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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Bruce Williams:

  • 1 Composer
  • 1 Jazz
  • 1 Juilliard Faculty
  • 1 Saxophone

What's Up

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  • Bruce Williams
    Joe Lovano → Saxophone has been recommended via Bruce Williams.
    • April 1, 2021
  • Bruce Williams
    Joe Lovano → Jazz has been recommended via Bruce Williams.
    • April 1, 2021
  • Bruce Williams
    Joe Lovano → Flute has been recommended via Bruce Williams.
    • April 1, 2021
  • Bruce Williams
    Joe Lovano → Composer has been recommended via Bruce Williams.
    • April 1, 2021
  • Bruce Williams
    Joe Lovano → Clarinet has been recommended via Bruce Williams.
    • April 1, 2021
  • Bruce Williams
    Joe Lovano → Berklee College of Music Faculty has been recommended via Bruce Williams.
    • April 1, 2021
  • Bruce Williams
    Joe Lovano → Author has been recommended via Bruce Williams.
    • April 1, 2021
  • Bruce Williams
    A video was posted re Bruce Williams:
    A Saxophone Lesson at Juilliard with Bruce Williams
    The Importance of Sound 1:23 Throat Shape 4:32 Vibrato 6:10 Playing Lead Alto 8:49 Etude Books 12:02 Articulation 13:00 Time Feel 14:24 The Importance of Listening 15:37 Charts 17:13 Yanagisawa Saxophones 18:16 Reeds 20:41
    • April 1, 2021
  • Bruce Williams
    A video was posted re Bruce Williams:
    EP#7: The Inside Scoop | Bruce Williams
    Jazz Biz 101 invites saxophonist "Solid" Bruce Williams (@BigSolid11) to give us the inside scoop on cultivating a mature musical personality. We figured there is nobody else who tells it like it is compared to Solid. The track is "Mata Leon" by Bruce Wil...
    • April 1, 2021
  • Bruce Williams
    A category was added to Bruce Williams:
    Juilliard Faculty
    • April 1, 2021
  • Bruce Williams
    A category was added to Bruce Williams:
    Jazz
    • April 1, 2021
  • Bruce Williams
    A category was added to Bruce Williams:
    Composer
    • April 1, 2021
  • Bruce Williams
    A category was added to Bruce Williams:
    Saxophone
    • April 1, 2021
  • Bruce Williams
    Bruce Williams is matrixed!
    • April 1, 2021
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Bruce Williams
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Bruce Williams
  • City/Place: New York City
  • Country: United States
  • Hometown: Washington, D.C.

Life & Work

  • Bio: Bruce Williams is a powerful young jazz saxophonist who hails from our nation's capital of Washington, D.C. He has made his presence known on the jazz scene by garnering critical attention with his own enthusiastically received CD releases - "Brotherhood" and "Altoicity" - issued on Savant Records. He's made an indelible impression as a sideman on over twenty other CD and video recordings. Bruce has performed, toured, and recorded with a long roster of jazz legends - Little Jimmy Scott, Frank Foster, The Lincoln Center Jazz Orchestra, Stanley Cowell, Louis Smith, Cecil Brooks III, The Count Basie Orchestra, The World Saxophone Quartet, Russell Gunn, Curtis Fuller, and Roy Hargrove to name a few.

    Bruce Williams is a versatile saxophone stylist, performing in a variety of diverse playing environments - from traditional to hip-hop to the avant-garde. He has been an honored recipient of awards from DownBeat magazine and The Charlie Parker Music and More Foundation. His ability to perform masterfully in a range of jazz styles has placed him on two Grammy nominated recordings and sent him to numerous cities throughout the US and abroad in France, Italy, Germany, Scandinavia, the West Indies, Lebanon, and Japan.

    Bruce Williams is currently the newest and youngest member, of the internationally recognized jazz group, "The World Saxophone Quartet". Bruce is currently a member of a newly founded group by legendary drummer Ben Riley, the "Thelonious Monk Legacy Septet". Bruce also leads four bands of his own - a quartet, a quintet, a jazz organ trio, and a progressive electric jazz group.

    A noted jazz educator and mentor to young jazz musicians; Bruce has given master classes at Ohio State, Iowa State, The Jazz Institute of New Jersey, The University of the District of Columbia, Princeton University, The New Jersey Performing Arts Center "Jazz For Teens" program, and the Paris Conservatory in France. He has served as adjunct saxophone instructor at both the New School for Social Research (Mannes School of Music) in NYC, Princeton, and Bard College . He's currently an ensemble coach for the Jazz department at Julliard.

    Bruce Williams has been mentored by some of the best in the business including Frank Foster, Branford Marsalis, Joe Ford, Laura George, William Shadle,Oliver Lake and Cecil Brooks III.

    All of the above experiences have aided Bruce Williams in becoming a confident doubler and one of the premier jazz alto and soprano saxophonists in the world today.

Contact Information

  • Email: [email protected] / [email protected]
  • Telephone: +1 (973) 460-3751

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.brucewilliams-saxophone.com/recordings
  • ▶ Website: http://www.brucewilliams-saxophone.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UC6vbmPQ2cQ70hPc9LrH1wiA
  • ▶ Spotify: http://open.spotify.com/album/46Ce1tnP3zJqZFfjoNYHbp
  • ▶ Spotify 2: http://open.spotify.com/album/1LR2JqQEWTIhFPbX9k5iXC
  • ▶ Spotify 3: http://open.spotify.com/album/70Csp0eZaJu2x9EuSTu1XE

Clips (more may be added)

  • 0:22:05
    A Saxophone Lesson at Juilliard with Bruce Williams
    By Bruce Williams
    131 views
  • 0:58:30
    EP#7: The Inside Scoop | Bruce Williams
    By Bruce Williams
    104 views
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We're a real mother for ya!

 

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