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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Keyon Harrold
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Keyon Harrold
  • City/Place: New York City
  • Country: United States
  • Hometown: Ferguson, Missouri

Life & Work

  • Bio: Keyon Harrold was born and raised in Ferguson, MO, the St. Louis suburb that tore into America’s national consciousness in 2014 with the police shooting of Michael Brown and the bitter protests and riots that followed. While Ferguson looms large in Harrold’s album The Mugician, it examines our troubled times through a far wider lens than any one tragedy. Sweeping and cinematic, the music draws on elements of jazz, classical, rock, blues, and hip hop to create something uniquely modern, unmistakably American. Guests including Pharoahe Monch, Gary Clark, Jr., Big K.R.I.T., Guy Torry, Georgia Anne Muldrow and Robert Glasper add to the record’s eclectic nature, but it ultimately triumphs as a unified, cohesive whole both because of Harrold’s virtuosic skill as a trumpeter and songwriter and because of his relentlessly optimistic belief in brighter days to come.

    Harrold grew up one of 16 children in a family that prioritized music and community across generations. His grandfather was a police officer who retired from the force to found a drum and bugle corps for local youth, both of his parents were pastors, and nearly all of his siblings sing and perform music today. Culture shock hit Harrold hard at 18, when he left Ferguson for New York City to enroll in The New School. In New York, he landed his first major gig with Common, an experience which he says broadened his musical horizons beyond jazz to include funk, Afrobeat, R&B, and hip hop. Soon he was performing with stars like Snoop Dogg, Jay Z, Beyonce, Rihanna, Eminem, Maxwell, and Anthony Hamilton.

    In 2009, he released his solo debut, Introducing Keyon Harrold and then won wide acclaim for his trumpet performances in Don Cheadle’s Miles Davis biopic Miles Ahead. The Mugician is a portmanteau of “musician” and “magician, a nod to a nickname Cheadle bestowed upon the young virtuoso, and it’s an apt descriptor for a record that pushes beyond the traditional boundaries of jazz trumpet. In fact, the album doesn’t even begin with trumpet, but rather with a track called ‘Voicemail,’ which features an inspirational message from Harrold’s mother set to a stirring, orchestral soundscape. Entirely unedited, her words lay the groundwork for an album that celebrates the importance of family (ten of Keyon’s siblings appear on the record) and the absolute necessity of optimism in the face of darkness and doubt. These days, Harrold is a parent himself, and he pays tribute to his son with a pair of tracks on the album, “Lullaby” and “Bubba Rides Again.” Issues of identity and equality percolate throughout the record, sometimes subtly beneath the surface, sometimes more pointedly, as in “Circus Show.” However, the album’s most powerful moments come with the one-two punch of “MB Lament” and “When Will It Stop,” songs written in the wake of Michael Brown’s death and the senseless killings of so many others like him.

    It’s a monumental task, one that calls for tremendous empathy and sensitivity. To give voice to the silenced requires more than just talent and ambition, it requires faith, imagination, strength, and determination. Above all, it requires perspective. Fortunately, that is what Keyon Harrold brings most of all.

Contact Information

  • Management/Booking: Management
    All-In Music LLC
    [email protected]
    www.all-inmusic.com

    Booking Agents
    US+Int’l
    MMMusic Agency
    [email protected]
    Europe
    Ina Dittke & Assoc.
    [email protected]

Media | Markets

  • ▶ Twitter: keyonharrold
  • ▶ Instagram: keyonharrold
  • ▶ Website: http://www.keyonharrold.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UC1FBLoN8DKnv7jLUh4qFonA
  • ▶ Spotify: http://open.spotify.com/album/0TavRM1gaRbiDPkfZCq08w
  • ▶ Spotify 2: http://open.spotify.com/album/0Bi7K8S4KDXB8zjQJCOwrR
  • ▶ Spotify 3: http://open.spotify.com/album/2eXobqGTAtUdQLbPuC2V8r
  • ▶ Spotify 4: http://open.spotify.com/album/3Ywe2ppJ0c92D0u3tB5cOf
  • ▶ Spotify 5: http://open.spotify.com/album/3qXM2IGlkqpYu7Rk3xVPTp
  • ▶ Spotify 6: http://open.spotify.com/album/0aC4FGXgdYyo3IEiefZKcI
  • ▶ Articles: http://www.keyonharrold.com/news/

Clips (more may be added)

  • 2:45
    Keyon Harrold Plays Miles Davis’ 'Moon and Stars' Trumpet | Christie's
    By Keyon Harrold
    178 views
  • 0:21:42
    Robert Glasper ft Herbie Hancock, Lupe Fiasco, Christian Scott, Keyon Harrold & Terrace Martin
    By Keyon Harrold
    143 views
  • 5:23
    THE SOUL REBELS ft. Keyon Harrold - “Spanish Joint” D’Angelo Cover LIVE
    By Keyon Harrold
    152 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Keyon Harrold:

  • 3 Composer
  • 3 Hip-Hop
  • 3 Jazz
  • 3 Multi-Instrumentalist
  • 3 New York City
  • 3 R&B
  • 3 Record Producer
  • 3 Singer
  • 3 Trumpet
  • Gamelan Sekar Jaya Bali
  • John Santos Composer
  • Karla Vasquez Chef
  • Karsh Kale कर्ष काळे Singer
  • Toby Gough Producer
  • Tonynho dos Santos Música Afro-Baiana, Afro-Bahian Music
  • Mário Pam Salvador
  • Bianca Gismonti Singer
  • Martin Fondse Vibrandeon
  • Frank Negrão Music Director
  • André Muato Rio de Janeiro
  • David Bruce Contemporary Classical Music
  • Jon Cowherd Piano
  • Doug Wamble New York City
  • Mehdi Rajabian Multi-Cultural
  • Fred Dantas Brazil
  • Zachary Richard Poet
  • Martyn House
  • Flora Purim Brazil
  • Paulão 7 Cordas Brazil
  • Daphne A. Brooks Yale Faculty
  • Edgar Meyer Composer
  • Dwayne Dopsie Accordion
  • Laura Beaubrun Interior Architect
  • Joshue Ashby Jazz
  • Nilze Carvalho Samba
  • Evgeny Kissin Piano
  • Marvin Dunn Historian
  • Yo La Tengo Indie Rock
  • Michael Janisch Soul
  • Utar Artun Piano
  • VJ Gabiru Fotógrafo, Photographer
  • Doug Adair Braver Angels
  • Natan Drubi Choro
  • Del McCoury Bluegrass
  • Daru Jones Record Producer
  • Quatuor Ebène Classicalized Crossover
  • Ibram X. Kendi Writer
  • Glória Bomfim Afoxé
  • Pierre Onassis Salvador
  • Nicole Mitchell Flute
  • Stormzy UK
  • Gab Ferruz Bahia
  • Toninho Horta Guitar
  • Chano Domínguez Spain
  • Stephen Guerra Bronx Conservatory of Music Faculty
  • Juliana Ribeiro Brazil
  • Emmet Cohen Jazz
  • Karsh Kale कर्ष काळे Record Producer
  • Tray Chaney Record Producer
  • Roque Ferreira Salvador
  • Paul Anthony Smith Jamaica
  • Warren Wolf Composer
  • Tony Kofi Composer
  • Anthony Hamilton Singer-Songwriter
  • Michael League Composer
  • Vijith Assar Tech Writer
  • Stephen Kurczy Writer
  • Awadagin Pratt Classical Music
  • Perumal Murugan Writer
  • Steve Cropper Recording Studio Owner
  • Alphonso Johnson Jazz
  • Mika Mutti Record Producer
  • Luiz Brasil Salvador
  • Nei Lopes Rio de Janeiro
  • Scott Devine YouTuber
  • Arthur Verocai Guitar
  • Mohamed Diab Filmmaker
  • Giorgi Mikadze გიორგი მიქაძე Piano
  • Immanuel Wilkins NYU Faculty
  • Arthur Jafa Sculptor
  • Julian Lloyd Webber London
  • Elie Afif Bass
  • Gerônimo Santana Singer-Songwriter
  • Colson Whitehead Essayist
  • Zakir Hussain Multi-Cultural
  • Daniil Trifonov Classical Music
  • John Morrison DJ
  • Joe Newberry Banjo Instruction
  • Henry Cole Drums
  • Diedrich Diederichsen Writer
  • Papa Mali Louisiana
  • Matt Ulery Bass
  • Eric R. Danton Reporter
  • Eivør Pálsdóttir Faroe Islands
  • Marcus J. Moore DJ
  • Joel Guzmán Austin, Texas
  • Papa Mali Swamp
  • Bodek Janke Jazz
  • Jeff Tweedy Chicago, Illinois
  • Tyler Gordon San Jose, California
  • Sombrinha Guitar
  • Celino dos Santos Brazil
  • Ferenc Nemeth Hungary
  • Júlio Lemos San Francisco
  • Kiko Loureiro Jazz Fusion
  • Demond Melancon Young Seminole Hunters
  • Benoit Fader Keita Singer-Songwriter
  • Larry Grenadier Composer
  • Mulatu Astatke Ethiopia
  • Rita Batista Salvador
  • Nara Couto Atriz, Actor
  • Safy-Hallan Farah Journalist
  • Papa Mali Blues
  • Djuena Tikuna São Luís, Maranhão
  • Mark Lettieri Ropeadope
  • Vivien Schweitzer Music Critic
  • Brad Mehldau Jazz
  • Jane Ira Bloom New School for Jazz and Contemporary Music Faculty
  • Luizinho Assis Bahia
  • Shirazee Africa
  • Omer Avital Jazz
  • Johnathan Blake New York City
  • Gerônimo Santana Trombone
  • Jakub Knera Musical Event Producer
