Salvador Bahia Brazil Matrix
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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Walter Pinheiro
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Walter Pinheiro
  • City/Place: São Paulo
  • Country: Brazil

Life & Work

  • Bio: Flautista, saxofonista, professor, arranjador e compositor especializado em música instrumental brasileira e jazz. Bacharel em flauta transversal pela Universidade Estadual Paulista (UNESP) em 1997, este eclético instrumentista fez especialização na Berklee College of Music – Boston- USA de 2000/02.

    Desde 2008 se apresenta na cena do choro de São Paulo tendo participado, entre outros eventos específicos do gênero, do "Festival Chorando Sem Parar" em 2015 com sua banda Gafieira do Pinheiro, no Teatro Arthur de Azevedo - Sede do Clube do Choro de São Paulo, bem como na Roda da Virada Cultural de 2015.

    Dentre seus trabalhos mais recentes está a Gafieira do Pinheiro – banda de música instrumental que relembra a sonoridade das bandas de baile das décadas de 40 e 50; o Grupo Batutas do Coreto - grupo de música tradicional brasileira que dentre outros trabalhos se apresentou no XI Festival de Poesia da Escola da Vila e no SESC; Em 2010 teve seu primeiro disco solo lançado no “Instrumental SESC Brasil”, um álbum duplo independente. Som na Brasa e Regional Brasileiro constituem seu portfólio de composições, além de obras dos mestres Heraldo do Monte, Maurício Carrilho, Zeca Freitas, Zé Barbeiro, Muari Vieira e Luiz Cavalcante e que conta com a participação de grandes nomes da música Instrumental Brasileira; Nenê Trio, Luciana Rabello, Celsinho Silva, Milton Mori, Roberta Valente, Manito, Paulo Aragão, Vinícius Dorin bem como, Maurício Carrilho e Zé Barbeiro.

    Atua como instrumentista na “Orquestra de Frevo Capibaribe” e “Fervo da Vila”; para o grupo do sociólogo, historiador e sambista Tadeu Kaçula, com quem participou do evento - Sambando no Municipal em comemoração do Dia Nacional do samba - 02.12.2019. Evento do qual Walter Pinheiro também compôs o palco principal do Teatro Municipal de São Paulo acompanhando os artistas mais representativos da cena do samba da cidade. Show dirigido por Everson Pessoa (ex-Quinteto Branco e Preto) com Fabiana Cozza, Germano Matias, Petróleo, Demônios da Garoa, Wilson Sucena, Wladimir Rosa, Nãnãnã da Portela, Tobias da Vai Vai e velha da Guarda da Vai- Vai, da Nenê e da Camisa Verde-Branco.

    É músico da Freedom Big Band, cuja banda se apresentou no Festival Internacional Jazz a La Calle 2019 - Mercedes - Uruguai e com quem Walter Pinheiro foi solista ao lado de Rex Richardson, Georgina Jackson, Scott Belck e Morris Nortcutt. no Trumpet Jazz Festival - 5ª Edição. Tem se apresentado em casas de jazz como Blue Note SP e Bourbom Street com o guitarrista norte americano Mark Lambert e com a banda de soul music Mr. Skobah.

    Além de toda dedicação aplicada aos estudos e realizações artísticas voltadas exclusivamente para a sua música, Walter Pinheiro foi flautista da Banda Jazz Sinfônica de Diadema de 2011 a 2013, cujo grupo participou do 45th Montreux Jazz Festival - Suíça em julho/2011 e se apresentou com Hermeto Paschoal em dezembro de 2011. É integrante do grupo ‘’Saxomania’’. Junto com o grupo Saxomania se apresentou no teatro FECAP e no Bourbon Street acompanhando o trombonista “Raul de Souza”. Na renomada casa de jazz foi realizada a gravação e transmissão ao vivo do cd Sala dos Professores – Eldorado FM, com arranjos de Walter Pinheiro. Prestando homenagem ao trombonista o grupo Saxomania, participou do programa Mosaico pela TV Cultura de São Paulo onde o grupo gravou, para sua própria promoção o programa Sr. Brasil. Participou do Festival de Jazz - Sesc Santana, Jazz na Praça – Sesc Pinheiros, do projeto de inclusão social “Ouvir para Crescer”, realizado pela Associação Teatro Cultura Artística de São Paulo e dividiu o palco do Sesc Pompéia com o trompetista “Márcio Montarroyos” no projeto “Um Sopro de Brasil”.

    Como instrumentista acompanhou Claudete Soares, além de tocar com Silvinho Mazzuca, Mozar Terra, Ulisses Rocha, Alessandro Penezzi, Naylor “Proveta” Azevedo, Alexandre Ribeiro, Filó Machado, Laércio de Freitas, Maestro Branco, Edu Ribeiro, Luizinho 7 Cordas, Marcinho Eiras, Fabio Torres, Tomati, David Richards, Naor Gomes, Célio Barros, Pepe Cisneros, Nenê, Alberto Luccas, Moisés Alves, Yaniel Matos, Rogério Botter Maio, Carlos Roberto Oliveira, Vanessa Falabella...

    Nos Estados Unidos se apresentou no Berklee Performance Center, Harvard University, Reggatta Bar, Ryles Jazz Club, Choppin’ Block, ao lado de renomados músicos como: Bob Wiener, Alon Yavnai, Oscar Stagnaro (baixista do Paquito D`Rivera, com quem gravara em 2001), Fernando Huergo, Teresa Inês, José e Vinicius Pianasola, Daniel Iam Smith, Dave Maxwel, Fernado Brandão, Sergio Brandão, Felipe Salles, Sula da Silva, João Marcos Gomes Mascarenhas, Leo Blanco, entre outros.

    De 2013 a 2015 o “Duo Madeira de Lei”, formado por Chico Macedo e Walter Pinheiro, apresentou uma série de concertos didáticos realizados em várias escolas do SESI dentro do estado de São Paulo contemplados pelo Edital de Chamamento Arte-Educação SESI 2012.

    Desenvolveu trabalho didático específico de 2003 à 2014 – “Espaço Musical Eszterháza” – Colégio Santo Américo, onde é Regente/Instrutor do projeto social intitulado“Projeto Sinfônico Eszterháza”,com crianças das creches de Paraisópolis, Jardim Colombo e Vila Morce – Morumbi – S.P., mantido pelas Obras Sociais do Mosteiro São Geraldo.

    Em julho de 1996 apresentou-se juntamente com o coral infantil “Misto Quente” no “International Chorus in Concert” (Alemanha) e na ISME, “International South Music Education” (Holanda).

Contact Information

  • Whatsapp: +55 11 99182-1995

Media | Markets

  • ▶ Instagram: regionalbrasileiro
  • ▶ Website: http://walterpinheiro.mus.br
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCjWnM71V0WzZhUtX2uZaWxw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCRU6Fv0T4dePQjLDkoV8qJw
  • ▶ Spotify: http://open.spotify.com/album/0lMbH9Duvjs52HCejbWHAI
  • ▶ Spotify 2: http://open.spotify.com/album/4aOaGVMXu7QYccsV1K0njy
  • ▶ Article: http://ufmg.br/comunicacao/noticias/compositor-paulistano-walter-pinheiro-lanca-seu-terceiro-disco

Clips (more may be added)

  • 0:06:23
    Arruda e a Gafieira | Álbum 2 Por 3 de Walter Pinheiro
    By Walter Pinheiro
    96 views
  • 0:52:41
    Walter Pinheiro | Programa Instrumental Sesc Brasil
    By Walter Pinheiro
    91 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Walter Pinheiro:

