Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Ellie Kurttz
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Ellie Kurttz
  • City/Place: London
  • Country: United Kingdom

Life & Work

  • Bio: I love Theatre, Dance, Photography and People…. So I feel very fortunate to be able to combine my passions with my work.

    I graduated with distinction from Central St Martins School of Art and Design in Art Photography in 2002 and since then I have worked with leading British theatre and dance companies including The Royal Shakespeare Company, National Theatre, Shakespeare’s Globe, Young Vic, Royal Opera House, Almeida Theatre, Birmingham Repertory Theatre, Rambert Dance Company amongst others.

    As a former ballerina I grew up in theatres and on stage, moving from being on stage to photographing shows was a very natural transition in my life. Theatres and stages have always been a familiar place where I feel comfortable. I have a strong connection and understanding of movement, which clients say is visible in my stage photography. My performing arts and portrait images are dynamic and according to my clients they display my genuine passion for the arts.

    My photographs have appeared in Vogue, the New York Times Magazine, the Guardian, the Independent and Time Out (London) and many other publications. I have participated in more than 40 exhibitions, including Shooting Shakespeare produced by the V&A and Globe to Globe at the Shakespeare’s Globe.

    In 2006 I was made the Royal Shakespeare Company’s Artist-in-Residence and I have documented their work for more than a decade.

    In 2011, Royal Mail issued 10 stamps commemorating the RSC 50th anniversary. My work featured on 4 of the 10 stamps.

    2014 saw the opening of my first solo exhibition Shakespeare in Brazil. Launched at the Centro Cultural Banco do Brazil (CCBB), Shakespeare toured Brazil for 5 weeks, visiting Rio de Janeiro, Sao Paulo, Belo Horizonte and Brasilia. More than 18,000 visitors went to the exhibition. My book Shakespeare by Ellie Kurttz was published the same year.

    In 2015, I became an Ambassador of Spectaculu, a unique arts education school in Rio de Janeiro, Brazil. I am delighted to be associated with a social enterprise that supports young marginalised people to reach their artistic potential.

    In 2016 my exhibition Shakespeare, opened at the Brazilian British Centre in Sao Paulo as the official opening of Shakespeare Lives celebrations.

    In 2018, after a wonderful 4 years working with 1418NOW following the Tower of London Poppies around Great Britain, creating a visual diary of the Poppies tour. My exhibition Poppies Reflections opened at the Imperial War Museum in October that year.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://elliekurttz.com/contact.html
  • Telephone: 0044 (0)7904 195001

Media | Markets

  • ▶ Twitter: elliekurttz
  • ▶ Instagram: elliekurttzphoto
  • ▶ Website: http://elliekurttz.com

More

  • Quotes, Notes & Etc. Current and past clients include:

    ACASAGringoCardia
    AKA
    Almeida Theatre
    Birmingham REP
    Bristol Old Vic
    Curve Theatre
    Eleanor Lloyd Productions
    Elliott & Harper Productions
    Hampstead Theatre
    Headlong
    Historic Royal Palaces
    Young Vic
    Lift Festival
    Little Angel
    Liverpool Everyman & Playhouse Theatres
    Marlowe Theatre
    National Theatre
    National Youth Theatre
    Orange Tree Theatre
    PPP (People’s Palace Projects)
    The Print Room
    The Corner Shop
    Rambert Dance Company
    Royal Opera House
    The Royal Shakespeare Company
    The Times
    Sadlers Wells
    Shakespeare’s Globe
    Sydney Theatre Company
    Soho Theatre
    Sonia Friedman Productions
    Westminster Abbey
    WIA (Women in Architecture)

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Ellie Kurttz:

  • 1 England
  • 1 London
  • 1 Photographer

Nodes below are randomly generated. Reload for a different stack.

