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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Erika Goldring
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Erika Goldring
  • City/Place: New Orleans, Louisiana
  • Country: United States

Life & Work

  • Bio: For nearly twenty years, New Orleans-based fine art music photographer Erika Molleck Goldring has developed her own unique style of performance portraiture. Her character-driven portfolio features such celebrated acts as Beyonce, Keith Richards, Willie Nelson, and Fats Domino, as well as breaking new acts in genres as divergent as hip-hop, jazz, blues, bluegrass, americana, country, pop and rock.

    Erika captures the energy in a live show—whether it’s the split second a beautiful stage light falls on her subject or the raw emotion emanating from the performer lost in the groove. Simplicity and balance prevail in Erika’s images. Her work speaks of the sounds, vibrations and rhythmic idiosyncrasies distinct to each performer.

    Her work is regularly featured in a number of publications and newspapers, including Rolling Stone, People, Entertainment Weekly, Time, Billboard and DownBeat magazines, as well as the New York Times, Chicago Tribune, USA Today and The Guardian newspapers. Erika has had works accepted into the Smithsonian’s Ogden Museum of Southern Art and the Louisiana State Museum in New Orleans, Louisiana, the Delta Blues Museum in Clarksdale, Mississippi, and the Rock and Roll Hall of Fame Museum in Cleveland, OH.

    She is continually hired by Getty Images Entertainment, performing rights organization BMI, Ryman Auditorium and Ryman Hospitality Properties, Sony Nashville, Americana Music Association, Pilgrimage Festival, Key West Songwriters Festival and Trombone Shorty Foundation.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.erikagoldring.com/contact
  • Telephone: +1 504.920.3830

Media | Markets

  • ▶ Instagram: blondeambitiontour
  • ▶ Website: http://www.erikagoldring.com

More

  • Quotes, Notes & Etc. “Erika has an ability to non-intrusively move into the mix of New Orleans’ cultural bearers, from Social Aid & Pleasure Clubs to Mardi Gras Indians, capturing intimate moments without disturbing the tradition itself.”

    Michelle Longino, Founder & Inter-Club Relations Director,
    New Orleans Bayou Steppers Social Aid & Pleasure Club

    “Erika Goldring has the valuable and rare ability as a photographer to shoot images that are as dynamic as the culture and musicians she portrays and yet exhibit a mystery and intimacy with her subjects, giving them a depth that is not often seen.”

    David Kunian, New Orleans correspondent, DownBeat Magazine

Clips (more may be added)

  • 0:18
    Erika Goldring/Getty Shooting live music.
    By Erika Goldring
    184 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Erika Goldring:

  • 0 Music Photographer
  • 0 New Orleans
  • 0 Photographer
  • Tommy Orange Novelist
  • Ned Sublette New Orleans
  • Alain Mabanckou UCLA Faculty
  • James Sullivan Writer
  • Larry Grenadier Bass Instruction
  • Horácio Reis Brasil, Brazil
  • Celso de Almeida São Paulo
  • Rogério Caetano Violão de Sete
  • Roots Manuva Singer-Songwriter
  • Adriano Souza Piano
  • Victoria Sur Colombia
  • Marcus Strickland Saxophone
  • Hugo Linns Brazil
  • Amy K. Bormet Washington, D.C.
  • Kiko Freitas Drums
  • Ubiratan Marques Salvador
  • Eli Degibri אלי דג'יברי Composer
  • Ken Coleman Essayist
  • Laura Beaubrun Haitian Dance Instruction
  • Conrad Herwig Rutgers University Faculty
  • Richie Pena Writer
  • Antonio García Film Scores
  • John McWhorter Columbia University Faculty
  • King Britt Record Label Owner
  • Adriana L. Dutra Documentary Filmmaker
  • Edmar Colón Composer
  • Miles Mosley Double Bass
  • Nubya Garcia Flute
  • Jelly Green Painter
  • Michael League Bass
  • Victoria Sur Bogotá
  • Carlinhos 7 Cordas Rio de Janeiro
  • Alana Gabriela Percussão, Percussion
  • Saul Williams Writer
  • Mark Lettieri Ropeadope
  • Edil Pacheco Bahia
  • Gord Sheard Composer
  • Bhi Bhiman Singer-Songwriter
  • Jorge Ben Sambalanço
  • Negra Jhô African Hairstyles
  • Donnchadh Gough Waterford
  • Grant Rindner Writer
  • Justin Stanton Trumpet
  • Tarus Mateen Jazz
  • Arismar do Espírito Santo Samba
  • Hermeto Pascoal Multi-Instrumentalist
  • Rita Batista Apresentadora de Rádio, Radio Presenter
  • Jimmy Cliff Rocksteady
  • Archie Shepp Saxophone
  • Willy Schwarz Multi-Instrumentalist
  • Tony Kofi Flute
  • Joe Lovano Clarinet
  • Dadá do Trombone Samba
  • Dónal Lunny Songwriter
  • Stanton Moore Funk
  • Seu Jorge Brazil
  • Laércio de Freitas Arranger
  • Renato Braz Guitar
  • Vanessa Moreno Guitar
  • Carla Visi Singer
  • Johnathan Blake Composer
  • Kyle Poole Jazz
  • Plinio Oyò Samba de Roda
  • Roy Germano NYU Faculty
  • Marcos Sacramento Samba
  • Gabriel Policarpo Repique
  • Ben Street Bass
  • Dale Farmer Screenwriter
  • Vânia Oliveira Brasil, Brazil
  • Craig Ross Multi-Instrumentalist
  • Lina Lapelytė Multi-Instrumentalist
  • Msaki Singer-Songwriter
  • Lucio Yanel Singer
  • Curtis Hasselbring Composer
  • Siphiwe Mhlambi Visual Story Teller
  • Sergio Krakowski Experimental Music
  • Muireann Nic Amhlaoibh Singer
  • Rosa Cedrón Singer
  • Jill Scott R&B
  • Caterina Lichtenberg Hochschule für Musik und Tanz Köln
  • Tank and the Bangas Soul
  • Isaak Bransah Singer-Songwriter
  • Yoko Miwa Boston
  • João Rabello Classical Guitar
  • Jura Margulis Classical Music
  • Steve Bailey Berklee College of Music Faculty
  • Gal Costa Salvador
  • Wynton Marsalis Composer
  • David Hoffman YouTuber
  • Judith Hill R&B
  • Tierra Whack Rapper
  • Aaron Parks Brooklyn, NY
  • Gregory Porter Songwriter
  • Áurea Martins Brasil, Brazil
  • Elie Afif Dubai
  • Sarz Sample Creator
  • Congahead Video Producer
  • Peter Serkin Contemporary Classical Music
  • Imanuel Marcus Journalist
  • Ibrahim Maalouf Multi-Cultural
  • Maria Drell Produtora Musical, Music Producer
  • Munir Hossn Multi-Cultural
  • Bobby Vega R&B
  • Justin Brown Drums
  • Kiko Loureiro Finland
  • Susana Baca Multi-Cultural
  • Ilê Aiyê Brazil
  • Geraldo Azevedo Música Nordestina
  • Ibram X. Kendi Historian
  • Beth Bahia Cohen Violin
  • Kermit Ruffins Singer
  • Linda May Han Oh Film Scores
  • Turíbio Santos Rio de Janeiro
  • Welson Tremura Guitar
  • Cécile McLorin Salvant Classical, Baroque Voice