  • 2 Brazil
  • 2 Brazilian Jazz
  • 2 Choro
  • 2 Composer
  • 2 Flute
  • 2 Frevo
  • 2 MPB
  • 2 Samba
  • 2 São Paulo
  • 2 Saxophone
  • Antibalas New York City
  • Little Dragon Sweden
  • Ryuichi Sakamoto Actor
  • Frank London Multi-Cultural
  • Del McCoury Singer
  • Ben Monder Guitar
  • Amilton Godoy MPB
  • Mateus Asato Neo Fusion
  • Marcus Printup Jazz
  • Luizinho Assis Brasil, Brazil
  • Brian Jackson Brooklyn, NY
  • Adriano Souza Brazilian Jazz
  • Albin Zak Author
  • Clint Mansell Singer-Songwriter
  • Marcelo Caldi Brazil
  • Gevorg Dabaghyan Duduk
  • Zé Luíz Nascimento Paris
  • Martin Hayes Fiddle
  • Ricardo Herz Jazz
  • Muireann Nic Amhlaoibh Television Presenter
  • Yuja Wang Piano
  • Don Byron Klezmer
  • Siba Veloso Guitar
  • Pierre Onassis Samba Reggae
  • Jorge Alfredo Cantor-Compositor, Singer-Songwriter
  • Ariane Astrid Atodji African Cinema
  • Roque Ferreira Salvador
  • Nardis Jazz Club Jazz Club
  • Laura Marling London
  • Greg Osby Composer
  • Buck Jones Brasil, Brazil
  • Ronell Johnson Second Line
  • Nelson Latif Choro
  • Immanuel Wilkins Jazz
  • Dermot Hussey Washington, D.C.
  • Denzel Curry Los Angeles
  • Morten Lauridsen Contemporary Classical Music
  • Hamilton de Holanda Brazil
  • Questlove Rapper
  • Ivo Perelman Saxophone
  • Hamilton de Holanda Rio de Janeiro
  • Jaques Morelenbaum Film Scores
  • Reggie Ugwu Pop Culture Reporter
  • Walter Pinheiro Flute
  • Şener Özmen Writer
  • Bai Kamara Jr. Multi-Cultural
  • Cláudio Jorge Samba
  • Martin Fondse Piano
  • Ênio Bernardes Diretor Musical, Music Director
  • Aderbal Duarte Guitar
  • João do Boi Brazil
  • David Mattingly School of Visual Arts Faculty
  • VJ Gabiru VJ
  • Ashley Pezzotti Singer-Songwriter
  • Scotty Apex Los Angeles
  • Helado Negro Multi-Instrumentalist
  • Jill Scott Model
  • Patty Kiss Compositora, Songwriter
  • Cédric Villani Mathematics
  • Samba de Nicinha Brazil
  • Vijay Iyer Harvard University Faculty
  • Júlio Lemos Violão de Sete
  • Asa Branca Samba de Roda
  • Fábio Zanon Royal Academy of Music Visiting Professor
  • Theo Bleckmann Germany
  • Jurandir Santana Bahia
  • John Patitucci Bass Instruction
  • Joshue Ashby Violin Instruction
  • Yotam Silberstein Guitar
  • J. Velloso Salvador
  • Sérgio Pererê Multi-Instrumentalist
  • Ayrson Heráclito Cachoeira
  • Turíbio Santos Rio de Janeiro
  • Mark Stryker Detroit
  • Gord Sheard Multi-Cultural
  • Angelique Kidjo New York City
  • Roy Ayers Jazz, Funk, R&B, Soul, Hip-Hop
  • Karsh Kale कर्ष काळे Record Producer
  • Avishai Cohen אבישי כה Multi-Cultural
  • Howard Levy Keyboards
  • Moreno Veloso Singer-Songwriter
  • Raelis Vasquez Chicago
  • Manolo Badrena Puerto Rico
  • Inon Barnatan New York City
  • Mika Mutti Brazil
  • Nathan Amaral Salzburg
  • Jakub Knera Radio Presenter
  • Nilze Carvalho Samba
  • César Orozco Composer
  • Archie Shepp Record Label Owner
  • Luciana Souza São Paulo
  • Laura Marling London
  • Roy Ayers New York City
  • Paddy Groenland Guitar
  • Deborah Colker Brazil
  • Antonio Sánchez Film Scores
  • Chris Dave Jazz
  • Marcus Printup New York City
  • Ana Tijoux Rapper
  • Courtney Pine Keyboards
  • Chris Speed New York City
  • Cimafunk Cuba
  • Pedro Abib Bahia
  • Eliane Elias Singer-Songwriter
  • Tom Green Writer
  • Eddie Kadi Comedian
  • Júlio Caldas Compositor, Songwriter
