• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Caterina Lichtenberg

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Caterina Lichtenberg
  • City/Place: Cologne
  • Country: Germany

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Caterina Lichtenberg is one of the most important classical mandolinists in the world today. Raised in Germany, Caterina graduated with highest honors from the Music Conservatory in Cologne. She now holds the position of Professor of Classical mandolin/Soprano lute at that prestigious institution. (The only position of its kind in the world today)

    For over 20 years Caterina has been recording, teaching and touring throughout Europe, Japan, Taiwan, South America, Canada and the U.S. to rave reviews.

    In January of 2016 Caterina was signed to the Artist Works online teaching school as the Classical mandolin teacher. Mrs. Lichtenberg collaboration with American mandolinists Mike Marshall brought together two of the greatest mandolinists in the world. Their first recording blurred the lines between their classical, jazz, bluegrass and Brazilian musical backgrounds. Their second release were duets by Johann Sebastian Bach (The Two Part Inventions, Organ Duets and Canons) on mandolin and Mandocello was released in 2015.

    To date Caterina Lichtenberg has released 10 CDs under her own leadership in a variety of chamber music settings, five with guitarist/lutenist Mirko Schrader. As a specialist on early period instruments, Caterina was invited to record on a 1775 mandolin from the Ferdinandeum Museum in Innsbruck in Austria.

    As a featured soloist Mrs. Lichtenberg has performed with the New Century Orchestra under Nadja Salerno-Sonnenberg, the LA Guitar Quartet, the Brandenburgisches Staatsorchester Frankfurt, Germany under Diego Fasolis and the Aachen Chamber Orchestra. She has also performed with the Dresden Symphony Orchestra, the MDR Orchestra under Fabio Luisi, the Leipzig Gewandhaus Orchestra under Riccardo Chailly, the MDR Sinfonie Orchestra under Howard Arman, the Radio Symphony Orchestra of Berlin and the Bavarian Radio Symphony Orchestra under Lorin Maazel, with Brigitte Engelhard (harpsichord), Thomas Mueller-Pering (guitar) and with Art Garfunkel on live German TV.

    Caterina has performed at The Carmel Bach Festival, Rockygrass Bluegrass Festival, Festival de Mandolins de Lunel, France, The Savannah Music Festival, Baroque Festival in Santa Cruz CA, the Euro Festival of Plucked Instruments (Germany).

    She has also been a juror and a sought after lecturer at the The Mandolin Symposium in Santa Cruz CA (USA) the European Plucked String Orchestra in Logroño (Spain) and Bologna (Italy), The International Mandolin Festival in Kobe (Japan), The International Mandolin Convention in Washington and Minneapolis (USA), The Domaine Forget Music and Dance Academy (Canada), The Guitar Festival in Nürtingen, The Swannanoa Gathering in Asheville, North Carolina (USA), and The International Mandolin Convention in San Diego CA (USA)

    Caterina has also published her own instructional books and filmed two DVD videos for the Homespun music education company.

    She currently lives part time in both Germany and California.

Contact Information

  • Email: [email protected]
  • Management/Booking: US Booking
    Trish Galfano
    Myriad Artists
    [email protected]

Media | Markets

  • ▶ Instagram: cathdelichtenberg
  • ▶ Website: http://caterinalichtenberg.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCc-d7KM8RFaVFWyZvOVOQvw
  • ▶ Spotify: http://open.spotify.com/album/1GL8R9eeBSSp5ITTstusKs
  • ▶ Spotify 2: http://open.spotify.com/album/5xpFNducV0IhCJoXBdiKhI
  • ▶ Spotify 3: http://open.spotify.com/album/5CnHI75QULBN8sKv7vmSUz

My Instruction

  • Lessons/Workshops: In January of 2016 Caterina was signed to the Artist Works online teaching school as the Classical mandolin teacher.

    Caterina Lichtenberg has taken everything she knows about classical mandolin and created a comprehensive video library that includes hundreds of online lessons.

