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  • David Greely

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: David Greely
  • City/Place: Breaux Bridge, Louisiana
  • Country: United States
  • Hometown: Baton Rouge, Louisiana

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: David Greely’s French Louisiana music is opening a new wing in his tradition. David has taken the swampy syncopations of Cajun music and its renaissance French dialect to new level of sophistication without losing its urgency and texture. In solo acoustic performance, he sounds like two or three fiddles, weaving accompaniment to his vocals as if it’s someone else singing. Presenting his concerts in English or French, he embraces all the aspects of his heritage that a fiddle and voice can reach- ancient ballads, cane field blues, yearning waltzes and fiery two steps, and melds his ancestral legacy with his own adroit compositions and stories of the rich souls who kept this music and language alive.

    David was born in Baton Rouge of Cajun and Irish ancestry, and learned Cajun music on dance hall stages throughout South Louisiana, in the archives of Cajun and Creole music at the University of Louisiana in Lafayette, and from his apprenticeship to Cajun fiddle master and National Heritage Fellow Dewey Balfa. As a founding member of Steve Riley and the Mamou Playboys, David toured Folk Festivals worldwide for 23 years, and was nominated for four Grammy Awards. He has received the Louisiana Artist Fellowship Award for Folklife Performance, and is an adjunct instructor of Cajun fiddle at the University of Louisiana.

Contact Information

  • Management/Booking: For Booking:
    David Greely
    [email protected]reely.com
    216 Martin Street
    Breaux Bridge, Louisiana 70517

Media | Markets

  • ▶ Book Purchases: http://davidgreely.com/books
  • ▶ Website: http://davidgreely.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC-j4ekuGxnAebh1_epOjqfg
  • ▶ YouTube Music: http://music.youtube.com/channel/UC-xn0a5DkyWazJKY4fcggcw
  • ▶ Spotify: http://open.spotify.com/album/2EPhpTh5w1o38CGIVoKofc

My Writing

  • Publications: Books

    The Balfa Brothers Play Traditional Cajun Music
    A French/English Interlinear Translation- 22 songs

    The Songs of Iry Lejeune
    A French/English Interlinear Translation- 25 songs

    Transcriptions and Translations
    by
    David Greely

    These books contain transcriptions and translations of the Cajun French language found in the lyrics of the Balfa Brothers’ magnificent two first albums, and Iry Lejeune’s classic recordings.

    Transcription and translations for these recordings are already available elsewhere, but these books take a radically different approach.

    Here the translations are interlinear (between each line) and painstakingly literal. The reader will immediately know the meaning of each word as well as the syntax of the French spoken by the Cajuns of South Louisiana.

    For example, lines like :
    O, bébé, oublie pas, viens me rejoindre
    Oh baby forget not come me rejoin

    …have always been translated elsewhere on the page, in smooth English, with all the foreign arrangements of the words converted to the accustomed English ways of expression, like this :

    Oh, baby, don’t forget, come back to me

    The interlinear method may seem awkward, but it gives a much clearer picture of the structure of French expression, such as reflexive phrases like viens me rejoindre, normally translated as come back to me, when the French words are actually in this order, come me rejoin.

    There are parts of words in subscript to highlight letters that are uniquely silent in the Cajun French dialect. Liquid syllables like the re in rejoindre are not often pronounced in this dialect, and are usually rendered as r’joind’. The subscript highlight leaves the word properly spelled, to help the singer learn how to write and read French, and at the same time clearly helps the singer pronounce Cajun French convincingly and helps the words fit the rhythms of the song as intended by the original singers.

    The song titles are numbered according to their appearance on the track list of the CD, The Balfa Brothers Play Traditional Cajun Music Volumes I and II (SW-6011,) minus the instrumental tracks.

    The Iry Lejeune lyrics are for all his recordings, and the book corresponds to the CD, Iry Lejeune: The Definitive Collection (Ace CDCHD 428)

    It is highly recommended to learn while listening to the Balfa Brothers, or to Iry Lejeune’s recordings, so that you can imitate their accent and pronunciation, and thereby create a convincing Cajun French vocal.

