Gian Correa via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Gian Correa:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Gian Correa
- City: São Paulo
- Country: Brazil
My Life & Work
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Bio:
Gian Correa is a 7-string acoustic guitar player, composer, arranger and a musical producer. His first authorial work, “Mistura 7” (YB Music/2013) was broadly praised by the critic. As examples, we have Hermano Vianna, from the website G1; Tárik de Souza, from the magazine “Carta Capital”; Carlos Bozzo Júnior, from the newspaper “Folha de São Paulo”; Carlos Calado, from the newspaper “Zero Hora”; Fábio Carrilho, from the magazine “Guitar Player”.
In 2016, Gian released his second album, Remistura 7 (YB Music), recorded live in CD and DVD at Estúdio 185 Apodi. The record was also broadly praised by the critic. Carlos Calado (Folha de São Paulo/Valor Econômico) considered the album to be amongst the top ten albuns of the year. Itaú Cultural, as well, regarde the album to be in the best of the year.
Gian is now preparing the release of a duo album with mandolin player Fabio Perón. Also, set to be released in 2017 is the album “Esmê”, in honor of composer Esmeraldino Salles, alongside André Mehmari, Fábio Perón and Fernando Amaro.
Gian took his instrumental project to stages such as the Ibirapuera Auditorium, SESC Pompeia, Ourinhos Music Festival, Praça das Artes, Sala do Conservatório, SESC Ribeirão Preto, Avaré Choro Festival, Botucatu Municipal Theatre, Clube do Choro de Santos and Souza Lima College.
Recorded numerous CD’s in São Paulo’s choro musical scene with his groups Panorama do Choro, Aeromosca, Alexandre Ribeiro Quartet, Cadeira de Balanço, Grupo Um a Zero, Grupo Chorando as Pitangas and Entre Linhas. Participated on stage and on recordings with artists such as Zeca Baleiro, Germano Mathias, Nelson Ayres, Gilberto Gil, Tom Zé, Emicida, Toninho Ferragutti, Mestrinho, Yamandu Costa, Monarco da Portela, Nelson Sargento, Juliana Amaral, Verônica Ferriani, Fabiana Cozza, Laércio de Freitas, Altamiro Carrilho, Nailor Proveta, Danilo Brito and Rodrigo Campos. Despite of his young age, he’s played with these and many other artists in stages all around the world, such as the Concertgebouw in Amsterdam, Palau de la Musica Catalaña in Barcelona, Casa da Música in Porto, Teatro de Bellas Artes in Bogota, Clube do Choro in Paris, Zappa in Tel Aviv, Casa do Brasil in Madri, Durov Club in Moscow, Usadba Jazz Festival Ecaterimburgo (Russia).
Gian was contemplated with two ProACs Prêmio for recording and performing his solo projects, apart from other ProACs Prêmio he received with his choro groups. The DVD was made possible by crowdfunding.
He teaches at the Ibirapuera Auditorium School and has given courses on acoustic guitar at the Choro and Jazz Festival of Jericoacoara, Ourinhos Music Festival, Camp Sambaíba, in addition to workshops at the Brasília Music School, Clube do Choro Brasília, Clube do Choro Paris, Avaré Choro Festival. He’s also participated in evaluation boards at EMESP – Tom Jobim.
Gian Correa started playing choro as a kid, encouraged by his father. In the beginning, studied cavaquinho, switching, later on, to the 7-string acoustic guitar. Took classes at ULM and EMIA schools and has a degree in popular acoustic guitar from Cantareira College. Studied arrangement and harmony with Cláudio Leal and has deepened his knowledge on music writing with Gustavo Bugni.
Currently, Gian is a part of the groups Rejunte and Som Sem Domo, in São Paulo. In 2016 launches a web series called "Joga um 7 aí!” which aims to spread the Brazilian language of the 7-string guitar and disseminate young musicians and representatives veteran masters of this instrument in the country. The series has had guests such as Rogério Caetano, Bozó 7 Cordas, Paulão 7 Cordas, Carlinhos 7 Cordas, and others.
Contact Information
- Contact by Webpage: http://www.giancorrea.com.br/contact-us
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Management/Booking:
Renato Freixeda
producao@giancorrea.com.br
Tel: +55 11 99179-7483
My Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://www.giancorrea.com.br/store-loja
- ▶ Buy My Merch: http://www.giancorrea.com.br/store-loja
- ▶ Charts/Scores: http://www.giancorrea.com.br/scores-partituras
- ▶ Instagram: gian_correa
- ▶ Website: http://www.giancorrea.com.br
- ▶ YouTube Channel: http://www.youtube.com/user/AcaconFilmes
- ▶ YouTube Music: http://music.youtube.com/channel/UC09lUQ23jd0yXcIa4ZoNFow
- ▶ Spotify: http://open.spotify.com/album/4OsBOPiufIdURBpZzCVky1
- ▶ Spotify 2: http://open.spotify.com/album/4M5BZdXgmN1yLuw52L4ohZ
- ▶ Spotify 3: http://open.spotify.com/album/5XxWgJDkJ7PdTFJnA2S0dz
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging from New Orleans to Harlem and the South Side of Chicago ... through Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