    Members have unlimited access to all the lessons which are supplemented by backing tracks and other study materials. Plus there are special guests, exclusive interviews, and a community of classical mandolin enthusiasts from all over the world.

    What ultimately sets these lessons apart from other online offerings however, is the ability to submit a video using the ArtistWorks Video Exchange® learning platform. Caterina reviews each submission and records a video response with feedback on how you’re doing and tips for how to improve. All students can access the Video Exchange library, which is always expanding and may contain the key to unlock your own playing.
  • Instruction: http://artistworks.com/classical-mandolin-lessons-caterina-lichtenberg

Clips (more may be added)

  • Caterina Lichtenberg Mike Marshall - Aria Sopra la Bergamasca by Marco Uccellini
    By Caterina Lichtenberg
    399 views
  • Caterina Lichtenberg - Soprano Lute - Targhee Bluegrass Camp
    By Caterina Lichtenberg
    345 views
  • Caterina Lichtenberg talks with Mandolin Luthier Alfred Woll
    By Caterina Lichtenberg
    337 views
Previous
Next

Caterina Lichtenberg Curated
pathways in

  • 1 Author
  • 1 Hochschule für Musik und Tanz Köln
  • 1 Mandolin
  • 1 Soprano Lute

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Caterina Lichtenberg
    A category was added to Caterina Lichtenberg:
    Hochschule für Musik und Tanz Köln
    • February 2, 2020
  • Caterina Lichtenberg
    A category was added to Caterina Lichtenberg:
    Soprano Lute
    • February 2, 2020
  • Caterina Lichtenberg
    A video was posted re Caterina Lichtenberg:
    Caterina Lichtenberg Mike Marshall - Aria Sopra la Bergamasca by Marco Uccellini
    Savannah Music Festival April 5, 2019 Caterina Lichtenberg - Mandolin Mike Marshall - Mandocello Joshua Keller - Treble Viol Adam Jaffe - Harpsichord
    • February 2, 2020
  • Caterina Lichtenberg
    A video was posted re Caterina Lichtenberg:
    Caterina Lichtenberg - Soprano Lute - Targhee Bluegrass Camp
    Caterina Lichtenberg demonstrates the soprano lute at the Grand Targhee Bluegrass Camp. www.targheemusiccamp.com
    • February 2, 2020
  • Caterina Lichtenberg
    A video was posted re Caterina Lichtenberg:
    Caterina Lichtenberg talks with Mandolin Luthier Alfred Woll
    ArtistWorks classical mandolin teacher Caterina Lichtenberg (http://bit.ly/catmandolin) talks with renowned Mandolin luthier Alfred Woll - the maker of her p...
    • February 2, 2020
  • Caterina Lichtenberg
    A category was added to Caterina Lichtenberg:
    Author
    • February 2, 2020
  • Caterina Lichtenberg
    A category was added to Caterina Lichtenberg:
    Mandolin
    • February 2, 2020
  • Caterina Lichtenberg
    Caterina Lichtenberg is matrixed!
    • February 2, 2020
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 


João do Boi, first into the Matrix. João had something priceless to offer the world.
✅—João do Boi
✅—Pardal/Sparrow

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers

Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per the bottom of this section) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington



Bahia is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 

PORTUGUÊS (to English →)

 


João do Boi, primeiro no Matrix. João tinha algo inestimável a oferecer ao mundo.
✅—João do Boi
✅—Pardal

 

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers

Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: Soa assim: O que a música que você ama diz sobre você

CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme o final desta seção) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


