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  • No princípio...
  • In the beginning...

The Birth of the Matrix →

No princípio...

Imagine um Facebook que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem.

 

Imagine uma versão atualizada do antigo Myspace Music, que incluiria não apenas músicos, mas todos da economia criativa global da humanidade.

 

E imagine que ao invés de ter "amigos", recomendaria as pessoas pelo que fazem...

 

E que, por alguma mágica fantástica, todos nessa rede imaginária tenderiam a estar a poucos passos de todos os outros, o que significa que todos em nossa rede seriam potencialmente encontrados por todos os outros na rede, e no planeta.

 

Você está imaginando o Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a Facebook that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did.

 

Imagine an updated version of old Myspace Music, which would include not just musicians but all in humanity's global creative economy.

 

And imagine that rather than having "friends", one would recommend people for what they do...

 

And that by some fantastic magic everybody in this imaginary network would tend to be within scant steps of everybody else, meaning that everybody in our network would be potentially findable by everybody else in the network, and on the planet.

 

You are imagining the Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Gilad Hekselman)
    I RECOMMEND
    You can recommend Gilad Hekselman from below when logged in ←

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Gilad Hekselman
  • City/Place: Brooklyn, NY
  • Country: United States
  • Hometown: Alfey Menashe, Israel

Life & Work

  • Bio: Gilad Hekselman has established himself as one of the leading voices in jazz guitar. Only a few years after his arrival to NY in 2004, this native Israeli was already sharing stages with some of the greatest artists in the New York City jazz scene including Chris Potter, Eric Harland, Mark Turner, Anat Cohen, Ari Hoenig, Esperanza Spalding, Jeff Ballard, Ben Wendel, Gretchen Parlato, Avishai Cohen, Jeff 'Tain' Watts, Tigran Hamasyan, Aaron Parks, Becca Stevens, John Scofield, Terri Lyne Carrington, Danilo Perez and Peter Bernstein among many others.

    In May 2019, Hekselman featured his quartet at the legendary NYC venue The Village Vanguard. He has also been playing all other major jazz clubs in New York City, including the Blue Note, The Jazz Standard, Dizzy's Club and Smalls. He is constantly touring world-wide and has played most noteworthy jazz festivals and venues including Montreux, North Sea, Montreal & SFJazz to name a few.

    Ask For Chaos, Gilad's most recent full length album, was released on Sep 7th, 2018 on his new label, Hexophonic Music in collaboration with Motema Music label. It features both of his new working bands: ZuperOctave (feat. Aaron Parks on piano and keys and Kush Abadey on drums) which is a bass-less band that explores electronics with the goal of keeping the music organic and flexible, and the gHex Trio (feat. Rick Rosato on bass and Jonathan Pinson on drums) which continues the classic guitar trio sound that Gilad has become known for while also bringing something fresh to the music. This record was followed by an EP named Further Chaos, released in May 2019 and featuring the same personnel.

    Gilad is the recipient of several prestigious awards and recognitions. In 2017, Gilad placed first in the Rising Star category of Downbeat Magazine. That same year, he won the 7 Virtual Jazz Club international competition 2017. In 2018 Gilad was asked by guitar legend Pat Metheny to perform as part of his NEA Award ceremony at The Kennedy Center, alongside some of Metheny's other favorite young guitar players. Gilad is also the winner of the 2005 Gibson Montreux International Guitar Competition, which led to a string of performances including opening for guitar legend Paco de Lucia with his trio at the Montreux Jazz Festival in 2006.

    Gilad began his prolific recording career in 2006 with the release of his debut album, SplitLife (Smalls Records), recorded with bassist Joe Martin and drummer Ari Hoenig. It received rave reviews from the press as did his second album, Words Unspoken (LateSet Records), recorded and released in 2008 with Joe Martin, drummer Marcus Gilmore and tenor saxophonist Joel Frahm.

    In 2009, Gilad recorded three tracks for Walt Disney Records, one of which was included in the record Everybody Wants To Be a Cat (2011). The album features versions of Disney songs played by a top-shelf lineup of musicians including Dave Brubeck, Joshua Redman, Esperanza Spalding, Diane Reeves, Roy Hargrove, Kurt Rosenwinkel, The Bad Plus and many other jazz legends.