  • Duane Benjamin Jazz
  • Domingos Preto Brazil
  • Brett Orrison Austin, Texas
  • Mateus Aleluia Bahia
  • Ivan Huol Brazil
  • Geraldo Azevedo Pernambuco
  • Karsh Kale कर्ष काळे Electronic Music
  • Nate Chinen Radio Director
  • Yazz Ahmed Trumpet
  • Gord Sheard Multi-Cultural
  • Roque Ferreira Brazil
  • Alex Hargreaves Jazz
  • Luis Perdomo Piano
  • Ronell Johnson Tuba
  • Milford Graves Drums
  • Spok Frevo Orquestra Frevo
  • César Orozco Composer
  • Colm Tóibín Journalist
  • Paulinho da Viola Brazil
  • Wayne Shorter Jazz
  • Bebê Kramer Jazz
  • Ofer Mizrahi Guitar
  • Keshav Batish Tabla
  • Jacám Manricks UC Davis Faculty
  • Ben Allison Multi-Cultural
  • Gal Costa MPB
  • Atlantic Brass Quintet Brass Ensemble
  • Egberto Gismonti Composer
  • Babau Santana São Braz
  • Little Simz London
  • Papa Grows Funk Funk
  • McCoy Mrubata Flute
  • David Sacks Trombone
  • Antônio Pereira Singer-Songwriter
  • Michel Camilo Composer
  • Alexa Tarantino Composer
  • Berta Rojas Paraguay
  • J. Pierre Painter
  • Vijay Gupta Contemporary Classical Music
  • Lucio Yanel Guitar Courses
  • Scotty Apex Composer
  • John Harle Saxophone
  • Silas Farley Dance Teacher
  • Abhijith P. S. Nair Indian Classical Music
  • Leo Genovese Multi-Instrumentalist
  • Tommy Orange Novelist
  • Mike Moreno Composer
  • Leci Brandão Surdo
  • Itamar Vieira Júnior Novelist
  • Booker T. Jones Soul
  • Di Freitas Rabeca
  • Fred Dantas Big Band Leader
  • Horace Bray Los Angeles
  • Flavio Sala Classical Guitar
  • Bai Kamara Jr. Singer-Songwriter
  • Jan Ramsey Louisiana
  • James Martins Salvador
  • Alexa Tarantino Woodwinds
  • Sérgio Pererê Actor
  • 9Bach Multi-Cultural
  • Yazhi Guo 郭雅志 Saxophone
  • Luíz Paixão Composer
  • Nego Álvaro Brazil
  • John McLaughlin Guitar
  • David Ritz Los Angeles
  • Jess Gillam Radio Presenter
  • Karla Vasquez Food Writer
  • Johnny Vidacovich Drums
  • Saul Williams Poet
  • Marco Pereira Author
  • John Zorn Composer
  • Elio Villafranca Composer
  • Vânia Oliveira Coreógrafa, Choreographer
  • Mestrinho Brazil
  • Tero Saarinen Dancer
  • Paulo César Pinheiro Samba
  • Cristiano Nogueira Travel Marketer
  • Anthony Coleman Jewish Music
  • Barney McAll Piano
  • Neo Muyanga Singer
  • Dhafer Youssef ظافر يوسف Oud
  • Karsh Kale कर्ष काळे Composer
  • Hugo Linns Multi-Instrumentalist
  • Tia Fuller Berklee College of Music Faculty
  • Cara Stacey North-West University Faculty
  • Gian Correa São Paulo
  • Paul Anthony Smith Painter
  • Gregory Hutchinson Soul
  • Joe Lovano Composer
  • Nahre Sol Toronto
  • Zakir Hussain Hindustani Classical Music
  • Fabian Almazan Piano
  • Brett Orrison Sound Engineer
  • James Poyser Multi-Instrumentalist
  • Joanna Majoko Germany
  • Lenna Bahule Maputo
  • Francisco Mela Jazz
  • Plínio Fernandes Classical Guitar
  • Logan Richardson Kansas City, Missouri
  • Nubya Garcia London
  • Mark Stryker Arts Critic
  • Martin Koenig Čalgija
  • Renato Braz Percussion
  • Marilda Santanna Brasil, Brazil
  • Jess Gillam Classical Music
  • Saileog Ní Cheannabháin Raelach Records
  • Joey Baron Jazz
  • Quatuor Ebène Classicalized Crossover
  • Aurino de Jesus Samba
  • Nelson Faria Author
  • Geovanna Costa Samba
  • Bobby Vega Bass
  • Mickalene Thomas Installation Artist
  • Beeple Concert Visuals
  • Fantastic Negrito Singer-Songwriter
  • Alicia Hall Moran New York City
  • Tony Austin Jazz
  • Iroko Trio Latin American Music
