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Toninho Ferragutti via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Toninho Ferragutti:
    I'LL TAKE YOU THERE! ▶
Steps to Toninho Ferragutti:
  • 3 Accordion
  • 3 Brazil
  • 3 Composer
  • 3 São Paulo

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Matrix via ↴

Who I Am & Where I Live

  • Name: Toninho Ferragutti
  • City: São Paulo
  • Country: Brazil
  • Hometown: Socorro, São Paulo

My Life & Work

  • Bio: Toninho Ferragutti é músico, compositor e arranjador. Possui 9 CDs autorais e uma extensa participação em shows e em CDs de artistas importantes no Brasil e no exterior, além de duas indicações ao Latin Grammy.

    Não foram poucos os músicos que se dedicaram ao acordeon: muitos deles tornaram-se virtuosos no instrumento, além de criarem um repertório fundamental que enriqueceu a MPB. Toninho Ferragutti é um destes exemplos. Músico, compositor e arranjador, desde cedo escolheu este instrumento como ferramenta de inspiração e construção de uma bem sucedida carreira. Seus primeiros acordes nasceram em Socorro, no interior do Estado de São Paulo, sua cidade natal. Foi incentivado em casa pelo pai, Pedro Ferragutti, também músico saxofonista e compositor de valsas, choros, dobrados e marchas. O complemento dos estudos se deu nas rodas de choro, grupos de baile, grupos de música gaúcha e gafieiras, além da formação acadêmica no Conservatório Gomes Cardin, em Campinas, acrescentada de aulas particulares de acordeon com Dante D’Alonzo, e de harmonia com Claudio Leal Ferreira.

    Antes de se profissionalizar, Toninho Ferragutti cursou três anos de veterinária na UNESP de Botucatu, curso que abandonou no último ano para se mudar definitivamente para São Paulo, em 1983. Este período marca o início de sua carreira como músico profissional. Apresentou-se em programas de televisão; participou de gravações de discos e gravações de trilhas para cinema e novelas; e esteve presente em shows e gravações de CDs de grande parte dos artistas da MPB como: Gilberto Gil, Edu Lobo, Antonio Nóbrega, Elba Ramalho, Mônica Salmaso, Geraldo Azevedo, Zé Ramalho, Chico Cesar, Sivuca, Dominguinhos, Oswaldinho do Acordeom, Lenine, Paulo Moura, Marisa Monte, Elza Soares, Dory Caymi, Joyce, Nelson Ayres, Nico Assunção, Hermeto Pascoal, Lenine, Elza Soares, Grupo Corpo, Mario Adnet, Proveta, Maira João e Mario Lajinha (Portugal), Seigen Ono (Japão) e Antonio Placer (França).

    Atualmente tem se dedicado a fazer shows dos seus mais recentes trabalhos, sejam solo ou em parcerias, como: “Festa na Roça”, com Neymar Dias; “Comum de Dois”, com Marco Pereira; “Como manda o Figurino”, com Bebe Kramer; “O Sorriso da Manu”, com quinteto de cordas, piano clarineta e percussão; e o “Nem Sol, Nem Lua”, com quinteto de cordas. Além disso, o projeto “Grupo Luceros dança Toninho Ferragutti” vai percorrer varias cidades brasileiras em 2015 com Patrocínio da Boticário.

    Atua como solista de diversas orquestras, como a Orquestra de Maria Schneider (USA), Orquestra Jazz Sinfônica de São Paulo, Orquestra Petrobrás Pró-musica, Orquestra da Câmera da Universidade da Paraíba, Orquestra Sinfônica do Recife, Orquestra Sinfônica do Teatro Nacional de Brasilia e Orquestra Sinfônica do Estado de São Paulo (OSESP).

    Tem duas indicações ao Latin Grammy: em 2014, com disco “Festa Na Roça”, lançado em parceria com o violonista Neymar Dias, na categoria Melhor Álbum de Música de Raízes Brasileiras; e em 2000, com o CD “Sanfonemas”, na categoria Melhor Álbum de Música Regional. Seu mais recente disco solo, “O Sorriso da Manu”, esteve na lista dos 10 melhores CDs de 2012 na opinião do crítico musical Carlos Calado.

    Entre os seu trabalhos mais recentes estão apresentações com Quinteto de Cordas no Festival de Música de Câmara do SESC, apresentação junto a Orquestra de Cordas de Londrina, participação no Festival Victor Salvi (Cartagena/Colômbia), shows com Liliana Herrero no Teatro Tecnópolis (Buenos Aires/Argentina), no Spoleto Jazz (Charleston/USA) em Concertgebouw (Amsterdam/Holanda), BMW Festival (São Paulo/SP), Womad Festival (New Plymouth/Nova Zelândia e Adelaide/Austrália) e Carnegie Hall com Gilberto Gil (New York/USA).

My Media & Markets

  • ▶ Twitter: tferragutti
  • ▶ Instagram: ferraguttitoninho
  • ▶ Website: http://www.toninhoferragutti.com.br
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCnXjC6kDdwk8w54XNnngiig
  • ▶ YouTube Music: http://music.youtube.com/channel/UCnXjC6kDdwk8w54XNnngiig
  • ▶ Spotify: http://open.spotify.com/album/52XxZ34IHUeLslZ4BZD49J
  • ▶ Spotify 2: http://open.spotify.com/album/1KuN6HzB2N5JysarO2QHWq
  • ▶ Spotify 3: http://open.spotify.com/album/3rsnnXbnsOu82KAL2G2zPr
  • ▶ Spotify 4: http://open.spotify.com/album/6MPmWDeNoFutedtgv8VytZ
  • ▶ Spotify 5: http://open.spotify.com/album/60q9C2uoyx2XsA3NnLiUNx
  • ▶ Spotify 6: http://open.spotify.com/album/5mF0twiXRPpu9vfCDZbbhq

Clips (more may be added)

  • Toninho Ferragutti | Jazz Sinfônica Brasil
    By Toninho Ferragutti
    52 views
  • Toninho Ferragutti - Episódio Completo
    By Toninho Ferragutti
    83 views
  • Toninho Ferragutti e Neymar Dias | Programa Instrumental Sesc Brasil
    By Toninho Ferragutti
    53 views
  • Toninho Ferragutti & Bebê Kramer - Forro Classudo
    By Toninho Ferragutti
    68 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

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