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  • Chief Xian aTunde Adjuah

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Chief Xian aTunde Adjuah
  • City/Place: New Orleans
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Christian Scott, also known as Christian Scott aTunde Adjuah (born March 31, 1983, in New Orleans, Louisiana) is a two-time Edison Award winning and Grammy Award nominated trumpeter, composer and producer. He is the nephew of jazz innovator and legendary sax man, Donald Harrison, Jr. His musical tutelage began under the direction of his uncle at the age of thirteen. After graduating from the New Orleans Center for Creative Arts (NOCCA) in 2001, Christian received a full tuition scholarship to Berklee College of Music where he earned a degree in professional music and film scoring thirty months later.

    Since 2002, Christian has released eleven critically acclaimed studio recordings, two live albums and one greatest hits collection. According to NPR, "Christian Scott ushers in new era of jazz". He has been heralded by JazzTimes Magazine as "Jazz's young style God." Christian is known for developing the harmonic convention known as the “forecasting cell” and for his use of an un-voiced tone in his playing, emphasizing breath over vibration at the mouthpiece. The technique is known as his “whisper technique.”

    Christian is the progenitor of “Stretch Music,” a jazz rooted, genre blind musical form that attempts to “stretch” jazz’s rhythmic, melodic and harmonic conventions to encompass as many other musical forms, languages and cultures as possible. Jazz is a progressive musical movement and Christian is at the forefront of its continued viability as an art form. Christian’s 2015 release, Stretch Music, marked the partnership between Christian’s Stretch Music record label and Ropeadope Records. Critics and fans alike have praised the recording. Stretch Music is also the first recording to have an accompanying app, for which Christian won the prestigious JazzFM Innovator of the year Award in 2016. The Stretch Music App is an interactive music player that allows musicians the ability to completely control their practicing, listening and learning experience by customizing the player to fit their specific needs and goals.

    In 2017, Christian released three albums, collectively titled The Centennial Trilogy, that debuted at number one on iTunes. The albums’ launch commemorated the 100th anniversary of the first Jazz recordings of 1917. The series is, at its core, a sobering re-evaluation of the social political realities of the world through sound. It speaks to a litany of issues that continue to plague the collective human experience, such as slavery in America via the Prison Industrial Complex, food insecurity, xenophobia, immigration, climate change, sexual orientation and gender inequality, fascism and the return of the demagogue.

    The first release in the trilogy, Ruler Rebel, vividly depicts Adjuah's new vision and sound - revealing Adjuah to the listener in a way never heard before via a completely new production methodology that stretches trap music with West African and New Orleanian Black Indian masking tradition musical styles. Ruler Rebel’s release coincided with the first annual Stretch Music Festival at Harlem Stage in New York. The Stretch Music Festival, created and curated by Christian, explores the boundaries of Stretch, Jazz, Trap, and Alternative Rock with some of music’s most poised and fiery rising stars. The sold-out performances were met with praise from both music critics and fans. The second release, Diaspora, was showcased during Adjuah’s sold-out Carnegie Hall performance in 2017. The third release, Emancipation Procrastination, launched in September 2017 during NPR’s global Jazz Night in America broadcast from New Orleans.

    Christian scored his identical twin brother’s and Director’s Guild of America 2015 Student Award recipient, writer-director and Spike Lee protégé, Kiel Adrian Scott’s, recent Student Academy Award nominated film, Samaria. Christian also scored Kiel’s award-winning film, The Roe Effect. He will also score Kiel’s feature length directorial debut, slated for production late 2018.

    In addition to scoring documentaries for Hennessy Cognac and others, in 2017, Christian has scored commercials for Tag Heuer watch makers and The Gap clothing company, as well as music for ESPN’s Sports Center. Christian has also recently completed a music project, in which he served as leader, in conjunction with 1800 Tequila and Billboard Magazine called The Refined Player’s Series.

    Since 2006, Christian has worked with a number of notable artists, including Prince, Radiohead’s Thom Yorke, McCoy Tyner, Marcus Miller, Eddie Palmieri, rappers Mos Def (Yasin Bey), Talib Kweli, and Vic Mensa, as well as heralded poet and musician Saul Williams.