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  • Ron Carter Author
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  • Abel Selaocoe Multi-Cultural
  • Marta Sánchez Piano
  • Martyn Techno
  • THE ROOM Shibuya DJs
  • Sérgio Mendes Brazil
  • Arthur Jafa Multidisciplinary Artist
  • Jimmy Cliff Jamaica
  • Bebel Gilberto Rio de Janeiro
  • Vincent Herring Flute
  • Toumani Diabaté Malian Traditional Music
  • Michael Formanek Bass
  • Regina Carter Multi-Cultural
  • Guinga Guitar
  • Bill Callahan Singer-Songwriter
  • Jon Batiste Jazz
  • Adam O'Farrill Composer
  • Rhiannon Giddens Banjo
  • Issac Delgado Cuba
  • Cécile McLorin Salvant Illustrator
  • Donald Vega Piano
  • Kurt Rosenwinkel Guitar
  • Tray Chaney Songwriter
  • Mike Marshall Violin
  • Damon Albarn Multi-Instrumentalist
  • Victor Wooten Author
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  • Dan Tyminski Nashville, Tennessee
  • Otto Brazil
  • Ajeum da Diáspora Restaurant
  • Sameer Gupta Tabla
  • Sam Yahel Piano Instruction
  • Jim Farber Writer
  • Mingo Araújo Composer
  • Congahead Photographer
  • Sam Yahel Hammond B-3
  • Amilton Godoy Brazilian Jazz
  • Rodrigo Caçapa Composer
  • Lenine MPB
  • Bai Kamara Jr. Sierra Leone
  • Ana Tijoux Santiago
  • Jerry Douglas Americana
  • Meklit Hadero Singer-Songwriter
  • Gerônimo Santana MPB
  • Eduardo Kobra Muralista, Muralist
  • Ben Wolfe Jazz
  • Tom Oren Tel Aviv
  • Chico Buarque Brazil
  • Brandee Younger Composer
  • Deesha Philyaw University of Pittsburgh Faculty
  • Asma Khalid Podcaster
  • Rayendra Sunito Indonesia
  • Dona Dalva Samba
  • Terri Lyne Carrington Drums
  • Bule Bule Bahia
  • Ryuichi Sakamoto Singer-Songwriter
  • Kirk Whalum R&B
  • Osvaldo Golijov College of the Holy Cross Faculty
  • Eli Degibri אלי דג'יברי Composer
  • Varijashree Venugopal Carnatic Music
  • Wayne Escoffery Saxophone
  • Flor Jorge Rio de Janeiro
  • Gui Duvignau São Paulo
  • James Brandon Lewis New York City
  • Dan Auerbach Multi-Instrumentalist
  • Gerald Clayton Blue Note Records
  • Hermeto Pascoal Multi-Instrumentalist
  • Jau Salvador
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  • Sérgio Pererê Brazil
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  • Sheryl Bailey Berklee College of Music Faculty
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  • Berkun Oya Istanbul
  • Jurandir Santana Brazilian Jazz
  • Africania Samba de Roda
  • Marcel Camargo Cavaquinho
  • Gabi Guedes Brazil
  • Chris Boardman Film Scores
  • Michael Doucet Louisiana
  • Kiko Souza Brasil, Brazil
  • Lucian Ban Romania
  • Rissi Palmer Country
  • Mário Santana Bahia
  • Rowney Scott Diretor Artístico, Artistic Director
  • Gretchen Parlato Singer
  • Darryl Hall Paris
  • Philipp Meyer Austin, Texas
  • Paulinho da Viola Samba
  • Fabiana Cozza Writer
  • George Cables New York City
  • Jamie Dupuis Canada
  • Alicia Keys Author
  • Tarus Mateen Bass
  • Larissa Luz Writer
  • Ana Luisa Barral Choro
  • Chris Boardman Television Scores
  • Zebrinha Diretor Artístico, Artistic Director
  • Leigh Alexander Writer
  • Kurt Andersen Screenwriter
  • Ari Hoenig Jazz
  • Conrad Herwig Trombone
  • Trombone Shorty Funk
  • Chad Taylor Philadelphia
  • Walmir Lima Samba
  • Alicia Svigals New York City
  • Robert Glasper Piano
  • Thomas Àdes Contemporary Classical Music
  • Taylor Ashton Drawings
  • Melvin Gibbs Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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