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  • George Cables

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: George Cables
  • City/Place: New York City
  • Country: United States
  • Hometown: Brooklyn, NY

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: When George Cables was going to school in New York City he used to walk the streets at night, taking in the cosmopolitan sights and sounds, mentally recording his encounters with “so many different kinds of people.” In his musical career as well, Cables has prowled sidestreets and main thoroughfares in relative anonymity, absorbing countless influences into his personal style.

    Born in New York City on November 14, 1944, Cables was classically trained as a youth and when he started at the “Fame” worthy High School of Performing Arts, he admittedly “didn’t know anything about jazz.” But he was soon smitten with the potential for freedom of expression he heard in jazz.

    The young Cables was impressed by such keyboardists as Herbie Hancock and Chick Corea. But, he points out, “I never really listened to pianists when I was coming up. I would probably say I’ve been more influenced by Miles or Trane and their whole bands rather than by any single pianist. The concept of the music is more important than listening to somebody’s chops, somebody’s technique, The Way Miles’ band held together, it was just like magic. You were transported to another world.”

    Cables attended Mannes College of Music for two years and by 1964 he was playing in a band called The Jazz Samaritans which included such rising stars as Billy Cobham, Lenny White. and Clint Houston. Gigs around New York at the Top of the Gate, Slugs, and other clubs attracted attention to Cables’ versatility and before long he had recorded with tenor saxophonist Paul Jeffrey, played on Max Roach’s “Lift Every Voice and Sing,” and earned a brief 1969 tenure at the piano bench with Art Blakey and the Jazz Messengers.

    A 1969 tour with tenor titan Sonny Rollins took Cables to the West Coast. By 1971 he became a significant figure in the jazz scenes of Los Angeles, where he first resided, and San Francisco, where he also lived. Collaborations and recordings with tenor saxophonists Joe Henderson and Sonny Rollins (“Next Album:), trumpeters Freddie Hubbard and Woody Shaw (“Blackstone Legacy”), and vibist Bobby Hutcherson made Cables’ wide-ranging keyboard skills, often on electric piano, amply evident. Demand for his sensitive accompaniment increased and by the end of the 1970s, Cables was garnering a reputation as everyone’s favorite sideman.

    Perhaps the most pivotal turn came when hard-bop legend Dexter Gordon invited Cables into his quartet in 1977. The two years he spent with the tenor giant ignited Cables’s passion for the acoustic piano and reimmersed him in the bebop vocabulary. “I don’t feel that one should be stuck in the mud playing the same old stuff all the time, trying to prove that this music is valid,” Cables says. “We don’t need to prove anything. But I think you really have to be responsive to your heritage and then go on and find your own voice.”

    The longest standing relationship Cables developed in the late seventies was with alto saxophonist Art Pepper. Cables, who Pepper called “Mr. Beautiful,” became Art’s favorite pianist, appearing on many quartet dates for Contemporary and Galaxy, and joining Art for the extraordinary duet album, Goin’ Home, that would be Pepper’s final recording session. “I’ve been able to play with some of the greatest musicians in the world,” Cables says, ..but it’s funny, if you’re not seen as a bandleader, doing the same thing a lot of times, it’s easy to wonder, `Well, who are you really? What do you really feel?’ And sometimes I have to ask myself that, because every time I play with somebody different I have to put on a different hat.”

    He has performed and recorded with some of the greatest jazz musicians of our time, including: Joe Henderson, Roy Haynes, Max Roach, Art Blakey, Sonny Rollins, Freddie Hubbard, Woody Shaw, Sarah Vaughn, Tony Williams, Bobby Hutcherson and Dizzy Gillespie.

    George Cables has emerged as a major voice in modern jazz. He is currently performing and recording as a soloist, with trio and larger ensembles, and as a clinician in college jazz programs. In addition to composing and arranging for his own albums, George Cables has contributed to recordings by Dexter Gordon, Art Pepper, Freddie Hubbard, Woody Shaw, Bobby Hutcherson and many others. He is noted for his fresh Interpretations of classic compositions and for his innovative style of writing.

