CURATION
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from this page:
by Matrix
Network Node
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Name:
Paul Shapiro
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City/Place:
New York City
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Country:
United States
Current News
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What's Up?
The boundary between classic rhythm and blues and jazz was once porous territory, and this joyful ensemble, led by the exuberant saxophonist Shapiro, is always willing to do the time warp to revive that openhearted embrace of genres, even mixing in Jewish musical themes as well.
—The New Yorker
Life & Work
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Bio:
Paul Shapiro gained recognition for his acclaimed releases on John Zorn's Tzadik label, including "Midnight Minyan," "It's in the Twilight," "Essen," and "Shofarot Verses," spanning the years 2003 to 2014.
Regarding "Midnight Minyan," The Wall Street Journal praised it as a "brilliant synthesis of klezmer and hard bop" showcasing Shapiro's musical prowess.
The New York Times lauded "It's in the Twilight," stating that Shapiro transformed the traditional Friday night Shabbat service into a lively downtown jam.
Jazziz, in their review of "Essen," described the album as a "romping hoot" from start to finish, highlighting its lively, witty, and well-played attributes, emphasizing that it's a testament to the fusion of freewheeling fun with intelligence and creativity in jazz.
Re "Shofarot Verses," All About Jazz commended Paul Shapiro for successfully blending organic soul and R&B with the Jewish tradition in a highly original and convincing manner, enriching his unique and personal art on his fourth album.
My Film Work
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Credits:
MOTION PICTURE and FILM RESUME
“Lou Reed’s Berlin” A film by Julian Schnabel. On-screen performance, saxophone, and flute.
"The Watermelon Woman" Directed by Cheryl Dunye. Original score by Paul Shapiro.
"MTV RAW" 0:55 for TV Directed by David LeChapelle. Score written and produced by Paul Shapiro.
“Wet Hot American Summer” Directed by David Wain. Music by Theodore Shapiro and Craig Wedren. Saxophone.
“Prime” Directed by Ben Younger, featuring Uma Thurman and Meryl Streep. Tenor Saxophone and horn arrangements.
"Faithful" Directed by Paul Mazursky. Original score by Phillip Johnston. Tenor sax feature
“First Love, Last Rites” Directed by Jesse Peretz Soundtrack by Shudder To Think. Saxophone.
“The Prince of Central Park” Directed by John Leekley, Produced by Steven Seagal
On-screen performance and saxophone feature on the soundtrack
“Lisa Picard is Famous” Directed by Griffin Dunne, Produced by Mira Sorvino and Dolly Hall
“Mambo con Dancehall,” co-written by Paul Shapiro is featured in the film
“Party Girl” “Big Apple Boogaloo” by Brooklyn Funk Essentials featured in the soundtrack
"Joey Breaker" Directed by Steven Starr. Original score by Paul Aston. A cappella tenor feature.
"Money Man" Directed by Philip Haas. Original score by Phillip Johnston
"Geld" Directed by Dorris Dorrie. Original score by Phillip Johnston
"Committed" Directed by Lyn Tillman and Sheila McLaughlin.
Original score by Phillip Johnston
COMPOSITION FOR THEATRE
"The Sun Gets Blue...A Jazzical" Book by William Electric Black Score by Paul Shapiro
"Billy Stars ands Kid Jupiter" Book by William Electric Black Score by Paul Shapiro
"Presque Isle" Book by Joyce Carol Oates Score by Paul Shapiro
"Scapin" Score by Paul Shapiro
Clips (more may be added)
We use the mathematics of the small world phenomenon to transform the creative universe into a creative village wherein all are connected by short pathways to all... (Wolfram explains how above)
This Integrated Global Creative Economy uncoils from a sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix...
Great culture is great power. From Brazil.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
Our Matrix was conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
Kareem Abdul-Jabbar found us (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
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