    Additionally, through his partnership with Adam’s Instruments, Christian designed a signature line of horns, the Siren Trumpet, Sirenette and Reverse Flugelhorn that are revolutionizing brass instrument design all over the world. Domestic production of Christian’s proprietary reverse flugelhorn will begin in 2018.

    Christian is a scion of New Orleans’ first family of art and culture, the Harrisons, and the grandson of legendary Big Chief, Donald Harrison Sr., who lead four nations in the City’s masking tradition. The HBO series, Treme, borrowed the name “Guardians of the Flame” from African-American cultural group Scott began “masking” as a member of with his grandfather in 1989. Christian recently became the Chief of The Brave, in February 2017, one his grandfather’s early banners. In 2018, Tulane University’s acclaimed Amistad Research Center announced its archive of the Donald Harrison, Sr. legacy papers to highlight the Harrison/Scott/Nelson family’s contributions to the arts, activism, and African diaspora cultural expressions. The Harrison family’s story has been documented by Oscar winning director, the late Jonathan Demme, in his post-Hurricane Katrina works.

    Christian is dedicated to a number of causes that positively impact communities. He gives his time and talents in service to several organizations which garnered him a place in Ebony Magazine’s 30 Young Leaders Under 30. He has provided his services to Each One, Save One, NO/AIDS Task Force, Girls First, The Mardi Gras Indian Hall of Fame, Good Work Network and numerous other community service organizations. Holding master classes, creating and participating in discussion panels, and purchasing and giving away instruments, are all part of Christian’s community based work. He has worked with Guardians Institute in New Orleans’ 9th Ward, which is dedicated to reading and fiscal literacy, cultural retention and a firm commitment to the participation of community elders and artists in uplifting and supporting youths in underserved areas of New Orleans. Christian currently sits on the Boards of Guardians Institute and The NOCCA Institute. Since Christian’s emergence on the jazz music scene, he has been a passionate and vocal proponent of human rights and an unflinching critic of injustices throughout the world.

Contact Information

  • Management/Booking: Non-Tour Related Inquiries:
    Stretch Music, LLC
    Stretch Music Publishing, LLC
    Cara Harrison Daniels
    [email protected]
    +1 504.427.3660

    Management/DOMESTIC (USA & CANADA) BOOKING:
    Second Son Productions
    Manager: Vincent Bennett
    [email protected]
    +1 504.908.2192

    International Booking:
    The Agency Group
    Agent: James Wright
    [email protected]
    +44 20 7278 3331

    Press Copy - physical cd:
    ropeadope records
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.christianscott.tv/shop
  • ▶ Twitter: cscottjazz
  • ▶ Instagram: christianscottofficial
  • ▶ Website: http://www.christianscott.tv
  • ▶ YouTube Music: http://music.youtube.com/channel/UCeomdpyi4mHEOa6osV9V5wg
  • ▶ Spotify: http://open.spotify.com/album/2wAs9qKyT3FW3MljQ53LlL
  • ▶ Spotify 2: http://open.spotify.com/album/7nmjMOOQlDxZWfKGDRy9Hb
  • ▶ Spotify 3: http://open.spotify.com/album/7cPLbQhG8gu3rP81JBPHTA
  • ▶ Spotify 4: http://open.spotify.com/album/37VcKBnyY3AwQCklkDvcHN
  • ▶ Spotify 5: http://open.spotify.com/album/5dFfrmCWp4rYbggmhYhakl

More

  • Quotes, Notes & Etc. The Centennial Trilogy

    "an exquisite trilogy of albums..."
    - The Washington Post

    “Every jazz lover wants the music to find a younger audience… To borrow an old New Orleans expression, he's got the kind of horn that can call the children home.” - NPR

    Adjuah “uses jazz improvisation as a bedrock but integrates a universe of influences, creating a sound that is open-ended and immersive”
    - New York Times

    “as contemporary as today’s date”
    - The Guardian

Clips (more may be added)