A Bahia é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

Por que Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 

  • Shalom Adonai Chula
  • Charlie Bolden Jazz
  • George Garzone Saxophone
  • Omari Jazz Composer
  • Steve Earle Radio Presenter
  • Marisa Monte Samba
  • Julie Fowlis Multi-Instrumentalist
  • Leandro Afonso Bahia
  • Ronaldo do Bandolim Mandolin
  • Sergio Krakowski New York City
  • Billy Strings Bluegrass
  • Eder Muniz Grafiteiro, Graffiti Artist
  • Sam Harris Composer
  • Kiya Tabassian كيا طبسيان Montreal
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • Gregory Porter Singer
  • Saul Williams Writer
  • Jim Beard Piano
  • Aneesa Strings Los Angeles
  • Mônica Salmaso MPB
  • Amilton Godoy Classical Music
  • Robby Krieger Guitar
  • Nelson Ayres Brazil
  • Tam-Ky France
  • Rory Marx Anderson Australia
  • John Edward Hasse Curator
  • Edsel Gomez New York City
  • Anders Osborne Americana
  • Leon Bridges Soul
  • Robert Everest Minneapolis, Minnesota
  • Banning Eyre African Music
  • Oksana Zabuzhko Kyiv
  • Mauro Refosco Marimba
  • Eli Degibri אלי דג'יברי Composer
  • Jau Singer-Songwriter
  • Jeff 'Tain' Watts Drums
  • Jonathan Scales Jazz
  • Yelaine Rodriguez African Diaspora Culture
  • Neo Muyanga Cape Town
  • Luciano Matos Salvador
  • Lucio Yanel Guitar Courses
  • Jon Batiste Melodica
  • Jimmy Cliff Rocksteady
  • Luizinho do Jêje Brazil
  • Gunter Axt Historiador, Historian
  • Anthony Wilson Jazz
  • Ivan Neville Singer-Songwriter
  • Cécile McLorin Salvant Singer
  • Marcelo Caldi Brazil
  • Yacouba Sissoko Mali
  • Munir Hossn Multi-Instrumentalist
  • Meena Karimi Classical Music
  • Del McCoury Old-Time Music
  • Eddie Palmieri New York City
  • McCoy Mrubata South Africa
  • Ceumar Coelho Singer-Songwriter
  • María Grand R&B
  • Delbert Anderson Indigenous Culture
  • Avner Dorman Composer
  • Toby Gough Musical Theater
  • Renata Flores Peru
  • Mickalene Thomas Painter
  • Molly Jong-Fast Podcaster
  • John McEuen Mandolin
  • Nelson Sargento Singer-Songwriter
  • June Yamagishi Jazz
  • Antônio Pereira Manaus
  • David Byrne Film Scores
  • Chris Dingman Multi-Cultural
  • Vinnie Colaiuta Los Angeles, California
  • Gerônimo Santana Salvador
  • Ricky (Dirty Red) Gordon Louisiana
  • Ali Jackson Percussion
  • Jeremy Pelt Jazz
  • Christopher James Record Producer
  • Ed O'Brien London
  • Luizinho Assis Compositor, Composer
  • Brett Orrison Record Label Owner
  • William Parker Multi-Instrumentalist
  • Jason Moran Piano
  • Anthony Hervey Singer
  • Lolis Eric Elie New Orleans
  • Gabrielzinho do Irajá Samba
  • Daphne A. Brooks Writer
  • Nonesuch Records Americana
  • George Garzone Berklee College of Music Faculty
  • Walter Mariano Universidade Federal do Recôncavo da Bahia Faculdade, Federal University of the Recôncavo of Bahia Faculty
  • Greg Kot Journalist
  • Merima Ključo Composer
  • Jeff Ballard New York City
  • Shankar Mahadevan Composer
  • Colson Whitehead Short Stories
  • Marko Djordjevic Jazz