  • Alfredo Rodriguez Composer
  • John Zorn Record Label Owner
  • Itiberê Zwarg Rio de Janeiro
  • Etan Thomas Radio Presenter
  • Gilsons Brazil
  • Lívia Mattos Accordion
  • Colm Tóibín Ireland
  • João Callado Brazil
  • Dale Barlow Australia
  • Booker T. Jones Songwriter
  • Mateus Aleluia Bahia
  • Eric Alexander Composer
  • Andrew Finn Magill Jazz
  • Eddie Palmieri New York City
  • Mike Compton Folk & Traditional
  • Anna Mieke Multi-Instrumentalist
  • Vânia Oliveira Bahia
  • Brian Jackson Soul
  • Alain Mabanckou Novelist
  • Trombone Shorty New Orleans
  • Ryan Keberle Composer
  • Martyn Dubstep
  • Dermot Hussey Jamaica
  • Adriano Giffoni Bass
  • Daymé Arocena Santeria
  • Woz Kaly Singer-Songwriter
  • Masao Fukuda Choro
  • Keshav Batish Tabla
  • Joel Ross Brooklyn, NY
  • Meddy Gerville Singer
  • J. Velloso Record Producer
  • Richard Galliano Musette
  • Richard Galliano Choro
  • Scotty Barnhart Big Band Leader
  • Mayra Andrade Cape Verde
  • Congahead Afro-Cuban Jazz
  • Tshepiso Ledwaba Johannesburg
  • Mauro Refosco Forró
  • Jim Lauderdale Country
  • Caoimhín Ó Raghallaigh Dublin
  • Nabihah Iqbal Singer-Songwriter
  • Eric Alexander Jazz
  • Lenna Bahule São Paulo
  • Shaun Martin Songwriter
  • PATRICKTOR4 Tropical Hardcore
  • Nahre Sol Composer
  • Hermeto Pascoal Brazil
  • Larry McCray Keeping the Blues Alive Records
  • Raymundo Sodré Brazil
  • Nicolas Krassik Brazil
  • Yazhi Guo 郭雅志 Boston, Massachusetts
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Laércio de Freitas Brazil
  • The Weeknd Singer-Songwriter
  • Aindrias de Staic Television Presenter
  • Ian Hubert VFX Artist
  • Endea Owens New York City
  • Pierre Onassis Música AFRO
  • Henrique Cazes Composer
  • Marília Sodré Brasil, Brazil
  • Cory Wong Minneapolis, Minnesota
  • Riley Baugus Banjo
  • Moreno Veloso MPB
  • Bill T. Jones Choreographer
  • Nettrice R. Gaskins Lesley University Faculty
  • Miho Hazama New York City
  • Jared Sims West Virginia University Faculty
  • NIcholas Casey Madrid
  • Ben Street Jazz
  • Alexandre Vieira Compositor, Composer
  • John Patrick Murphy Irish Traditional Music
  • Seth Rogovoy Writer
  • Marc Ribot Brooklyn, NY
  • Zé Luíz Nascimento Barcelona
  • Yuja Wang Classical Music
  • João Callado Choro
  • Papa Mali Guitar
  • Ravi Coltrane Brooklyn, NY
  • Leandro Afonso Brazil
  • Issac Delgado Havana
  • Simon Shaheen Composer
  • James Gavin Journalist
  • D.D. Jackson Opera
  • Gretchen Parlato Jazz
  • Marc Johnson MPB
  • Leon Parker Multi-Cultural
  • Muri Assunção Rio de Janeiro
  • Cory Henry R&B
  • Dave Weckl Drums
  • Bombino Blues
  • Rhiannon Giddens Banjo
  • Will Holshouser Musette
  • Martin Koenig Ethnomusicologist
  • Oscar Bolão Percussion
  • Niwel Tsumbu Guitar
  • Fernando César Choro
  • Robb Royer Record Producer
  • J. Period Brooklyn, NY
  • Chano Domínguez Flamenco
  • Eddie Kadi Comedian
  • Jake Oleson Brooklyn, NY
  • Zachary Richard Accordion
  • Peter Serkin Contemporary Classical Music
  • Darryl Hall Composer
  • Gerald Clayton Blue Note Records
  • Jupiter Bokondji Singer-Songwriter
  • Geraldine Inoa Playwright
  • Welson Tremura University of Florida Faculty
  • Stephan Crump Jazz
  • Terence Blanchard Composer
  • Leigh Alexander Video Game Story Designer
  • Casey Driessen Composer
  • Jay Mazza Writer
  • Fábio Luna Forró
  • Mateus Alves Bass
  • Reuben Rogers Bass Instruction
  • Little Simz Actor