Clips (more may be added)

  • 2:41
    Cajun Fiddler David Greely--A Minor Waltz
    By David Greely
    247 views
  • 3:06
    The Bayou meets Brazil: Scott Kettner & David Greely (fiddle pandeiro duo)
    By David Greely
    242 views
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David Greely Curated

  • 1 Author
  • 1 Cajun Fiddle
  • 1 Louisiana
  • 1 Songwriter
  • 1 University of Louisiana at Lafayette Faculty

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  • David Greely
    A category was added to David Greely:
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    • September 28, 2020
  • David Greely
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    Songwriter
    • September 28, 2020
  • David Greely
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    Louisiana
    • September 28, 2020
  • David Greely
    A category was added to David Greely:
    University of Louisiana at Lafayette Faculty
    • September 28, 2020
  • David Greely
    A category was added to David Greely:
    Cajun Fiddle
    • September 28, 2020
  • David Greely
    A video was posted re David Greely:
    Cajun Fiddler David Greely--A Minor Waltz
    Cajun fiddle maestro David Greely records the A Minor Waltz at the Tiki Parlour. filmed by David Bragger
    • September 28, 2020
  • David Greely
    A video was posted re David Greely:
    The Bayou meets Brazil: Scott Kettner & David Greely (fiddle pandeiro duo)
    David Greely (fiddle) and Scott Kettner (pandeiro) playing a traditional Creole tune (Paul Junius Malveuax's Tune). From the Cajun Duo concert in Brooklyn, NY. This tune was learned from a Lomax recording from the '30s, where it was played on harmonica by...
    • September 28, 2020
  • David Greely
    David Greely is matrixed!
    • September 28, 2020
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX

Quincy Jones pode indicar Gilberto Gil. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone abaixo. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Jonathan Finlayson New York City
  • Chris Potter Multi-Instrumentalist
  • Sierra Hull Americana
  • Mark Markham New York City
  • Lauranne Bourrachot Movie Producer
  • Yacouba Sissoko New York City
  • Yoron Israel Drums
  • Rose Aféfé Ibicoara
  • Ray Angry Keyboards
  • Joachim Cooder Record Producer
  • Liam Farrell 'Dr L' Ireland
  • Matt Glaser Composer
  • Lauren Martin Radio Presenter
  • Kazemde George Biologist
  • Alan Williams Architectural Installations
  • Romero Lubambo Jazz
  • Simon Shaheen Oud
  • Ivan Bastos Música Afro-Baiana, Afro-Bahian Music
  • Matt Ulery Bass
  • Demond Melancon Young Seminole Hunters
  • Geraldo Azevedo Frevo
  • Anders Osborne R&B
  • Mino Cinélu Composer
  • Jane Cornwell Music Critic
  • Angel Bat Dawid Jazz
  • Marcelinho Oliveira Music Producer
  • Germán Garmendia Comedian
  • Etienne Charles Jazz
  • David Bragger Banjo Instruction
  • Dónal Lunny Songwriter
  • Nardis Jazz Club Turkey
  • Moreno Veloso MPB
  • Terrace Martin Jazz
  • Caroline Shaw Composer
  • Nettrice R. Gaskins Writer
  • Alegre Corrêa Percussion
  • Dorian Concept Record Producer
  • Joe Lovano Jazz
  • Sandi Bachom Press Photographer
  • Rosa Passos Samba
  • Carl Joe Williams Painter
  • Maladitso Band Malawi
  • Gord Sheard Humber College Music Faculty
  • Aindrias de Staic Television Presenter
  • Paul Mahern Punk Rock
  • Luizinho Assis Jazz
  • Shana Redmond Writer
  • Lucian Ban Composer
  • Doug Adair Producer
  • Kenny Barron Composer
  • Jane Ira Bloom New York City
  • Eric Alper Toronto
  • Cashmere Cat Hip-Hop
  • Brandon Wilner Writer
  • Pallett Persian Music
  • Bruce Molsky Fiddle
  • Angelique Kidjo Singer-Songwriter
  • Chris Thile Jazz
  • Soweto Kinch Hip-Hop
  • Aaron Parks Ropeadope
  • Danilo Caymmi Brazil
  • Paulo Costa Lima Compositor, Composer
  • Marco Pereira Choro
  • J. Velloso Bahia
  • Itiberê Zwarg Brazil
  • Pierre Onassis Brazil
  • Aindrias de Staic Storyteller
  • Isaac Julien England
  • Janine Jansen Netherlands
  • Rowney Scott Jazz Brasileiro, Brazilian Jazz
  • Joan Chamorro Clarinets
  • Amitava Kumar Journalist
  • Sophia Deboick England
  • Carl Allen Record Producer
  • Saul Williams Actor
  • Charlie Bolden Trumpet
  • Victor Gama Multi-Cultural
  • Gustavo Di Dalva Brazil
  • Sunn m'Cheaux Guitar
  • Fabiana Cozza Singer
  • Dan Moretti Saxophone
  • Turíbio Santos Guitar
  • Shaun Martin Ropeadope
  • Eddie Palmieri Latin Jazz
  • Marcus Miller Record Producer
  • Lorna Simpson Photographer
  • Iuri Passos Ethnomusicologist
  • Shanequa Gay Installation
  • John Harle Film Scores
  • Immanuel Wilkins New School Faculty
  • Sahba Aminikia Composer
  • Weedie Braimah Djembefola
  • Pedrão Abib Brasil, Brazil
  • Irmandade da Boa Morte Bahia
  • Lorna Simpson Brooklyn, NY
  • Cristiano Nogueira Travel Marketer
  • Fapy Lafertin Guitar
  • Rory Marx Anderson Australia
  • Dan Trueman Violin
  • Nonesuch Records Multi-Cultural
  • Cláudio Jorge Record Producer
  • Hot Dougie's Local de Música ao Vivo
  • Dom Flemons Neotraditionalist Country
  • Fred Dantas Salvador
  • Ben Okri Poet
  • Marcelinho Oliveira Brazil
  • Wilson Simoninha Singer-Songwriter
  • Deesha Philyaw Public Speaker
  • John Zorn Composer
  • Nathan Amaral Salzburg
  • Eli Degibri אלי דג'יברי Israel
  • Kiko Horta Rio de Janeiro
  • Casa da Mãe MPB
  • Urânia Munzanzu Cineasta, Filmmaker
  • Bill T. Jones New York City
  • Mandla Buthelezi Johannesburg
  • Chris McQueen Record Producer
  • Stefan Grossman Guitar
  • Vânia Oliveira Salvador
  • Tal Wilkenfeld Los Angeles
  • Calida Rawles Los Angeles
  • Lucio Yanel Guitar
  • Bebê Kramer Rio de Janeiro
  • Joshue Ashby Violin
  • Cainã Cavalcante Brazil
  • Guinha Ramires Rio Grande do Sul
  • Jason Marsalis Vibraphone
  • Marilda Santanna Cantora, Singer
  • Cuong Vu Jazz
  • Tatiana Campêlo Bahia
  • Sheryl Bailey New York City
  • Yotam Silberstein New York City
  • Mike Moreno Guitar
  • Cécile McLorin Salvant Illustrator
  • Cathal McNaughton Photographer
  • Yvette Holzwarth Film Scores
  • Craig Ross Guitar
  • Toninho Nascimento Belém do Pará
  • Roy Nathanson Composer
  • Carlos Paiva Especialista em Políticas Públicas e Gestão Governamental, Specialist in Public Policy and Government Management
