC
  • Ken Avis Music Writer
  • Susana Baca Folklorist
  • Tatiana Eva-Marie Brooklyn, NY
  • Luíz Paixão Rabeca
  • Sharita Towne Multidisciplinary Artist
  • Nação Zumbi Funk
  • Kathy Chiavola Folk & Traditional
  • Amy K. Bormet Jazz
  • Jake Webster Sculptor
  • Samuca do Acordeon Forró
  • Ambrose Akinmusire New York City
  • Richard Rothstein Author
  • Curly Strings Folk & Traditional
  • Samba de Lata Samba
  • Nubya Garcia Saxophone
  • 小野リサ Lisa Ono Bossa Nova
  • Karim Ziad Jazz
  • Mokhtar Samba Paris
  • César Camargo Mariano MPB
  • Hot Dougie's Bahia
  • Guto Wirtti Choro
  • Nicholas Barber Film Critic
  • Simon Brook Writer
  • Amitava Kumar Literary Critic
  • Zeca Pagodinho Singer-Songwriter
  • Anoushka Shankar Journalist
  • Paul Mahern Mastering Engineer
  • Walter Pinheiro Frevo
  • Custódio Castelo Portugal
  • Daymé Arocena Singer
  • Michael Olatuja Nigeria
  • Michael League Record Producer
  • Antonio Sánchez Jazz
  • Donald Vega Jazz
  • Simon Singh Mathematics
  • Katuka Africanidades Brasil, Brazil
  • Gerald Clayton Piano
  • Michael Doucet Mandolin
  • Chico César Brazil
  • Ivo Perelman Brazil
  • Cristiano Nogueira Rio de Janeiro
  • G. Thomas Allen Jazz
  • Tom Piazza Music Writer
  • Burkard Polster YouTuber
  • Michael Cleveland Indiana
  • Nikki Yeoh Jazz
  • Mykia Jovan Blues
  • Dani Deahl Record Producer
  • Alex Mesquita Bahia
  • Kirk Whalum Memphis, Tennessee
  • Anna Mieke Wicklow
  • Marcus J. Moore Music Journalist
  • Mariene de Castro Samba
  • James Carter Contemporary Classical Music
  • Wadada Leo Smith Composer
  • Keith Jarrett Composer
  • Lizz Wright Singer
  • Itamar Vieira Júnior Short Stories
  • Banning Eyre African Guitar
  • Chucho Valdés Piano
  • Bill Hinchberger Writer
  • Questlove Songwriter
  • Marc Johnson Jazz
  • Los Muñequitos de Matanzas Matanzas
  • Jared Sims Funk
  • Issac Delgado Cuba
  • Niwel Tsumbu Singer
  • Roberto Fonseca Piano
  • Jim Lauderdale Singer-Songwriter
  • Walter Blanding Clarinet
  • Yvette Holzwarth Violin
  • Laura Cole R&B
  • Keshav Batish Jazz
  • Manu Chao Singer-Songwriter
  • Ivan Huol Brazil
  • Jared Sims Flute
  • Daymé Arocena Jazz
  • Robby Krieger R&B
  • Cleber Augusto Brazil
  • Lolis Eric Elie Journalist
  • Robert Randolph Steel Guitar
  • Chau do Pife Maceió
  • Darrell Green Jazz
  • Ned Sublette Record Producer
  • Rotem Sivan New York City
  • Luíz Paixão Fiddle
  • Yilian Cañizares Jazz
  • Andra Day Pop
  • Lauranne Bourrachot Television Producer
  • Evgeny Kissin Writer
  • Taylor McFerrin DJ
  • Lilli Lewis Americana
  • Kiko Freitas MPB
  • James Andrews Second Line
  • Alexandre Vieira Brasil, Brazil
  • Luis Delgado Qualtrough San Francisco
  • Stephanie Soileau University of Chicago Faculty
  • Mika Mutti Salvador
  • Barry Harris Educator
  • Henrique Araújo Composer
  • Jeffrey Boakye Writer
  • Quincy Jones Trumpet
  • Mayra Andrade Lisbon