Contact Information

  • Management/Booking: Exclusive Management and Bookings:
    Joanne Klein Management
    +1 212 741-3949
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://georgecables.com/music/
  • ▶ Website: http://georgecables.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCtJIu1gdxnt0n4umIeUniVw
  • ▶ Spotify: http://open.spotify.com/album/5smNSZ5ycUa1xzsUQaZ3U4
  • ▶ Spotify 2: http://open.spotify.com/album/1jPx3x1uMoVnWUfMgmRkKe
  • ▶ Spotify 3: http://open.spotify.com/album/1doNUXakizsQj5Vn67Ob8L
  • ▶ Spotify 4: http://open.spotify.com/album/0nCgNkrvtiExy8pApbQfxr
  • ▶ Spotify 5: http://open.spotify.com/album/6mcBZZpzmNko6vxUOk1bUB
  • ▶ Spotify 6: http://open.spotify.com/album/3y0M2zXvZ1PbQbbbuzF1Ep
  • ▶ Article: http://ethaniverson.com/interviews/interview-with-george-cables-part-1/
  • ▶ Article 2: http://ethaniverson.com/interviews/interview-with-george-cables-part-2/

Clips (more may be added)

  • 1:42:04
    Joe Farnsworth w. George Cables 8/10/2020 - SmallsLIVE Foundation
    By George Cables
    200 views
  • 3:12
    George Cables on comping
    By George Cables
    224 views
  • 0:07:52
    George Cables Trio: "Mr. Anonymouse"
    By George Cables
    312 views
  • 0:08:40
    George Cables Trio: Monk Medley: "Monk's Mood" & "Round Midnight"
    By George Cables
    201 views
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George Cables Curated

  • 2 Composer
  • 2 Jazz
  • 2 New York City
  • 2 Piano

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  • George Cables
    Keith Jarrett → Piano has been recommended via George Cables.
    • October 15, 2020
  • George Cables
    Keith Jarrett → Multi-Instrumentalist has been recommended via George Cables.
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  • George Cables
    Keith Jarrett → Jazz has been recommended via George Cables.
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  • George Cables
    Keith Jarrett → Composer has been recommended via George Cables.
    • October 15, 2020
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    Herbie Hancock → Piano has been recommended via George Cables.
    • October 15, 2020
  • George Cables
    Herbie Hancock → Keyboards has been recommended via George Cables.
    • October 15, 2020
  • George Cables
    Herbie Hancock → Jazz has been recommended via George Cables.
    • October 15, 2020
  • George Cables
    Herbie Hancock → Composer has been recommended via George Cables.
    • October 15, 2020
  • George Cables
    Chick Corea → Piano has been recommended via George Cables.
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  • George Cables
    Chick Corea → Jazz has been recommended via George Cables.
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  • George Cables
    Chick Corea → Contemporary Classical Music has been recommended via George Cables.
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  • George Cables
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  • George Cables
    A category was added to George Cables:
    New York City
    • October 15, 2020
  • George Cables
    A category was added to George Cables:
    Jazz
    • October 15, 2020
  • George Cables
    A category was added to George Cables:
    Composer
    • October 15, 2020
  • George Cables
    A category was added to George Cables:
    Piano
    • October 15, 2020
  • George Cables
    A video was posted re George Cables:
    Joe Farnsworth w. George Cables 8/10/2020 - SmallsLIVE Foundation
    Joe Farnsworth, George Cables, Eric Alexander, Peter Washington
    • October 15, 2020
  • George Cables
    A video was posted re George Cables:
    George Cables on comping
    In my interview for the Jazz Master Summit, George talked about lessons he's learned from Dexter Gordon, Sonny Rollins, Woody Shaw, and others on how to comp for soloists that help them make the best of their solos.
    • October 15, 2020
  • George Cables
    A video was posted re George Cables:
    George Cables Trio: "Mr. Anonymouse"
    NO GREATER LOVE. There is no finer human being or greater artist in our music than George Cables, and we're feeling very blessed and lucky to present the magnificent jazz pianist and composer George Cables and his stellar Trio with Victor Lewis and Essie...
    • October 15, 2020
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

Pathways from Brazil

THROUGH THE INTEGRATED GLOBAL CREATIVE ECONOMY

(humanity has never had this before)

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among magisterial colleagues for whom this matrix was originally built, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Because in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. And Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers...and Luê Soares behind the mic above. You get to Quincy, you can get to Luê.

And by the mathematics of the small world phenomenon, everybody in the matrix will tend to proximity to everybody else, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties for Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer), and others. A long and winding road that led to necessity of a truly open arts universe, for there is more in Heaven and Earth...