  • Kiko Souza Flauta, Flute
  • Jeremy Danneman Singer-Songwriter
  • Tonynho dos Santos Trompete, Trumpet
  • Peter Erskine USC Thornton School of Music Faculty
  • Safy-Hallan Farah Writer
  • Joe Lovano Clarinet
  • Michael Doucet Zydeco
  • Bodek Janke Contemporary Classical Music
  • Howard Levy Blues & Folk
  • Mike Marshall Guitar
  • Zoran Orlić Chicago
  • João Camarero Guitar
  • Russell Malone Jazz
  • Huey Morgan Singer
  • Kiko Loureiro Finland
  • John Santos Cape Verde
  • Eric Coleman Cinematographer
  • Orlando Costa Rio de Janeiro
  • Tony Austin Jazz
  • Kirk Whalum Contemporary R&B
  • Monk Boudreaux Singer
  • João Bosco Guitar
  • Dermot Hussey Musicologist
  • Ron McCurdy Jazz
  • Sarz Hip-Hop
  • Julie Fowlis Scotland
  • Sérgio Pererê Percussion
  • Robertinho Silva Brazil
  • Nonesuch Records Movie Soundtracks
  • Otto Percussion
  • Nicholas Payton Composer
  • Billy O'Shea Denmark
  • Nicole Mitchell Composer
  • Chucho Valdés Cuba
  • Sombrinha Rio de Janeiro
  • Daphne A. Brooks Music Critic
  • Romero Lubambo Brasil, Brazil
  • Paulo Costa Lima Escritor, Writer
  • Maciel Salú Côco
  • Africania Bahia
  • Kamasi Washington Multi-Cultural
  • Richard Rothstein Historian
  • Arturo Sandoval Film Scores
  • Tshepiso Ledwaba Johannesburg
  • Miles Mosley Multi-Instrumentalist
  • Nabihah Iqbal Radio Presenter
  • Stacy Dillard New York City
  • Harvey G. Cohen Writer
  • Renato Braz Brazil
  • Arturo Sandoval Jazz
  • Colm Tóibín Journalist
  • Tommy Peoples Donegal Fiddle
  • Paul McKenna Irish Traditional Music
  • Sara Gazarek Singer
  • Billy Strings Singer
  • Sunna Gunnlaugs Piano
  • Rhiannon Giddens Americana
  • Fred Dantas Choro
  • Egberto Gismonti Rio de Janeiro
  • Tomo Fujita Guitar
  • Ahmad Sarmast Afghanistan
  • Matt Garrison Jazz
  • Mohini Dey Indian Fusion
  • Priscila Castro Cantora-Compositora, Singer-Songwriter
  • Gustavo Di Dalva Singer
  • Luedji Luna Singer-Songwriter
  • Benny Benack III Jazz
  • Bombino Blues
  • Booker T. Jones R&B
  • Dave Smith Alternative, Improv
  • Pedrão Abib Bahia
  • Oriente Lopez New York City
  • Luiz Santos Composer
  • Angelique Kidjo New York City
  • Andra Day R&B
  • Christian Sands Jazz
  • Parker Ighile Hip-Hop
  • Jorge Pita Percussion
  • Miles Okazaki Author
  • Nonesuch Records Jazz
  • Buck Jones Música Afro-Baiana, Afro-Bahian Music
  • David Simon Television Writer
  • Los Muñequitos de Matanzas Rumba
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Gilad Hekselman Guitar Instruction
  • Calida Rawles Writer
  • Joel Ross Vibraphone
  • Nilze Carvalho Brasil, Brazil
  • Shaun Martin Record Producer
  • Amy K. Bormet Jazz
  • Ricardo Herz MPB
  • Mika Mutti Record Producer
  • Kenyon Dixon Singer-Songwriter
  • Corey Ledet Creole Music
  • King Britt Composer
  • Rodrigo Caçapa Record Producer
  • Liz Dany Choreographer
  • Imani Winds Classical Music
  • Richie Pena Drums
  • Julien Libeer Brussels
  • Hercules Gomes Piano
  • Helder Barbosa Dono de Site de Cultura, Cultural Website Owner
  • Luciano Calazans Brazil
