CURATION
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from this page:
by Augmented Matrix
The Integrated Global Creative Economy
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Name:
Gilad Hekselman
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City/Place:
Brooklyn, NY
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Country:
United States
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Hometown:
Alfey Menashe, Israel
Life
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Bio:
Gilad Hekselman has established himself as one of the leading voices in jazz guitar. Only a few years after his arrival to NY in 2004, this native Israeli was already sharing stages with some of the greatest artists in the New York City jazz scene including Chris Potter, Eric Harland, Mark Turner, Anat Cohen, Ari Hoenig, Esperanza Spalding, Jeff Ballard, Ben Wendel, Gretchen Parlato, Avishai Cohen, Jeff 'Tain' Watts, Tigran Hamasyan, Aaron Parks, Becca Stevens, John Scofield, Terri Lyne Carrington, Danilo Perez and Peter Bernstein among many others.
In May 2019, Hekselman featured his quartet at the legendary NYC venue The Village Vanguard. He has also been playing all other major jazz clubs in New York City, including the Blue Note, The Jazz Standard, Dizzy's Club and Smalls. He is constantly touring world-wide and has played most noteworthy jazz festivals and venues including Montreux, North Sea, Montreal & SFJazz to name a few.
Ask For Chaos, Gilad's most recent full length album, was released on Sep 7th, 2018 on his new label, Hexophonic Music in collaboration with Motema Music label. It features both of his new working bands: ZuperOctave (feat. Aaron Parks on piano and keys and Kush Abadey on drums) which is a bass-less band that explores electronics with the goal of keeping the music organic and flexible, and the gHex Trio (feat. Rick Rosato on bass and Jonathan Pinson on drums) which continues the classic guitar trio sound that Gilad has become known for while also bringing something fresh to the music. This record was followed by an EP named Further Chaos, released in May 2019 and featuring the same personnel.
Gilad is the recipient of several prestigious awards and recognitions. In 2017, Gilad placed first in the Rising Star category of Downbeat Magazine. That same year, he won the 7 Virtual Jazz Club international competition 2017. In 2018 Gilad was asked by guitar legend Pat Metheny to perform as part of his NEA Award ceremony at The Kennedy Center, alongside some of Metheny's other favorite young guitar players. Gilad is also the winner of the 2005 Gibson Montreux International Guitar Competition, which led to a string of performances including opening for guitar legend Paco de Lucia with his trio at the Montreux Jazz Festival in 2006.
Gilad began his prolific recording career in 2006 with the release of his debut album, SplitLife (Smalls Records), recorded with bassist Joe Martin and drummer Ari Hoenig. It received rave reviews from the press as did his second album, Words Unspoken (LateSet Records), recorded and released in 2008 with Joe Martin, drummer Marcus Gilmore and tenor saxophonist Joel Frahm.
In 2009, Gilad recorded three tracks for Walt Disney Records, one of which was included in the record Everybody Wants To Be a Cat (2011). The album features versions of Disney songs played by a top-shelf lineup of musicians including Dave Brubeck, Joshua Redman, Esperanza Spalding, Diane Reeves, Roy Hargrove, Kurt Rosenwinkel, The Bad Plus and many other jazz legends.
In the spring of 2010 Gilad recorded his third album, Hearts Wide Open, with Joe Martin on bass, Marcus Gilmore on drums and world-renowned saxophonist Mark Turner. The record received rave reviews globally and was featured in many Best-of-2011 lists such as The New York Times, Amazon and iTunes. Then in April of 2013, Gilad released his fourth album, This Just In, under the JazzVillage label of Harmonia Mundi with the same quartet. Gilad's fifth record, Homes, was released in 2015 on the same label. It features his longstanding trio with Martin and Gilmore, plus 2 tracks with the great Jeff Ballard on drums.
Born in Israel in 1983, Gilad studied classical piano from age 6 and began studying guitar at the age of 9. From age 12 to 14 he performed regularly with the band of a weekly children's television show. He attended the prestigious Thelma Yellin School of Arts, graduating with excellence from the jazz department at age 18. Gilad received the America - Israel Cultural Foundation Scholarship for studies abroad to attend The New School in New York, where he completed his BFA in performing arts in 2008.
My Instruction
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Lessons/Workshops:
GUITAR LESSONS WITH GILAD?
If you are interested in taking lessons with Gilad, please send us an email with your information and we will get back to you as quickly as possible.
Clips (more may be added)
When creators curate people (and entities) for what they do and where they do it, a matrix is generated.
Following human society, by the mathematical magic of the small-world phenomenon, all inside such a matrix tend to within degrees of all others inside.
And by logical extension, to within degrees of all humanity.
It is almost completely unknown that the Recôncavo of Bahia was final port-of-call for more enslaved human beings than any other place throughout the entirety of mankind’s existence on this planet.
And widely unknown that Brazil — a repository of African deities now largely forgotten in their lands of origin — absorbed over ten times the number of Africans taken to the United States of America.
And unknown that Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil’s national music — the pandeiro — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil’s culturally fecund nordeste/northeast (where wizard Hermeto Pascoal was born in Lagoa da Canoa — Lagoon of the Canoe — and raised in Olho d’Águia — Eye of the Eagle), much of Brazil’s aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth.
This matrix began here and opens pathways to everywhere.
Recently accessed from:

"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Ground Zero for the project was the culture born in Brazil's quilombos (in Angola a kilombo is a village; in Brazil it is a village either founded by Africans or Afro-Brazilians who had escaped slavery, or — as in the case of São Francisco do Paraguaçu below — occupied by such after abandonment by the ruling class):

...theme for a Brazilian Matrix, from an Afro-Brazilian Mass by
Milton Nascimento
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
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