  • Cashmere Cat Record Producer
  • Jubu Smith Bass
  • Ben Azar Guitar Instruction
  • Mou Brasil Compositor, Composer
  • Anat Cohen Israel
  • Ben Allison Double Bass
  • João Callado Brazilian Jazz
  • David Bruce YouTuber
  • Jorge Pita Candomblé
  • Elza Soares Singer
  • Guto Wirtti Choro
  • Brian Lynch Composer
  • John Luther Adams Composer
  • Thiago Amud Singer-Songwriter
  • Elizabeth LaPrelle Appalachian Music
  • Teodor Currentzis Conducter
  • Burhan Öçal Istanbul
  • Mino Cinélu Drums
  • Taylor Ashton Singer-Songwriter
  • Joshue Ashby Violin Instruction
  • Chris Potter New York City
  • Luke Daniels Singer-Songwriter
  • Guinga Guitar
  • Marcus Strickland Saxophone
  • Dan Trueman Violin
  • Jimmy Greene Western Connecticut State University Faculty
  • Julie Fowlis Scottish Gaelic
  • Jerry Douglas Record Producer
  • Barry Harris Jazz
  • Román Díaz Cuba
  • Tom Piazza Screenwriter
  • Liz Dany Colombia
  • Jas Kayser Afrobeat
  • Moacyr Luz Rio de Janeiro
  • Cécile Fromont Martinique
  • Spider Stacy New Orleans
  • Spok Frevo Orquestra Brazil
  • Chris Speed Saxophone
  • Nelson Ayres Composer
  • Tobias Meinhart Brooklyn, NY
  • Kiko Loureiro Rio de Janeiro
  • Tatiana Eva-Marie Swing
  • Caroline Keane Concertina
  • Asa Branca Choro
  • Yasushi Nakamura Bass
  • Jean-Paul Bourelly Composer
  • Matt Parker Author
  • As Ganhadeiras de Itapuã Bahia
  • Richie Pena Writer
  • Thiago Espírito Santo Compositor, Composer
  • Khruangbin Houston, Texas
  • Aindrias de Staic Actor
  • Hugues Mbenda Marseille
  • Katuka Africanidades Loja de Arte, Art Shop
  • Stacy Dillard Jazz
  • Arto Tunçboyacıyan Jazz
  • Teresa Cristina Singer
  • Miroslav Tadić Contemporary Classical Music
  • Maria Rita Bossa Nova
  • Roosevelt Collier Pedal Steel Guitar
  • Peter Erskine Record Producer
  • Mario Ulloa Federal University of Bahia Faculty
  • Marcel Camargo Los Angeles
  • Donna Leon Venice
  • Rogê MPB
  • Scott Kettner Drums
  • Cláudio Badega Pandeiro
  • Alexandre Leão Violão, Guitar
  • Arifan Junior Portela
  • Marvin Dunn Historian
  • David Bragger Guitar
  • Cristiano Nogueira Travel Writer
  • Neo Muyanga Cape Town
  • John McLaughlin Jazz Fusion
  • Lula Galvão Bossa Nova
  • Steve Lehman Jazz
  • Django Bates Composer
  • Mohini Dey India
  • Maciel Salú Fiddle
  • Stephanie Foden Salvador
  • Yotam Silberstein Israel
  • Bisa Butler Textile Artist
  • Musa Okwonga Berlin
  • Kiko Freitas Educator
  • Stefon Harris Marimba
  • Anthony Hamilton Record Producer
  • Utar Artun Turkey
  • Jimmy Cliff Jamaica
  • Wayne Escoffery New York City
  • Dezron Douglas Double Bass
  • Rodrigo Amarante Singer-Songwriter
  • Ben Paris Brazil
  • Arturo Sandoval Film Scores
  • Bobby Fouther Multidisciplinary Artist
  • Eivør Pálsdóttir Faroe Islands
  • Brian Jackson Soul
  • Rudresh Mahanthappa Saxophone
  • Gerson Silva Music Director
  • Chief Xian aTunde Adjuah New Orleans
  • Endea Owens Bass
  • Yilian Cañizares Afro-Cuban Music
  • Awadagin Pratt Piano
  • Tank and the Bangas R&B
  • Shemekia Copeland R&B
  • Sara Gazarek Los Angeles
  • Yoko Miwa Jazz
  • Tambay Obenson Journalist
  • Alex Mesquita Brazil
  • Liz Dany Barranquilla
  • Hank Roberts Composer
  • Jorge Aragão Samba
  • Jakub Józef Orliński Countertenor
  • Academia de Música do Sertão Bahia
  • Walter Smith III Saxophone
  • George Porter Jr. R&B
  • Stephen Guerra Arranger
  • Negrizu Brasil, Brazil
  • Jamael Dean Composer
