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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Deborah Colker:

  • 3 Brazil
  • 3 Choreographer
  • 3 Dancer
  • 3 Rio de Janeiro

What's Up

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  • Deborah Colker
    Maciel Salú → Singer has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    Maciel Salú → Rabeca has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    Maciel Salú → Pernambuco has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    Maciel Salú → Maracatu has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    Maciel Salú → Fiddle has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    Maciel Salú → Composer has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    Maciel Salú → Côco has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    Maciel Salú → Cavalo Marinho has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    Maciel Salú → Brazil has been recommended via Deborah Colker.
    • September 21, 2021
  • Deborah Colker
    A video was posted re Deborah Colker:
    Jazz Dance (bailarinas)
    Bailarinas da Companhia de Dança Deborah Colker. Angélica Bueno Yasmin Mattos Vitória Lopes
    • September 21, 2021
  • Deborah Colker
    A video was posted re Deborah Colker:
    Residência artística | Cão Sem Plumas (2016)
    • September 21, 2021
  • Deborah Colker
    A video was posted re Deborah Colker:
    DANÇA CONTEMPORÂNEA | Espetáculo Nó, da Cia. Deborah Colker
    Do #espetáculo Nó, da Cia. Deborah Colker. Imagens realizadas durante nossa #cobertura da apresentação no Teatro Guararapes (Olinda, PE), no dia 19/07/19.
    • September 21, 2021
  • Deborah Colker
    A video was posted re Deborah Colker:
    Cão Sem Plumas (cenas)
    Cia de Dança Deborah Colker
    • September 21, 2021
  • Deborah Colker
    A video was posted re Deborah Colker:
    VeRo - Deborah Colker
    Em 2016 o Brasil sediará o principal evento esportivo do planeta, os Jogos Olímpicos e Deborah Colker tem a honra de ser a Diretora de Movimento responsável pela cerimônia de abertura. Alguns dos espetáculos da Cia de Dança Deborah Colker, notoriamente Ro...
    • September 21, 2021
  • Deborah Colker
    A category was added to Deborah Colker:
    Brazil
    • September 21, 2021
  • Deborah Colker
    A category was added to Deborah Colker:
    Rio de Janeiro
    • September 21, 2021
  • Deborah Colker
    A category was added to Deborah Colker:
    Dancer
    • September 21, 2021
  • Deborah Colker
    A category was added to Deborah Colker:
    Choreographer
    • September 21, 2021
  • Deborah Colker
    Deborah Colker is matrixed!
    • September 21, 2021
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Deborah Colker
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Deborah Colker
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Restlessness and a taste for diversity did not become a hallmark of Deborah Colker's work by accident. Created between the solitude of the study of classical piano and the practice of a collective sport, volleyball, the choreographer from Rio de Janeiro started in contemporary dance as a dancer for the Joker, from Uruguayan Graciela Figueiroa, a group that marked the time in Rio de Janeiro in the 1980s.

    In 1984, at the invitation of Dina Sfat, an actress of mythological contours in the Brazilian theatrical scene, she started what would be the main aspect of her career in the following ten years: movement director - expression specially coined for her by the director Ulysses Cruz to underline the relevance of his work in the final result of a few dozen theater shows with which he collaborated during this period.

    The rubric, which would eventually be incorporated into Brazilian scenic jargon, also applies, and with precision, to the role it played, for example, in the creation of the puppet movements of TV Colosso - a milestone in Brazilian children's television programming of the years nineteen ninety.

    Before or after founding, in 1994, the company that bears her name, Deborah Colker printed her brand in territories as different as the music video, fashion, cinema, circus and show. He also inscribed his name in the history of the greatest mass spectacle on the planet: the parade of the Samba Schools of Rio de Janeiro, the greatest symbol of Rio's carnival, to which he contributed repeatedly by signing the choreography of front commissions of large associations, such as Mangueira, Unidos do Viradouro and, more recently, Imperatriz Leopoldinense.

    The unusual gift of extracting from each body its fullest channel of expression and transforming it into a powerful and singular instrument of communication, in any of these languages, made Debora Colker a character at the same time multiple and unique in the contemporary panorama of the performing arts .

    Widely recognized by international critics, the excellence of her work as a choreographer was honored in 2001 with the Laurence Olivier Award in the category “Oustanding Achievement in Dance” (most notable achievement in dance).

    Five years later, it motivated FIFA's invitation to give life to the only dance show to feature in the cultural activities grid of the 2006 World Cup in Germany: Maracanã - later incorporated into the CIA DEBORAH COLKER repertoire under the title from Dynamo.

    One of the greatest honors, being Director of Movement for the Rio 2016 Olympics, showing a visual show representative of the energy of the Brazilian people. This show also included iconic elements of her work as a choreographer.

Contact Information

  • Management/Booking: + 55 21 3806.0650
    [email protected]

Media | Markets

  • ▶ Buy My Merch: http://www.ciadeborahcolker.com.br/loja
  • ▶ Instagram: ciadeborahcolker
  • ▶ Website: http://www.ciadeborahcolker.com.br
  • ▶ YouTube Channel: http://www.youtube.com/ciadeborahcolker

Clips (more may be added)

  • 1:29
    Jazz Dance (bailarinas)
    By Deborah Colker
    71 views
  • 3:26
    Residência artística | Cão Sem Plumas (2016)
    By Deborah Colker
    68 views
  • 4:24
    DANÇA CONTEMPORÂNEA | Espetáculo Nó, da Cia. Deborah Colker
    By Deborah Colker
    68 views
  • 4:03
    Cão Sem Plumas (cenas)
    By Deborah Colker
    74 views
  • 4:15
    VeRo - Deborah Colker
    By Deborah Colker
    125 views
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We're a real mother for ya!

 

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