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

Caminhos do Brasil

ATRAVÉS DA ECONOMIA CRIATIVA GLOBAL INTEGRADA

(a humanidade nunca teve isso antes)

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Pois em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar de fora de regiões circunscritas, incluido o próprio Brasil...

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos...e Luê Soares atrás do microfone acima. Você chega em Quincy, pode chegar em Luê.

E pela matemática do fenômeno de mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley), e outros. Um longo e sinuoso caminho que levou à necessidade de um universo de artes verdadeiramente abertom pois há mais no Céu e na Terra...

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Jay Blakesberg San Francisco
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  • Eric Roberson Neo Soul
  • Giovanni Russonello Music Critic
  • Fantastic Negrito Guitar
  • Eliane Elias Brazilian Jazz
  • Sombrinha Banjo
  • Nicholas Payton Record Label Owner
  • Leonard Pitts, Jr Novelist
  • Wynton Marsalis Jazz
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  • Andra Day Actor
  • David Ngwerume Sculptor
  • Jimmy Dludlu South Africa
  • Oteil Burbridge Multi-Instrumentalist
  • Mickalene Thomas Video Artist
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  • George Cables Jazz
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  • Cacá Diegues Diretor de Filmes, Film Director
  • Anders Osborne Blues
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  • Chris Dingman Vibraphone
  • Antonio García University of KwaZulu-Natal Faculty
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  • Martyn Techno
  • Raphael Saadiq Neo Soul
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  • Julia Alvarez Novelist
  • Chris Thile Folk & Traditional
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  • Bob Lanzetti Educator
  • Kareem Abdul-Jabbar Writer
  • Questlove Rapper
  • Orlando Costa Salvador
  • Brandon J. Acker Baroque Guitar
  • Kenyon Dixon R&B
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  • Seth Swingle Banjo
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  • Bob Reynolds Los Angeles
  • William Parker Composer
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  • Kaveh Rastegar Music Director
  • Alyn Shipton Radio Presenter
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  • Kenny Garrett Composer
  • Walter Pinheiro Saxophone
  • Júlio Lemos Brazil
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  • PATRICKTOR4 DJ
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  • Steve Cropper Recording Studio Owner
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  • Caterina Lichtenberg Soprano Lute
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  • Justin Stanton Composer
  • Azi Schwartz החזן עזי שוורץ Cantor
  • Matt Glaser Author
  • Paulo César Pinheiro MPB
  • Jamberê Cerqueira Música Brasileira de Concerto, Brazilian Concert Music
  • Mou Brasil Jazz
  • André Vasconcellos Compositor, Composer
  • Arany Santana Brasil, Brazil
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  • Katuka Africanidades Salvador
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  • Elisa Goritzki Choro
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  • Caroline Shaw Record Producer
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  • Tonho Matéria Brasil, Brazil
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  • Steven Isserlis Cello
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  • Mateus Asato Guitar
  • Willy Schwarz Jewish Music
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  • Jake Oleson Filmmaker
  • Gilson Peranzzetta Clarinet
  • Ben Harper Singer-Songwriter
  • David Kirby Journalist
  • Oscar Peñas New York City
  • David Virelles Piano
  • Steve Coleman Jazz
  • Domingos Preto Samba de Roda
  • Isaias Rabelo Composer
  • Molly Jong-Fast Writer
  • Corey Ledet Singer-Songwriter
  • Shemekia Copeland R&B
  • Michael Janisch Avant-Garde Jazz
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  • Mauro Diniz Rio de Janeiro
  • Woz Kaly Singer-Songwriter
  • Horace Bray Guitar
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  • Issa Malluf Arabic Percussion
  • Jimmy Duck Holmes Blues
  • Stephanie Foden Toronto
  • Christopher James Record Producer
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  • Isaias Rabelo Brazilian Jazz
  • Christopher James Piano
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  • Ferenc Nemeth App Developer
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  • Willy Schwarz Singer
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  • Tessa Hadley Non-Fiction
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  • Léo Brasileiro Violão Clássico, Classical Guitar
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  • Lynn Nottage Columbia University Faculty
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  • Itamar Vieira Júnior Brazil
  • Joshue Ashby Afro-Caribbean Music
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  • John Patrick Murphy Author
  • Bertram Educator
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