  • Alita Moses Jazz
  • Kalani Pe'a Hawaiian Music
  • Georgia Anne Muldrow Neo-Soul
  • Alê Siqueira Composer
  • Gel Barbosa Bahia
  • Jamie Dupuis Singer
  • Flying Lotus Songwriter
  • Judith Hill Soul
  • Tray Chaney Actor
  • Rudresh Mahanthappa New York City
  • Imanuel Marcus War Correspondent
  • Stan Douglas Vancouver
  • Maria Struduth Bahia
  • Bebê Kramer Rio de Janeiro
  • Ammar Kalia Percussion
  • Nahre Sol Piano
  • David Bragger Banjo
  • Soweto Kinch Saxophone
  • Astrig Akseralian Mixed Media Art
  • George Cables Composer
  • John Zorn Saxophone
  • Rebeca Omordia Classical Music
  • Gilmar Gomes Brazil
  • Brad Ogbonna Brooklyn, NY
  • Anouar Brahem Jazz
  • Elza Soares Brazil
  • Terri Hinte Jazz Publicist
  • Oscar Peñas Multi-Cultural
  • Flora Purim Jazz
  • Arthur Jafa Video Artist
  • Thiago Trad Brasil, Brazil
  • Ta-Nehisi Coates Journalist
  • Kirk Whalum Songwriter
  • Gerald Clayton Los Angeles
  • Ashley Page Music Management
  • Uli Geissendoerfer Jazz
  • Julia Alvarez Middlebury College Faculty
  • Daymé Arocena Singer
  • Eli Saslow Writer
  • Nicole Mitchell Flute
  • Iroko Trio Latin American Music
  • Nooriyah نوريّة Writer
  • Phineas Harper Mobile Maker
  • Etan Thomas Radio Presenter
  • Geraldo Azevedo MPB
  • Damon Krukowski Cambridge, Massachusetts
  • Rick Beato Educator
  • Errollyn Wallen Piano
  • Harold López-Nussa Composer
  • Stephanie Foden Documentary Photographer
  • Jessie Montgomery Chamber Musician
  • David Sánchez Composer
  • Rissi Palmer Singer-Songwriter
  • Jonga Cunha Salvador
  • Darrell Green Composer
  • Paulinho da Viola Choro
  • Mateus Alves Bass
  • Paul McKenna Scottish Traditional Music
  • Sam Yahel Organ
  • Benny Benack III New York City
  • Arany Santana Gestor Público, Public Servant
  • Henry Cole New York City
  • Benjamin Grosvenor Piano
  • David Byrne Painter
  • Sam Yahel Piano
  • John Morrison DJ
  • Dadi Carvalho MPB
  • Danilo Caymmi Rio de Janeiro
  • Karsh Kale कर्ष काळे Tabla
  • Helado Negro Multi-Instrumentalist
  • Paulinho do Reco Candomblé
  • Olivia Trummer Jazz
  • Rodrigo Caçapa Pernambuco
  • Jovino Santos Neto Brazil
  • Joey Baron Drums
  • Brandee Younger Composer
  • Jamie Dupuis Banjo
  • Laércio de Freitas MPB
  • Al Kooper Multi-Instrumentalist
  • Elza Soares Samba
  • Elio Villafranca Composer
  • Fábio Peron Choro
  • Dan Tepfer Composer
  • Isaiah Sharkey Guitar
  • Andra Day Jazz
  • Carol Soares Samba de Roda
  • Sanjay K Roy Film Director
  • Ramita Navai Iran
  • Tarus Mateen R&B
  • Serwah Attafuah Multidisciplinary Artist
  • JD Allen Saxophone
  • Marc-André Hamelin Piano
  • Ray Angry Keyboards
  • Karsh Kale कर्ष काळे Singer
  • Nathan Amaral Rio de Janeiro
  • Miles Okazaki Guitar
  • Wouter Kellerman African Music
  • Stormzy Singer-Songwriter
  • Hot Dougie's Bahia
  • Bernardo Aguiar Rio de Janeiro
  • Nádia Taquary Brasil, Brazil
  • Jau Salvador
  • Kenyon Dixon R&B
  • Ajurinã Zwarg Samba
  • Nabil Ayers Drums
  • G. Thomas Allen Countertenor
  • João Parahyba Brazil
