This is a matrix in the original sense of "source". It is a "small-world" network, meaning that the nodes (people) inside it are — mirroring human society — within a few steps of everybody else inside it. The matrix was built to allow regional Brazilian musicians to be discoverable steps away from everybody else in the arts world, and by logical necessity this m.o. requires not only that the great Brazilians be matrixed, but so far as possible, all working artists in our time. Ergo:
THIS MATRIX, THOUGH BRAZIL-BORN, IS UNIVERSAL
This Fabian Almazan matrix node is steps away from the entire planet by the well-known small-world ("6 degrees") phenomenon dictating that in human society you yourself are within several degrees of Fabian Almazan.
1 DEGREE FORWARD: Fabian Almazan (node) ROUTES TO THESE ARTIST NODES
Are these Fabian Almazan's personal recommendations?
CURATION STATUS
- → Routes by The Matrix
Who & Where
- Name: Fabian Almazan
- City/Place: New York City
- Country: United States
Life & Work
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Bio:
Recently nominated for a Grammy for his work on Terence Blanchard's "Breathless", pianist and composer Fabian Almazan found his musical roots as a child in his homeland of Havana where he first became involved in the classical piano tradition. When his parents could not afford to pay for private piano lessons, having migrated to Miami, FL, pianist Conchita Betancourt was gracious enough to impart free lessons for over three years. Thanks to Mrs. Betancourt's exceeding generosity, Fabian was able to audition for the New World School of the Arts High School in Miami, FL where he studied from 1998 to 2002. In 2002 Fabian was selected for the piano chair in the National 2002 Grammy High School Jazz Combo. The following year, Almazan attended the newly up and running Brubeck Institute fellowship program based in northern California where he studied with Mark Levine and performed with Dave Brubeck and Christian McBride. In 2003, Fabian moved to New York City to study with Kenny Barron and Garry Dial at the Manhattan School of Music. During the completion of his bachelor's degree, Almazan immersed himself in the realm of orchestral composition studying instrumentation and orchestration with Mr. Giampaolo Bracali. Under Mr. Bracali's tutelage, Almazan composed several pieces for orchestra and chamber ensembles. In the spring of 2009 Fabian Almazan received a master's degree from Manhattan School of Music, selected as a recipient of the Michael W. Greene Scholarship, studying privately with Jason Moran. Fabian can be heard on several Spike Lee films as well as George Luca’s Red Tails among other films. Most recently, Fabian was selected to participate in the SWR New Jazz Meetings which took place in Germany.
Mr. Almazan was voted #1 Rising Piano Star on the Downbeat Magazine Critics 2014 Poll and was granted the Chamber Music America 2014 NEW Jazz Works commission. Almazan received the Cintas Foundation 2010/11 Brandon Fradd Award in Music Composition, an award that has been granted to many Cuban artists who have gone on to play an influential role in the development of Cuban cultural heritage. Almazan was also selected as one of six composers to participate in the Sundance Composers’ Lab where he studied with such acclaimed film composers as Harry Gregson-Williams, Alan Silvestri, George S. Clinton, Christopher Young, Ed Shearmur and Peter Golub. His solo albums, Personalities, which Fabian Almazan released on his own record label, Biophilia Records, and Rhizome [AritstShare/BlueNote Records] have garnered nationwide critical acclaim, including a glowing review in The New York Times. Interest in Almazan's work was also bolstered by his performances at the historic Village Vanguard in New York City, which have been broadcasted live to a nationwide audience on National Public Radio's Live from the Village Vanguard. Since 2007 Fabian has been the pianist for the Terence Blanchard’s various bands, including the E-Collective which was nominated for a GRAMMY in 2016. Mr. Almazan has toured North and South America, Asia, Africa, Australia and Europe extensively and has had the opportunity to perform with such artists as Linda May Han Oh, Gretchen Parlato, John Hollenbeck, Johnathan Blake, Justin Brown, Mark Guiliana, Dave Douglass, Chris Dingman, David Sanchez and Ambrose Akinmusire among others.
Contact Information
- Email: fabian@fabianalmazan.com
Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://fabianalmazan.bandcamp.com/
- ▶ Twitter: FabianAlmazan
- ▶ Instagram: fabian_almazan
- ▶ Website: http://www.fabianalmazan.com
- ▶ YouTube Channel: http://www.youtube.com/user/BiophiliaMusic
- ▶ YouTube Music: http://music.youtube.com/channel/UCiQShDedDJUML6e79YgLdJg
- ▶ Spotify: http://open.spotify.com/album/2PSN1ljAE6mm01dD2wL3vf
Clips (more may be added)
THE MATRIX WAS BUILT HERE, inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone... The Brazilian "aleph" doesn't hum...it sings!
Sprawled across broad equatorial latitudes
Stoked and steamed and sensual in the widest sense of the word
Limned in prosody and cadenced song
brəˈzɪl / from "brasa" / Latin for "ember"
w/ David Dye for U.S. National Public Radio
Given the immense untapped power of the small-world phenomenon, from Brazilians the matrix was expanded to include nodes per jazz artists, given jazz's common roots with Brazilian music (nodes based in publicly available information; some artists we informed — Bob Mintzer, Kamasi Washington, David "Fuse" Fiuczynski, Vijay Iyer, Greg Osby — and got thumbs up, others we'll get to), and moved on from there. Artists/academics/"creative people" are welcome to create their own nodes and curate (connect to other artist nodes, so that others may follow). BTW, our logo is a cortador de cana, cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specializes in.
MUCH MORE on all of this in the window below (which, if you are logged in, will instead contain instructions on recommending), and in the window within that window (which includes a "radio" called by The Guardian one of "10 of the best music radio stations around the world"):
