CURATION
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from this page:
by Matrix
The Integrated Global Creative Economy
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Name:
Soweto Kinch
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City/Place:
Birmingham
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Country:
United Kingdom
Current News
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What's Up?
‘A real tour de force – a contemporary take on The Seven Deadly Sins’.
John Fordham – The Guardian ****
Life & Work
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Bio:
Award winning alto-saxophonist and MC Soweto Kinch is one of the most exciting and versatile young musicians in both the British jazz and hip hop scenes. Undoubtedly, one of the few artists in either genre with a degree in Modern History from Oxford University he has amassed an impressive list of accolades and awards on both sides of the Atlantic – including a Mercury Music Prize nomination, two UMA Awards and a MOBO for best Jazz Act in 2003. In October 2007, he won his second MOBO Award, at the O2 Arena, London where he was announced as the winner in the Best Jazz Act category- fending off stiff competition from the likes of Wynton Marsalis.
His skills as a hip hop MC and producer have also garnered him recognition in the urban music world: having supported the likes of KRS ONE, Dwele and TY, and being championed by the likes of Mos Def, Rodney P and BBC 1-Xtra’s Twin B.
Kinch’s projects also extend beyond recorded albums. Writing the score for Jonzi D’s Hip Hop Theatre production Markus the Sadist (2010), and Sampad’s In The Further Soil (2010), a dance-theatre. Kinch also wrote and acted in the latter piece, which toured throughout India for a month.
Most recently, he has collaborated with the BBC and Drum and Bass producer Goldie. By Royal Appointment is 3-part prime time reality music show, following Goldie, Soweto, Guy Chamber and Ms Dynamite as they discover and coach a group of 12 vulnerable young mentees towards their first live performance before HM Prince Harry at Buckingham Palace. Kinch, describe how the programme (due for transmission on the 23rd February, 2011) really allowed him to extended his work as an curator and mentor, “it was a radically fresh approach to discovering and nurturing new talent, and an antedote to the usual pop formulae and manufactured music.”
The Flyover Show is Soweto’s flagship project. Currently in its 5th year, this groundbreaking daylong, music and arts festival takes place in its unusual setting beneath a motorway flyover in Birmingham. 2011’s years event continued a theme from 2010, celebrating black male icons who’ve been influential in successful in redefining Britishness. Featuring artists as divergent as Goldie, Akala and Omar the festival continues to build on its reputation, bringing world class rostra to an often neglected corner of inner city Birmingham – its previous guests having included Bashy, Ms Dynamite, Janet Kay, Ty, Speech Debelle and Jonzi D to name a few.
Following on from links made during his time in India and South Africa, Soweto is preparing to extend the The Flyover Show concept, globally: taking breakout performances abroad and working with artists from the Dharavi slum of Mumbai and in Johannesburg. The vision and impact of this idea continues to grow, transforming derelict and abandoned spaces into exciting creative spaces, and presenting a new model of urban renewal.
Kinch also continues to curate seasons of The Live Box, a Birmingham based jam session and showcase that has been run from venues across Birmingham for over 9 years. Moreover, he was invited as a special guest curator at the Harrogate Festival 2011.
Soweto’s 2010 release The New Emancipation drew its inspiration from 19th century work songs and early blues, exploring the modern resonances of the emancipation story. From debt/wage slavery, to creative oppression in the music industry and ideas of race in a post-Obama age it combined this rich musical inheritance and revisited it with stellar jazz ensemble and modern hip hop production. Number one on the Rise Best Albums of 2010, the album featured a prestigious international lineup, including Byron Wallen, Justin Brown (US), Eska Mtungwazi, Femi Temowo, Shabaka Hutchings and Harry Brown among others.
The ‘Legend of Mike Smith’ tour sees Soweto Kinch presenting all new material in anticipation of a new album of the same name. The performance draws on Dante and The Seven Deadly sins, telling the tale of a young MC caught in a very modern world of temptation. Featuring a core trio including Karl Rasheed Abel on bass and Shaney Forbes on Drums the subject matter allows Kinch to explore the full breadth of human emotion in Hip Hop and jazz form. It will be touring extensively from February 2013 onwards.
Clips (more may be added)
Few people know that the Bay of All Saints was final port-of-call for more enslaved human beings than any other such throughout all of human history. And few people know the transcendence these people, and their descendents, wrought. That's where this Matrix begins...
Wolfram MathWorld
The idea is simple, powerful, and egalitarian: To propagate for them, the Matrix must propagate for all. Most in the world are within six degrees of us. The concept of a "small world" network (see Wolfram above) applies here, placing artists from the Recôncavo and the sertão, from Salvador... from Brooklyn, Berlin and Mombassa... musicians, writers, filmmakers... clicks (recommendations) away from their peers all over the planet.
This Integrated Global Creative Economy (we invented the concept) uncoils from Brazil's sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix... expanding like the canopy of a rainforest tree rooted in Bahia, branches spreading to embrace the entire world...
Recent Visitors Map
Great culture is great power.
And in a small world great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
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