Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Turíbio Santos
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Turíbio Santos
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Turíbio Santos is a guitarist, a choro player and classicist from Rio de Janeiro, Brazil.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Website: http://www.turibio.com.br
  • ▶ YouTube Music: http://music.youtube.com/channel/UC3FXUBE9OHgMMJAC54uUcOQ
  • ▶ Spotify: http://open.spotify.com/album/4fYJDYYj8VtaPoUKz15a6i
  • ▶ Spotify 2: http://open.spotify.com/album/7uMdXpNojtwWHmRKKjcVWG
  • ▶ Spotify 3: http://open.spotify.com/album/0nLmJN2aMuM9v4e4U69aKH
  • ▶ Spotify 4: http://open.spotify.com/album/1xCvSHaiVPblI5B3ktQB0T
  • ▶ Spotify 5: http://open.spotify.com/album/1w1QzXZrpMqu0gitVUJEuF
  • ▶ Spotify 6: http://open.spotify.com/album/5yiUPKzy8i8E33EM93OAqG

Matrix Music Player

  • Choros do Brasil
    Choros do Brasil
    Pop-out Player
    • Add to my Playlist
      01 Tempo de Criança (1,046 plays)
    • Add to my Playlist
      02 Valsa da Vida (979 plays)
    • Add to my Playlist
      03 Escapulindo (941 plays)
    • Add to my Playlist
      04 Tenebroso (887 plays)
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      05 Escovado (835 plays)
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      06 Valsa-Choro (794 plays)
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      07 Apanhei-Te Cavaquinho (768 plays)
    • Add to my Playlist
      08 Odeon (753 plays)
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      09 Brejeira (722 plays)
    • Add to my Playlist
      10 Valsa (694 plays)
    • Add to my Playlist
      11 Reboliço (677 plays)
    • Add to my Playlist
      12 Chorinho (656 plays)
    01 Tempo de Criança
    12 tracks
    9,752 plays  |  417 views
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Clips (more may be added)

  • O Violão de Villa-Lobos por Turíbio Santos
    By Turíbio Santos
    370 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Turíbio Santos:

  • 3 Brazil
  • 3 Choro
  • 3 Classical Music
  • 3 Composer
  • 3 Guitar
  • 3 Rio de Janeiro

Nodes below are randomly generated. Reload for a different stack.

