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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Caterina Lichtenberg:

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  • 1 Hochschule für Musik und Tanz Köln
  • 1 Mandolin
  • 1 Soprano Lute

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  • Caterina Lichtenberg
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    Hochschule für Musik und Tanz Köln
    • February 2, 2020
  • Caterina Lichtenberg
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    Soprano Lute
    • February 2, 2020
  • Caterina Lichtenberg
    A video was posted re Caterina Lichtenberg:
    Caterina Lichtenberg Mike Marshall - Aria Sopra la Bergamasca by Marco Uccellini
    Savannah Music Festival April 5, 2019 Caterina Lichtenberg - Mandolin Mike Marshall - Mandocello Joshua Keller - Treble Viol Adam Jaffe - Harpsichord
    • February 2, 2020
  • Caterina Lichtenberg
    A video was posted re Caterina Lichtenberg:
    Caterina Lichtenberg - Soprano Lute - Targhee Bluegrass Camp
    Caterina Lichtenberg demonstrates the soprano lute at the Grand Targhee Bluegrass Camp. www.targheemusiccamp.com
    • February 2, 2020
  • Caterina Lichtenberg
    A video was posted re Caterina Lichtenberg:
    Caterina Lichtenberg talks with Mandolin Luthier Alfred Woll
    ArtistWorks classical mandolin teacher Caterina Lichtenberg (http://bit.ly/catmandolin) talks with renowned Mandolin luthier Alfred Woll - the maker of her p...
    • February 2, 2020
  • Caterina Lichtenberg
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    Author
    • February 2, 2020
  • Caterina Lichtenberg
    A category was added to Caterina Lichtenberg:
    Mandolin
    • February 2, 2020
  • Caterina Lichtenberg
    Caterina Lichtenberg is matrixed!
    • February 2, 2020
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Caterina Lichtenberg
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Caterina Lichtenberg
  • City/Place: Cologne
  • Country: Germany

Life & Work

  • Bio: Caterina Lichtenberg is one of the most important classical mandolinists in the world today. Raised in Germany, Caterina graduated with highest honors from the Music Conservatory in Cologne. She now holds the position of Professor of Classical mandolin/Soprano lute at that prestigious institution. (The only position of its kind in the world today)

    For over 20 years Caterina has been recording, teaching and touring throughout Europe, Japan, Taiwan, South America, Canada and the U.S. to rave reviews.

    In January of 2016 Caterina was signed to the Artist Works online teaching school as the Classical mandolin teacher. Mrs. Lichtenberg collaboration with American mandolinists Mike Marshall brought together two of the greatest mandolinists in the world. Their first recording blurred the lines between their classical, jazz, bluegrass and Brazilian musical backgrounds. Their second release were duets by Johann Sebastian Bach (The Two Part Inventions, Organ Duets and Canons) on mandolin and Mandocello was released in 2015.

    To date Caterina Lichtenberg has released 10 CDs under her own leadership in a variety of chamber music settings, five with guitarist/lutenist Mirko Schrader. As a specialist on early period instruments, Caterina was invited to record on a 1775 mandolin from the Ferdinandeum Museum in Innsbruck in Austria.

    As a featured soloist Mrs. Lichtenberg has performed with the New Century Orchestra under Nadja Salerno-Sonnenberg, the LA Guitar Quartet, the Brandenburgisches Staatsorchester Frankfurt, Germany under Diego Fasolis and the Aachen Chamber Orchestra. She has also performed with the Dresden Symphony Orchestra, the MDR Orchestra under Fabio Luisi, the Leipzig Gewandhaus Orchestra under Riccardo Chailly, the MDR Sinfonie Orchestra under Howard Arman, the Radio Symphony Orchestra of Berlin and the Bavarian Radio Symphony Orchestra under Lorin Maazel, with Brigitte Engelhard (harpsichord), Thomas Mueller-Pering (guitar) and with Art Garfunkel on live German TV.

    Caterina has performed at The Carmel Bach Festival, Rockygrass Bluegrass Festival, Festival de Mandolins de Lunel, France, The Savannah Music Festival, Baroque Festival in Santa Cruz CA, the Euro Festival of Plucked Instruments (Germany).

    She has also been a juror and a sought after lecturer at the The Mandolin Symposium in Santa Cruz CA (USA) the European Plucked String Orchestra in Logroño (Spain) and Bologna (Italy), The International Mandolin Festival in Kobe (Japan), The International Mandolin Convention in Washington and Minneapolis (USA), The Domaine Forget Music and Dance Academy (Canada), The Guitar Festival in Nürtingen, The Swannanoa Gathering in Asheville, North Carolina (USA), and The International Mandolin Convention in San Diego CA (USA)

    Caterina has also published her own instructional books and filmed two DVD videos for the Homespun music education company.

    She currently lives part time in both Germany and California.

Contact Information

  • Email: [email protected]
  • Management/Booking: US Booking
    Trish Galfano
    Myriad Artists
    [email protected]

Media | Markets

  • ▶ Instagram: cathdelichtenberg
  • ▶ Website: http://caterinalichtenberg.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCc-d7KM8RFaVFWyZvOVOQvw
  • ▶ Spotify: http://open.spotify.com/album/1GL8R9eeBSSp5ITTstusKs
  • ▶ Spotify 2: http://open.spotify.com/album/5xpFNducV0IhCJoXBdiKhI
  • ▶ Spotify 3: http://open.spotify.com/album/5CnHI75QULBN8sKv7vmSUz

My Instruction

  • Lessons/Workshops: In January of 2016 Caterina was signed to the Artist Works online teaching school as the Classical mandolin teacher.

    Caterina Lichtenberg has taken everything she knows about classical mandolin and created a comprehensive video library that includes hundreds of online lessons.

    Members have unlimited access to all the lessons which are supplemented by backing tracks and other study materials. Plus there are special guests, exclusive interviews, and a community of classical mandolin enthusiasts from all over the world.

    What ultimately sets these lessons apart from other online offerings however, is the ability to submit a video using the ArtistWorks Video Exchange® learning platform. Caterina reviews each submission and records a video response with feedback on how you’re doing and tips for how to improve. All students can access the Video Exchange library, which is always expanding and may contain the key to unlock your own playing.
  • Instruction: http://artistworks.com/classical-mandolin-lessons-caterina-lichtenberg

Clips (more may be added)

  • Caterina Lichtenberg Mike Marshall - Aria Sopra la Bergamasca by Marco Uccellini
    By Caterina Lichtenberg
    244 views
  • Caterina Lichtenberg - Soprano Lute - Targhee Bluegrass Camp
    By Caterina Lichtenberg
    202 views
  • Caterina Lichtenberg talks with Mandolin Luthier Alfred Woll
    By Caterina Lichtenberg
    210 views
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