  • Léo Brasileiro Bahia
  • Geovanna Costa Samba
  • Jon Madof Educator
  • Jamberê Cerqueira Compositor, Composer
  • Guilherme Kastrup São Paulo
  • Jorge Alfredo Cantor-Compositor, Singer-Songwriter
  • Amilton Godoy Brazilian Jazz
  • Sérgio Mendes Rio de Janeiro
  • Burhan Öçal Divan-Saz
  • Leandro Afonso Salvador
  • John Patrick Murphy Pernambuco
  • Thiago Amud Singer-Songwriter
  • Sandra de Sá Cantora-Compositora, Singer-Songwriter
  • Lina Lapelytė Installation Artist
  • Linda Sikhakhane Composer
  • Lolis Eric Elie Journalist
  • Astrig Akseralian Painter
  • Oscar Bolão Choro
  • Jean Rondeau Composer
  • James Strauss Flute
  • Wayne Krantz Guitar
  • Donny McCaslin Brooklyn, NY
  • Paulo Aragão Rio de Janeiro
  • Dave Douglas Festival Director
  • Gilmar Gomes Brazil
  • Lina Lapelytė Contemporary Classical Music
  • Armen Donelian Jazz
  • Georgia Anne Muldrow Multi-Instrumentalist
  • Rumaan Alam Novelist
  • Nomcebo Zikode House Music
  • Angelique Kidjo Multi-Cultural
  • Fernando César Choro
  • Nicholas Barber Film Critic
  • Dave Smith Jazz
  • Diana Fuentes Cuba
  • Luíz Paixão Pernambuco
  • Danilo Caymmi Singer-Songwriter
  • Celino dos Santos Samba de Roda
  • Giovanni Russonello Music Critic
  • Lucía Fumero Singer
  • Stephanie Foden Bahia
  • Margaret Renkl Journalist
  • Johnathan Blake Jazz
  • Roberto Fonseca Cuba
  • Marcus J. Moore Music Journalist
  • Andrés Beeuwsaert Jazz
  • Béla Fleck Banjo
  • Willy Schwarz Songwriter
  • Nei Lopes Samba
  • Ênio Bernardes Samba
  • Rory Marx Anderson Filmmaker
  • Tomoko Omura Jazz
  • Shalom Adonai Salvador
  • Custódio Castelo Compositor, Composer
  • Ricardo Bacelar MPB
  • Raelis Vasquez Sculptor
  • Airto Moreira Jazz
  • Eamonn Flynn Soul
  • Barbara Paris Painter
  • Rahim AlHaj Composer
  • Michael Cuscuna Writer
  • The Rheingans Sisters England
  • Lynne Arriale Jazz
  • Alê Siqueira Classical Guitar
  • Jason Moran Theater Composer
  • Celso Fonseca Singer
  • Ben Wendel Brooklyn, NY
  • Menelaw Sete Brasil, Brazil
  • Woz Kaly Senegal
  • Bob Lanzetti Record Producer
  • Cláudio Badega Salvador
  • David Sacks Bossa Nova
  • Mokhtar Samba Drums
  • Cássio Nobre Viola Brasileira
  • Márcio Valverde Bahia
  • Ben Okri Nigeria
  • James Andrews New Orleans
  • Shuya Okino Tokyo
  • Christopher Seneca Journalist
  • Darius Mans Economist
  • Pete Williamson Kent, England
  • Mestrinho Sergipe
  • Luis Perdomo Venezuela
  • Orlando Costa Percussion
  • Will Vinson Composer
  • Elio Villafranca Manhattan School of Music Faculty
  • Iara Rennó Brasil, Brazil
  • Bob Bernotas Writer
  • Gearóid Ó hAllmhuráin Uilleann Pipes
  • Gregory Tardy University of Tennessee Knoxville School of Music Faculty
  • Sharay Reed Bass
  • Jeff Tang Creative Producer
  • Bhi Bhiman Singer-Songwriter
  • Omar Hakim Drums
  • Bruce Molsky Banjo Instruction
  • Fidelis Melo Assessor de Comunicação, Public Relations
  • Laura Cole R&B
  • Dave Holland Composer
  • Robert Glasper Hip-Hop
  • Avishai Cohen אבישי כה Jazz
  • Adam Rogers Composer
  • Jorge Glem New York City
  • Imani Winds Chamber Music
  • Issac Delgado Havana
  • João Camarero Rio de Janeiro
  • Yazhi Guo 郭雅志 Suona
  • Walter Mariano Cultura Popular Baiana, Bahian Popular Culture
  • Tambay Obenson Cultural Critic
  • Mary Halvorson Avant-Garde Jazz
  • Camille Thurman Composer
  • Andy Kershaw England
  • Brandon Coleman Jazz, Funk, R&B, Soul
  • Celino dos Santos Brazil
  • Greg Osby Record Label Owner
  • Beth Bahia Cohen Tanbur
  • Larry Grenadier Bass
  • Daru Jones Brooklyn, NY
  • King Britt Record Producer
  • David Castillo Pierce College Faculty
  • Samba de Nicinha Samba
  • Phakama Mbonambi Journalist
  • Yoko Miwa Piano
  • Daniel Jobim MPB
  • Ron Carter Cello
  • Damon Albarn Record Producer
  • Shamarr Allen New Orleans
  • Grégoire Maret Jazz
  • Shankar Mahadevan Mumbai
  • Brenda Navarrete Composer
  • Léo Rodrigues Choro
  • Imanuel Marcus Journalist
  • Mike Moreno Manhattan School of Music Faculty
  • John Santos Writer
  • Jon Batiste Funk
  • Marta Sánchez Piano
  • Michelle Mercer Radio Producer
  • VJ Gabiru Videógrafo, Videographer
  • Mestre Nelito Samba
  • Caridad De La Luz Puerto Rico
  • Kazemde George Beatmaker
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