  • Geraldo Azevedo MPB
  • Zebrinha Coreógrafo, Choreographer
  • Willie Jones III New York City
  • Aaron Parks Brooklyn, NY
  • Karim Ziad Composer
  • Raelis Vasquez Drawings
  • Andrés Prado Composer
  • Nathan Amaral Salzburg
  • Nancy Ruth Piano
  • Helado Negro Latin Experimental Music
  • Armen Donelian Author
  • Anthony Coleman Avant-Garde Jazz
  • Nancy Ruth Multi-Cultural
  • David Binney Record Producer
  • Little Dragon Sweden
  • Stephen Guerra Choro
  • Marcelinho Oliveira Brazil
  • Joachim Cooder Drums
  • Filhos de Nagô Brazil
  • Custódio Castelo Produtor de Discos, Record Producer
  • Aaron Goldberg New York City
  • Yayá Massemba Bahia
  • Kyle Poole Jazz
  • Inaicyra Falcão Brasil, Brazil
  • Bertram Writer
  • Abderrahmane Sissako Film Producer
  • Diedrich Diederichsen Academy of Fine Arts Vienna Faculty
  • Martin Fondse Multi-Cultural
  • Tom Piazza New Orleans
  • José James Jazz
  • Rotem Sivan New York City
  • Andrew Dickson Radio Presenter
  • Marcelinho Oliveira Salvador
  • Guga Stroeter Brazilian Jazz
  • Armen Donelian Composer
  • Roque Ferreira Bahia
  • Tomoko Omura Japan
  • Marvin Dunn Educator
  • Tom Oren Israel
  • Ryuichi Sakamoto Composer
  • David Kirby Novelist
  • Grégoire Maret New York City
  • Margaret Renkl Journalist
  • Siobhán Peoples Fiddle
  • Bobby Sanabria New School for Jazz and Contemporary Music Faculty
  • Brian Blade Jazz
  • Sheryl Bailey New York City
  • Ramita Navai Journalist
  • Congahead African Music
  • Rudresh Mahanthappa New York City
  • Ariel Reich Actor
  • Christone 'Kingfish' Ingram Blues
  • Mykia Jovan Singer-Songwriter
  • Echezonachukwu Nduka Poet
  • Cássio Nobre Viola Brasileira
  • John Medeski Experimental Music
  • Cristiano Nogueira Brazil Specialist
  • Tony Allen Nigeria
  • Harish Raghavan Composer
  • Gilmar Gomes Percussion
  • Shirazee Africa
  • César Orozco New York City
  • Derek Sivers Entrepreneur
  • Jonathon Grasse California State University, Dominguez Hills Faculty
  • Romero Lubambo Choro
  • Kiko Loureiro Heavy Metal
  • Rudy Royston Drums
  • Etienne Charles Michigan State University Faculty
  • Mário Pam Salvador
  • Paulinho Fagundes Violão Gaúcho
  • Jam no MAM Salvador
  • Otto Recife
  • Dani Deahl Writer
  • Joe Newberry Old-Time Music
  • Mestre Nelito Salvador
  • Oded Lev-Ari Music Producer
  • Nic Hard New York City
  • Tessa Hadley Novelist
  • Brandon J. Acker Lute
  • Siba Veloso Maracatu
  • Arthur Jafa Multidisciplinary Artist
  • Dadi Carvalho Multi-Instrumentalist
  • Di Freitas Viola Caipira
  • Philip Sherburne Menorca
  • Tank and the Bangas Soul
  • Damion Reid Drums
  • Paul Cebar Singer-Songwriter
  • Daniel Owoseni Ajala Lagos
  • Léo Rodrigues Brazil
  • Leon Parker Percussion
  • Anouar Brahem Tunis
  • Ron Mader Professional Speaker
  • Fernando Brandão Jazz
  • Herbie Hancock Jazz
  • Chris McQueen Songwriter
  • Linda May Han Oh Film Scores
  • Otmaro Ruiz Jazz
  • Jaques Morelenbaum Cello
  • Béla Fleck Multi-Cultural
  • Anoushka Shankar Journalist
  • Avishai Cohen אבישי כה Tel Aviv
  • Chubby Carrier Accordion
  • Rez Abbasi New York City
  • Dave Douglas New York City
  • VJ Gabiru DJ
  • Margareth Menezes Axé
  • Henrique Araújo São Paulo
  • Brian Jackson Record Producer
  • Gretchen Parlato MPB
  • Danilo Pérez Piano
  • Stefon Harris Jazz
  • Chris Cheek Brooklyn, NY
  • Aindrias de Staic Cainteoir Gaeilge
  • Joey Alexander New York City
  • Dee Spencer Musical Director
  • Bright Red Dog Ropeadope