  • Christian Scott aTunde Adjuah Quintet at Sofia A to JazZ Festival
    By Chief Xian aTunde Adjuah
    556 views
  • Christian Scott Quintet - Full Session - 5/22/2017 - Paste Studios - New York, NY
    By Chief Xian aTunde Adjuah
    375 views
  • Christian Scott: Performing Songs From The Centennial Trilogy | JAZZ NIGHT IN AMERICA
    By Chief Xian aTunde Adjuah
    446 views
Previous
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Chief Xian aTunde Adjuah Curated

  • 3 Composer
  • 3 Jazz
  • 3 Mardi Gras Indian
  • 3 Multi-Cultural
  • 3 New Orleans
  • 3 Record Producer
  • 3 Ropeadope
  • 3 Trumpet

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  • Chief Xian aTunde Adjuah
    David Sánchez → Ropeadope has been recommended via Chief Xian aTunde Adjuah.
    • January 18, 2022
  • Chief Xian aTunde Adjuah
    Weedie Braimah → Ropeadope has been recommended via Chief Xian aTunde Adjuah.
    • January 18, 2022
  • Chief Xian aTunde Adjuah
    A category was added to Chief Xian aTunde Adjuah:
    Ropeadope
    • January 18, 2022
  • Chief Xian aTunde Adjuah
    Dwandalyn Reece → Writer has been recommended via Chief Xian aTunde Adjuah.
    • January 14, 2022
  • Chief Xian aTunde Adjuah
    Dwandalyn Reece → Washington, D.C. has been recommended via Chief Xian aTunde Adjuah.
    • January 14, 2022
  • Chief Xian aTunde Adjuah
    Dwandalyn Reece → Singer has been recommended via Chief Xian aTunde Adjuah.
    • January 14, 2022
  • Chief Xian aTunde Adjuah
    Dwandalyn Reece → Museum Professional has been recommended via Chief Xian aTunde Adjuah.
    • January 14, 2022
  • Chief Xian aTunde Adjuah
    Dwandalyn Reece → Ethnomusicologist has been recommended via Chief Xian aTunde Adjuah.
    • January 14, 2022
  • Chief Xian aTunde Adjuah
    Weedie Braimah → Pan-African Culture has been recommended via Chief Xian aTunde Adjuah.
    • January 3, 2022
  • Chief Xian aTunde Adjuah
    Weedie Braimah → Jazz has been recommended via Chief Xian aTunde Adjuah.
    • January 3, 2022
  • Chief Xian aTunde Adjuah
    Weedie Braimah → Hip-Hop has been recommended via Chief Xian aTunde Adjuah.
    • January 3, 2022
  • Chief Xian aTunde Adjuah
    Weedie Braimah → Ghana has been recommended via Chief Xian aTunde Adjuah.
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  • Chief Xian aTunde Adjuah
    Weedie Braimah → Folk & Traditional has been recommended via Chief Xian aTunde Adjuah.
    • January 3, 2022
  • Chief Xian aTunde Adjuah
    Weedie Braimah → Drums has been recommended via Chief Xian aTunde Adjuah.
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  • Chief Xian aTunde Adjuah
    Weedie Braimah → Djembefola has been recommended via Chief Xian aTunde Adjuah.
    • January 3, 2022
  • Chief Xian aTunde Adjuah
    Luques Curtis → Record Label Owner has been recommended via Chief Xian aTunde Adjuah.
    • August 30, 2021
  • Chief Xian aTunde Adjuah
    Luques Curtis → New York City has been recommended via Chief Xian aTunde Adjuah.
    • August 30, 2021
  • Chief Xian aTunde Adjuah
    Luques Curtis → Latin Jazz has been recommended via Chief Xian aTunde Adjuah.
    • August 30, 2021
  • Chief Xian aTunde Adjuah
    Luques Curtis → Jazz has been recommended via Chief Xian aTunde Adjuah.
    • August 30, 2021
  • Chief Xian aTunde Adjuah
    Luques Curtis → Double Bass has been recommended via Chief Xian aTunde Adjuah.
    • August 30, 2021
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Cathal McNaughton Street Photography Workshops
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  • Matt Glaser Violin
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  • David Fiuczynski Berklee College of Music Faculty
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  • Scotty Apex Hip-Hop
  • Alex Hargreaves Violin