  • Georgia Anne Muldrow Record Producer
  • Horácio Reis Bahia
  • Michelle Mercer Radio Producer
  • Guto Wirtti Composer
  • Tobias Meinhart Jazz
  • Jorge Glem Mandolin
  • Jeff Tang Creative Producer
  • Yasmin Williams Multi-Cultural
  • Tom Green Scotland
  • Marília Sodré Salvador
  • Yosvany Terry Composer
  • Ferenc Nemeth Jazz
  • Wolfgang Muthspiel Jazz
  • Carwyn Ellis Record Producer
  • Tony Allen Drums
  • Paulo César Pinheiro Samba
  • Pedrito Martinez Composer
  • Alphonso Johnson Composer
  • Simon Shaheen Arabic Music
  • Echezonachukwu Nduka Classical Music
  • Sean Jones Jazz
  • Mark Bingham Record Producer
  • Roots Manuva Record Producer
  • Congahead Photographer
  • Karsh Kale कर्ष काळे Tabla
  • Omari Jazz Composer
  • Benoit Fader Keita Bedik
  • Fapy Lafertin Gypsy Jazz
  • Michael Janisch Funk
  • Catherine Bent Choro
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Swizz Beatz Rapper
  • Irmandade da Boa Morte Bahia
  • Ronell Johnson Brass Band
  • Esperanza Spalding Singer
  • Jazzmeia Horn Jazz
  • Tero Saarinen Helsinki
  • Miroslav Tadić Guitar
  • Capinam Brasil, Brazil
  • Jerry Douglas Record Producer
  • Jerry Douglas Music Director
  • Luciano Salvador Bahia Singer-Songwriter
  • Aditya Prakash Composer
  • Carlinhos Brown Singer-Songwriter
  • Ron Mader Travel Specialist
  • John Patitucci Bass Instruction
  • Ayrson Heráclito Cachoeira
  • Zé Luíz Nascimento Bahia
  • Derron Ellies Singer
  • Daniel Jobim Brazilian Jazz
  • Nels Cline New York City
  • Rebeca Omordia Classical Music
  • Tommaso Zillio YouTuber
  • Corey Henry Funk
  • Gilad Hekselman Brooklyn, NY
  • Alan Brain Writer
  • Berta Rojas Berklee College of Music Faculty
  • Stephanie Foden Documentary Photographer
  • Yoko Miwa Boston
  • Fernando César Choro
  • Gretchen Parlato New York City
  • Jason Treuting Percussion
  • Aruán Ortiz New York City
  • Courtney Pine Bass Clarinet
  • Johnny Lorenz Poet
  • Duane Benjamin Bass
  • Scott Kettner Pandeiro
  • Nubya Garcia England
  • Niwel Tsumbu Composer
  • Bob Bernotas Rutgers Faculty
  • Cláudio Jorge Samba
  • Léo Rugero Composer
  • Alan Brain Filmmaker
  • Jamie Dupuis Banjo
  • Jazzmeia Horn New York City
  • Restaurante Axego AFROBIZ Salvador
  • Welson Tremura University of Florida Faculty
  • Maciel Salú Côco
  • Christian Sands Piano
  • Wilson Simoninha Singer-Songwriter
  • Jazzmeia Horn Singer-Songwriter
  • Marcello Gonçalves Samba
  • Demond Melancon Big Chief
  • Paulo César Figueiredo Brasil, Brazil
  • Áurea Martins Brasil, Brazil
  • Swami Jr. Choro
  • George Porter Jr. Funk
  • James Poyser Record Producer
  • Angel Deradoorian Multi-Instrumentalist
  • João Bosco Singer-Songwriter
  • Omari Jazz Portland, Oregon
  • Jeff Tweedy Record Producer
  • Tab Benoit Louisiana
  • Herlin Riley Jazz
  • David Castillo Moorpark College Faculty
  • Rudy Royston Percussion
  • Issa Malluf North African Percussion