  • Joshua Abrams Chicago
  • A-KILL India
  • Tatiana Eva-Marie Manouche
  • Massimo Biolcati Composer
  • Pedro Aznar Bass
  • Obed Calvaire Jazz
  • Stan Douglas Canada
  • David Greely Author
  • Alex Conde Jazz
  • Terell Stafford Composer
  • Spider Stacy Tin Whistle
  • Gerald Albright Songwriter
  • Moreno Veloso Cello
  • Victor Wooten Author
  • David Chesky Composer
  • Scott Yanow Liner Notes
  • Yayá Massemba Samba de Roda
  • Keshav Batish Tabla
  • Brett Orrison Austin, Texas
  • Edgar Meyer Multi-Cultural
  • Eder Muniz Salvador
  • Cara Stacey Musicologist
  • Kazemde George Brooklyn, NY
  • Darren Barrett Berklee College of Music Faculty
  • André Becker Jazz
  • Cory Henry Jazz
  • Quatuor Ebène France
  • Jussara Silveira MPB
  • Léo Brasileiro Violão Clássico, Classical Guitar
  • Camille Thurman Flute
  • Perumal Murugan Short Stories
  • Şener Özmen Video Artist
  • Siphiwe Mhlambi Jazz Photographer
  • Mário Pam Brazil
  • Sunn m'Cheaux Storyteller
  • Fernando Brandão Jazz
  • Seu Regi de Itapuã Samba de Roda
  • Greg Spero Piano
  • Kimmo Pohjonen Composer
  • Louis Marks Ropeadope
  • Paulão 7 Cordas Record Producer
  • Beth Bahia Cohen Tanbur
  • Karla Vasquez Los Angeles
  • Cashmere Cat Songwriter
  • Badi Assad Brazil
  • Banning Eyre Writer
  • Miguel Atwood-Ferguson DJ
  • Shuya Okino Radio Presenter
  • James Martins Jornalista, Journalist
  • Tom Bergeron Bossa Nova
  • Martin Koenig Ethnomusicologist
  • Itamar Vieira Júnior Bahia
  • Brandon J. Acker Classical Guitar
  • Kiko Freitas Rio de Janeiro
  • Tom Bergeron Frevo
  • Thana Alexa Singer-Songwriter
  • Vadinho França Presidente de Bloco de Carnaval, Carnival Bloco President
  • Brooklyn Rider String Quartet
  • Thiago Espírito Santo Guitarra, Guitar
  • Eric Galm Brazil
  • Terri Lyne Carrington Berklee College of Music Faculty
  • Daniel Jobim Piano
  • Keola Beamer Composer
  • Ammar Kalia Essayist
  • John Edward Hasse Ragtime
  • Sierra Hull Americana
  • Vadinho França Brasil, Brazil
  • Antonio García Latin Music
  • Arismar do Espírito Santo Brazil
  • Siba Veloso Composer
  • Chris Acquavella Germany
  • Albin Zak Musicologist
  • Sheryl Bailey Composer
  • Greg Spero App Developer
  • Maurício Massunaga Brasil, Brazil
  • Issa Malluf Middle Eastern Percussion
  • Will Holshouser Musette
  • Augustin Hadelich Classical Music
  • François Zalacain Record Label Owner
  • Cacá Diegues Brasil, Brazil
  • Academia de Música do Sertão Bahia
  • Shankar Mahadevan Singer
  • Julia Alvarez Writer
  • Awadagin Pratt Classical Music
  • Antonio Adolfo Choro
  • Ed Roth Keyboards
  • Vincent Valdez Printmaker
  • Asa Branca Federal University of Bahia Faculty
  • Adam Neely New York City
  • Marcello Gonçalves Samba
  • Ryuichi Sakamoto Actor
  • Guinha Ramires Multi-Instrumentalist
  • J. Velloso Singer
  • Mino Cinélu Multi-Instrumentalist
  • Issac Delgado Timba
  • John Edwin Mason University of Virgina Faculty
  • Nabaté Isles Composer
  • Neo Muyanga Contemporary Classical Music
  • Michael League Bass