  • Richie Stearns Tenor Guitar
  • Casey Benjamin Songwriter
  • Guto Wirtti Composer
  • Luis Delgado Qualtrough San Francisco
  • Derrick Hodge R&B
  • Flying Lotus Record Producer
  • Joe Newberry Bluegrass
  • Olivia Trummer Composer
  • Kurt Rosenwinkel Guitar
  • Şener Özmen Video Artist
  • Daru Jones Hip-Hop
  • Peter Erskine Jazz
  • Ari Rosenschein Seattle
  • Mika Mutti Electronic Music
  • Jan Ramsey Funk
  • Robert Glasper R&B
  • Mokhtar Samba Morocco
  • Marvin Dunn Documentary Filmmaker
  • Chris Speed Composer
  • Şener Özmen Photographer
  • Rolando Herts Delta State University Faculty
  • Matt Parker YouTuber
  • Arthur L.A. Buckner Jazz
  • Amitava Kumar India
  • Eric R. Danton Music Critic
  • Paulo Aragão Brazil
  • Keshav Batish Composer
  • Shez Raja Bass
  • Carwyn Ellis Record Producer
  • Matt Ulery Composer
  • Yotam Silberstein New School for Jazz and Contemporary Music Faculty
  • Masao Fukuda Japan
  • James Brandon Lewis New York City
  • James Brandon Lewis Essayist
  • Nicholas Gill Photographer
  • Yazz Ahmed Flugelhorn
  • Antônio Queiroz Bahia
  • Loli Molina Argentina
  • Stephen Guerra Author
  • Joel Ross Composer
  • Nelson Cerqueira Salvador
  • Baiba Skride Violin
  • Gerald Clayton Composer
  • Jas Kayser Panama City
  • David Fiuczynski Multi-Cultural
  • Gino Sorcinelli Music Production, Rapping, Sampling, Beatmaking
  • Bing Futch Singer-Songwriter
  • John Medeski Funk
  • Randy Lewis Writer
  • Gerônimo Santana Singer-Songwriter
  • Ênio Bernardes Brasil, Brazil
  • Derrick Hodge Record Producer
  • VJ Gabiru Videógrafo, Videographer
  • Jau Singer-Songwriter
  • Giorgi Mikadze გიორგი მიქაძე Microtonal
  • Henrique Araújo Composer
  • J. Velloso Songwriter
  • Terri Lyne Carrington Jazz
  • Keith Jarrett Composer
  • Pasquale Grasso Jazz
  • Jimmy Dludlu Jazz
  • David Greely Cajun Fiddle
  • Flor Jorge MPB
  • Michael Olatuja New York City
  • Guto Wirtti Samba
  • Angel Bat Dawid Singer
  • Joachim Cooder Multi-Cultural
  • Gretchen Parlato Singer
  • Daymé Arocena Singer
  • James Andrews Trumpet
  • Magda Giannikou Singer
  • Marcello Gonçalves Rio de Janeiro
  • Jakub Knera Writer
  • Marc Ribot Experimental Music
  • Nancy Viégas Country
  • Cedric Watson Accordion
  • Asa Branca Folk & Traditional
  • Márcio Bahia Rio de Janeiro
  • Ta-Nehisi Coates Black American Culture & History
  • Oded Lev-Ari Piano
  • Vivien Schweitzer New York City
  • Lakecia Benjamin Saxophone
  • Wayne Escoffery Yale Faculty
  • Celso Fonseca Brazil
  • Arifan Junior Samba
  • Léo Rodrigues Percussion
  • Adriano Souza Choro
  • Questlove Songwriter
  • Omer Avital North African Music
  • Walter Pinheiro Saxophone
  • Corey Ledet Creole Music
  • Ibram X. Kendi Essayist
  • Joshue Ashby Afro-Panamanian
  • Casa da Mãe Música ao Vivo, Live Music
  • Michael Peha Record Producer
  • Noam Pikelny Banjo Instruction
  • Jorge Alfredo Salvador
  • Nomcebo Zikode House Music
  • Andrew Dickson Art Critic
  • Tony Trischka Composer
  • Jamel Brinkley Iowa Writers' Workshop Faculty
  • Richie Barshay Percussion
  • Yacouba Sissoko Mali
  • Benoit Fader Keita Singer-Songwriter
  • Bobby Vega Bass
  • Yilian Cañizares Afro-Cuban Music
  • Hamilton de Holanda Rio de Janeiro
  • Questlove Hip-Hop
  • Shannon Ali Liner Notes
  • Alexandre Vieira Jazz Brasileiro, Brazilian Jazz
  • Psoy Korolenko Псой Короленко Moscow
  • Bob Mintzer Saxophone
  • Ken Coleman Writer
  • Omari Jazz Portland, Oregon
  • Tom Bergeron Brazilian Jazz