  • Zé Katimba Cavaquinho
  • Inaicyra Falcão Faculdade da UNICAMP/UNICAMP Faculty
  • Nêgah Santos Percussion
  • Daphne A. Brooks Music Critic
  • Mike Marshall Guitar
  • Leo Genovese New York City
  • Oleg Fateev Accordion
  • Victor Gama Luanda
  • Alain Mabanckou UCLA Faculty
  • Molly Tuttle Americana
  • Mika Mutti Multi-Instrumentalist
  • Edgar Meyer Curtis Institute of Music Faculty
  • Carwyn Ellis Multi-Cultural
  • Gêge Nagô Samba de Roda
  • Julien Libeer Brussels
  • Mário Pam Percussion Classes & Workshops
  • Nic Adler Los Angeles, California
  • Brian Jackson Soul
  • Bob Telson Piano
  • Giovanni Russonello Magazine Founder, Editor
  • Orlando Costa Percussion
  • Tatiana Campêlo Bahia
  • Jim Farber Clive Davis Institute of Recorded Music Faculty
  • Hugo Linns Composer
  • Marcelo Caldi Rio de Janeiro
  • Cedric Watson Fiddle
  • Madhuri Vijay Novelist
  • Giorgi Mikadze გიორგი მიქაძე New York City
  • Snigdha Poonam India
  • André Muato Rio de Janeiro
  • Sergio Krakowski Jazz
  • Jacob Collier Composer
  • Amit Chatterjee Guitar
  • Paulo Costa Lima Compositor, Composer
  • Nêgah Santos Brazil
  • Stan Douglas Canada
  • Toumani Diabaté Africa
  • Simone Sou São Paulo
  • Alicia Keys Author
  • John Waters Songwriter
  • Jeff Coffin Saxophone
  • Congahead Jazz
  • Mike Compton Songwriter
  • Ben Azar Guitar Instruction
  • Gino Sorcinelli Music Production, Rapping, Sampling, Beatmaking
  • César Orozco Cuba
  • Gian Correa Choro
  • Yvette Holzwarth Film, Television Recording
  • Bruce Molsky Berklee College of Music Faculty
  • Soweto Kinch Rapper
  • David Fiuczynski Jazz
  • Archie Shepp Pianist
  • Guinha Ramires Multi-Instrumentalist
  • Renato Braz Brazil
  • Lakecia Benjamin R&B
  • Eivør Pálsdóttir Singer-Songwriter
  • Tom Oren Piano
  • Samuca do Acordeon Choro
  • Henrique Cazes Bandolim
  • Joe Chambers Drums
  • Jussara Silveira Samba
  • António Zambujo Lisbon
  • Tom Schnabel World Music
  • Chick Corea Composer
  • Jurandir Santana Guitar
  • Steve Earle Radio Presenter
  • Liron Meyuhas Israel
  • Jeremy Danneman Composer
  • Wolfgang Muthspiel Guitar
  • Mykia Jovan New Orleans
  • Cássio Nobre Brazil
  • Anissa Senoussi Matte Painter
  • Jon Otis Percussion
  • Ben Harper Funk
  • Martin Fondse Composer
  • Alex Cuadros Author
  • Giorgi Mikadze გიორგი მიქაძე Jazz
  • Joachim Cooder Record Producer
  • Arto Tunçboyacıyan Multi-Cultural
  • Tyler Gordon San Jose, California
  • Niwel Tsumbu Africa
  • Eric Alexander Composer
  • Bejun Mehta Berlin
  • João Rabello Guitar
  • Christopher Wilkinson Movie Producer
  • Yazhi Guo 郭雅志 Saxophone
  • Donna Leon Writer
  • Custódio Castelo Castelo Branco
  • John Zorn Composer
  • Nora Fischer Classical Music
  • Giorgi Mikadze გიორგი მიქაძე Piano
  • Thiago Espírito Santo Baixo, Bass

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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