    In the spring of 2010 Gilad recorded his third album, Hearts Wide Open, with Joe Martin on bass, Marcus Gilmore on drums and world-renowned saxophonist Mark Turner. The record received rave reviews globally and was featured in many Best-of-2011 lists such as The New York Times, Amazon and iTunes. Then in April of 2013, Gilad released his fourth album, This Just In, under the JazzVillage label of Harmonia Mundi with the same quartet. Gilad's fifth record, Homes, was released in 2015 on the same label. It features his longstanding trio with Martin and Gilmore, plus 2 tracks with the great Jeff Ballard on drums.

    Born in Israel in 1983, Gilad studied classical piano from age 6 and began studying guitar at the age of 9. From age 12 to 14 he performed regularly with the band of a weekly children's television show. He attended the prestigious Thelma Yellin School of Arts, graduating with excellence from the jazz department at age 18. Gilad received the America - Israel Cultural Foundation Scholarship for studies abroad to attend The New School in New York, where he completed his BFA in performing arts in 2008.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.giladhekselman.com/contact-booking
  • Management/Booking: TAKLIT ARTIST & CONCERT MANAGEMENT
    Patricia Johnston
    93 rue Jean Jaurès
    92800 Puteaux - FRANCE
    Office: +33 (0) 1 45 49 11 42
    Cell: +33 (0) 6 42 73 06 70
    [email protected]
    www.taklit.net

    BOOKING FOR EUROPE
    Tommy Høeg
    Live Jazzbooking
    Mozartstrasse 43A
    22083 Hamburg / DE
    TEL: +49 152 04368960
    [email protected]
    www.livejazzbooking.com

    BOOKING FOR USA & CANADA
    Arte Boreal Agency
    Simon Couillard
    [email protected]
    +1 (418) 953-4105

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://giladhekselman.lnk.to/AskforChaosID
  • ▶ Twitter: giladhekselman
  • ▶ Instagram: ghex
  • ▶ Website: http://www.giladhekselman.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCtYs-T2ZtgtlIuk9atzXKjQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UC2xKIVDmf7CiQgG3KnkoFbA
  • ▶ Spotify: http://open.spotify.com/album/4nL9nYWG8k53BwCMM8hCsr
  • ▶ Spotify 2: http://open.spotify.com/album/7EXnMomu07i8aR538oH4M2
  • ▶ Spotify 3: http://open.spotify.com/album/2dTfMwNC1WwPu6amYyITeP
  • ▶ Spotify 4: http://open.spotify.com/album/1lRaYwq94K1OPHifDQPpBK
  • ▶ Spotify 5: http://open.spotify.com/album/4nuQ3Lf8Pg8QYl1qzXxWm7
  • ▶ Spotify 6: http://open.spotify.com/album/2OUteKtyfQ8NQwH447aV2m

My Instruction

  • Lessons/Workshops: GUITAR LESSONS WITH GILAD?

    If you are interested in taking lessons with Gilad, please send us an email with your information and we will get back to you as quickly as possible.

Clips (more may be added)

  • 0:07:21
    Gilad Hekselman "VBlues" Studio Session
    By Gilad Hekselman
    202 views
  • 1:00:00
    Night Improvisation
    By Gilad Hekselman
    164 views
  • 2:08
    Amazing Grace Gilad Hekselman
    By Gilad Hekselman
    143 views
  • 0:06:04
    Seeing You (w/ Shai Maestro, Joe Martin & Amir Bresler
    By Gilad Hekselman
    140 views
  • 0:06:15
    Verona - feat. Michael Mayo, Keita Ogawa & Tosin Abasi
    By Gilad Hekselman
    151 views
  • 0:08:21
    Eyes Of The World (with Shai Maestro & Amir Bresler)
    By Gilad Hekselman
    179 views
  • 4:09
    Dreams (with & by Eden Ladin)
    By Gilad Hekselman
    150 views
  • 5:58
    Last Train Home - feat. Jeff Ballard
    By Gilad Hekselman
    138 views
  • 0:06:41
    It Will Get Better (feat. Rick Rosato & Jonathan Pinson)
    By Gilad Hekselman
    165 views
  • 5:21
    NaVanad (feat. Aaron Parks & Jorge Roeder)
    By Gilad Hekselman
    123 views
Previous
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Do you  recommend Gilad Hekselman?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 2 Brooklyn, NY
  • 2 Composer
  • 2 Guitar
  • 2 Guitar Instruction
  • 2 Israel
  • 2 Jazz
  • 2 Photographer

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
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We're a real mother for ya!

 

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