Salvador Bahia Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Jeff Coffin
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Jeff Coffin
  • City/Place: Nashville, Tennessee
  • Country: United States

Life & Work

  • Bio: Jeff Coffin is a globally recognized saxophonist, composer, educator, and is a member of the legendary U.S. rock group, Dave Matthews Band. You may also know him from his 14 years, and 3 Grammy Awards, with the genre-defying Bela Fleck & the Flecktones. Jeff fronts numerous groups when not touring with DMB and has released 15+ solo CD's on Ear Up Records.

    Coffin is known for his musical passion, his melodically driven compositions, his deep involvement with music education, and his continued dedication to the improvisational musical art form some call Jazz.
    He is one of the top, in demand, saxophonists in the world as well as a first call studio musician in Nashville, Tennessee, where he has lived since 1991.

    Jeff has released over 15 solo recordings, is both a Yamaha & D'Addario Performing Artist & Clinician, teaches improvisation at the prestigious Vanderbilt University, authored four books, produces & engineers, runs his own awesome record label, Ear Up Records.

    In 2020, Jeff began a streaming concert series during the global shutdown to benefit his fellow Nashville musicians from his studio called iTA Studio Streams, where all the proceeds go to local out of work musicians and their families.

Contact Information

  • Management/Booking: FOR ALL CLINIC & EDUCATIONAL INQUIRIES:
    SOUND ARTIST SUPPORT
    Brian Horner
    [email protected]
    www.soundartistsupport.com
    (Phone) 1.615.364.7656

    BOOKING INQUIRIES
    HEAD BOOKING
    Eric Hanson
    [email protected]
    www.headbooking.org
    (Phone) 1.415.308.7864

    PRESS CONTACT
    LYDIA LIEBMAN PROMOTIONS
    [email protected]
    (Phone) 1.570.730.5297

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://jeffcoffin.shop/
  • ▶ Book Purchases: http://jeffcoffin.shop/
  • ▶ Twitter: jeffcoffinmusic
  • ▶ Instagram: jeffcoffin
  • ▶ Website: http://jeffcoffin.com
  • ▶ Website 2: http://earuprecords.com/
  • ▶ YouTube Channel: http://www.youtube.com/user/otani444
  • ▶ YouTube Music: http://music.youtube.com/channel/UC1sLmZgIndrxxqiisOmBlSg
  • ▶ Spotify: http://open.spotify.com/album/1byduOp4rKiDrTAe5jQr6l
  • ▶ Spotify 2: http://open.spotify.com/album/27T988OohW5fh3Yk7xm3AV
  • ▶ Spotify 3: http://open.spotify.com/album/0Voc9MwrOseMH3FH3pwplw
  • ▶ Spotify 4: http://open.spotify.com/album/457hB9GavrHDFAtDavEGES
  • ▶ Spotify 5: http://open.spotify.com/album/6b5HqZLbQMUKLbGPnLuSZb
  • ▶ Spotify 6: http://open.spotify.com/album/0G5tQFWtJlKm2S75PCoMLB

More

  • Quotes, Notes & Etc. "Words cannot even begin to say how thankful and appreciative the students and I are for your time last night in the Zoom meeting. It was very engaging and super informative. The students were glowing after the meeting. I know you didn't have to do that and we are very appreciative of it."
    - James Hegedus, Livingston High School

    Jeff Coffin’s personality, passion and incredible music provided an amazing learning moment for our students that they will never forget! Jeff is a motivating presenter that engages students and shares a wide variety of musical styles and topics."
    - Brian Cyr, Francis T. Maloney High School

    "Jeff is a consummate professional, a joyous force and a superior music mind, educator and advocate. He visited with my Arts Admin class this past week and his passion, intelligence and grasp of all things essential to music making is always impressive to students and faculty alike. I am always appreciative of what Jeff does for our community of musicians. Thank you Jeff!"
    - Mitchell Korn, Blair School of Music at Vanderbilt University

My Instruction

  • Lessons/Workshops: Hi All, I hope everyone is doing well. Many of you know my love for all things music & education, and since I will be home for the foreseeable future, I have decided to take on some private students.