  • Corey Henry New Orleans
  • Armen Donelian New School Faculty
  • Samuel Organ Synthesizers
  • Melanie Charles Experimental Music
  • Jorge Glem Cuatro
  • Marcel Camargo Choro
  • Gord Sheard Composer
  • Horácio Reis Compositor, Composer
  • Matt Garrison Bass
  • Mauro Refosco Compositor de Televisão, Television Scores
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Myles Weinstein Percussion
  • Leon Parker Jazz
  • Larisa Wiegant Utrecht
  • Terry Hunter House Music
  • Malin Fezehai Eritria
  • Osvaldo Golijov Contemporary Classical Music
  • Joshua Abrams Theater Scores
  • Ronell Johnson Brass Band
  • Speech Hip-Hop
  • Giba Gonçalves Bahia
  • Djamila Ribeiro YouTuber
  • Muhsinah Soul
  • Shamarr Allen R&B
  • Filhos de Nagô Samba de Roda
  • RAM Port-au-Prince
  • Hermeto Pascoal Alagoas
  • Nublu Experimental, Electronic Music
  • Nettrice R. Gaskins Writer
  • Pedrito Martinez Composer
  • Casa da Mãe Brasil, Brazil
  • Jerry Douglas Country
  • Toumani Diabaté Malian Traditional Music
  • Norah Jones Singer-Songwriter
  • Cory Wong Jazz
  • Elizabeth LaPrelle Singer-Songwriter
  • Tam-Ky Supermarket
  • Isaac Butler Writer
  • Scott Devine United Kingdom
  • Jane Cornwell Liner Notes
  • Darcy James Argue Brooklyn, NY
  • Masao Fukuda Music
  • Celsinho Silva Samba
  • Omari Jazz Music Producer
  • Heriberto Araujo China
  • Zara McFarlane London
  • Lokua Kanza Congo
  • Dan Trueman Hardanger Fiddle
  • George Garzone Jazz
  • Martin Fondse Jazz
  • Avishai Cohen אבישי כה Record Label Owner
  • Riley Baugus Banjo
  • Karsh Kale कर्ष काळे Record Producer
  • Steve Abbott London
  • Lauren Martin New York City
  • Rayendra Sunito Jazz
  • Mou Brasil Guitarra, Guitar
  • Mona Lisa Saloy Louisiana
  • William Parker New York City
  • Etienne Charles Jazz
  • Wolfgang Muthspiel Composer
  • James Andrews Funk
  • Derrick Hodge Bass
  • BaianaSystem Música Alternativa, Alternative Music
  • Calida Rawles Los Angeles
  • Luciano Calazans MPB
  • Martyn House
  • Delbert Anderson Trumpet
  • Muireann Nic Amhlaoibh County Kerry
  • Avishai Cohen אבישי כה Bass
  • Elio Villafranca Juilliard Faculty
  • Mike Compton Bluegrass
  • Guga Stroeter Vibraphone
  • Derrick Adams Multidisciplinary Artist
  • Joshua White Composer
  • Jonga Cunha Brazil
  • Gel Barbosa Produtor Musical, Music Producer
  • Romero Lubambo Brazilian Jazz
  • Seckou Keita Africa
  • Romero Lubambo Jazz
  • Tatiana Campêlo Bahia
  • Miroslav Tadić Guitar
  • Pedro Aznar Jazz
  • Arifan Junior Produtor Cultural, Cultural Producer
  • Jess Gillam Contemporary Classical Music
  • Michael Garnice Mento
  • Oteil Burbridge Funk
  • Sandra de Sá Soul Brasileiro, Brazilian Soul
  • Swami Jr. Forró
  • Tony Austin Television Scores
  • Lucía Fumero Piano
  • Hugo Rivas Composer
  • Parker Ighile Multi-Cultural
  • Casa Preta Bahia
  • Cale Glendening Cinematographer
  • Jean-Paul Bourelly Record Producer
  • Chris Thile Folk & Traditional
  • Rowney Scott Salvador

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share