  • Jorge Ben Singer-Songwriter
  • Nabihah Iqbal London
  • Plinio Oyò Samba de Roda
  • Los Muñequitos de Matanzas Cuba
  • Monty's Good Burger Southern California
  • Nei Lopes Samba
  • Alana Gabriela Educadora, Educator
  • Geraldo Azevedo Singer-Songwriter
  • David Ritz Liner Notes
  • Massimo Biolcati Bass
  • Eddie Palmieri Bandleader
  • Bill Callahan Singer-Songwriter
  • Nilze Carvalho Brazil
  • Conrad Herwig Composer
  • Adriano Giffoni MPB
  • Asanda Mqiki Afro-Soul
  • André Muato Singer-Songwriter
  • Jazzmeia Horn Writer
  • Biréli Lagrène Composer
  • Brandon Wilner Writer
  • Siba Veloso Rabeca
  • Philip Sherburne Electronic, Experimental, Underground Music
  • Jamael Dean Jazz
  • Miguel Zenón Composer
  • Tab Benoit Guitar
  • Bobby Sanabria Composer
  • Dan Nimmer Piano
  • Antônio Queiroz Samba Rural
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Bill Hinchberger Paris
  • Fred Dantas Brazil
  • Regina Carter Violin
  • Jon Faddis Manhattan School of Music Faculty
  • Ken Avis Documentary Filmmaker
  • Marcelo Caldi Singer
  • Roots Manuva Hip-Hop
  • Eduardo Kobra Artista da Rua, Street Artist
  • Demond Melancon Mardi Gras Indian
  • Del McCoury Banjo
  • John Zorn Saxophone
  • Marcelo Caldi Música Nordestina
  • Ricky (Dirty Red) Gordon Frottoir
  • Mestre Nelito Brazil
  • Psoy Korolenko Псой Короленко Russia
  • Ken Coleman Detroit, Michigan
  • Jim Farber Music Critic
  • Shez Raja Composer
  • Carlos Malta Brazil
  • John Boutté New Orleans
  • Curly Strings Americana
  • Huey Morgan Singer
  • Alexandre Vieira Salvador
  • Henrique Cazes Banjo
  • Jocelyn Ramirez Online Cooking Classes
  • Kiko Souza Bahia
  • Manolo Badrena Afro-Latin Music
  • Swizz Beatz New York City
  • Fábio Zanon Author
  • Dale Bernstein Photographer
  • Alegre Corrêa Violin
  • Casey Benjamin Vocoder
  • Taj Mahal Blues
  • Celso Fonseca Brazil
  • Shuya Okino DJ
  • Gabi Guedes Percussion
  • Jakub Knera Poland
  • D.D. Jackson Opera
  • Capitão Corisco Brazil
  • Aloísio Menezes Candomblé
  • Irma Thomas Gospel
  • Edu Lobo MPB
  • Shaun Martin Ropeadope
  • Aaron Parks Composer
  • David Braid Guitar
  • Siba Veloso Guitar
  • Herlin Riley New Orleans
  • Colm Tóibín Columbia University Faculty
  • Nelson Cerqueira Romancista, Novelist
  • Rosângela Silvestre Bahia
  • Archie Shepp Record Label Owner
  • Robertinho Silva Composer
  • Alexandre Vieira Compositor, Composer
  • Teresa Cristina Rio de Janeiro
  • Isaak Bransah Salvador
  • José James Jazz
  • Jon Batiste Bandleader
  • McClenney Singer-Songwriter
  • Tony Trischka Composer
  • Immanuel Wilkins Jazz
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Siobhán Peoples County Clare
  • Thiago Espírito Santo Guitarra, Guitar
  • Mary Norris New York City
  • Adam Rogers New York City
  • China Moses Actor
  • Beth Bahia Cohen Hardingfele
  • Martin Fondse Composer
  • Dudu Reis Brasil, Brazil
  • Cainã Cavalcante Guitar
  • Louis Michot Fiddle
  • Lakecia Benjamin Ropeadope
  • César Orozco Cuba
  • Colson Whitehead New York City
  • Chief Xian aTunde Adjuah Trumpet
  • Patricia Janečková Soprano
  • Marcelo Caldi Samba
  • Edward P. Jones Writer
  • António Zambujo Lisbon
  • Nego Álvaro Repique de Mão
  • Steve Coleman Composer
  • Jeff Tweedy Multi-Instrumentalist
  • Ari Rosenschein Writer
  • 9Bach Welsh Traditional Music
  • Taylor McFerrin Record Producer
  • Karla Vasquez Journalist
  • Ênio Bernardes Pandeiro
  • Joshua Redman Jazz
