CURATION
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from this page:
by Matrix
Network Node
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Name:
Caterina Lichtenberg
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City/Place:
Cologne
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Country:
Germany
Life
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Bio:
Caterina Lichtenberg is one of the most important classical mandolinists in the world today. Raised in Germany, Caterina graduated with highest honors from the Music Conservatory in Cologne. She now holds the position of Professor of Classical mandolin/Soprano lute at that prestigious institution. (The only position of its kind in the world today)
For over 20 years Caterina has been recording, teaching and touring throughout Europe, Japan, Taiwan, South America, Canada and the U.S. to rave reviews.
In January of 2016 Caterina was signed to the Artist Works online teaching school as the Classical mandolin teacher. Mrs. Lichtenberg collaboration with American mandolinists Mike Marshall brought together two of the greatest mandolinists in the world. Their first recording blurred the lines between their classical, jazz, bluegrass and Brazilian musical backgrounds. Their second release were duets by Johann Sebastian Bach (The Two Part Inventions, Organ Duets and Canons) on mandolin and Mandocello was released in 2015.
To date Caterina Lichtenberg has released 10 CDs under her own leadership in a variety of chamber music settings, five with guitarist/lutenist Mirko Schrader. As a specialist on early period instruments, Caterina was invited to record on a 1775 mandolin from the Ferdinandeum Museum in Innsbruck in Austria.
As a featured soloist Mrs. Lichtenberg has performed with the New Century Orchestra under Nadja Salerno-Sonnenberg, the LA Guitar Quartet, the Brandenburgisches Staatsorchester Frankfurt, Germany under Diego Fasolis and the Aachen Chamber Orchestra. She has also performed with the Dresden Symphony Orchestra, the MDR Orchestra under Fabio Luisi, the Leipzig Gewandhaus Orchestra under Riccardo Chailly, the MDR Sinfonie Orchestra under Howard Arman, the Radio Symphony Orchestra of Berlin and the Bavarian Radio Symphony Orchestra under Lorin Maazel, with Brigitte Engelhard (harpsichord), Thomas Mueller-Pering (guitar) and with Art Garfunkel on live German TV.
Caterina has performed at The Carmel Bach Festival, Rockygrass Bluegrass Festival, Festival de Mandolins de Lunel, France, The Savannah Music Festival, Baroque Festival in Santa Cruz CA, the Euro Festival of Plucked Instruments (Germany).
She has also been a juror and a sought after lecturer at the The Mandolin Symposium in Santa Cruz CA (USA) the European Plucked String Orchestra in Logroño (Spain) and Bologna (Italy), The International Mandolin Festival in Kobe (Japan), The International Mandolin Convention in Washington and Minneapolis (USA), The Domaine Forget Music and Dance Academy (Canada), The Guitar Festival in Nürtingen, The Swannanoa Gathering in Asheville, North Carolina (USA), and The International Mandolin Convention in San Diego CA (USA)
Caterina has also published her own instructional books and filmed two DVD videos for the Homespun music education company.
She currently lives part time in both Germany and California.
My Instruction
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Lessons/Workshops:
In January of 2016 Caterina was signed to the Artist Works online teaching school as the Classical mandolin teacher.
Caterina Lichtenberg has taken everything she knows about classical mandolin and created a comprehensive video library that includes hundreds of online lessons.
Members have unlimited access to all the lessons which are supplemented by backing tracks and other study materials. Plus there are special guests, exclusive interviews, and a community of classical mandolin enthusiasts from all over the world.
What ultimately sets these lessons apart from other online offerings however, is the ability to submit a video using the ArtistWorks Video Exchange® learning platform. Caterina reviews each submission and records a video response with feedback on how you’re doing and tips for how to improve. All students can access the Video Exchange library, which is always expanding and may contain the key to unlock your own playing.
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Instruction:
http://artistworks.com/classical-mandolin-lessons-caterina-lichtenberg
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix, originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet, is able to do so because it is small-world (see Wolfram).
Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a brilliant sociocultural matrix comprised of these three peoples and more, is small-world.
Human society, the billions of us in all the complexity of our relationships, is small-world. Neural structures for human memory are small-world, neural structures in artificial intelligence are small-world...
In small worlds great things are possible. In a matrix they can be created.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,

Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL