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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Jorge Glem
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Jorge Glem
  • City/Place: Brooklyn, New York
  • Country: United States

Life & Work

  • Bio: Jorge Glem is a cuatro player from Venezuela, now living in the United States:

    Cuatrista, mandolinista, arreglista, compositor y productor musical, nacido en Cumaná, estado Sucre, Venezuela. Comienza su formación musical a la edad de 6 años; estudia cuatro con los profesores Eberto Zapata y Alexander Mariña y mandolina bajo la guía del profesor Ángel Luis Piñero. En año 2004 logra el primer lugar, “Mejor Cuatrista -Mejor Agrupación Musical”, en el Festival de Música Llanera El Silbón de Oro” y el segundo lugar en el I Concurso Internacional La Siembra del Cuatro; en la edición del año siguiente gana el primer lugar de afinación tradicional.

    En 2008, participó en el 2do Cuatro Encuentro en el Conservatorio de Música de Puerto Rico, en San Juan, junto a Edwin Colón Zayas e hizo un concierto de cuatro puertorriqueño y cuatro venezolano con Christian Nieves. Es integrante de C4 Trío; Saúl Vera y su Ensamble; Ensamble de la Radio Nacional de Venezuela; César Orozco y su Kamarata Jazz; Marco Granados; enCayapa; Alexis Cárdenas y Trío Fusiones.

    Ha participado como acompañante de varias agrupaciones del país, entre las que destacan: la Orquesta Sinfónica Simón Bolívar, Ensamble Gurrufío, Serenata Guayanesa y El Cuarteto. También ha acompañado a prestigiosos músicos y cantantes, tales como Cheo Hurtado, Aldemaro Romero, Leo Blanco, Huáscar Barradas, Alirio Díaz, Saúl Vera, Ruperto Tico Páez, Toñito Naranjo, Alberto Cheché Requena, Jaime Martínez, María Rodríguez, Hernán Marín, Rafael el Pollo Brito y Lilia Vera, entre muchos más.

    En 2005, bajo el título Jorge Glem. Cuatro sentido, ofrece su primera producción musical como cuatrista solista y en 2009 lanza su segundo disco como solista auspiciado por el Concurso Internacional La Siembra del Cuatro. Como invitado, ha participado en más de 40 producciones con agrupaciones y músicos como Guaco, Ensamble Gurrufío, Cuarteto de Clarinetes de Caracas, Ofelia del Rosal, Ed Simon, Gerardo Rosales, Christian Nieves, Alberto Cheché Requena, Alexis Cárdenas y Aquiles Báez.

Contact Information

  • Contact by Webpage: http://jorgeglem.com/contact/
  • Management/Booking: CieloMar Entertainment
    Manager: Alexandra Rodas-Neira
    [email protected]
    +1-646-554-6088

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://jorgeglem.com/discography/
  • ▶ Twitter: jorgeglem
  • ▶ Instagram: jorgeglem
  • ▶ Website: http://jorgeglem.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCaJSxNpZXZY7HCe9NQun1wg
  • ▶ Spotify: http://open.spotify.com/album/2MG0iMoEPcF2qqgjqOndzA
  • ▶ Spotify 2: http://open.spotify.com/album/3E30BZBFwUHDR38yfNznDY
  • ▶ Spotify 3: http://open.spotify.com/album/4mWg467tMiPr7WeGH01a32
  • ▶ Spotify 4: http://open.spotify.com/album/6Tc5JeNMTJIhWnEZF9Mzoz
  • ▶ Spotify 5: http://open.spotify.com/album/03mA4fTu1e3OZ16OEXiY3c
  • ▶ Spotify 6: http://open.spotify.com/album/2DhUvcZ7q2WfobuPJCPYbz

Clips (more may be added)

  • Pajarillo
    By Jorge Glem
    435 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Jorge Glem:

  • 1 Composer
  • 1 Cuatro
  • 1 Mandolin
  • 1 New York City
  • 1 Venezuela
  • Brandee Younger New School College of Performing Arts Faculty
  • Brian Stoltz Guitar
  • Frank Negrão Composer
  • Pedro Aznar Buenos Aires
  • Jake Webster Indiana
  • Marília Sodré Violão, Guitar
  • Jorge Washington AfroChef
  • Marcus Strickland Jazz
  • Mestre Nenel Brazil
  • Victor Wooten Multi-Instrumentalist
  • Nath Rodrigues Minas Gerais
  • Lionel Loueke Jazz
  • Fidelis Melo Jornalista, Journalist
  • Andrew Finn Magill Jazz
  • Marilda Santanna Escritora, Writer
  • Safy-Hallan Farah Writer
  • Gregory Hutchinson Drumming Instruction
  • Tim Hittle Filmmaker
  • Christopher James New York City
  • Tom Bergeron Saxophone
  • Baiba Skride Violin
  • John Medeski Funk
  • Charles Munka Hong Kong
  • Nomcebo Zikode South Africa
  • Christopher Seneca Writer
  • Cinho Damatta Salvador
  • James Andrews Funk
  • Arturo Sandoval Film Scores
  • Seth Swingle Kora
  • Yvette Holzwarth Singer
  • Gilson Peranzzetta Accordion
  • Helado Negro Latin Experimental Music
  • The Assad Brothers Classical Guitar
  • Igor Osypov Germany
  • Tonynho dos Santos Teclado, Keyboards
  • Darren Barrett Composer
  • Fernando Brandão Author
  • Bill Frisell Americana
  • Conrad Herwig Jazz
  • Júlio Lemos San Francisco
  • Immanuel Wilkins Saxophone
  • David Simon Baltimore, Maryland
  • Carlos Malta Pífano
  • Joey Alexander New York City
  • Monarco Brazil
  • Restaurante Axego Restaurant
  • William Parker Essayist
  • Duane Benjamin Orchestrator
  • Daru Jones Nashville, TN
  • Steve Lehman CalArts Music Faculty
  • THE ROOM Shibuya Japan
  • The Assad Brothers Classical Guitar
  • Jonga Cunha Radio Presenter
  • Nardis Jazz Club Istanbul
  • Frank Negrão Bass
  • Daedelus Record Producer
  • Zé Katimba Samba
  • Joanna Majoko Jazz
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Daymé Arocena Jazz
  • Scotty Barnhart Author
  • Pedro Abib Federal University of Bahia Faculty
  • Negrizu Dançarino, Dancer
  • BIGYUKI Brooklyn, NY
  • Dan Weiss Tabla
  • Gilmar Gomes Guitar
  • Tedy Santana Bahia
  • Roy Nathanson Classical Music
  • Jeff Tweedy Singer-Songwriter
  • Nêgah Santos Pandeiro
  • Ron McCurdy Trumpet
  • Ben Hazleton Double Bass
  • Merima Ključo Composer
  • Michael Doucet Mandolin
  • Alex de Mora Photographer
  • Brandon J. Acker Theorbo
  • Nath Rodrigues Brazil
  • Edmar Colón Saxophone
  • Arthur Verocai Brazil
  • Shannon Ali Liner Notes
  • Jakub Józef Orliński Countertenor
  • Keola Beamer Composer
  • Emicida Rapper
  • Nate Chinen Jazz
  • Djuena Tikuna Tikuna
  • Cécile McLorin Salvant New York City
  • Cristovão Bastos MPB
  • Michael League Multi-Instrumentalist
  • Conrad Herwig Trombone
  • Muireann Nic Amhlaoibh Celtic
  • Ashley Page Music Management
  • Dafnis Prieto Cuba
  • James Shapiro Columbia University Faculty
  • Maria Rita Samba
  • Nancy Ruth Vocal Instruction
  • Fred P Berlin
  • D.D. Jackson Composer
  • Olga Mieleszczuk Warsaw
  • Conrad Herwig Rutgers University Faculty
  • Lolis Eric Elie Filmmaker
  • Tal Wilkenfeld Singer-Songwriter
  • Lianne La Havas Singer-Songwriter
  • Garvia Bailey Writer
  • Chucho Valdés Piano
  • Kamasi Washington Saxophone
  • Larry Achiampong Ghana
  • Lucía Fumero Piano
  • Hercules Gomes Samba
  • Concha Buika Singer-Songwriter
  • Ajurinã Zwarg Rio de Janeiro
  • Niwel Tsumbu Composer
  • Nicolas Krassik Choro
  • Mingo Araújo Brazil
  • Roberto Fonseca Cuba
  • Eliane Elias New York City
  • Henrique Cazes Choro
  • Woody Mann Americana
  • Celso de Almeida Brazil
  • Gustavo Di Dalva Salvador
  • Jared Jackson Harlem
  • D.D. Jackson Opera
  • Mark Lettieri Composer
  • James Carter Contemporary Classical Music
  • Toninho Horta Minas Gerais
  • Martin Hayes Irish Traditional Music
  • Roberta Sá Brazil
  • Pedro Aznar Guitar
  • Mika Mutti Electronic Music
  • Katuka Africanidades Editora de Livros, Book Publisher
  • Sam Yahel Jazz
  • Keshav Batish Drums
  • Mike Moreno Manhattan School of Music Faculty
  • Casey Benjamin R&B
  • Nick Douglas Journalist
  • Bebê Kramer Brazilian Jazz
  • Loli Molina Piano
  • Rodrigo Caçapa Pernambuco
  • Paulo César Figueiredo Brasil, Brazil
  • Jimmy Greene Western Connecticut State University Faculty
  • Monarco Singer-Songwriter
  • Fred P Composer
  • Tommaso Zillio Author
  • Gabriel Geszti Brasil, Brazil
  • Nic Hard Record Producer
  • Chau do Pife Maceió
  • 9Bach Wales
  • Toninho Nascimento Belém do Pará
  • Kurt Andersen Playwright
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
  • Gevorg Dabaghyan Duduk
  • Rumaan Alam Literary Critic
  • Toumani Diabaté Multi-Cultural
  • Shemekia Copeland Singer
  • João Camarero Violão de Sete
  • Teodor Currentzis Classical Music
  • Mart'nália Rio de Janeiro
  • Milton Primo Brazil
  • Thana Alexa Jazz
  • Adriano Souza Brazil
  • Sparrow Roberts Bahia
  • Lynn Nottage Columbia University Faculty
  • James Martins Locutor de Rádio, Radio Presenter
  • Luíz Paixão Fiddle
  • Richard Bona Jazz
  • Edward P. Jones Writer
  • Lenny Kravitz Photographer
  • Betsayda Machado Tambor
  • J. Period Remixer
  • J. Velloso Record Producer
  • Monk Boudreaux Louisiana
  • Ron Mader Writer
  • Joshua Abrams Theater Scores
  • Walter Ribeiro, Jr. MPB
  • Ana Luisa Barral Mandolin
  • Howard Levy Harmonica Instruction
  • Nduduzo Makhathini South Africa
  • Kurt Andersen Journalist
  • Mestre Nenel Bahia
  • MonoNeon Bass
  • Bruce Molsky Old-Time Music
  • Fred P Deep House
  • Chief Xian aTunde Adjuah Trumpet
  • George Cables Composer
  • Henrique Araújo Brazil
  • Yuja Wang China
  • Airto Moreira Percussion
  • Shaun Martin Jazz
  • Christopher James Piano
  • Robin Eubanks Jazz
  • Zigaboo Modeliste Second Line
  • Luciano Salvador Bahia Piano
  • Nego Álvaro Brazil
  • Oswaldinho do Acordeon Forró
  • Terence Blanchard Trumpet
  • Angel Deradoorian Music Producer
  • Arthur Jafa Video Artist
  • Frank Negrão Funk
  • Ferenc Nemeth Composer
  • Mateus Alves Recife
  • Scott Kettner Jazz
  • Omar Sosa Marimba
  • Ivan Huol Bahia
  • Bill T. Jones New York City
  • Eric Alexander New York City
  • Anthony Hervey Actor
  • Shamarr Allen Singer-Songwriter
  • Lenine Record Producer
  • Jeff Tweedy Americana
  • Dave Holland Composer
  • Serwah Attafuah NFTs
  • China Moses Jazz
  • Iroko Trio Brazil
  • Ry Cooder Multi-Cultural
  • Gerônimo Santana Brazil
  • Jas Kayser Panama City
  • Billy O'Shea Denmark
  • Miguel Atwood-Ferguson DJ
  • Gilberto Gil MPB
  • Manu Chao Multi-Cultural
  • Donald Vega Jazz
  • André Becker Salvador
  • Natan Drubi Samba
  • Siobhán Peoples Irish Traditional Music
  • Bisa Butler Black American Culture & History
  • Avishai Cohen אבישי כה Bass
  • Massimo Biolcati Brooklyn, NY
  • Iroko Trio São Paulo
  • Tito Jackson R&B
  • Bruce Molsky Fiddle Instruction
  • Arto Lindsay MPB
  • Kamasi Washington Multi-Cultural
  • Aaron Parks Brooklyn, NY
  • Raelis Vasquez Chicago
  • Sharita Towne Stereo Photography
  • Daru Jones Jazz
  • Carlinhos 7 Cordas Samba