  • Mart'nália Singer-Songwriter
  • Marcelinho Oliveira Keyboards
  • Nabih Bulos Beirut, Lebanon
  • Aurino de Jesus Samba
  • Mateus Aleluia Filho Candomblé
  • Negrizu Dançarino, Dancer
  • Ben Harper Reggae
  • Tshepiso Ledwaba Steinway Piano Technician
  • Lolis Eric Elie New Orleans
  • Elie Afif Dubai
  • Rumaan Alam New York City
  • Kurt Andersen Television Writer
  • Paulão 7 Cordas Music Director
  • John Patrick Murphy Accordion
  • Frank Olinsky Artist
  • Maria Rita Samba
  • Chico César Paraíba
  • Louis Marks Ropeadope
  • Sharay Reed Composer
  • James Gavin Journalist
  • Conrad Herwig Rutgers University Faculty
  • Frank Olinsky Illustrator
  • Gregory Porter Songwriter
  • Léo Rugero Música Nordestina
  • Imanuel Marcus War Correspondent
  • Jane Ira Bloom New School for Jazz and Contemporary Music Faculty
  • Nomcebo Zikode South Africa
  • Mestre Nelito Brazil
  • André Becker Saxophone
  • Julian Lage Jazz
  • Jason Parham Writer
  • Jelly Green Painter
  • Ivo Perelman Composer
  • Robi Botos Hungary
  • André Mehmari Brazil
  • Gregory Tardy Clarinet
  • Tommaso Zillio Guitar Instruction
  • Ben Cox Cinematographer
  • Peter Serkin Contemporary Classical Music
  • Lucio Yanel Gaucho Culture
  • Mick Goodrick Guitar
  • Brandon Coleman Keyboards
  • Toumani Diabaté Africa
  • Andy Romanoff Photographer
  • Jan Ramsey New Orleans
  • Wolfgang Muthspiel Record Label Owner
  • Stuart Duncan Banjo
  • Frank Olinsky Graphic Designer
  • Cara Stacey Johannesburg
  • Irma Thomas Blues
  • Ashley Page Aukland
  • Dan Weiss Composer
  • Mavis Staples Soul
  • Jonathan Scales New York City
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • Célestin Monga Cameroon
  • Rodrigo Caçapa Música Nordestina
  • Robertinho Silva Percussion
  • Deborah Colker Choreographer
  • Howard Levy Latin Jazz
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Gab Ferruz MPB
  • João do Boi Bahia
  • Jeremy Danneman Film Scores
  • Bill Callahan Singer-Songwriter
  • Denzel Curry Hip-Hop
  • Patty Kiss Brasil, Brazil
  • Neo Muyanga South Africa
  • Kris Davis Piano
  • Laércio de Freitas Brazil
  • Frank Beacham Film, Television Producer
  • Yotam Silberstein Israel
  • Maria Drell Higher Education Professional
  • Richie Pena Programmer
  • Emmet Cohen New York City
  • Beeple Graphic Designer
  • Carlinhos Pandeiro de Ouro Brazil
  • Jeremy Danneman Composer
  • Jussara Silveira Singer
  • Brian Blade Louisiana
  • J. Cunha Cenógrafo, Scenographer
  • Myles Weinstein Percussion
  • Oded Lev-Ari Music Producer
  • Adriano Giffoni Author
  • Tigran Hamasyan Piano
  • Geraldo Azevedo Música Nordestina
  • Arturo O'Farrill Latin Jazz
  • Alicia Keys New York City
  • Woody Mann Writer
  • Brad Mehldau Composer
  • Ryuichi Sakamoto Actor
  • Sunna Gunnlaugs Piano
  • Hendrik Meurkens Jazz
  • Jussara Silveira Bahia
  • Regina Carter Violin
  • Psoy Korolenko Псой Короленко Russia
  • James Grime Mathematics
  • Raymundo Sodré Chula
  • João Teoria Compositor, Composer
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Erika Goldring New Orleans
  • Zara McFarlane Vocal Coach
  • Lorna Simpson Brooklyn, NY
  • Alyn Shipton Music Critic
  • Carlos Malta Flute
  • Djuena Tikuna Indigenous Brazilian Music
  • Darren Barrett Composer
  • Rotem Sivan Jazz
  • Tab Benoit Record Label Owner
  • Arto Tunçboyacıyan Armenian Folk Music