  • Kaveh Rastegar Music Director
  • Jean Rondeau Piano
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  • Antonio García Composer
  • João Parahyba Songwriter
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  • Cinho Damatta Brasil, Brazil
  • Nabihah Iqbal Singer-Songwriter
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  • Howard Levy Chicago
  • Cacá Diegues Academia Brasileira de Letras, Brazilian Academy of Letters
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  • Danilo Caymmi Singer-Songwriter
  • Paulo Costa Lima Bahia
  • Gretchen Parlato Composer
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  • John Patrick Murphy Brazilian Music
  • Susana Baca Peru
  • Jon Otis Singer-Songwriter
  • Anthony Wilson Composer
  • Greg Kurstin Los Angeles
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  • Alex Rawls Arts Journalist
  • Nath Rodrigues Singer-Songwriter
  • Brian Cross aka B+ Essayist
  • G. Thomas Allen Columbia College Chicago Faculty
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  • Brian Lynch Composer
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  • Michel Camilo Classical Music
  • Olga Mieleszczuk Yiddish Folk Songs
  • Mário Santana Percussion
  • Chris Thile Jazz
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  • Arthur L.A. Buckner Gospel
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  • Casey Driessen Composer
  • Angel Bat Dawid Clarinet
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  • Cory Wong R&B
  • Mika Mutti Electronic Music
  • Nate Chinen Radio Director
  • Branford Marsalis Theater Composer
  • Patty Kiss Bahia
  • Chris Speed Saxophone
  • Chris Boardman Producer
  • Luciana Souza Songwriter
  • Renell Medrano Dominican Republic
  • Alfredo Rodriguez Composer
  • Catherine Bent Choro
  • Lazzo Matumbi Salvador
  • Roy Germano Filmmaker
  • Mary Stallings San Francisco
  • Gary Lutz Writer
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  • Ricardo Markis Compositor, Composer
  • Alfredo Del-Penho Rio de Janeiro
  • Woody Mann Blues
  • Paulão 7 Cordas Samba
  • Lakecia Benjamin New York City
  • Mahsa Vahdat Iran
  • Rudresh Mahanthappa Composer
  • Adam Rogers Classical Guitar
  • Carlos Aguirre Singer
  • Lilli Lewis Singer-Songwriter
  • Doca 1 Brasil, Brazil
  • Emily Elbert Folk Funk Jazz Blues
  • Wayne Escoffery Saxophone Instruction / Online Classes
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  • Jorge Aragão Multi-Instrumentalist
  • Sandi Bachom Press Photographer
  • Paul Cebar Multi-Cultural
  • Lenna Bahule Maputo
  • Roy Nathanson Jazz
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  • Christopher Seneca Writer
  • Dumpstaphunk New Orleans
  • Sandra de Sá Cantora-Compositora, Singer-Songwriter
  • Anton Fig New York City
  • Brandon Wilner Writer
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  • Otto Singer-Songwriter
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  • Stefan Grossman Educator
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  • Jon Madof Bandleader
  • James Brandon Lewis Saxophone
  • Ray Angry Keyboards
  • Gilad Hekselman Guitar
  • Philip Sherburne DJ
  • Giovanni Russonello Magazine Founder, Editor
  • Jocelyn Ramirez Online Cooking Classes
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  • Chris Thile Folk & Traditional
  • Dom Flemons Neotraditionalist Country
  • Gerald Clayton Blue Note Records
  • Bhi Bhiman R&B
  • Helado Negro Ecuador
  • Joachim Cooder Percussion
  • Alfredo Del-Penho Singer-Songwriter
  • Muhsinah Singer-Songwriter
  • Kendrick Scott Jazz
  • Alan Brain Screenwriter
  • Bule Bule Bahia
  • Celso de Almeida Drums
  • Shaun Martin Hip-Hop
  • David Hepworth London
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