  • Linda May Han Oh New York City
  • Sombrinha Guitar
  • Jane Ira Bloom Saxophone
  • Gonzalo Rubalcaba Cuba
  • Brian Stoltz Guitar
  • Muri Assunção Writer
  • Isaiah J. Thompson Jazz
  • Alphonso Johnson Bass
  • John Boutté Blues
  • Seth Swingle Banjo
  • Tray Chaney Record Producer
  • Guga Stroeter Brazilian Jazz
  • Alex Mesquita Guitar
  • Marc Cary Multi-Cultural
  • Questlove Author
  • Celsinho Silva Choro
  • Matt Parker YouTuber
  • Snigdha Poonam Journalist
  • Maia Sharp NYU Steinhardt Faculty
  • Corey Henry Second Line
  • Carlos Henriquez Jazz
  • Daru Jones Drums
  • Harish Raghavan Brooklyn, NY
  • Michael W. Twitty Food Writer
  • Berkun Oya Turkey
  • OVANA Xangongo
  • Rodrigo Caçapa Record Producer
  • Larissa Luz Brazil
  • Susana Baca Peru
  • Bob Lanzetti Educator
  • Caterina Lichtenberg Soprano Lute
  • Edivaldo Bolagi Produtor Cultural, Cultural Producer
  • Mart'nália Rio de Janeiro
  • Ben Harper Reggae
  • Abel Selaocoe Manchester
  • Kirk Whalum Songwriter
  • Priscila Castro Carimbó
  • Moses Boyd Record Label Owner
  • Carol Soares Singer
  • Gaby Moreno Guitar
  • Welson Tremura University of Florida Faculty
  • Raelis Vasquez Chicago
  • Meddy Gerville Piano
  • Casa PretaHub Cachoeira Estúdio de Fotografía, Photography Studio
  • Guto Wirtti Composer
  • Stephanie Foden Bahia
  • David Braid England
  • Joan Chamorro Spain
  • Joel Ross Composer
  • Choronas Samba
  • Alicia Hall Moran Opera
  • Helado Negro Sound Installations
  • Dan Tyminski Singer-Songwriter
  • Parker Ighile Rapper
  • Keith Jarrett Multi-Instrumentalist
  • Tiganá Santana Poeta, Poet
  • Ben Paris Writer
  • Léo Rugero Sanfona de 8 Baixos
  • Brian Lynch Trumpet
  • Ibram X. Kendi Essayist
  • Swami Jr. Choro
  • Alexandre Leão Brasil, Brazil
  • Geraldine Inoa Television Writer
  • Tshepiso Ledwaba University of South Africa Staff
  • Samuca do Acordeon Brazil
  • Ben Okri Essayist
  • Cássio Nobre Viola Machete
  • Niwel Tsumbu Ireland
  • Keshav Batish Jazz
  • PATRICKTOR4 Pernambuco
  • Patty Kiss Frevo
  • NIcholas Casey International Correspondent
  • Tom Bergeron Bossa Nova
  • Gord Sheard Toronto
  • Otto Manguebeat
  • Deesha Philyaw Literary Critic
  • Doug Adair Singer-Songwriter
  • Marco Pereira Choro
  • Myles Weinstein Percussion
  • Martin Koenig Čalgija
  • Nancy Ruth Piano
  • Louis Marks Music Producer
  • Hendrik Meurkens Harmonica
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Mart'nália Samba
  • Tom Bergeron Jazz
  • Sam Reider Singer-Songwriter
  • André Vasconcellos Baixo, Bass
  • Hamilton de Holanda Choro
  • Tony Austin Recording Engineer
  • Perumal Murugan Writer
  • Janine Jansen Netherlands
  • Miles Mosley Los Angeles
  • Jane Ira Bloom Composer
  • Wolfgang Muthspiel Jazz
  • Maria Bethânia MPB
  • Carlos Aguirre Composer
  • Rogê MPB
  • Deborah Colker Dancer
  • John Harle Composer
  • Wouter Kellerman Composer
  • Jon Faddis Flugelhorn
  • Virgínia Rodrigues Bahia
  • Cassandra Osei University of Illinois PhD Candidate
  • Sophia Deboick England
  • Catherine Bent Classical Music
  • Ben Allison Concert Producer
  • Gino Sorcinelli Writer
  • Ron Miles Trumpet
  • Natan Drubi Choro
  • Chucho Valdés Piano
  • Paul Anthony Smith Picotage
  • Hercules Gomes Piano
  • Carlinhos Pandeiro de Ouro Percussion
  • Nêgah Santos Jazz
  • Eric Bogle Folk & Traditional
  • Brigit Katz Toronto

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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