  • Collins Omondi Okello Pencil Artist
  • Oscar Peñas Composer
  • Cainã Cavalcante Brazilian Jazz
  • Cory Wong Songwriter
  • Jason Reynolds Lesley University Faculty
  • Mário Pam Bloco Afro
  • Gal Costa MPB
  • Manu Chao Multi-Instrumentalist
  • Philipp Meyer Writer
  • Frank Negrão Jazz
  • Cristovão Bastos Piano
  • Kurt Andersen Writer
  • Jessie Montgomery Educator
  • Alicia Keys Art Collector
  • Mariana Zwarg Universal Music
  • Varijashree Venugopal Singer
  • Michael Doucet Accordion
  • Marília Sodré Instrução de Violão, Guitar Instruction
  • Fábio Peron Samba
  • Isaiah J. Thompson Piano
  • Christopher Wilkinson Movie Director
  • Sam Reider Accordion
  • John Patrick Murphy Brazilian Music
  • Eduardo Kobra Grafiteiro, Graffiti Artist
  • Jeremy Pelt Jazz
  • Edgar Meyer Jazz
  • THE ROOM Shibuya Tokyo
  • Brady Haran Filmmaker
  • Atlantic Brass Quintet Baroque
  • Dale Barlow Australia
  • Tony Austin Sound Designer
  • Juliana Ribeiro Samba
  • Catherine Bent Cello
  • Rez Abbasi Pakistani Music
  • Peter Erskine Author
  • Pedro Aznar Poet
  • Dave Eggers Painter
  • Deesha Philyaw Columnist
  • Victor Wooten Author
  • Restaurante Axego Bahia
  • Jason Marsalis New Orleans
  • André Becker Bahia
  • Plinio Oyò Samba de Roda
  • Jerry Douglas Country
  • Tshepiso Ledwaba Classical Music
  • André Becker Jazz
  • Albin Zak Americana
  • Tom Bergeron Composer
  • Jamz Supernova Radio Presenter
  • Luizinho Assis Compositor, Composer
  • Henrique Araújo Choro
  • Little Simz Hip-Hop
  • Leon Bridges Fort Worth, Texas
  • Martyn Techno
  • Paulinho Fagundes Rio Grande do Sul
  • Daedelus Los Angeles
  • David Byrne Painter
  • Sam Dagher The Middle East
  • Gabriel Policarpo Rio de Janeiro
  • João do Boi Brazil
  • Romero Lubambo Choro
  • Alexandre Leão Cantor-Compositor, Singer-Songwriter
  • Greg Ruby Jazz
  • Paul Anthony Smith Brooklyn, NY
  • Brandon J. Acker Baroque Guitar
  • H.L. Thompson New York City
  • Steve Earle Actor
  • Oscar Bolão Drums
  • Moses Boyd Electronic Music
  • Gregory Tardy Clarinet
  • Guinha Ramires Brazil
  • Keyon Harrold Composer
  • Walmir Lima Bahia
  • Marcelo Caldi Tango
  • Masao Fukuda Japan
  • William Parker New York City
  • Dave Douglas New York City
  • Vincent Herring Jazz
  • Tony Trischka Old-Time Music
  • Daru Jones Jazz
  • Jonathan Scales Steel Pans
  • H.L. Thompson Brazil
  • Hendrik Meurkens Jazz
  • Luiz Santos Contemporary Classical Music
  • Gab Ferruz Brasil, Brazil
  • Nelson Cerqueira Ensaísta, Essayist
  • Tom Schnabel DJ
  • Loli Molina Singer-Songwriter
  • Weedie Braimah Drums
  • Gustavo Di Dalva Singer
  • Charles Munka Painter
  • Monk Boudreaux Singer
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Gretchen Parlato MPB
  • Ryan Keberle R&B
  • Maciel Salú Cavalo Marinho
  • Márcio Valverde Guitar
  • Richard Bona Multi-Cultural
  • Alexa Tarantino Jazz at Lincoln Center Faculty
  • Yotam Silberstein Guitar Instruction
  • Miles Mosley Singer
  • Tank and the Bangas Soul
  • China Moses Soul
  • Johnny Lorenz Literary Critic
  • João Rabello Composer
  • Frank London Multi-Cultural
  • Kiko Freitas MPB
  • Melissa Aldana New York City
  • Márcio Valverde MPB
  • Eric Galm Berimbau
  • Baiba Skride Violin
  • Natan Drubi Brasil, Brazil
  • João Callado Music Producer
  • Gabi Guedes Percussion
  • Chico Buarque MPB

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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