Bio:
Monty’s Good Burger is the plant-based concept of close friends who could not imagine a better place to manifest their passion for real, quality food.
Founded in the summer of 2018 in Southern California, Monty’s has now served more than 2.5 Million+ Burgers, Fries, Tots & Shakes. We put every effort forward to provide our Customers and Team Members an enjoyable, safe, consistent and at times a fun experience.
Monty’s Good Burger features artisanal burgers made from locally sourced ingredients, house-made sauce, caramelized grilled onions and the plant-based Impossible™ 2.0 Patty. Monty’s creates a cheeseburger that anyone can enjoy guilt free. Beyond delicious, the burgers are an option for carnivores who care about the environment but still want that familiar taste, as our burgers require 75-80% less environmental resources than the traditional meat of the past.
The “Good” in Good Burger means much more than taste to us. We strive to sensibly source our ingredients, use only compostable serving products, provide our staff a living wage, a safe work environment and savings & insurance options.
Monty’s Good Burger serves up refreshing organic draft sodas made with pure cane sugar, sparkling house-made lemonade, cookies made by Rocco’s Sweet Shoppe, house-made sauces and delicious signature Organic Oatly Oatmilk Shakes. We are also very grateful to feature Chamberlain Coffee Shakes and Chicken Tenders from Daring Foods. Our burgers include artisan buns, plant-based cheese and Vegenaise® from Follow Your Heart®, a locally owned, family business for over 30 years.
Monty’s Good Burger is only made possible by Integrated Supply Chain Director Hans Petersen, People Operations Director Danielle J. Munns LLC, Store Operations Director Levi Audette, People Operations Manager Jemma Kessler, Merchandise Manager Anthony “A3” Anzaldo, Creative Director Dennis Gomez, Art Director Max Angles, Regional Manager Enrique “Weazel” Flores , Controller Tris Jung, Kitchen Truck Managers Garrett Guiney & Rio Shimizu, Training Managers Klarisza Cardenas & Stephanie Rizzo, Consultants Chris Ingerson / Philip Shaw / Barry Wood and our INCREDIBLE + AMAZING in-store Management Team & Staff. And of course……. Monty Jones (rescue schnoodle/mascot)!
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"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; recorded "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
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By the small world phenomenon (6 degrees of separation in the general population), you will not only be one step from the recommended person, you will tend to some small number of steps from everybody inside the Matrix.
All is closer than we imagine.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Thus A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And thus a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
EX TERRA BRASILIS
The Small World Phenomenon
Susan Rogers
Alicia Svigals
Julian Lloyd Webber
Clarice Assad
Sodré
Betão Aguiar
Bule Bule
Caetano Veloso
Darius Mans
Sparrow/Pardal Roberts
RÁDIO MATRIX