    I am offering 3 lesson & 6 lesson packages. If you’re interested please email [email protected] for pricing, info, and scheduling. These will be done over ZOOM or SKYPE and will be catered to each particular student with an emphasis on improvisation and fundamentals.

    As well, I will be offering online clinics and meeting with students and directors periodically. If you’re interested in this, again, please email [email protected] - thanks to you all. wishing you my best. peace, jc

Clips (more may be added)

  • Snarky Puppy feat. Knower & Jeff Coffin - "I Remember" (Family Dinner - Volume Two)
    By Jeff Coffin
    248 views
  • Derek Brown and Jeff Coffin - "The Jackalope"
    By Jeff Coffin
    344 views
  • FULL CONCERT: Jeff Coffin Mu'Tet @ Saxquest - August 20, 2012
    By Jeff Coffin
    289 views
  • Jeff Coffin and Company - The Preacher
    By Jeff Coffin
    192 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Jeff Coffin:

  • 1 Author
  • 1 Record Label Owner
  • 1 Saxophone
  • 1 Vanderbilt University Blair School of Music Faculty
  • Frank Beacham Photographer
  • Amilton Godoy Composer
  • Questlove Author
  • Marcus Teixeira Brazilian Jazz
  • Horacio Hernández Drums
  • Victor Gama Luanda
  • Laura Cole Canada
  • Corey Ledet Creole Music
  • Woz Kaly Africa
  • Galactic New Orleans
  • Fapy Lafertin Manouche
  • Eduardo Kobra Brasil, Brazil
  • Yoron Israel Composer
  • María Grand Jazz
  • Shirazee Africa
  • Fábio Peron Bandolim, Mandolin
  • Tambay Obenson Journalist
  • Burhan Öçal Kös
  • Adriano Giffoni Rio de Janeiro
  • Jakub Józef Orliński Poland
  • Nelson Sargento Singer-Songwriter
  • Kareem Abdul-Jabbar Journalist
  • Makaya McCraven Composer
  • Maciel Salú Rabeca
  • Paulo Martelli Brazilian Classical Guitar
  • Neymar Dias Classical Music
  • Jan Ramsey Jazz
  • Howard Levy Composer
  • 9Bach Multi-Cultural
  • Duane Benjamin Jazz
  • David Castillo Opera
  • Alex Cuadros Journalist
  • Rosa Cedrón Composer
  • Larnell Lewis Drums
  • Natan Drubi Bahia
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Mariana Zwarg Composer
  • Henrique Araújo Brazil
  • Luizinho Assis Compositor, Composer
  • Bonerama New Orleans
  • Caroline Keane County Kerry
  • Asma Khalid White House Correspondent
  • Brentano String Quartet Yale School of Music
  • Celso de Almeida Brazil
  • Paulo Costa Lima Escritor, Writer
  • Joel Guzmán Tex-Mex
  • Tam-Ky Vietnamese Foods
  • Paul Mahern Singer-Songwriter
  • Jacob Collier Songwriter
  • Siba Veloso Guitar
  • Geovanna Costa Brasil, Brazil
  • James Brandon Lewis Jazz
  • Chau do Pife Maceió
  • Di Freitas Viola Caipira
  • Zeca Pagodinho Brazil
  • Concha Buika Singer-Songwriter
  • Fred Dantas Samba
  • Yoko Miwa Jazz
  • Seu Jorge Samba
  • Jas Kayser Jazz
  • Olga Mieleszczuk Jewish Music
  • Dermot Hussey Musicologist
  • Fábio Luna Bateria, Drums
  • Michael W. Twitty Culinary Historian