  • Fábio Peron Bandolim, Mandolin
  • Bobby Vega San Francisco, California
  • Molly Tuttle Bluegrass
  • Ana Luisa Barral Choro
  • Dave Douglas Multi-Cultural
  • Antonio García Jazz
  • Tommy Peoples Donegal Fiddle
  • Brandon Wilner New York City
  • Bebel Gilberto MPB
  • Scott Devine United Kingdom
  • Thomas Àdes Piano
  • Magary Lord Salvador
  • Anat Cohen Israel
  • Richie Pena Programmer
  • Isaias Rabelo Brazilian Jazz
  • Little Dragon Electronic Music
  • Mokhtar Samba Percussion
  • Samba de Nicinha Samba de Roda
  • Román Díaz Havana
  • Ênio Bernardes Choro
  • Casa Preta Brasil, Brazil
  • Aaron Parks Jazz
  • Larissa Luz Singer-Songwriter
  • Luciano Salvador Bahia Salvador
  • Itamar Vieira Júnior Writer
  • Aubrey Johnson Jazz
  • Bernardo Aguiar Percussion Instruction
  • Gel Barbosa Luthier
  • Keola Beamer Hawaiian Music
  • Daniel Jobim Brazil
  • Laura Beaubrun Haiti
  • Rosa Passos Singer-Songwriter
  • Jeremy Pelt Trumpet Instruction
  • Ashley Page Record Label Owner
  • Brian Lynch Jazz
  • Raynald Colom Spain
  • Nduduzo Makhathini Piano
  • Natalia Contesse Singer-Songwriter
  • David Mattingly Artist
  • Patricia Janečková Prague
  • Joatan Nascimento Federal University of Bahia Faculty
  • Natan Drubi Brasil, Brazil
  • Ben Okri Short Stories
  • Berkun Oya Playwright
  • Yotam Silberstein Guitar
  • Dhafer Youssef ظافر يوسف Singer
  • Nettrice R. Gaskins Ford Global Fellow
  • Steve McKeever Entertainment Lawyer
  • Kotringo Piano
  • Elif Şafak Turkey
  • Vanessa Moreno MPB
  • Bruce Williams Composer
  • Milton Primo Singer-Songwriter
  • Magary Lord AFROBIZ Salvador
  • Makaya McCraven Record Producer
  • Clarice Assad Singer
  • Mônica Salmaso MPB
  • Asali Solomon Writer
  • Margareth Menezes Afropop
  • Michael Formanek Double Bass
  • Africania Candomblé
  • Zebrinha Cineasta Documentarista, Documentary Filmmaker
  • Ron Wyman Documentary Filmmaker
  • Margareth Menezes Brazil
  • Serwah Attafuah Digital 3D Artist
  • Osvaldo Golijov Composer
  • Béco Dranoff New York City
  • Kaia Kater Singer-Songwriter
  • Shannon Sims Brazil
  • Jovino Santos Neto Brazil
  • Jay Blakesberg Photographer
  • James Grime YouTuber
  • Celsinho Silva Rio de Janeiro
  • Don Byron Clarinet
  • Sarz Afrobeat
  • Neymar Dias Brazil
  • João Camarero Brazil
  • Roy Nathanson Jazz
  • Custódio Castelo Castelo Branco
  • Negrizu Ator, Actor
  • José James Jazz
  • Fernando Brandão Samba
  • Eddie Kadi Actor
  • Stormzy Singer-Songwriter
  • Rez Abbasi Indian Classical Music
  • Alphonso Johnson CalArts Music Faculty
  • Frank Beacham Writer
  • Léo Rugero Ethnomusicologist
  • Berta Rojas Paraguay
  • Congahead African Music
  • Pharoah Sanders Saxophone
  • Otto Recife
  • Rosa Cedrón Galicia
  • Kaveh Rastegar Los Angeles
  • Milton Nascimento Minas Gerais
  • Colson Whitehead Literary Critic
  • Carlos Aguirre Piano
  • Bobby Sanabria New York City
  • Carl Allen Drums
  • Adonis Rose Composer
  • Nathan Amaral Violin
  • Welson Tremura Singer
  • Asa Branca Federal University of Bahia Faculty
  • Ênio Bernardes Diretor Musical, Music Director
  • Jovino Santos Neto Brazilian Jazz
  • Los Muñequitos de Matanzas Cuba
  • Jill Scott Poet
  • Germán Garmendia YouTuber
  • Pedro Aznar Buenos Aires
  • Rita Batista Brasil, Brazil
  • Mestre Nelito Capoeira Angola
  • Adriano Giffoni Brazil
  • Archie Shepp Record Label Owner
  • Merima Ključo Accordion

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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