  • Zé Katimba Brazil
  • Philip Glass Film Scores
  • Oswaldinho do Acordeon Forró
  • Vadinho França Brasil, Brazil
  • Moreno Veloso Rio de Janeiro
  • Sebastian Notini Brasil, Brazil
  • Kiko Loureiro Helsinki
  • Teresa Cristina Samba
  • Billy O'Shea Copenhagen
  • Nubya Garcia Jazz
  • Michael League Multi-Instrumentalist
  • Seckou Keita Senegal
  • Alan Brain Filmmaker
  • Andrés Prado Afro-Peruvian Music
  • Ricardo Herz MPB
  • JD Allen Saxophone
  • David Binney Record Producer
  • Samuca do Acordeon Chamamé
  • Brian Lynch Latin Jazz
  • Romero Lubambo MPB
  • Oscar Peñas Barcelona
  • Sabine Hossenfelder YouTuber
  • Africania Bahia
  • Chucho Valdés Composer
  • Aurino de Jesus Chula
  • Nate Smith Composer
  • Stephanie Foden Bahia
  • Joel Guzmán University of Texas in Austin Faculty
  • Gerald Cleaver Drums
  • Ricardo Bacelar Ceará
  • Ricky (Dirty Red) Gordon New Orleans
  • Marvin Dunn Writer
  • Monk Boudreaux R&B
  • Lula Moreira Sculptor
  • Gary Clark Jr. Guitar
  • VJ Gabiru Salvador
  • Varijashree Venugopal India
  • Igor Osypov Ukraine
  • Milford Graves Jazz
  • Stormzy London
  • Casa Preta Salvador
  • Bule Bule Forró
  • Taylor Ashton Brooklyn, NY
  • Fred Dantas Ethnomusicologist
  • Stuart Duncan Violin
  • Marcela Valdes Journalist
  • David Simon Television Producer
  • Carlinhos Brown Bahia
  • Siba Veloso Pernambuco
  • Luke Daniels Scotland
  • Pat Metheny Jazz
  • Chris Speed Jazz
  • André Vasconcellos Baixo, Bass
  • Paquito D'Rivera Havana
  • Sheryl Bailey Guitar
  • Kiko Loureiro Author
  • Cláudio Jorge Singer-Songwriter
  • John Patrick Murphy Forró
  • Forrest Hylton Documentary Filmmaker
  • Hugues Mbenda Chef
  • George Porter Jr. Funk
  • Jerry Douglas Nashville, Tennessee
  • Mateus Alves Pernambuco
  • Guinha Ramires Brazil
  • Daniel Owoseni Ajala Lagos
  • Ron Blake Composer
  • Django Bates Multi-Instrumentalist
  • Tigran Hamasyan Piano
  • Nubya Garcia DJ
  • Geraldo Azevedo Forró
  • Jacám Manricks Jazz
  • Spider Stacy Singer-Songwriter
  • Ron Miles Cornet
  • Patty Kiss Multi-Instrumentalista, Multi-Instrumentalist
  • Cara Stacey Piano
  • Helado Negro Sound Installations
  • Matthew F Fisher Collaborative Artist
  • Edivaldo Bolagi Brasil, Brazil
  • Jeffrey Boakye Radio Presenter
  • Edil Pacheco Singer
  • Michael Garnice Reggae
  • Catherine Bent Choro
  • Victoria Sur Bogotá
  • Hendrik Meurkens Vibraphone
  • Jorge Pita Salvador
  • Rebeca Omordia Classical Music
  • Leon Parker Jazz
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Bonerama Brass Band
  • Chris McQueen Video Producer
  • Sandro Albert Guitar
  • Zebrinha Bahia
  • Andrew Finn Magill Violin
  • Inaicyra Falcão Opera
  • Romero Lubambo New York City
  • Walter Blanding Clarinet
  • Paul Mahern Bloomington, Indiana
  • George Cables Piano
  • Mariene de Castro Samba de Roda
  • Michael Pipoquinha MPB
  • BIGYUKI Composer
  • John Zorn Record Label Owner
  • Rolando Herts Mississippi
  • Aubrey Johnson Singer
  • Guilherme Kastrup Percussion
  • Gian Correa Samba
  • Simone Sou Record Producer
  • Ron Blake Jazz
  • Bob Bernotas Writer
  • Peter Erskine Record Producer
  • Wilson Simoninha MPB
  • Giba Conceição Candomblé
  • Nei Lopes Singer-Songwriter
  • Jazzmeia Horn Singer-Songwriter
  • Béla Fleck Americana
  • James Andrews Singer
  • Andrew Finn Magill Fiddle
  • Jimmy Cliff Jamaica
  • A-KILL Building Art
  • María Grand Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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