  • Keita Ogawa Multi-Cultural
  • J. Pierre Muralist
  • Priscila Castro Brasil, Brazil
  • Zebrinha Cineasta Documentarista, Documentary Filmmaker
  • Samuca do Acordeon Accordion
  • Linda May Han Oh Jazz
  • Inaicyra Falcão Bahia
  • Luques Curtis Afro-Latin Dance Music
  • Paulo Aragão Samba
  • Miho Hazama Big Band Leader
  • Saileog Ní Cheannabháin Theater Composer
  • Collins Omondi Okello Kenya
  • Damon Albarn Record Producer
  • Clint Smith Black American Culture & History
  • Marcelo Caldi Accordion
  • J. Velloso Singer
  • Adam Rogers Composer
  • Yvette Holzwarth Singer
  • Paulinho Fagundes Porto Alegre
  • Julie Fowlis Scotland
  • Rosa Passos Samba
  • Lauranne Bourrachot Movie Producer
  • Johnny Vidacovich Jazz
  • Zé Luíz Nascimento Drums
  • Casa da Mãe Choro
  • Richard Bona Bass
  • 小野リサ Lisa Ono Brazil
  • Aurino de Jesus Brazil
  • Alex Hargreaves New School for Jazz and Contemporary Music Faculty
  • Shaun Martin R&B
  • Ray Angry Piano
  • Mestrinho Forró
  • Cristovão Bastos Choro
  • Lula Moreira Pernambuco
  • Shannon Alvis Chicago
  • Lalah Hathaway Soul
  • Brian Lynch University of Miami Frost School of Music Faculty
  • João Bosco MPB
  • Varijashree Venugopal Jazz
  • Ryan Keberle Manhattan School of Music Faculty
  • Django Bates Theater Composer
  • Carl Allen Music Director
  • Jorge Glem Mandolin
  • Diosmar Filho Brasil, Brazil
  • Urânia Munzanzu Salvador
  • Craig Ross Guitar
  • Rumaan Alam New York City
  • ANNA Techno
  • Elio Villafranca Piano
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Larissa Luz Bahia
  • Raphael Saadiq Multi-Instrumentalist
  • Gino Sorcinelli Music Production, Rapping, Sampling, Beatmaking
  • Shanequa Gay Storyteller
  • Paulinho Fagundes Rio Grande do Sul
  • Bob Lanzetti Record Producer
  • Gretchen Parlato Singer
  • Anthony Hervey Jazz
  • Mike Marshall Mandolin
  • Oswaldo Amorim Brazil
  • Terrace Martin Rapper
  • Simon Brook Writer
  • Oscar Peñas Multi-Cultural
  • Questlove Drums
  • Anthony Hervey Singer
  • Jon Batiste Funk
  • Angelique Kidjo Benin
  • Luiz Santos Rio de Janeiro
  • Ceumar Coelho Singer-Songwriter
  • Stephanie Soileau Writer
  • Issac Delgado Timba
  • Rosa Passos Salvador
  • Helado Negro Avant-Pop Music
  • Jon Batiste New Orleans
  • Nardis Jazz Club Turkey
  • Peter Mulvey Americana
  • James Elkington Record Producer
  • Peter Slevin Journalist
  • Maia Sharp Multi-Instrumentalist
  • Cédric Villani Mathematics
  • Ana Tijoux Chile
  • Christopher Nupen Classical Music
  • Uli Geissendoerfer Composer
  • Linda Sikhakhane Johannesburg
  • Leandro Afonso Screenwriter
  • VJ Gabiru Videógrafo, Videographer
  • Jonathan Griffin Radio Presenter
  • Hamilton de Holanda Bandolim
  • David Castillo Theatrical Producer
  • Mou Brasil Jazz
  • Lô Borges Minas Gerais
  • Timothy Duffy New Orleans
  • Michael Olatuja Lagos
  • Peter Slevin Writer
