CURATION
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from this page:
by Matrix
Network Node
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Name:
Jomar Lima
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City/Place:
Cachoeira, Bahia
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Country:
Brazil
Life & Work
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Bio:
Bacharel em Museologia (em 2011 o curso obteve o conceito 4 pela avaliação do MEC), concluiu a graduação no Centro de Artes, Humanidades e Letras pela Universidade Federal do Recôncavo da Bahia. Mestrando em Historia da Africa pela Universidade Federal do Recôncavo da Bahia.
Especialização em Política e Gestão cultural pela CECULT/UFRB. Museológo COREM 1ª Região 0381-I. Na graduação realizou o estágio curricular, o projeto museológico e o trabalho de conclusão de curso sobre as lápides tumulares da Igreja de Nossa Senhora do Carmo da Cachoeira (Bahia). Administrou a Venerável Ordem Terceira do Carmo de Cachoeira, na função de Prior, no período: 1991-2005, colaborou com a elaboração do projeto de captação de recursos e convênios para a restauração e preservação do acervo do Conjunto do Carmo.
Participou de alguns eventos nacional e internacional, destacam-se as comunicações: As Lápides da Igreja da Ordem Terceira do Carmo de Cachoeira (Baía) apresentada no Colóquio Internacional "Culturas Pararelas e Processos Transculturais" organizado pelo Centro de Estudos Luso-Asiáticos do Departamento de Português da Universidade de Macau e Instituto de Cultura de Macau na China, no período da estadia em Macau fez a curadoria da Exposição de Fotografias da Cidade de Cachoeira (Monumento Nacional), e a comunicação oral "História, Memória e Patrimônio - Nas Lápides Tumulares da Ordem Terceira do Carmo de Cachoeira" no II Encontro de São Lázaro.
É Fotógrafo profissional. Curador, realizou diversas exposições individuais e coletivas, elaborou os projetos expográficos, iluminação, montagens, privilegiou os artistas locais e já expôs em diversos equipamentos culturais.
Desde 1987 compõe o Conselho Curador da Fundação Hansen Bahia; desenvolve atividades na área da cultura, gestão cultural, políticas culturais. Integrante da Comissão de Organização da Festa de Iemanjá de Cachoeira - Bahia. Atualmente é o Coordenador Executivo e Curador do Acervo da Fundação Hansen Bahia, no qual desenvolve as atividades pertinentes ao cargo, supervisionando os Programas de Documentação, Preservação, Educativo, orientando os estagiários (curriculares e extracurriculares) oriundo de diversas instituições.
Fotografo oficial da Irmandade da Boa Morte da cidade de Cachoeira - Bahia. Produtor local da Festa Literária Internacional de Cachoeira - FLICA. Curador/Fotografo/Pesquisador do projeto ARS MORIENDI - A finitude da vida nas lapides tumulares da Ordem Terceira do Carmo da cidade de Cachoeira/BA. Exposição fotográfica e publicação. Membro da ABEC - Associação Brasileira de Estudos Cemiteriais. Diretor da Maria Joana - Projetos/Consultorias e Eventos, Sócio da empresa CALI - Cachoeira Literária (proprietária da marca FLICA - Festa Literária Internacional de Cachoeira).
Clips (more may be added)
Uncoiling from an Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix...
EX TERRA BRASILIS
Millions of short-path connections unite creators worldwide by means of the extraordinary mathematics of:
The Small World Phenomenon
—The Integrated Global Creative Economy
Take an artist... from Salvador, Havana, Brooklyn, Cape Town...
Writer, musician, filmmaker, painter, choreographer, architect, academic, fashion designer, chef...
Integrate this artist into a network of other artists around the world.
Our artist tends to within close proximity of all others in the network, in the identical manner in which most human beings are within some six degrees of most others.
The creative universe becomes a creative village in which all have access to all.
Inspired in the sensorial immanence of Borges' transfinites-inspired Alephs.
The Aleph / O Aleph
O God! I could be bounded in a nutshell, and count myself a king of infinite space...
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
Linking to the Matrix from your media (to the Matrix in general / to your Matrix Page from your Instagram) plugs your people in.
https://linktr.ee
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; recorded "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): World's premier klezmer violinist
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Thus A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And thus a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
This list is random, and incomplete. Reload the page for another list.
Susan Rogers
Alicia Svigals
Julian Lloyd Webber
Kamasi Washington
Clarice Assad
Randy Brecker
Herbie Hancock...
Bule Bule
Caetano Veloso
Darius Mans
Sparrow/Pardal Roberts
RÁDIO MATRIX