  • Andrew Dickson Radio Presenter
  • Peter Dasent Piano
  • Utar Artun Film Scores
  • NIcholas Casey International Correspondent
  • J. Pierre Illustrator
  • Teodor Currentzis Conducter
  • Paul Mahern Indiana University Jacobs School of Music Faculty
  • Louis Marks Record Label Owner
  • Leon Parker Multi-Cultural
  • Johnathan Blake Jazz
  • Arifan Junior Diretor Musical, Music Director
  • Carrtoons Multi-Instrumentalist
  • Catherine Russell New York City
  • Daedelus Electronic Music
  • Ilê Aiyê Brazil
  • Katuka Africanidades Brasil, Brazil
  • Caroline Keane Concertina
  • Yoko Miwa Boston
  • Trombone Shorty New Orleans
  • Echezonachukwu Nduka Piano
  • Giorgi Mikadze გიორგი მიქაძე New York City
  • Ibram X. Kendi Essayist
  • Madhuri Vijay India
  • Joanna Majoko Toronto
  • Munir Hossn Salvador
  • Frank Olinsky Parson's School of Design Faculty
  • Arthur Verocai MPB
  • Adriana L. Dutra Rio de Janeiro
  • Marcus Teixeira Guitar Instruction
  • Marcus Gilmore New York City
  • Donnchadh Gough Bodhrán
  • Roberto Fonseca Jazz
  • Şener Özmen Poet
  • Matt Garrison Composer
  • Osvaldo Golijov College of the Holy Cross Faculty
  • Larnell Lewis Jazz, Funk, R&B, Soul
  • Diana Fuentes Cuba
  • Kathy Chiavola Singer
  • Mike Compton Nashville, Tennessee
  • Ben Paris Writer
  • Caoimhín Ó Raghallaigh Hardanger d'Amoré 10-string Fiddle
  • Eric Galm Caribbean Studies
  • Art Rosenbaum Muralist
  • Jorge Pita Bahia
  • Super Chikan Mississippi
  • David Hoffman YouTuber
  • Alan Bishop Cairo
  • Kiya Tabassian كيا طبسيان Composer
  • Madhuri Vijay Novelist
  • Jason Parham Editor
  • Marta Sánchez Piano
  • Ben Monder Jazz
  • John Santos Cape Verde
  • Oscar Bolão Brazil
  • Charles Munka Hong Kong
  • Lauranne Bourrachot Movie Producer
  • Thiago Espírito Santo Guitarra, Guitar
  • Gian Correa Choro
  • Joe Newberry Raleigh
  • Courtney Pine Jazz
  • Ryuichi Sakamoto Japan
  • Marvin Dunn Writer
  • OVANA Angola
  • Jerry Douglas Guitar
  • Jorge Ben Rio de Janeiro
  • Bill Hinchberger Communications Consultant
  • Bebê Kramer Brazil
  • Julia Alvarez Writer
  • Yola Country
  • Marcus Printup Trumpet
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Shemekia Copeland Chicago
  • César Camargo Mariano Composer
  • Otis Brown III Drums
  • Clint Mansell Composer
  • Gab Ferruz Cantora-Compositora, Singer-Songwriter
  • Ken Coleman Black American Culture & History
  • MonoNeon Singer-Songwriter
  • Giveton Gelin Bahamas
  • Maria Drell Produção Cultural, Cultural Production
  • Tomoko Omura Composer
  • Gretchen Parlato Singer
  • THE ROOM Shibuya Cocktail Bar
  • Corey Harris Blues
  • Oswaldinho do Acordeon Brazil
  • Barney McAll Australia
  • Anthony Hervey Jazz
  • Esperanza Spalding Singer
  • Bobby Fouther Educator
  • Lakecia Benjamin Composer
  • Matt Glaser Composer
  • Frank London Composer
  • Ryuichi Sakamoto Composer
  • Cristovão Bastos Samba
  • Dave Douglas Record Label Owner
  • Elisa Goritzki Brazil
  • Eric Galm Ethnomusicologist
  • Alexandre Vieira Cantor, Singer
  • Ben Street Bass
  • Kiko Freitas Brazil
  • Tambay Obenson Cultural Critic
  • Fapy Lafertin Manouche
  • Emily Elbert Folk Funk Jazz Blues
  • Tom Oren Jazz
  • Yunior Terry Jazz
  • Gavin Marwick Composer
  • Errollyn Wallen Royal Conservatoire of Scotland
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