  • Terri Lyne Carrington Jazz
  • Alan Williams Sculptor
  • Django Bates Bern University of the Arts Faculty
  • Wadada Leo Smith Multi-Instrumentalist
  • Tony Allen Paris
  • Mavis Staples R&B
  • Stan Douglas Installation Artist
  • Casey Driessen Fiddle
  • Marília Sodré Violão, Guitar
  • Şener Özmen Poet
  • Ari Rosenschein Indie Pop
  • James Gavin Journalist
  • Leela James Singer-Songwriter
  • Ta-Nehisi Coates Black American Culture & History
  • Bob Mintzer USC Thornton School of Music Faculty
  • Nancy Ruth Jazz
  • Margareth Menezes Singer-Songwriter
  • Kiko Freitas Brazil
  • Jessie Montgomery Violin
  • Júlio Lemos Choro
  • Celso de Almeida Brazil
  • Afrocidade Rap
  • Jeff Tweedy Singer-Songwriter
  • Tony Trischka Banjo
  • Alan Brain Film, Television Director
  • Aindrias de Staic Galway
  • Marcel Powell Samba
  • Gregory Hutchinson Drum Clinics
  • Kermit Ruffins Singer
  • Caoimhín Ó Raghallaigh Uilleann Pipes
  • Azadeh Moussavi Film Director
  • Tatiana Eva-Marie Singer
  • Imanuel Marcus Berlin
  • Asanda Mqiki South Africa
  • Huey Morgan DJ
  • Laércio de Freitas Brazil
  • Victor Wooten Bass
  • Kiya Tabassian كيا طبسيان Montreal
  • Jaimie Branch Trumpet
  • Maia Sharp Country
  • Richie Barshay Jazz
  • John Donohue Cartoonist
  • Issa Malluf Percussion
  • Sebastian Notini Salvador
  • David Bragger UCLA Herb Alpert School of Music Faculty
  • Mika Mutti Salvador
  • Yayá Massemba Brasil, Brazil
  • Oteil Burbridge Southern Rock
  • Marta Sánchez Composer
  • Tatiana Campêlo Bahia
  • Gabriel Policarpo Percussion
  • Cory Wong R&B
  • Shaun Martin Jazz
  • Tray Chaney Author
  • Adriana L. Dutra Director
  • Edsel Gomez Piano
  • Magary Lord Percussion
  • Bertram Drum Set Performance
  • Taylor Ashton Singer-Songwriter
  • Laura Cole R&B
  • Emmet Cohen Jazz
  • Áurea Martins Rio de Janeiro
  • Madhuri Vijay India
  • Flying Lotus Hip-Hop
  • Rumaan Alam Essayist
  • Turíbio Santos Guitar
  • Yayá Massemba Samba de Roda
  • Iroko Trio Brazil
  • Matthew Guerrieri Music Journalist
  • Evgeny Kissin Classical Music
  • Alex Hargreaves Fiddle
  • Terell Stafford Trumpet
  • Arturo Sandoval Jazz
  • Amit Chatterjee Guitar
  • Ryuichi Sakamoto Experimental Music
  • Jaques Morelenbaum Rio de Janeiro
  • Edmar Colón Composer
  • Jimmy Greene Gospel
  • Edward P. Jones Washington, D.C.
  • Joe Lovano Saxophone
  • Yunior Terry Cuba
  • David Fiuczynski Jazz
  • Sam Harris Piano
  • Alex Rawls Arts Journalist
  • Deborah Colker Rio de Janeiro
  • Gino Sorcinelli Journalist
  • Joatan Nascimento Trumpet
  • Anna Webber Saxophone
  • Roy Nathanson Saxophone
  • Chucho Valdés Afro-Cuban Jazz
  • Kronos Quartet String Quartet
  • William Skeen Viola da Gamba
  • Alegre Corrêa Violin
  • Otto Manguebeat
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Kaveh Rastegar Multi-Instrumentalist
  • Michael Formanek Composer
  • NIcholas Casey International Correspondent
  • Sierra Hull Mandolin
  • Deesha Philyaw Literary Critic
  • Ed O'Brien Singer-Songwriter
  • Chris Cheek Saxophone
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • Nora Fischer Contemporary Classical Music
  • Karsh Kale कर्ष काळे Tabla
  • Mônica Salmaso Brazil
  • Rolando Herts Mississippi
  • Susana Baca Afro-Peruvian Music
  • Cut Worms Singer-Songwriter
  • Eddie Kadi Pan-African Culture
  • Restaurante Axego Restaurant
  • Alphonso Johnson Jazz
  • Myles Weinstein Drums
  • Marcus Miller R&B
  • Ênio Bernardes Produtor de Discos, Record Producer
  • Diedrich Diederichsen Music Journalist
  • Eddie Kadi London
  • Jimmy Cliff Reggae
  • Plinio Oyò Brasil, Brazil
  • Nelson Latif Choro
  • James Gadson Jazz
  • Stan Douglas Vancouver
  • Jonga Cunha Author
  • Serwah Attafuah Punk
  • Tshepiso Ledwaba Johannesburg
  • David Ritz Writer
  • Iuri Passos Percussion
  • Robert Randolph Singer-Songwriter
  • Ivan Lins MPB
  • Kermit Ruffins Jazz
  • Natan Drubi Brasil, Brazil
  • Tambay Obenson Los Angeles
  • Mandla Buthelezi Johannesburg
  • Brandon Seabrook Banjo
  • Bob Reynolds Saxophone Instruction
  • Isaias Rabelo Brazil
  • Robertinho Silva Rio de Janeiro
  • Antônio Queiroz Brazil
  • Jonathan Griffin BBC
  • Gel Barbosa Luthier
  • John Francis Flynn Guitar
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Omar Sosa Cuba
  • Natalia Contesse Guitar
  • Gretchen Parlato MPB
  • Glória Bomfim Afoxé
  • Nana Nkweti Writer
  • Nick Douglas Tech Writer
  • Seth Swingle Folk & Traditional
  • Benjamin Grosvenor London
  • Marko Djordjevic Composer
  • Siphiwe Mhlambi Visual Story Teller
  • Ben Monder Composer
  • Tony Trischka Americana
  • Djuena Tikuna São Luís, Maranhão
  • Luedji Luna Salvador
  • Johnny Lorenz Montclair State University Faculty
  • Justin Stanton Trumpet
  • Kenny Garrett Saxophone
  • The Umoza Music Project Malawi
  • Geraldine Inoa Playwright
  • Rumaan Alam Novelist
  • Miguel Atwood-Ferguson Music Producer
  • Hélio Delmiro Jazz
  • John Morrison DJ
  • Toumani Diabaté Kora
  • Bernardo Aguiar Rio de Janeiro
  • Arturo Sandoval Timbales
  • Yoko Miwa Piano
  • Maladitso Band Africa
  • Super Chikan Blues
  • Dwandalyn Reece Writer
  • Ivan Sacerdote Brazil
  • Tia Fuller Composer
  • Francisco Mela Percussion
  • Kiko Horta Accordion
  • Shankar Mahadevan Singer
  • Mariana Zwarg Rio de Janeiro
  • Chris Boardman Film Scores
  • OVANA Singers-Songwriters
  • Sunna Gunnlaugs Jazz
  • Mestrinho MPB
  • Herbie Hancock Keyboards
  • Jane Ira Bloom New School for Jazz and Contemporary Music Faculty
  • The Rheingans Sisters England
  • Ayrson Heráclito Candomblé
  • Arto Tunçboyacıyan Duduk
  • Rodrigo Caçapa Brazil
  • Susheela Raman Multi-Cultural
  • Antonio García Singer
  • Erika Goldring New Orleans
  • Tedy Santana Bahia

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share